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Leland Bruce Sklar (born May 28, 1947) is an American bassist and session musician. Sklar rose to prominence as a member of James Taylor‘s backing band, which coalesced into a group in its own right, The Section. This group of musicians so frequently supported many of the artists on Asylum Records, both on stage and in the studio, that they became known as Asylum’s de facto house band. Those artists would become the standard bearers of the singer-songwriter era in the 1970s. Since then, Sklar has recorded and toured with artists such as James Taylor, Jackson Browne, Carole King, Linda Ronstadt, Phil Collins, Toto, Lyle Lovett and many, many more. As a group member, session player, or touring musician, Sklar has lent his talents to well over 2,000 albums. In addition, he has contributed to many motion picture and television showsoundtracks. Since 2018, Sklar has been the bassist for The Immediate Family, a group reuniting lifelong friends and most of his former bandmates from The Section.

Leland Bruce Sklar was born May 28, 1947 in Milwaukee, Wisconsin. His mother’s family was from Duluth, Minnesota. His father’s family was from Milwaukee. Originally, the paternal side of the family came from Odesa, Ukraine. Sklar is a Ukrainian surname meaning glazier, a person whose profession is fitting glass into windows and doors.

Cecil Bustamente Campbell OD (24 May 1938 – 8 September 2016), known professionally as Prince Buster, was a Jamaican singer-songwriter and producer. The records he released in the 1960s influenced and shaped the course of Jamaican contemporary music and created a legacy of work that would be drawn upon later by reggae and ska artists.

Cecil Bustamente Campbell was born in Orange Street in Kingston, Jamaica, on 24 May 1938. His middle name was given to him by his family in honour of the Labour activist and first post-Independence Prime Minister William Alexander Clarke Bustamante. In the early 1940s, Campbell was sent to live with his grandmother in rural Jamaica where his family’s commitment to the Christian faith, gave him his earliest musical experiences in the form of church singing as well as private family prayer and hymn meetings.Returning to live at Orange Street while still a young boy, Campbell attended the Central Branch School and St. Anne’s School.

John Henry Creach (May 28, 1917 – February 22, 1994), better known as Papa John Creach, was an American blues violinist who also played classical, jazz, R&B, pop and acid rock music. Early in his career, he performed as a journeyman musician with Louis Armstrong, Fats Waller, Stuff Smith, Charlie Christian, Big Joe Turner, T-Bone Walker, Nat King Cole and Roy Milton.

Following his rediscovery by drummer Joey Covington in 1967, he fronted a variety of bands (including Zulu and Midnight Sun) in addition to playing with Jefferson Airplane, Hot Tuna, Jefferson Starship, the San Francisco All-Stars (1979–1984), Dinosaurs (1982–1989) and Steve Taylor.

Creach recorded a number of solo albums and guested at several Grateful Dead and Charlie Daniels Bandconcerts. He was a regular guest at the early annual Volunteer Jams, hosted by Charlie Daniels, which exposed him to a new audience that was receptive to fiddle players.

Creach was born in Beaver Falls, Pennsylvania, near the border of Ohio. As a child, he was introduced to the violin by an uncle, and he received both tutoring in the instrument and conservatory training. Creach and his family moved to Chicago in 1935.

Aaron Thibeaux “T-Bone” Walker (May 28, 1910 – March 16, 1975) was an American blues musician, composer, songwriter and bandleader, who was a pioneer and innovator of the jump blues, West Coast blues, and electric blues sounds. In 2018 Rolling Stone magazine ranked him number 67 on its list of “The 100 Greatest Guitarists of All Time”.

Aaron Thibeaux Walker was born in Linden, Texas, of African-American and Cherokee descent. His parents, Movelia Jimerson and Rance Walker, were both musicians. His stepfather, Marco Washington (a member of the Dallas String Band), taught him to play the guitar, ukulele, banjo, violin, mandolin, and piano.

Dee Dee Bridgewater (née Denise Garrett, May 27, 1950) is an American jazz singer and actress. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio’s syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.

Born Denise Eileen Garrett in Memphis, Tennessee, she was raised Catholic in Flint, Michigan. Her father, Matthew Garrett, was a jazz trumpeter and teacher at Manassas High School, and through his playing, she was exposed to jazz early on. At the age of 16, she was a member of a Rock and R&B trio, singing in clubs in Michigan. At 18, she studied at Michigan State University before she went to the University of Illinois at Urbana-Champaign. With the school’s jazz band, she toured the Soviet Union in 1969.

Clifford Everett “Bud” Shank Jr. (May 27, 1926 – April 2, 2009) was an American alto saxophonist and flautist. He rose to prominence in the early 1950s playing lead alto and flute in Stan Kenton‘s Innovations in Modern Music Orchestra and throughout the decade worked in various small jazz combos. He spent the 1960s as a first-call studio musician in Hollywood. In the 1970s and 1980s, he performed regularly with the L. A. Four. Shank ultimately abandoned the flute to focus exclusively on playing jazz on the alto saxophone. He also recorded on tenor and baritone sax. His most famous recording is probably the version of “Harlem Nocturne” used as the theme song in Mickey Spillane’s Mike Hammer. He is also well known for the alto flute solo on the song “California Dreamin’” recorded by The Mamas & the Papas in 1965.

Bud Shank was born in Dayton, Ohio, United States. He began playing the clarinet in Vandalia, Ohio, but switched to saxophone before attending the University of North Carolina. While at UNC, Shank was initiated into the Pi Kappa Alpha fraternity. In 1946, he worked with Charlie Barnet before moving on to Kenton and the West coast jazz scene. He also had a strong interest in what might now be termed world music, playing Brazilian-influenced jazz with Laurindo Almeida in 1953 and 1954.

Niels-Henning Ørsted Pedersen , 27 May 1946 – 19 April 2005), also known by his abbreviated nickname NHØP, was a Danish jazz double bassist. Pedersen was born in Osted, near Roskilde, on the Danish island of Zealand, the son of a church organist. As a child, Ørsted Pedersen played piano, but from the age of 13, he started learning to play upright bassand at the age of 14, while studying, he began his professional jazz career in Denmark with his first band, Jazzkvintet 60 (Danish for Jazz Quintet 60). By the age of fifteen, he had the ability to accompany leading musicians at nightclubs, working regularly at Copenhagen’s Jazzhus Montmartre, after his debut there on New Year’s Eve 1961, when he was only 15. When seventeen, he had already turned down an offer to join the Count Basie orchestra, mainly because he was too young to get legal permission to live and work as a musician in the United States.

Ramsey Emmanuel Lewis Jr. (May 27, 1935 – September 12, 2022) was an American jazz pianist, composer, and radio personality. Lewis recorded over 80 albums and received five gold records and three Grammy Awards in his career. His album The In Crowd earned Lewis critical praise and the 1965 Grammy Award for Best Jazz Performance. His best known singles include “The ‘In’ Crowd“, “Wade in the Water“, and “Sun Goddess“. Until 2009, he was the host of the Ramsey Lewis Morning Show on the Chicago radio station WNUA.

Lewis was also active in musical education in Chicago. He founded the Ramsey Lewis Foundation, established the Ravinia’s Jazz Mentor Program, and served on the board of trustees for the Merit School of Music and The Chicago High School for the Arts.

Ramsey Lewis was born on May 27, 1935, in Chicago to Ramsey Lewis Sr. and Pauline Lewis. His father was a church choir director and Lewis felt that his father influenced him to study music. When it was decided that his older sister, Lucille, would take piano lessons and not Ramsey also (because their father felt he could only afford lessons for one child), Ramsey threw a fit. His father relented and somehow found the money. Thus Lewis began taking piano lessons at the age of four with Ernestine Bruce, the church pianist and organist. When Lewis was 11, Bruce suggested he study with Dorothy Mendelssohn at the Chicago Musical College. Mendelssohn taught him classical technique with the philosophy that “it freed the performer from the thinking about the notes so he could concentrate on the music.” Lewis realized what she meant when he saw Wynton Kelly with the Miles Davis group, Kelly asked him to play something, and Kelly complimented him by saying “Boy, I wish I had technique.”

Rubén González Fontanills (26 May 1919 – 8 December 2003) was a Cuban pianist. Together with Lilí Martínez and Peruchín he is said to have “forged the style of modern Cuban piano playing in the 1940s”.

Between the 1940s and his retirement in the 1980s, he played with Cuba’s most successful acts, including Paulina Álvarez, Arsenio Rodríguez, Orquesta América del 55, Orquesta Riverside and Enrique Jorrín. In the 1990s, he came out of retirement to play in the revival ensembles Afro-Cuban All Stars and Buena Vista Social Club, also recording solo material and performing live until 2002.

González was born in Santa Clara, Cuba, on 26 May 1919. His family moved to the small village of Encrucijada when he was 6 years old. He took up the piano at age seven and graduated from the Cienfuegos Conservatory at age 15.