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Edmund Leonard Thigpen (December 28, 1930 – January 13, 2010) was an American jazz drummer, best known for his work with the Oscar Peterson trio from 1959 to 1965. Thigpen also performed with the Billy Taylor trio from 1956 to 1959.
Born in Chicago, Thigpen was raised in Los Angeles, and attended Thomas Jefferson High School, where Art Farmer, Dexter Gordon, and Chico Hamilton also attended. After majoring in sociology at Los Angeles City College, Thigpen returned to East St. Louis for one year to pursue music while living with his father who had been playing with Andy Kirk‘s Clouds of Joy. His father, Ben Thigpen, was a drummer who played with Andy Kirk for sixteen years during the 1930s and 1940s.
Thigpen first worked professionally in New York City with the Cootie Williams orchestra from 1951 to 1952 at the Savoy Ballroom. During this time he played with musicians such as Dinah Washington, Gil Mellé, Oscar Pettiford, Eddie Vinson, Paul Quinichette, Ernie Wilkins, Charlie Rouse, Lennie Tristano, Jutta Hipp, Johnny Hodges, Dorothy Ashby, Bud Powell, and Billy Taylor.
In 1959, he replaced guitarist Herb Ellis in the Oscar Peterson Trio in Toronto, Ontario, Canada. In 1961, he recorded in Los Angeles, featuring on the Teddy Edwards–Howard McGhee Quintet album entitled Together Again!!!! for the Contemporary label with Phineas Newborn Jr. and Ray Brown. After leaving Peterson, Thigpen recorded the album Out of the Storm as a leader for Verve in 1966. He then went on to tour with Ella Fitzgerald from 1967 to 1972.
more...Some images of the bright comet during mid-October not only caught its impressively long tail and its thin anti-tail, but a rather unexpected feature: a dark streak in the long tail. The reason for the dark streak is currently unclear and a topic of some debate. Possible reasons include a plume of dark dust, different parts of the bright tail being unusually superposed, and a shadow of a dense part of the coma on smaller dust particles. The streak is visible in the featured image taken on October 14 from Texas, USA. To help future analyses, if you have taken a good image of the comet that clearly shows this dark streak, please send it in to APOD. Comet Tsuchinshan–ATLAS has now faded considerably and is returning to the outer Solar System.
more...Sammy Figueroa (born November 16, 1948) is an American percussionist. At 18, he joined the band of bassist Bobby Valentín and also co-led the Brazilian/Latin fusion group Raíces. He is known as an extremely prolific session player, having played on nearly 400 albums, including ten platinum records.
more...Mabon Lewis “Teenie” Hodges (November 16, 1945 – June 22, 2014 Germantown, TN) was an American musician known for his work as a rhythm and lead guitarist and songwriter on many of Al Green‘s soul hits, and those of other artists such as Ann Peebles and Syl Johnson, on Hi Records in the 1970s. His credits as a songwriter include “Take Me to the River“, “Love and Happiness“, “L-O-V-E (Love)“, and “Here I Am (Come and Take Me)“. wo of his compositions “Take Me to the River” and “Love and Happiness,” both co-written with Green, have been covered by numerous other international artists, including Al Jarreau, Amazing Rhythm Aces, Talking Heads, O. V. Wright, David Sanborn, Toots & the Maytals, Canned Heat, Foghat, Levon Helm, Syl Johnson, Annie Lennox, Delbert McClinton, Mitch Ryder, Tom Jones, Graham Central Station, Living Colour, blues artist Willie Cobbs, Denise LaSalle, and others. He also co-wrote several other popular hits with songwriters like Isaac Hayes, Willie Mitchell, and Al Green, including “I Take What I Want,” “Oh Me, Oh My,” “Here I Am (Come and Take Me)“, “L-O-V-E (Love)” and “Full of Fire“.
more...Born: Nov. 16, 1938
Died: Aug. 8, 2022
Singer-songwriter and keyboard player. Brown was a pioneer in rock among women as co-leader of Joy Of Cooking. She is also a photographer and visual artist.
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Hubert Charles Sumlin (November 16, 1931 – December 4, 2011 Greenwood, MS) was a Chicago blues guitarist and singer, best known for his “wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions” as a member of Howlin’ Wolf‘s band. He was ranked number 43 in Rolling Stone‘s “100 Greatest Guitarists of All Time”. As a boy, he met Howlin’ Wolf by sneaking into a performance. Wolf relocated from Memphis to Chicago in 1953, but his longtime guitarist Willie Johnson chose not to join him. In Chicago, Wolf hired the guitarist Jody Williams, but in 1954 he invited Sumlin to move to Chicago to play second guitar in his band. Williams left the band in 1955, leaving Sumlin as the primary guitarist, a position he held almost continuously (except for a brief spell playing with Muddy Waters around 1956) for the remainder of Wolf’s career. According to Sumlin, Howlin’ Wolf sent him to a classical guitar instructor at the Chicago Conservatory of Music to learn keyboards and scales.Sumlin played on the album Howlin’ Wolf (called the “rocking chair album”, with reference to its cover illustration), which was named the third greatest guitar album of all time by Mojo magazine in 2004.
more...aul Hindemith (16 November 1895 – 28 December 1963) was a German and American composer, music theorist, teacher, violist and conductor. He founded the Amar Quartet in 1921, touring extensively in Europe. As a composer, he became a major advocate of the Neue Sachlichkeit (New Objectivity) style of music in the 1920s, with compositions such as Kammermusik, including works with viola and viola d’amore as solo instruments in a neo-Bachian spirit. Other notable compositions include his song cycle Das Marienleben(1923), Der Schwanendreher for viola and orchestra (1935), the opera Mathis der Maler(1938), the Symphonic Metamorphosis of Themes by Carl Maria von Weber (1943), and the oratorio When Lilacs Last in the Dooryard Bloom’d (1946), a requiem based on Walt Whitman’s poem. Hindemith and his wife emigrated to Switzerland and the United States ahead of World War II, after worsening difficulties with the Nazi German regime. In his later years, he conducted and recorded much of his own music.
Most of Hindemith’s compositions are anchored by a foundational tone, and use musical forms and counterpoint and cadences typical of the Baroque and Classical traditions. His harmonic language is more modern, freely using all 12 notes of the chromatic scalewithin his tonal framework, as detailed in his three-volume treatise, The Craft of Musical Composition.
more...Gus Johnson (November 15, 1913– February 6, 2000) was an American swing drummer in various jazz bands, born in Tyler, Texas, United States. After learning to play drums from his next-door neighbor, Johnson occasionally played professionally at the age of ten in the Lincoln Theater, and performed in various local groups, most notable McDavid’s Blue Rhythm Band. Upon graduating from Booker T. Washington High School, Johnson moved to Kansas City, where he took up drumming full-time. He joined Jay McShann‘s Orchestra in 1938, with his music career being interrupted by his conscription into the military in 1943.
more...Friday November 15th 2024 6pm. Erev Shabbat Service: The Religious Imperative to Welcome the Stranger at Temple Israel music with Inbal Sharett-Singer, Jayson Rodovsky, Jeff Bailey, Pete Whitman and mick LaBriola.
more...A mere 56 million light-years distant toward the southern constellation Fornax, NGC 1365 is an enormous barred spiral galaxy about 200,000 light-years in diameter. That’s twice the size of our own barred spiral Milky Way. This sharp image from the James Webb Space Telescope‘s Mid-Infrared Instrument (MIRI) reveals stunning details of this magnificent spiral in infrared light. Webb’s field of view stretches about 60,000 light-years across NGC 1365, exploring the galaxy’s core and bright newborn star clusters. The intricate network of dusty filaments and bubbles is created by young stars along spiral arms winding from the galaxy’s central bar. Astronomers suspect the gravity field of NGC 1365’s bar plays a crucial role in the galaxy’s evolution, funneling gas and dust into a star-forming maelstromand ultimately feeding material into the active galaxy’s central, supermassive black hole.
more...Kevin Tyrone Eubanks (born November 15, 1957) is an American jazz and fusion guitarist and composer. He was the leader of The Tonight Show Band with host Jay Leno from 1995 to 2010. He also led the Primetime Band on the short-lived The Jay Leno Show. After Eubanks moved to New York, he began performing with noted jazzmen such as Art Blakey(1980–81), Roy Haynes, Slide Hampton and Sam Rivers. Like his brother Robin, Eubanks has played on record with double bassist Dave Holland.
more...William Edward “Little Willie” John (November 15, 1937 – May 26, 1968) was an American R&B singer who performed in the 1950s and early 1960s. He is best known for his successes on the record charts, with songs such as “All Around the World” (1955), “Need Your Love So Bad” (1956), “Talk to Me, Talk to Me” (1958), “Leave My Kitten Alone” (1960), “Sleep” (1960), and his number-one R&B hit “Fever” (1956). An important figure in R&B music of the 1950s, he faded into obscurity in the 1960s and died while serving a prison sentence for manslaughter.
John was posthumously inducted into the Rock and Roll Hall of Fame in 1996. In 2022, John was inducted into the Blues Hall of Fame.
more...Jerome Richardson (December 25, 1920 – June 23, 2000) was an American jazz musician and woodwind player. He is cited as playing one of the earliest jazz flute recordings with his work on the 1949 Quincy Jones arranged song “Kingfish”.
Richardson was the regular saxophonist in the Oscar Pettiford band that one night, being busy with studio recording work, saw him late for the gig at Cafe Bohemia where Cannonball Adderley and brother Nat Adderley were present in the audience. Cannonball had taken his part and was inadvertently discovered as a result.
Richardson was versed in a variety of instruments in the saxophone, clarinet, and flute families. Early in his career he even sang rock and roll blues vocals. He was an in demand studio musician for television and stage, as well as a session musician in groups outside of jazz. He played with Quincy Jones, Lionel Hampton, Billy Eckstine, Oscar Pettiford, Charles Mingus, Kenny Burrell, The Thad Jones/Mel Lewis Orchestra (of which he was a founding member), and later with Earl Hines‘ small band.
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