mick laBriola

John Arnold Griffin III (April 24, 1928 – July 25, 2008) was an American jazz tenor saxophonist. Nicknamed “the Little Giant” for his short stature and forceful playing, Griffin’s career began in the mid-1940s and continued until the month of his death. A pioneering figure in hard bop, Griffin recorded prolifically as a bandleader in addition to stints with pianist Thelonious Monk, drummer Art Blakey, in partnership with fellow tenor Eddie “Lockjaw” Davis and as a member of the Kenny Clarke/Francy Boland Big Band after he moved to Europe in the 1960s. In 1995, Griffin was awarded an Honorary Doctorate of Music from Berklee College of Music.

Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto saxophone. While still at high school at the age of 15, Griffin was playing with T-Bone Walker in a band led by Walker’s brother.

Pictured here is one of the better images yet recorded of a waterspout, a type of tornado that occurs over water. Waterspouts are spinning columns of rising moist air that typically form over warm water. Waterspouts can be as dangerous as tornadoes and can feature wind speeds over 200 kilometers per hour. Some waterspouts form away from thunderstorms and even during relatively fair weather. Waterspouts may be relatively transparent and initially visible only by an unusual pattern they create on the water. The featured imagewas taken in 2013 July near Tampa Bay, Florida. The Atlantic Ocean off the coast of Florida is arguably the most active area in the world for waterspouts, with hundreds forming each year.        

Roy Kelton Orbison  (April 23, 1936 – December 6, 1988) Vernon, TX was an American singer, songwriter, and musician known for his impassioned singing style, complex song structures, and dark, emotional ballads. His music was described by critics as operatic, earning him the nicknames “The Caruso of Rock” and “The Big O.” Many of Orbison’s songs conveyed vulnerability at a time when most male rock-and-roll performers chose to project machismo. He performed while standing motionless and wearing black clothes to match his dyed black hair and dark sunglasses.

Vernice “Bunky” Green (born April 23, 1933) is an American jazz alto saxophonist and educator.

Green was raised in Milwaukee, Wisconsin, where he played the alto saxophone, mainly at a local club called “The Brass Rail”.

Green’s first break came when he was hired in New York City by Charles Mingus as a replacement for Jackie McLean in the 1950s. His brief stint with the bass player and composer made a deep impression. Mingus’ sparing use of notation and his belief that there was no such thing as a wrong note had a lasting influence on Green’s own style.

Charles Edward “Cow Cow” Davenport (April 23, 1894 – December 3, 1955) was an American boogie-woogie and piano blues player as well as a vaudeville entertainer. He also played the organ and sang.

Davenport, who also made recordings under the pseudonyms of Bat The Humming Bird, George Hamilton and The Georgia Grinder, is a member of the Alabama Music Hall of Fame.

He was born in Anniston, Alabama, United States, one of eight children. Davenport started to play the piano at age 12. His father objected strongly to his musical aspirations and sent him to a theological seminary, where he was expelled for playing ragtime.

Davenport’s career began in the 1920s when he joined the K.G. Barkoot Traveling Carnival. His initial profile came as accompanist to blues musicians Dora Carr and Ivy Smith. Davenport and Carr performed as a vaudeville act as “Davenport & Co”, and he performed with Smith as the “Chicago Steppers”. He also performed with Tampa Red. Davenport recorded for many record labels, and was a talent scout and artist for Vocalion Records. Davenport suffered a stroke in 1938 and lost movement in his hands. He was washing dishes when he was found by the jazz pianist Art Hodes. Hodes assisted in his rehabilitation and helped him find new recording contracts.

Rajae Belmlih, also spelled Raja Belmalih (Arabic: رجاء بلمليح; 22 April 1962 – 2 September 2007), was a Moroccan-Emirati singer. Belmlih’s career began with the Moroccan talent show, Mawahib. Her first major hit in the Arab World was Ya-Jara Wadina in 1986. The young Rajae, a University undergraduate at the time, decided to sing her first hit song at her Hassan II campus in front of her fellow students prior to the official premiere that same day.

She later settled and worked from Cairo, Egypt while continuing her studies in Arabic literature and Philosophy at Mohamed V University in Rabat. She graduated in 1995 and enrolled for a doctorate. Belmlih was named a UNESCO Goodwill Ambassador in 1999 for her numerous actions in favour of charities within the Arab world.

Bernard Alfred “Jack” Nitzsche  April 22, 1937 – August 25, 2000) was an American musician, arranger, songwriter, composer, and record producer. He first came to prominence in the early 1960s as the right-hand-man of producer Phil Spector, and went on to work with the Rolling Stones and Neil Young, among others. He also worked extensively in film scores, notably for the films Performance, The Exorcist and One Flew Over the Cuckoo’s Nest. In 1983, he won the Academy Award for Best Original Songfor co-writing “Up Where We Belong” with Buffy Sainte-Marie.

Nitzsche was born in Chicago and raised on a farm in Newaygo, Michigan, the son of German immigrants. He moved to Los Angeles in 1955 with ambitions of becoming a jazz saxophonist. He was hired by Sonny Bono, who was at the time an A&R executive at Specialty Records, as a music copyist. While there, Nitzsche wrote a novelty hit titled “Bongo Bongo Bongo”. Nitzsche wrote with Bono the song “Needles and Pins” for Jackie DeShannon, later recorded by the Searchers. His instrumental composition “The Lonely Surfer”entered the Cash Box top 100 on August 3, 1963, and reached No. 37.

Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis‘s “first great quintet” (1955–63) and with pianist Wynton Kelly (1963–68).

Born in Pittsburgh, Pennsylvania, on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was brought up in Detroit, Michigan, following the death of his mother. He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. “I got along pretty well, but it’s quite a job to carry it around in those long parades, and I didn’t like the instrument that much”. During the course of his lifetime Paul Chambers developed addictions to both alcohol and heroin. He was hospitalized at the end of 1968 with what was thought to be a severe case of influenza, but tests revealed that he had tuberculosis. As his organ functions deteriorated, Chambers lapsed into a coma for 18 days. It is believed that his addictions to heroin and alcohol contributed to his health problems. On January 4, 1969, he died of tuberculosis aged 33.

Charles Mingus Jr. (April 22, 1922 – January 5, 1979) was an American jazz upright bassist, pianist, composer, bandleader, and author. A major proponent of collective improvisation, he is considered to be one of the greatest jazz musicians and composers in history, with a career spanning three decades and collaborations with other jazz musicians such as Louis Armstrong, Duke Ellington, Charlie Parker, Dizzy Gillespie, and Herbie Hancock. Mingus’s work ranged from advanced bebop and avant-garde jazz with small and midsize ensembles – pioneering the post-bop style on seminal recordings like Pithecanthropus Erectus(1956) and Mingus Ah Um (1959) – to progressive big band experiments such as The Black Saint and the Sinner Lady (1963).

Mingus’s compositions continue to be played by contemporary musicians ranging from the repertory bands Mingus Big Band, Mingus Dynasty, and Mingus Orchestra, to the high school students who play the charts and compete in the Charles Mingus High School Competition. In 1993, the Library of Congress acquired Mingus’s collected papers—including scores, sound recordings, correspondence and photos—in what they described as “the most important acquisition of a manuscript collection relating to jazz in the Library’s history”.

Charles Mingus was born in Nogales, Arizona. His father, Charles Mingus Sr., was a sergeant in the U.S. Army. Mingus Junior was largely raised in the Watts area of Los Angeles. His maternal grandfather was a Chinese British subject from Hong Kong, and his maternal grandmother was an African-American from the southern United States. Mingus was the great-great-great-grandson of the family’s founding patriarch who was, by most accounts, a German immigrant. His ancestry included German American, African American, and Native American.

Shabbat for the Soul at Mt Zion Temple in St Paul 630pm performing with Cantor Jennifer Strauss-Klein.

Bobby McClure (April 21, 1942 – November 13, 1992) was an American soul singer.

McClure was born in Chicago, Illinois. By the age of two his family had moved to St. Louis, where he sang in church and gospel groups in his youth. He sang with The Soul Stirrers (then led by Sam Cooke) in the 1950s, and moved into secular music soon after, singing with Bobby & the Vocals, Big Daddy Jenkins, and Oliver Sain. McClure, who recorded for Checker, a subsidiary of Chess Records, scored two hit singles in the U.S. in 1965, and thereafter helped launch the careers of Little Milton and Fontella Bass; during this time he also played with Otis Clay and Shirley Brown. “Peak of Love” was a soul hit in late 1966, however it barely scraped the pop charts.

McClure moved on from music in the 1970s, working in an Illinois jail as a corrections officer, though he recorded some singles in the 1980s. McClure suffered a brain aneurysm in 1992, and died in Los Angeles, California, of complications from a stroke soon after.