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Teaching a Rhythm Roots Workshop Residency at Cerenity Humboldt Senior Care center in St Paul. (https://cerenityseniorcare.org/cerenity-senior-care…/). 8th in a series of 9 workshops exploring cultural rhythms from an array of world traditions. Wednesday June 7th 2023 130-3pm
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First, spiral galaxy M94 has an inner ring of newly formed stars surrounding its nucleus, giving it not only an unusual appearance but also a strong interior glow. A leading origin hypothesis holds that an elongated knot of stars known as a bar rotates in M94 and has generated a burst of star formation in this inner ring. Observations have also revealed another ring, an outer ring, one that is more faint, different in color, not closed, and relatively complex. What caused this outer ring is currently unknown. M94, pictured here, spans about 45,000 light years in total, lies about 15 million light years away, and can be seen with a small telescope toward the constellation of the Hunting Dogs (Canes Venatici).
more...Jonathan Paul Clegg, OBE OIS (7 June 1953 – 16 July 2019) was a South African musician, singer-songwriter, dancer, anthropologist and anti-apartheid activist.
He first performed as part of a duo – Johnny & Sipho – with Sipho Mchunu which released its first single, Woza Friday in 1976. The two then went on to form the band Juluka which released its debut album in 1979. In 1986, Clegg founded the band Savuka, and also recorded as a solo act, occasionally reuniting with his earlier band partners. Sometimes called Le Zoulou Blanc (French: [lə zulu blɑ̃], for “The White Zulu“), he was an important figure in South African popular music and a prominent white figure in the resistance to apartheid, becoming for a period the subject of investigation by the security branch of the South African Police. His songs mixed English with Zulu lyrics, and also combined idioms of traditional African music with those of modern Western styles.
more...Harold Floyd “Tina” Brooks (June 7, 1932 – August 13, 1974) was an American jazz tenor saxophonistand composer best remembered for his work in the hard bop style.
Harold Floyd Brooks was born in Fayetteville, North Carolina, and was the brother of David “Bubba” Brooks. The nickname “Tina”, pronounced Teena, was a variation of “Teeny”, a childhood moniker. His favourite tune was “My Devotion”. He studied harmony and theory with Herbert Bourne.
Initially, he studied the C-melody saxophone, which he began playing shortly after he moved to New York with his family in 1944. Brooks’ first professional work came in 1951 with rhythm and blues pianist Sonny Thompson, and in 1955 Brooks played with vibraphonist Lionel Hampton. Brooks also received less-formal guidance from trumpeter and composer “Little” Benny Harris, who led the saxophonist to his first recording as a leader. Harris recommended Brooks to Blue Note producer Alfred Lion in 1958. Brooks did not record after 1961. Plagued by heroin dependency, and gradually deteriorating health, he died of liver failure at age 42.
more...Talmage Holt Farlow (June 7, 1921 – July 25, 1998) was an American jazz guitarist. He was nicknamed “Octopus” because of how his large, quick hands spread over the fretboard.
Talmage Holt Farlow was born in Greensboro, North Carolina, United States. He taught himself how to play guitar, which he started when he was 22 years old. He learned chord melodies by playing a mandolin tuned like a ukulele. He said playing the ukulele was the reason he used the higher four strings on the guitar for the melody and chord structure, with the two bottom strings for bass counterpoint, which he played with his thumb. His only professional training was as an apprentice sign painter. He requested the night shift so he could listen to big band standards on the shop radio. He listened to Bix Beiderbecke, Louis Armstrong, and Eddie Lang. His career was influenced by hearing Charlie Christian playing electric guitar with the Benny Goodman band. He said he made his own electric guitar because he could not afford to purchase one.
Farlow employed artificial harmonics and tapped his guitar for percussion, creating a flat, snare drum sound or a hollow backbeat like the bongos. His large, quick hands earned him the nickname “The Octopus”.
more...Three prominent dust lanes that give the Trifid its name all come together. Mountains of opaque dust appear near the bottom, while other dark filaments of dust are visible threaded throughout the nebula. A single massive star visible near the center causes much of the Trifid’s glow. The Trifid, cataloged as M20, is only about 300,000 years old, making it among the youngest emission nebulas known. The star forming nebula lies about 9,000 light years away toward the constellation of the Archer (Sagittarius). The region pictured here spans about 20 light years.
more...Paul Norris Bollenback (born June 6, 1959) is a jazz guitarist who has appeared on Entertainment Tonight, The Tonight Show, The Today Show, Joan Rivers, and Good Morning America. He has performed with Scott Ambush, Charlie Byrd, Joey DeFrancesco, Herb Ellis, Della Reese, Arturo Sandoval, and Stanley Turrentine. He is cited as a guitarist who uses modern quartal harmony.
Bollenback moved to India with his family when he was 11. After three years, the family returned to the U.S. and Bollenback began listening to rock music. He put down his nylon-string guitar and picked up an electric. He cites his discovery of Miles Davis as a pivotal moment in his life. He attended the University of Miami. In 1997, he began teaching at American University.
more...James Melvin Lunceford (June 6, 1902 – July 12, 1947) was an American jazz alto saxophonist and bandleader in the swing era. Lunceford was born on a farm in the Evergreen community, west of the Tombigbee River, near Fulton, Mississippi, United States. The 53-acre (21 ha) farm was owned by his father, James. His mother was Idella (“Ida”) Shumpert of Oklahoma City, an organist of “more than average ability”. Seven months after James Melvin was born, the family moved to Oklahoma City.
The family next moved to Denver where Lunceford attended high school and studied music under Wilberforce J. Whiteman, father of Paul Whiteman, whose band was soon to acquire a national reputation. As a child in Denver, he learned several instruments. After high school, Lunceford continued his studies at Fisk University. In 1922, he played alto saxophone in a local band led by the violinist George Morrison which included Andy Kirk, another musician destined for fame as a bandleader.
After playing McElroy’s Ballroom in Portland, Lunceford and his orchestra were in Seaside, Oregon, to play at The Bungalow dance hall on July 12, 1947. Before the performance Lunceford collapsed during an autograph session at a local record store. He died while being taken by ambulance to the Seaside hospital. Lunceford was 45. Dr Alton Alderman performed an autopsy in nearby Astoria, Oregon, and concluded that Lunceford died of coronary occlusion.
more...Montgomery Bernard “Monty” Alexander OJ (born 6 June 1944) is a Jamaican jazz pianist. His playing has a Caribbean influence and bright swinging feeling, with a strong vocabulary of bebop jazz and blues rooted melodies. He was influenced by Louis Armstrong, Duke Ellington, Erroll Garner, Nat King Cole, Oscar Peterson, Ahmad Jamal, Les McCann, and Frank Sinatra. Alexander also sings and plays the melodica. He is known for his surprising musical twists, bright rhythmic sense, and intense dramatic musical climaxes. Monty’s recording career has covered many of the well-known American songbook standards, jazz standards, pop hits, and Jamaican songs from his original homeland. Alexander has resided in New York City for many years and performs frequently throughout the world at jazz festivals and clubs.
Alexander was born on 6 June 1944 in Kingston, Jamaica. He discovered the piano when he was four years old and seemed to have a knack for picking melodies out by ear. His mother sent him to classical music lessons at the age of six and he became interested in jazz piano at the age of 14. He began playing in clubs, and on recording sessions by Clue J & His Blues Blasters, subbing for Aubrey Adams, whom he describes as his hero, when he was unable to play. Two years later, he directed a dance orchestra (Monty and the Cyclones) and played in the local clubs covering much of the 1960s early rock and pop dance hits. Performances at the Carib Theater in Jamaica by Louis Armstrong and Nat King Cole left a strong impression on the young pianist.
more...Grant Green (June 6, 1935 – January 31, 1979) was an American jazz guitarist and composer.
Recording prolifically for Blue Note Records as both leader and sideman, Green performed in the hard bop, soul jazz, bebop, and Latin-tinged idioms throughout his career. Critics Michael Erlewine and Ron Wynnwrite, “A severely underrated player during his lifetime, Grant Green is one of the great unsung heroes of jazz guitar … Green’s playing is immediately recognizable – perhaps more than any other guitarist.” Critic Dave Hunter described his sound as “lithe, loose, slightly bluesy and righteously groovy”. He often performed in an organ trio, a small group featuring a Hammond organ and drummer.
Apart from fellow guitarist Charlie Christian, Green’s primary influences were saxophonists, particularly Charlie Parker, and his approach was therefore almost exclusively linear rather than chordal. He thus rarely played rhythm guitar except as a sideman on albums led by other musicians. The simplicity and immediacy of Green’s playing, which tended to avoid chromaticism, derived from his early work playing rhythm and bluesand, although he achieved a synthesis of this style with bop, he was a highly skilled blues and funk guitarist and returned to this style in his later career.
Grant Green was born on June 6, 1935 in St. Louis, Missouri to John and Martha Green. His father was at various times a laborer and a Saint Louis policeman. While in New York to play an engagement at George Benson‘s Breezin’ Lounge, he collapsed in his car of a heart attack and died on January 31, 1979.
more...The jellyfish galaxy JO206 trails across this image from the NASA/ESA Hubble Space Telescope, showcasing a colourful star-forming disc surrounded by a pale, luminous cloud of dust. A handful of bright stars with criss-cross diffraction spikes stand out against an inky black backdrop at the bottom of the image. JO206 lies over 700 million light-years from Earth in the constellation Aquarius, and this image of the galaxy is the sixth and final instalment in a series of observations of jellyfish galaxies. Some of Hubble’s other observations of these peculiar galaxies — which range from grandiose to ghostly — are available here. Jellyfish galaxies are so-called because of their resemblance to their aquatic namesakes. In this image, the disc of JO206 is trailed by long tendrils of bright star formation that stretch towards the bottom right of this image, just as jellyfish trail tentacles behind them. The tendrils of jellyfish galaxies are formed by the interaction between galaxies and the intra-cluster medium, a tenuous superheated plasma that pervades galaxy clusters. As galaxies move through galaxy clusters they ram into the intracluster medium, which strips gas from the galaxies and draws it into the long tendrils of star formation. The tentacles of jellyfish galaxies give astronomers a unique opportunity to study star formation under extreme conditions, far from the influence of the main disc of the galaxy. Surprisingly, Hubble revealed that there are no striking differences between star formation in the discs of jellyfish galaxies and star formation in their tentacles, which suggests the environment of newly-formed stars has only a minor influence on their formation. [Image Description: A spiral galaxy that is tilted partially toward us. Its inner disc is bright and colourful, with bluish and reddish spots of star formation throughout the arms. An outer disc of pale, dim dust surrounds it. It has many arms, which are being pulled away from the disc
more...Peter Erskine (born June 5, 1954) is an American jazz drummer who was a member of the jazz fusiongroups Weather Report and Steps Ahead. Erskine was born in Somers Point, New Jersey, U.S. He began playing the drums at the age of four. He graduated from the Interlochen Arts Academy in Michigan, then studied percussion at Indiana University.
His professional music career started in 1972 when he joined the Stan Kenton Orchestra. After four years with Kenton, he joined Maynard Ferguson for two years. In 1978, he joined Weather Report, joining Jaco Pastorius in the rhythm section. After four years and five albums with Weather Report and the Jaco Pastorius big band’s Word of Mouth, he joined Steps Ahead.
In 1983, he performed on the Antilles Records release Swingrass ’83. He toured the US in 1992 with Chick Corea.
more...Jerry González (June 5, 1949 – October 1, 2018) was an American bandleader, trumpeter and percussionist of Puerto Rican descent. Geraldo, his father, was a singer in a band and worked for Las Villas, a chain of stores selling Latin American products. Jerry, who liked the trumpet and studied it carefully, but also the congas was a member of Cal Tjader Callen Radcliffe Tjader Jr. an American Jazz musician, known as the most successful non-Latino of Latin Jazz. Together Jerry Gonzalez with his brother, bassist Andy González, played an important role in the development of Latin Jazz during the late 20th century. During the 1970s, both played alongside Eddie Palmieri and in Manny Oquendo‘s Conjunto Libre, and from 1980 to 2018 they directed The Fort Apache Band. From 2000 to 2018, Jerry González resided in Madrid, where he fronted Los Piratas del Flamenco and El Comando de la Clave. In October 2018, he died of a heart attack after a fire in his home in Madrid.
Jerry González was born in 1949 in Manhattan, on 158th Street and 3rd Avenue, and moved to the Edenwald Houses in the Eastchester section of the Bronx at the age of 4.
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Laura Phillips “Laurie” Anderson (born June 5, 1947) is an American avant-garde artist, composer, musician, and film director whose work spans performance art, pop music, and multimedia projects. Initially trained in violin and sculpting, Anderson pursued a variety of performance art projects in New York during the 1970s, focusing particularly on language, technology, and visual imagery. She became more widely known outside the art world when her song “O Superman” reached number two on the UK singles chart in 1981. Her debut album Big Science was released the following year. She also starred in and directed the 1986 concert film Home of the Brave.
Anderson is a pioneer in electronic music and has invented several devices that she has used in her recordings and performance art shows. In 1977, she created a tape-bow violin that uses recorded magnetic tape on the bow instead of horsehair and a magnetic tape head in the bridge. In the late 1990s, she collaborated with Interval Research to develop an instrument she called a “talking stick,” a six-foot-long (1.8 m) baton-like MIDI controller that can access and replicate sounds.
Anderson met singer-songwriter Lou Reed in 1992, and she was married to him from April 2008 until his death in 2013.
Laura Phillips Anderson was born in Glen Ellyn, Illinois, on June 5, 1947, the daughter of Mary Louise (née Rowland) and Arthur T. Anderson. She had seven siblings, and on weekends she studied painting at the Art Institute of Chicago and played with the Chicago Youth Symphony.
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Gordon “Specs” Powell (June 5, 1922 – September 15, 2007) was a jazz drummer who began performing in the swing era.
Specs was the first black staff musician hired by CBS in 1943. Born in New York City, he started on piano but became exclusively a drummer in the late 1930s. He worked with Edgar Hayes (1939), Benny Carter (1941–42), and Ben Webster. He played percussion on the Ed Sullivan Show in the early 1960s and remained active professionally until the 1970s. At some point in the early 1960s he approached the Latin percussion maker Martin Cohen and had Cohen make for him an early (perhaps the first) bongo stand. In 2004 he was inducted into the Big Band Jazz Hall of Fame.
Powell was also a photographer, and his photographic archives of 2500 images are preserved in the Tom and Ethel Bradley Center at California State University, Northridge. He died in San Diego of kidney disease at the age of 85.
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