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The Black Eye Galaxy (also called Sleeping Beauty Galaxy or Evil Eye Galaxy and designated Messier 64, M64, or NGC 4826) is a relatively isolated spiral galaxy 17 million light-years away in the mildly northern constellation of Coma Berenices. It was discovered by Edward Pigott in March 1779, and independently by Johann Elert Bode in April of the same year, as well as by Charles Messier the next year. A dark band of absorbing dust partially in front of its bright nucleus gave rise to its nicknames of the “Black Eye”, “Evil Eye”, or “Sleeping Beauty” galaxy. M64 is well known among amateur astronomers due to its form in small telescopes and visibility across inhabited latitudes.
This galaxy is inclined 60° to the line-of-sight and has a position angle of 112°. At the distance of this galaxy, it has a linear scale of 65 ly (20 pc) per arcsecond. The morphological classification in the De Vaucouleurs system is (R)SA(rs)ab, where the ‘(R)’ indicates an outer ring-like structure, ‘SA’ denotes a non-barred spiral, ‘(rs)’ means a transitional inner ring/spiral structure, and ‘ab’ says the spiral arms are fairly tightly wound. Ann et al. (2015) gave it a class of SABa, suggesting a weakly barred spiral galaxy with tightly wound arms.
M64 is a type 2 Seyfert galaxy with an HII/LINER nucleus. The central region is a weak source of radio emission. A soft X-ray source has been detected at the nucleus, which is most likely coming from the circumnuclear region rather than directly from an active galactic nucleus. There is an inner disk of molecular gas that is truncated at a radius of 2,300 ly (700 pc). At present, the non-rotational motions of this disk do not significantly feed the core, but the disk does produce a vigorous rate of starformation, with also approximately 100 billion stars inside the galaxy. There is also evidence of a recent large inflow of mass.
Anthony Braxton (born June 4, 1945) is an American experimental composer, educator, music theorist, improviser and multi-instrumentalist who is best known for playing saxophones, particularly the alto. Braxton grew up on the South Side of Chicago, Illinois, and was a key early member of the Association for the Advancement of Creative Musicians. He received great acclaim for his 1969 double–LP record For Alto, the first full-length album of solo saxophone music.
A prolific composer with a vast body of cross-genre work, the MacArthur Fellow and NEA Jazz Master has released hundreds of recordings and compositions. During six years signed to Arista Records, the diversity of his output encompassed work with many members of the AACM, including duets with co-founder and first president Muhal Richard Abrams; collaborations with electronic musician Richard Teitelbaum; a saxophone quartet with Julius Hemphill, Oliver Lake and Hamiet Bluiett; compositions for four orchestras; and the ensemble arrangements of Creative Orchestra Music 1976, which was named the 1977 DownBeat Critics’ Poll Album of the Year. Many of his projects are ongoing, such as the Diamond Curtain Wall works, in which Braxton implements audio programming language SuperCollider; the Ghost Trance Music series, inspired by his studies of the Native American Ghost Dance; and Echo Echo Mirror House Music, in which musicians “play” iPods containing the bulk of Braxton’s oeuvre. He has released the first six operas in a series called the Trillium Opera Complex.
Braxton identifies as a “trans-idiomatic” composer and has repeatedly opposed the idea of a rigid dichotomy between improvisation and composition. He has written extensively about the “language music” system that forms the basis for his work and developed a philosophy of “world creativity” in his Tri-Axium Writings.
Braxton taught at Mills College from 1985 to 1990 and was Professor of Music at Wesleyan University from 1990 until his retirement at the end of 2013. He is the artistic director of the Tri-Centric Foundation, a nonprofit he founded in 1994 to support the preservation and production of works by Braxton and other artists “in pursuit of ‘trans-idiomatic’ creativity”.
more...Francisco de Jesús Rivera Figueras (born 4 June 1948), known as Paquito D’Rivera, is a Cuban-American alto saxophonist, clarinetist and composer. He was a member of the Cuban songo band Irakere and, since the 1980s, he has established himself as a bandleader in the United States. His smooth saxophone tone and his frequent combination of Latin jazz and classical music have become his trademarks.
Francisco de Jesús Rivera Figueras was born on 4 June 1948 in Havana, Cuba. His father played classicalsaxophone, entertained his son with Duke Ellington and Benny Goodman records, and he sold musical instruments. He took D’Rivera to clubs like the Tropicana (frequented by his musician friends and customers) and to concert bands and orchestras.
At age five, D’Rivera began saxophone lessons by his father. In 1960, he attended the Havana Conservatory of Music, where he learned saxophone and clarinet and met Chucho Valdés. In 1965, he was a featured soloist with the Cuban National Symphony Orchestra. He and Valdés founded Orchestra Cubana de Música Moderna and then in 1973 the group Irakere, which fused jazz, rock, classical, and Cuban music.
more...Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album The Blues and the Abstract Truth (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson’s composition, “Stolen Moments“. Other important recordings from the 1960s are the albums More Blues and the Abstract Truth (1964) and Sound Pieces (1966), both also on Impulse!.
Oliver Nelson was born into a musical family in St. Louis, Missouri, United States. His brother was a saxophonist who played with Cootie Williams in the 1940s, and his sister sang and played piano. Nelson began learning to play the piano when he was six and started on the saxophone at the age of 11. Beginning in 1947, he played in “territory” bands in and around Saint Louis, before joining the Louis Jordan band, where he stayed from 1950 to 1951, playing alto saxophone and arranging charts for Jordan’s band. Nelson died of a heart attack on October 28, 1975, at the age of 43. It is widely believed that Nelson’s commitment to his work resulted in lengthy periods of stress which contributed to his premature death.
more...American jazz drummer, born June 4, 1926 in New York; died March 7, 1982 in Los Angeles.
Thomas has recorded with Charlie Parker (1946), Howard McGhee and Benny Carter (1947), Dexter Gordon (1947, 1952, 1955), Stan Kenton (1949), Wardell Gray (1950), Hampton Hawes (1955-1956), and Sonny Criss (1956-57).
The Pinwheel Galaxy (also known as Messier 101, M101 or NGC 5457) is a face-on spiral galaxy21 million light-years (6.4 megaparsecs) away from Earth in the constellation Ursa Major. It was discovered by Pierre Méchain in 1781 and was communicated that year to Charles Messier, who verified its position for inclusion in the Messier Catalogue as one of its final entries.
On February 28, 2006, NASA and the European Space Agency released a very detailed image of the Pinwheel Galaxy, which was the largest and most-detailed image of a galaxy by Hubble Space Telescope at the time.
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Eddie “Chank” Willis (June 3, 1936 – August 20, 2018) was an American soul musician. Willis played electric guitar and occasional electric sitar for Motown‘s in-house studio band, The Funk Brothers, during the 1960s and early 1970s.
Born in Grenada, Mississippi, Willis was known for his signature style of muted guitar riffs which added a distinctive tone or “color” to the beat, often timed with the snare, of the hundreds of hit songs recorded at Hitsville U.S.A. for Motown artists. Among the recordings Willis performed on are “Please Mr. Postman” by The Marvelettes, “The Way You Do the Things You Do” by The Temptations, “You Keep Me Hanging On” by The Supremes, and “I Was Made to Love Her” by Stevie Wonder.
Influences for Willis included Chet Atkins, Wes Montgomery, and Albert King. He played a Gibson Firebirdguitar on most of his early 1960s work, later moving on to use a Gibson ES-335. On recordings such as The Supremes’ “No Matter What Sign You Are”, Willis performed on a Coral sitar. He accepted an offer from Phil Collins to perform on his album of Motown and 1960s soul classics, Going Back. Willis died on August 20, 2018 in Gore Springs, Mississippi from complications of polio at the age of 82.
more...Al Harewood (June 3, 1923 – March 13, 2014) was an American jazz drummer and teacher, born in Brooklyn. As a musician Harewood worked with many jazz musicians including the J.J. Johnson/Kai Winding group, the Art Farmer/Gigi Grice band, David Amram, Betty Carter, and the Curtis Fuller–Benny Golson Sextet. He played on many jazz recordings under the leadership of Lou Donaldson, Horace Parlan, Ike Quebec, Dexter Gordon and Grant Greenand had a long association with saxophonist Stanley Turrentine from 1959 onwards.
He died in March 2014 at the age of 90.
more...Jimmy Rogers (June 3, 1924 – December 19, 1997) was an American Chicago blues singer, guitarist and harmonica player, best known for his work as a member of Muddy Waters‘s band in the early 1950s. He also had a solo career and recorded several popular blues songs, including “That’s All Right” (now a blues standard), “Chicago Bound”, “Walking by Myself” (his sole R&B chart appearance), and “Rock This House”.He withdrew from the music industry at the end of the 1950s, but returned to recording and touring in the 1970s.
Rogers was born Jay or James Arthur Lane in Ruleville, Mississippi, on June 3, 1924. He was raised in Atlanta and Memphis. He adopted his stepfather’s surname. He learned to play the harmonica with his childhood friend Snooky Pryor, and as a teenager he took up the guitar. He played professionally in East St. Louis, Illinois, with Robert Lockwood, Jr., among others. Rogers moved to Chicago in the mid-1940s. By 1946, he had recorded as a harmonica player and singer for the Harlem record label, run by J. Mayo Williams. Rogers’s name did not appear on the record, which was mislabeled as the work of Memphis Slimand His Houserockers.
more...Freda Josephine Baker (née McDonald; June 3, 1906 – April 12, 1975), naturalised as Joséphine Baker, was an American-born French dancer, singer and actress. Her career was centered primarily in Europe, mostly in her adopted France. She was the first black woman to star in a major motion picture, the 1927 silent film Siren of the Tropics, directed by Mario Nalpas and Henri Étiévant.
During her early career, Baker was among the most celebrated performers to headline the revues of the Folies Bergère in Paris. Her performance in the revue Un vent de folie in 1927 caused a sensation in the city. Her costume, consisting of only a short skirt of artificial bananas and a beaded necklace, became an iconic image and a symbol both of the Jazz Age and the Roaring Twenties.
Baker was celebrated by artists and intellectuals of the era, who variously dubbed her the “Black Venus”, the “Black Pearl”, the “Bronze Venus”, and the “Creole Goddess”. Born in St. Louis, Missouri, she renounced her U.S. citizenship and became a French national after her marriage to French industrialist Jean Lion in 1937. She raised her children in France.
She aided the French Resistance during World War II. After the war, she was awarded the Resistance Medal by the French Committee of National Liberation, the Croix de Guerre by the French military, and was named a Chevalier of the Légion d’honneur by General Charles de Gaulle. Baker sang: “I have two loves, my country and Paris.”
Baker refused to perform for segregated audiences in the United States and is noted for her contributions to the civil rights movement. In 1968, she was offered unofficial leadership in the movement in the United States by Coretta Scott King, following Martin Luther King Jr.‘s assassination. After thinking it over, Baker declined the offer out of concern for the welfare of her children.
On November 30, 2021, she was inducted into the Panthéon in Paris, the first black woman to receive one of the highest honors in France. As her resting place remains in Monaco Cemetery, a cenotaph was installed in vault 13 of the crypt in the Panthéon.
Freda Josephine McDonald was born on June 3, 1906, in St. Louis, Missouri. Her mother Carrie, was adopted in Little Rock, Arkansas, in 1886 by Richard and Elvira McDonald, both of whom were former slavesof African and Native American descent. Baker’s estate and some other sources identify vaudeville drummer Eddie Carson as her natural father, whilst other sources dispute this. Baker’s foster son Jean-Claude Baker wrote a biography, published in 1993, titled Josephine: The Hungry Heart, in which he discusses at length the circumstances surrounding Baker’s birth based on his research, concluding that Baker’s father was white, and that Baker knew that Carson was not her father.
https://www.youtube.com/watch?v=LdIGlWD9ScQ&t=69s
more...Starting on Fridays a 9 & 12 week back to back Rhythm Roots Workshop Residencies at two Ebenezer Care Locations. Ebenezer Loren on Park Assisted Living (https://www.ebenezercares.org/affordable-housing-loren-on-park) and Ebenezer Tower Apts (https://www.ebenezercares.org/affordable-housing-ebenezer-tower-apartments) both in south Minneapolis. Exploring world rhythms from a variety of cultural traditions.
Big, beautiful spiral galaxy M101 is one of the last entries in Charles Messier’s famous catalog, but definitely not one of the least. About 170,000 light-years across, this galaxy is enormous, almost twice the size of our own Milky Way. M101 was also one of the original spiral nebulae observed by Lord Rosse’s large 19th century telescope, the Leviathan of Parsontown. Assembled from 51 exposures recorded by the Hubble Space Telescope in the 20th and 21st centuries, with additional data from ground based telescopes, this mosaic spans about 40,000 light-years across the central region of M101 in one of the highest definition spiral galaxy portraits ever released from Hubble. The sharp image shows stunning features of the galaxy’s face-on disk of stars and dust along with background galaxies, some visible right through M101 itself. Also known as the Pinwheel Galaxy, M101 lies within the boundaries of the northern constellation Ursa Major, about 25 million light-years away.
Charles Robert Watts (2 June 1941 – 24 August 2021) was an English musician who achieved international fame as the drummer of the Rolling Stones from 1963 until his death in 2021.
Originally trained as a graphic artist, Watts developed an interest in jazz at a young age and joined the band Blues Incorporated. He also started playing drums in London’s rhythm and blues clubs, where he met future bandmates Mick Jagger, Keith Richards and Brian Jones. In January 1963, he left Blues Incorporated and joined the Rolling Stones as drummer, while doubling as designer of their record sleeves and tour stages. Watts’ first public appearance as a permanent member was in February 1963; he remained with the group for 58 years until his death, at which time he, Jagger and Richards were the only members of the band to have performed on every one of their studio albums.
Nicknamed “The Wembley Whammer” by Jagger, Watts cited jazz as a major influence on his drumming style. Aside from his career with the Rolling Stones, Watts toured with his own group, the Charlie Watts Quintet, and appeared in London at Ronnie Scott’s Jazz Club with the Charlie Watts Tentet.
In 1989, Watts was inducted into the Rock and Roll Hall of Fame. In 2004, he was inducted into the UK Music Hall of Fame with the Rolling Stones. He is often regarded as one of the greatest drummers of all time.
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more...Pierre Favre (born 2 June 1937) is a Swiss jazz drummer and percussionist born in Le Locle, Switzerland.
1964 Pierre Favre joins Paiste: At the 1964 Paiste drummer meeting in Frankfurt, Pierre met the Paiste brothers who invited him to visit their factory in Nottwil. Since Pierre has always been interested in cymbals, he was most enthusiastic about accepting their invitation. The Paiste brothers were so impressed with his keen interest and attentive attitude, they offered him a position on their staff to take care of the most important task: cymbal development, quality control and to establish an education/drummer service dept. Pierre left Paiste as a full time employee in 1970 and was replaced by Fredy Studer.
He recorded the album Singing Drums (ECM, 1984) with Paul Motian and Nana Vasconcelos. He also appears on the John Surman album, Such Winters of Memory (1983). He has recorded with several well-known musicians, including Tamia, Michel Godard, Mal Waldron, Paul Giger, Jiří Stivín, Michel Portal, Samuel Blaser, the ARTE Quartett, and Barre Phillips.
more...Valaida Snow (June 2, 1904 – May 30, 1956) was an American jazz musician and entertainer who performed internationally. She was also known as “Little Louis” and “Queen of the Trumpet,” a nickname given to her by W. C. Handy.
Snow was born in Chattanooga, Tennessee. Her mother, Etta, was a Howard University-educated music teacher and her father, John, was a minister who was the leader of the Pickaninny Troubadours, a group mainly consisting of child performers. Raised on the road in a show-business family, where starting from the age of five, she began performing with her father’s group. By the time she was 15, she learned to play cello, bass, banjo, violin, mandolin, harp, accordion, clarinet, trumpet, and saxophone. She also sang and danced.
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