Blog
Fourth in a nine part series of Rhythm Roots Workshops at Cerenity Humboldt
Senior Care April 19th thru June 14th. https://cerenityseniorcare.org/cerenity-senior-care-humboldt-st-paul-mn/ in St Paul.
For ten years the stargazer dreamed of taking a picture like this. The dreamer knew that the White Desert National Park in Egypt‘s Western Desert is a picturesque place hosting numerous chalk formationssculpted into surreal structures by a sandy wind. The dreamer knew that the sky above could be impressively dark on a clear moonless night, showing highlights such as the central band of our Milky Way Galaxy in impressive color and detail. So the dreamer invited an even more experienced astrophotographer to spend three weeks together in the desert and plan the composite images that needed to be taken and processed to create the dream image. Over three days in mid-March, the base images were taken, all with the same camera and from the same location. The impressive result is featured here, with the dreamer — proudly wearing a traditional Bedouin galabyia — pictured in the foreground.
Donovan Phillips Leitch (born 10 May 1946), known mononymously as Donovan, is a Scottish musician, songwriter, and record producer. He developed an eclectic and distinctive style that blended folk, jazz, pop, psychedelic rock and world music (notably calypso). He has lived in Scotland, Hertfordshire (England), London, California, and—since at least 2008—in County Cork, Ireland, with his family. Emerging from the British folk scene, Donovan reached fame in the United Kingdom in early 1965 with live performances on the pop TV series Ready Steady Go!.
Having signed with Pye Records in 1965, he recorded singles and two albums in the folk vein for Hickory Records, after which he signed to CBS/Epic in the US—the first signing by the company’s new vice-president Clive Davis—and became more successful internationally. He began a long and successful collaboration with leading British independent record producer Mickie Most, scoring multiple hit singles and albums in the UK, US, and other countries. He emerged onto the scene in 1965 with three UK hit singles: “Catch the Wind“, “Colours” and “Universal Soldier“, the last written by Buffy Sainte-Marie. In September 1966, “Sunshine Superman” topped America’s Billboard Hot 100 chart for one week and went to No. 2 in Britain, followed by “Mellow Yellow” at US No. 2 in December 1966, then 1968’s “Hurdy Gurdy Man” in the top 5 in both countries, and then “Atlantis“, which reached US No. 7 in May 1969. The compilation Donovan’s Greatest Hits was released in March 1969 and peaked at No. 4 on the Billboard 200.
Donovan became a friend of pop and folk musicians including Joan Baez, Brian Jones, and the Beatles. He taught John Lennon a finger-picking guitar style in 1968 that Lennon employed in “Dear Prudence“, “Julia“, “Happiness Is a Warm Gun“, and other songs. His backing musicians included the Jeff Beck Group, and John Bonham, Jimmy Page and John Paul Jones, who later rose to fame as members of Led Zeppelin. Donovan’s commercial fortunes waned after parting with Most in 1969, and he left the industry for a time.
Donovan continued to perform and record sporadically in the 1970s and 1980s. His musical style and hippie image were scorned by critics, especially after the rise of punk rock. His performing and recording became sporadic until a revival in the 1990s with the emergence of Britain’s rave scene. He recorded the 1996 album Sutras with producer Rick Rubin and in 2004 made a new album, Beat Cafe. Donovan was inducted into the Rock and Roll Hall of Fame in 2012 and the Songwriters Hall of Fame in 2014.
more...David Thomas Mason (born 10 May 1946) is an English singer-songwriter and guitarist from Worcester, who first found fame with the rock band Traffic. Over the course of his career, Mason has played and recorded with many notable pop and rock musicians, including Paul McCartney, George Harrison, the Rolling Stones, Jimi Hendrix, Eric Clapton, Michael Jackson, David Crosby, Graham Nash, Steve Winwood, Fleetwood Mac, Delaney & Bonnie, Leon Russell, and Cass Elliot. One of Mason’s best known songs is “Feelin’ Alright“, recorded by Traffic in 1968 and later by many other performers, including Joe Cocker, whose version of the song was a hit in 1969. For Traffic, he also wrote “Hole in My Shoe“, a psychedelic pop song that became a hit in its own right. “We Just Disagree“, Mason’s 1977 solo U.S. hit, written by Jim Krueger, has become a staple of U.S. classic hits and adult contemporary radio playlists. In 2004, Mason was inducted into the Rock and Roll Hall of Fame as a founding member of Traffic. Within the same year, Mason started a new electric guitar company with business partner and industrial designer Ravi Sawhney
more...Márkos Vamvakáris (Greek: Μάρκος Βαμβακάρης; 10 May 1905 – 8 February 1972), was a rebetikomusician. He is universally referred to by rebetiko writers and fans simply by his first name, Márkos. The great significance of Vamvakaris for the rebetiko is also reflected by his nickname: the “patriarch of the rebetiko”.
more...Jimmy Ponder (May 10, 1946 – September 16, 2013) was an American jazz guitarist.
When Ponder’s brother entered the military, he left his guitar, and Ponder picked it up. In his early teens he received lessons from the guitarist in a band for which he sang doo-wop. He was drawn to the jazz guitar he heard on the radio. While playing in a rhythm and blues band, he occasionally inserted a jazz solo. He considered hearing guitarist Thornel Schwartz an important part of his life, when Schwartz was playing with organist Jimmy McGriff. He was impressed by Pat Martino when he saw Martino in the Jack McDuff band. He also cited as influences George Benson, Kenny Burrell, and Rene Thomas, though none surpassed the impact of seeing Wes Montgomery.
He learned the guitar solo from “Daily Double” (Quaker Town), the first 45 rpm single released by Charles Earland. When Earland performed in Pittsburgh, he invited Ponder to sit-in with the band and liked what he heard. Earland promised Ponder he could become a member of the band after he finished high school. Six months after graduating, he was hired by Earland.
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This new Hubble image shows NGC 1566, a beautiful galaxy located approximately 40 million light-years away in the constellation of Dorado (The Dolphinfish). NGC 1566 is an intermediate spiral galaxy, meaning that while it does not have a well defined bar-shaped region of stars at its centre — like barred spirals — it is not quite an unbarred spiral either (heic9902o). The small but extremely bright nucleus of NGC 1566 is clearly visible in this image, a telltale sign of its membership of the Seyfert class of galaxies. The centres of such galaxies are very active and luminous, emitting strong bursts of radiation and potentially harbouring supermassive black holes that are many millions of times the mass of the Sun. NGC 1566 is not just any Seyfert galaxy; it is the second brightest Seyfert galaxy known. It is also the brightest and most dominant member of the Dorado Group, a loose concentration of galaxies that together comprise one of the richest galaxy groups of the southern hemisphere. This image highlights the beauty and awe-inspiring nature of this unique galaxy group, with NGC 1566 glittering and glowing, its bright nucleus framed by swirling and symmetrical lavender arms. This image was taken by Hubble’s Wide Field Camera 3 (WFC3) in the near-infrared part of the spectrum. A version of the image was entered into the Hubble’s Hidden Treasures image processing competition by Flickr user Det58.
Aaron Corthen, better known as A.C. Reed (May 9, 1926 – February 24, 2004) was an American blues saxophonist, closely associated with the Chicago blues scene from the 1940s into the 2000s.
Reed was born in Wardell, Missouri, and grew up in southern Illinois. He took his stage name from his friend Jimmy Reed. He moved to Chicago during World War II, playing with Earl Hooker and Willie Mabon in the 1940s. He toured with Dennis “Long Man” Binder in 1956, and worked extensively as a sideman for Mel London‘s blues record labels Chief/Profile/Age in the 1960s, with Lillian Offitt and Ricky Allen, among others. He had a regionally popular single in 1961, “This Little Voice” (Age 29101), and cut several more singles over the course of the decade with Age, USA, Cool, and Nike Records.
more...Tania Maria (born May 9, 1948) is a Brazilian artist, singer, composer, bandleader and piano player, singing mostly in Portuguese or English. Her Brazilian-style music is mostly vocal, sometimes pop, often jazzy, and includes samba, bossa, Afro-Latin, pop and jazz fusion.
Born in São Luís, Maranhão, Brazil, Tania Maria began playing the piano at the age of seven, became a leader at the age of 13, when her band of professional musicians, organized by her father, won first prize in a local music contest and went on to play for dances, in clubs and on the radio. Her father, a metal worker and a gifted guitarist and singer, had encouraged her to study piano so that she could play in his weekend jam sessions, where she first absorbed the rhythms and melodies of samba, jazz, pop music and Brazilian chorinho. Since then, she has never worked in anyone else’s group. She has a degree in law, married early and had children.
more...Dennis Milton Chambers (born May 9, 1959) is an American drummer. He was inducted into the Modern Drummer Hall of Fame in 2001.
Chambers was born on May 9, 1959. He began drumming at the age of four years, and was gigging in Baltimore-area nightclubs by the age of six. He was recruited in 1981 by the Sugar Hill Label to be their “house drummer.” Chambers played on many Sugar Hill releases. Contrary to popular belief he did not play on “Rapper’s Delight” which was revealed in an interview with Drumeo on 8/16/2017.
In an interview by Bonedo in 2011, Chambers was asked who some of his influences and favorite drummers were and he mentioned Clyde Stubblefield, Al Jackson Jr., Steve Gadd, Vinnie Colaiuta, Gary Husband, Jack Dejohnette, Billy Cobham, Buddy Rich, Elvin Jones, Roy Haynes, and Tony Williams.
more...The jellyfish galaxy JO175 appears to hang suspended in this image from the NASA/ESA Hubble Space Telescope. This galaxy lies over 650 million light-years from Earth in the appropriately-named constellation Telescopium, and was captured in crystal-clear detail by Hubble’s Wide Field Camera 3. A handful of more distant galaxies are lurking throughout the scene, and a bright four-pointed star lies to the lower right side. Jellyfish galaxies get their unusual name from the tendrils of star-forming gas and dust that trail behind them, just like the tentacles of a jellyfish. These bright tendrils contain clumps of star formation and give jellyfish galaxies a particularly striking appearance. Unlike their ocean-dwelling namesakes, jellyfish galaxies make their homes in galaxy clusters, and the pressure of the tenuous superheated plasma that permeates these galaxy clusters is what draws out the jellyfish galaxies’ distinctive tendrils. Hubble recently completed a deep dive into jellyfish clusters, specifically the star-forming clumps of gas and dust that stud their tendrils. By studying the origins and fate of the stars in these clumps, astronomers hoped to better understand the processes underpinning star formation elsewhere in the Universe. Interestingly, their research suggests that star formation in the discs of galaxies is similar to star formation in the extreme conditions found in the tendrils of jellyfish galaxies. [Image Description: A spiral galaxy. Its spiral arms are studded with many pink spots, especially around the top of the galaxy. One arm is sticking out below the galaxy. From it and around the bottom of the galaxy, faint gas streams away, while little gas is visible above the galaxy. The galaxy is quite small in the centre of a dark background, where a few smaller galaxies of various shapes and sizes hang.]
Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd and Miles Davis. Since the early 1970s, Jarrett has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel, blues, and ethnic folk music.
His album, The Köln Concert, released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine’s 73rd Annual Readers’ Poll.
In 2003, Jarrett received the Polar Music Prize and was the first recipient to be recognized with prizes for both contemporary and classical music. In 2004, he received the Léonie Sonning Music Prize.
In February 2018, Jarrett suffered a stroke and has been unable to perform since. A second stroke, in May 2018, left him partially paralyzed and unable to play with his left hand.
Jarrett was born on May 8, 1945, in Allentown, Pennsylvania to a mother of Slovenian descent. Jarrett’s grandmother was born in Segovci, near Apače in Slovenia. Jarrett’s father was of mostly German descent. He grew up in suburban Allentown with significant early exposure to music.
more...Robert Leroy Johnson (May 8, 1911 – August 16, 1938 Hazlehurst, Mississippi) was an American blues musician and songwriter. His landmark recordings in 1936 and 1937 display a combination of singing, guitar skills, and songwriting talent that has influenced later generations of musicians. Although his recording career spanned only seven months, he is now recognized as a master of the blues, particularly the Delta blues style, and one of the most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as being “the first ever rock star”.
As a traveling performer who played mostly on street corners, in juke joints, and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He participated in only two recording sessions, one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes) recorded by famed Country Music Hall of Fame producer Don Law. These songs, recorded solo in improvised studios, were the totality of his recorded output. Most were released as 10-inch, 78 rpm singles from 1937–1938, with a few released after his death. Other than these recordings, very little was known of him during his life outside of the small musical circuit in the Mississippi Delta where he spent most of his life; much of his story has been reconstructed after his death by researchers. Johnson’s poorly documented life and death have given rise to much legend. The one most closely associated with his life is that he sold his soul to the devil at a local crossroads to achieve musical success.
His music had a small, but influential, following during his life and in the two decades after his death. In late 1938 John Hammond sought him out for a concert at Carnegie Hall, From Spirituals to Swing, only to discover that Johnson had died. Brunswick Records, which owned the original recordings, was bought by Columbia Records, where Hammond was employed. Musicologist Alan Lomax went to Mississippi in 1941 to record Johnson, also not knowing of his death. Law, who by then worked for Columbia Records, assembled a collection of Johnson’s recordings titled King of the Delta Blues Singers that was released by Columbia in 1961. It is widely credited with finally bringing Johnson’s work to a wider audience. The album would become influential, especially on the nascent British blues movement; Eric Clapton has called Johnson “the most important blues singer that ever lived.” Bob Dylan, Keith Richards, and Robert Plant have cited both Johnson’s lyrics and musicianship as key influences on their own work. Many of Johnson’s songs have been covered over the years, becoming hits for other artists, and his guitar licks and lyrics have been borrowed by many later musicians. Renewed interest in Johnson’s work and life led to a burst of scholarship starting in the 1960s. Much of what is known about him was reconstructed by researchers such as Gayle Dean Wardlow and Bruce Conforth, especially in their 2019 award-winning biography of Johnson: Up Jumped the Devil: The Real Life of Robert Johnson (Chicago Review Press). Two films, the 1991 documentary The Search for Robert Johnson by John Hammond Jr., and a 1997 documentary, Can’t You Hear the Wind Howl?: The Life & Music of Robert Johnson, which included reconstructed scenes with Keb’ Mo’ as Johnson, were attempts to document his life, and demonstrated the difficulties arising from the scant historical record and conflicting oral accounts. Over the years, the significance of Johnson and his music has been recognized by the Rock and Roll, Grammy, and Blues Halls of Fame; and the National Recording Preservation Board.
more...Mary Lou Williams (born Mary Elfrieda Scruggs; May 8, 1910 – May 28, 1981) was an American jazzpianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records (in 78, 45, and LP versions). Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor, and teacher to Thelonious Monk, Charlie Parker, Miles Davis, Tadd Dameron, Bud Powell, and Dizzy Gillespie.
The second of eleven children, Williams was born in Atlanta, Georgia, and grew up in the East Libertyneighborhood of Pittsburgh, Pennsylvania
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