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Charles Robert Watts (2 June 1941 – 24 August 2021) was an English musician who achieved international fame as the drummer of the Rolling Stones from 1963 until his death in 2021.
Originally trained as a graphic artist, Watts developed an interest in jazz at a young age and joined the band Blues Incorporated. He also started playing drums in London’s rhythm and blues clubs, where he met future bandmates Mick Jagger, Keith Richards and Brian Jones. In January 1963, he left Blues Incorporated and joined the Rolling Stones as drummer, while doubling as designer of their record sleeves and tour stages. Watts’ first public appearance as a permanent member was in February 1963; he remained with the group for 58 years until his death, at which time he, Jagger and Richards were the only members of the band to have performed on every one of their studio albums.
Nicknamed “The Wembley Whammer” by Jagger, Watts cited jazz as a major influence on his drumming style. Aside from his career with the Rolling Stones, Watts toured with his own group, the Charlie Watts Quintet, and appeared in London at Ronnie Scott’s Jazz Club with the Charlie Watts Tentet.
In 1989, Watts was inducted into the Rock and Roll Hall of Fame. In 2004, he was inducted into the UK Music Hall of Fame with the Rolling Stones. He is often regarded as one of the greatest drummers of all time.
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more...Pierre Favre (born 2 June 1937) is a Swiss jazz drummer and percussionist born in Le Locle, Switzerland.
1964 Pierre Favre joins Paiste: At the 1964 Paiste drummer meeting in Frankfurt, Pierre met the Paiste brothers who invited him to visit their factory in Nottwil. Since Pierre has always been interested in cymbals, he was most enthusiastic about accepting their invitation. The Paiste brothers were so impressed with his keen interest and attentive attitude, they offered him a position on their staff to take care of the most important task: cymbal development, quality control and to establish an education/drummer service dept. Pierre left Paiste as a full time employee in 1970 and was replaced by Fredy Studer.
He recorded the album Singing Drums (ECM, 1984) with Paul Motian and Nana Vasconcelos. He also appears on the John Surman album, Such Winters of Memory (1983). He has recorded with several well-known musicians, including Tamia, Michel Godard, Mal Waldron, Paul Giger, Jiří Stivín, Michel Portal, Samuel Blaser, the ARTE Quartett, and Barre Phillips.
more...Valaida Snow (June 2, 1904 – May 30, 1956) was an American jazz musician and entertainer who performed internationally. She was also known as “Little Louis” and “Queen of the Trumpet,” a nickname given to her by W. C. Handy.
Snow was born in Chattanooga, Tennessee. Her mother, Etta, was a Howard University-educated music teacher and her father, John, was a minister who was the leader of the Pickaninny Troubadours, a group mainly consisting of child performers. Raised on the road in a show-business family, where starting from the age of five, she began performing with her father’s group. By the time she was 15, she learned to play cello, bass, banjo, violin, mandolin, harp, accordion, clarinet, trumpet, and saxophone. She also sang and danced.
more...Rumba is a flamenco-adjacent state of mind, but also a part of flamenco. It’s the pop music of the Spanish Gypsies. It’s 4/4 time. It’s very common for ‘legit’ flamenco guitarists and singers to have a rumba on their records.
The rumba originated in Cuba and is a popular Latin American dance floor style, which has sexy and suggestive hip and body movements.
In their original Cuban form they had difficult and complicated rhythms, but by the time they reached Europe, a more simple style had developed. In the 1950s it was adopted by the gypsies, becoming the rumba gitana, which retained all the sensuality and charm of the gypsies. Later, in the 1970s Paco de Lucía and Cameron de la Isla transformed this style, which created an opening for hoards of flamenco fusion groups, such as the Gypsy Kings, who based there fusion on the rumba.
The first flamenco artist to record the rumba was La Niña de los Peines, and one of the best performers of the rumbawas the singer / guitarist Manzanita, although today it is the jerezano singer Capullo de Jerez who excels with his extremely exciting styles of rumbas.
more...Messier 83 or M83, also known as the Southern Pinwheel Galaxy and NGC 5236, is a barred spiral galaxy approximately 15 million light-years away in the constellation borders of Hydra and Centaurus. Nicolas-Louis de Lacaille discovered M83 on 23 February 1752 at the Cape of Good Hope.
Charles Messier added it to his catalogue of nebulous objects (now known as the Messier Catalogue) in March 1781. It is one of the closest and brightest barred spiral galaxies in the sky, and is visible with binoculars. Its nickname of the Southern Pinwheel derives from its resemblance to the Pinwheel Galaxy (M101).
more...Ronald David Wood (born 1 June 1947) is an English rock musician, best known as an official member of the Rolling Stones since 1975, as well as a member of Faces and the Jeff Beck Group.
Wood began his career in 1964, playing guitar with several British rhythm and blues bands in short succession, including the Birds and the Creation. He joined the Jeff Beck Group in 1967 as a guitarist and bassist, playing on the albums Truth and Beck-Ola.
The group split in 1969, and Wood departed along with lead vocalist Rod Stewart to join former Small Facesmembers Ronnie Lane, Ian McLagan and Kenney Jones in a new group named Faces with Wood now primarily on lead guitar. The group found great success in the UK and mainland Europe, though it achieved only cult status in the US. Wood sang and co-wrote the popular title track from their final LP, Ooh La La, released in 1973. He also worked extensively on Stewart’s first few solo albums.
As the group began to split, he started several solo projects, eventually recording his first solo LP, I’ve Got My Own Album to Do, in 1974. The album featured bandmate McLagan as well as former Beatle George Harrison and Keith Richards of the Rolling Stones, a longtime friend of Wood. After the departure of Mick Taylor from the Stones, Richards soon invited Wood to join them; he did so in 1975, initially temporarily, but became an official member in 1976; however, he was not officially inducted as a financial partner until bassist Bill Wyman‘s departure in 1993.
Besides I’ve Got My Own Album to Do, Wood has recorded several other solo efforts. Now Look was released in 1975 and peaked at No. 118 on Billboard; he also collaborated with Ronnie Lane for the soundtrack album Mahoney’s Last Stand. Wood also released Gimme Some Neck in 1979, which hit No. 45 in the US; 1234 was released in 1981, peaking at No. 164. He released Slide on This in 1992, Not for Beginners came out in 2002. and I Feel Like Playing in 2010. As a member of the Rolling Stones, Wood was inducted into the Rock and Roll Hall of Fame in 1989 and was inducted a second time, as a member of Faces, in 2012.
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Nelson Smock Riddle Jr. (June 1, 1921 – October 6, 1985) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late 1940s to the mid-1980s. He worked with many vocalists at Capitol Records, including Frank Sinatra, Ella Fitzgerald, Nat King Cole, Judy Garland, Dean Martin, Peggy Lee, Johnny Mathis, Rosemary Clooney and Keely Smith. He scored and arranged music for many films and television shows, earning an Academy Award and three Grammy Awards. He found commercial and critical success with a new generation in the 1980s, in a trio of Platinum albums with Linda Ronstadt.
Riddle was born in Oradell, New Jersey, the only surviving child of Marie Albertine Riddle (a native of Mulhouse, France, whose father was Spanish) and Nelson Smock Riddle, who was of English-Irish and Dutch descent. His mother had suffered six miscarriages and one stillbirth in her lifetime. It was his mother’s second marriage. The family later moved to nearby Ridgewood.
more...Herbie Lovelle (June 1 1924 – April 8, 2009) was an American drummer, who played jazz, R&B, rock, and folk. He was also a studio musician and an actor.
Lovelle’s uncle was the drummer Arthur Herbert. Lovelle began his career with the trumpeter, singer and band leader Hot Lips Page in the late 1940s, then played in the 1950s with the saxophonist Hal Singer, Johnny Moore‘s Three Blazers and the pianist Earl Hines. Through working for Lucky Thompson and Jimmy Rushing of Count Basie’s Orchestra, he became house drummer at the Savoy Ballroom in New York City for much of the 1950s. He toured with the tenor saxophonist Arnett Cobb and the pianist Teddy Wilson in 1954. In 1959 he contributed to the pianist Paul Curry’s album Paul Curry Presents the Friends of Fats, released on the Golden Crest label.
In the early years of television, he performed with the King Guion Orchestra on the Jerry Lester Show and the Ed Sullivan Show. In 1966, he was the lead drummer for the Sammy Davis, Jr. TV show.
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Lafayette Leake (June 1, 1919 – August 14, 1990) was an American blues and jazz pianist, organist, vocalist and composer who played for Chess Records as a session musician, and as a member of the Big Three Trio, during the formative years of Chicago blues. He played piano on many of Chuck Berry’s recordings.
Biography[edit]
Leake was born in Winona, Missouri, United States, in 1919. Information about his early years is sparse, but in the early 1950s he joined the Big Three Trio (replacing Leonard Caston) and began his association with Chess Records, where he worked closely with bassist, producer, and songwriter Willie Dixon.
Leake played piano on One Dozen Berrys, Chuck Berry’s second album, released in 1958 by Chess. He was then on Chuck Berry Is on Top; Leake (not Berry’s longtime bandmate Johnnie Johnson) played the prominent piano on the classic original rendition of “Johnny B. Goode”, as well as “Rock and Roll Music”. Leake played on numerous other Chess sessions from the 1950s through the 1970s, backing many Chess musicians, including Sonny Boy Williamson,[5] Otis Rush, Junior Wells, and Little Walter. Leake gave Chicago blues musician Harmonica Hindshis first harmonica lesson on the street in Toronto, Ontario.
more...Teaching a Rhythm Roots Workshop Residency at Cerenity Humboldt Senior Care center in St Paul. (https://cerenityseniorcare.org/cerenity-senior-care…/). 7th in a series of 9 workshops exploring cultural rhythms from an array of world traditions.
more...The 27th object on Messier’s list, now known as M27 or the Dumbbell Nebula, is a planetary nebula, one of the brightest planetary nebulae on the sky and visible with binoculars toward the constellation of the Fox (Vulpecula). It takes light about 1000 years to reach us from M27, featured here in colors emitted by sulfur (red), hydrogen (green) and oxygen (blue). We now know that in about 6 billion years, our Sun will shed its outer gases into a planetary nebulalike M27, while its remaining center will become an X-ray hot white dwarf star. Understanding the physics and significance of M27 was well beyond 18th century science, though. Even today, many things remain mysterious aboutplanetary nebulas, including how their intricate shapes are created.
more...John Henry Bonham (31 May 1948 – 25 September 1980) was an English musician who was the drummer of the rock band Led Zeppelin. Noted for his speed, power, fast single-footed kick drumming, distinctive sound, and feel for groove, he is regarded as one of the greatest and most influential drummers in music history.
Bonham was born in 1948 in Redditch, Worcestershire, and took up drums at the age of five, receiving a snare drum at the age of 10 and a full drum set at the age of 15. He played with multiple local bands both at school and following school, eventually playing in two different bands with Robert Plant. Following the demise of the Yardbirds in 1968, Bonham joined Plant, guitarist Jimmy Page and bass guitarist John Paul Jones to form Led Zeppelin. With the band, Bonham mostly showcased a hard-hitting hard rock style, but also handled funk and Latin-influenced grooves in later releases. Like Keith Moon of the Who, Bonham’s drum set grew in size following the band’s 1969 concert tours, including congas or timpani and a gong. His drum solo “Moby Dick” was featured on the group’s second album and was a staple of their concerts, often lasting over 20 minutes. Outside of Led Zeppelin, Bonham played drums for other artists, including the Family Dogg, Screaming Lord Sutch, Lulu, Jimmy Stevens and Wings. Bonham played with Led Zeppelin until his death at the age of 32, in September 1980 following a day of heavy drinking. The surviving members disbanded the group out of respect for Bonham after his death.
A mostly self-taught drummer, Bonham was influenced by Max Roach, Gene Krupa and Buddy Rich. He was close with Vanilla Fudge drummer Carmine Appice, who introduced him to Ludwig drums. While he was primarily known for his hard-rock style during his lifetime, his reputation as a drummer has grown beyond that genre following his death. He has influenced various drummers, with just a few prominent examples including Dave Grohl, Neil Peart, Chad Smith and Dave Lombardo. He was posthumously inducted into the Rock and Roll Hall of Fame in 1995 as a member of Led Zeppelin. In 2016, Rolling Stone named him the greaOn 24 September 1980.
Bonham was picked up by Led Zeppelin assistant Rex King to attend rehearsals at Bray Studios for a tour of North America, to begin 17 October in Montreal; it was the band’s first tour since 1977. During the journey, Bonham asked to stop for breakfast, where he drank four quadruple vodka screwdrivers (16 shotsbetween 400 and 560 ml). He then continued to drink heavily after arriving at rehearsals. The band stopped rehearsing late in the evening and then went to Page’s house, the Old Mill House in Clewer, Windsor. After midnight on 25 September, Bonham fell asleep; someone took him to bed and placed him on his side. Led Zeppelin tour manager Benji LeFevre and Jones found him unresponsive the next afternoon. Bonham was later pronounced dead at 32 years oldtest drummer of all time.
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Jimmy Shirley (1913-1989) was an American jazz and R&B guitarist who recorded from the 1940s to the 1970s. He was an early exponent of the electric guitar and was one of the first to use the Vibrola vibrato arm in recordings, such as “Jimmy’s Blues” (1945).
While growing up in Cleveland, he was taught guitar by his father. In 1937 he moved to New York City and spent four years with the Clarence Profit Trio. In 1940 he recorded with Wingy Carpenter. He worked with Ella Fitzgerald from 1942–1943 and with Phil Moore and Herman Chittison. During the 1940s, he recorded with Clyde Bernhardt, Sid Catlett, Sidney De Paris, Edmond Hall, John Hardee, Coleman Hawkins, Art Hodes, Billie Holiday, James P. Johnson, Pete Johnson, Billy Kyle, and Ram Ramirez.
more...Louis Hayes (born May 31, 1937) is an American jazz drummer and band leader. He was with McCoy Tyner‘s trio for more than three years. Since 1989 he has led his own band, and together with Vincent Herring formed the Cannonball Legacy Band. He is part of the NEA Jazz Masters awards class of 2023.
Louis Sedell Hayes was born in Detroit, Michigan, United States, to a father, an automaker, who played drums and piano. His mother waited tables and played the piano. She was the sister of John Nelson, the father of the musician Prince. Hayes got his first drum set at age 10. The key influence in his early development was his cousin Clarence Stamps, an accomplished drummer who grounded his technical fundamentals and gave him lessons that stuck for life. He refers to the early influence of hearing jazz, especially big bands on the radio. His main influence was Philly Joe Jones and he was mentored by Jo Jones. His three main associations were with Horace Silver‘s Quintet (1956–59), the Cannonball AdderleyQuintet (1959–65), and the Oscar Peterson Trio (1965–67). Hayes often joined Sam Jones, both with Adderley and Peterson, and in freelance settings.
https://www.youtube.com/watch?v=J7bMEjm1VgY
more...Albert “Tootie” Heath (born May 31, 1935) is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath.
Born in Philadelphia, Pennsylvania, United States, he first recorded in 1957 with John Coltrane. From 1958 to 1974, he worked with, among others, J. J. Johnson, Wes Montgomery, Art Farmer and Benny Golson‘s Jazztet, Cedar Walton, Bobby Timmons, Kenny Drew, Sonny Rollins, Dexter Gordon, Johnny Griffin, Herbie Hancock, Friedrich Gulda, Nina Simone, and Yusef Lateef. In 1975, he, Jimmy and Percy formed the Heath Brothers. He remained with the group until 1978, then left to freelance. He has recorded extensively throughout his career.
Among his many workshop and classroom teaching assignments, Heath is a regular instructor at the Stanford Jazz Workshop.
Tootie Heath is now the producer and leader of The Whole Drum Truth, a jazz drum ensemble featuring Ben Riley, Ed Thigpen, Jackie Williams, Billy Hart, Charlie Persip, Leroy Williams and Louis Hayes.
https://www.youtube.com/watch?v=UQ_LNT0GWg8
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