mick laBriola

Daniel Richard Gottlieb (born April 18, 1953) is an American drummer. He was a founding member of the Pat Metheny Group and was co-founder of Elements with Mark Egan.

Gottlieb was born in New York City on April 18, 1953. He took lessons from Mel Lewisand Joe Morello and graduated from the University of Miami in 1975. Morello was his lifelong teacher, beginning in 1968 and through the late 1990s. He became a member of the Gary Burton Quartet in 1976 with Pat Metheny. He was one of the original members of The Pat Metheny Group from 1977 to 1983. Bassist Mark Egan was also in Metheny’s first group. Egan and Gottlieb formed the band Elements.

https://www.youtube.com/watch?v=8cgH7ja9UrM

Leo Parker (April 18, 1925 – February 11, 1962) was an American jazz musician, who primarily played baritone saxophone. Born in Washington, D.C., Parker studied alto saxophone in high school and played this instrument on a recording with Coleman Hawkins in 1944. Parker switched to baritone saxophone in 1944 when he joined Billy Eckstine‘s bebop band, playing there until 1946. In 1945, he was a member of the “Unholy Four” of saxophonists, with Dexter Gordon, Sonny Stitt and Gene Ammons.

Clarence “Gatemouth” Brown (April 18, 1924 – September 10, 2005) was an American singer and multi-instrumentalist from Louisiana. He won a Grammy Award for Best Traditional Blues Album in 1983 for his album, Alright Again!.

Early life[edit]
Brown was born in Vinton, Louisiana, and raised near Orange, Texas. His father was a railroad worker and local musician who taught him several musical instruments, including fiddle by age 5; as well as piano and guitar. He had at least one brother.

Jan Hammer (born 17 April 1948) is a Czech-American musician, composer, and record producer. He first gained his most visible audience while playing keyboards with the Mahavishnu Orchestra during the early 1970s, as well as his film scores for television and film including “Miami Vice Theme” and “Crockett’s Theme“, from the 1980s television program Miami Vice. He has continued to work as both a musical performer and producer.

Hammer has collaborated with some of the era’s most influential jazz and rock musicians such as John McLaughlin, Jeff Beck, Billy Cobham, Al Di Meola, Mick Jagger, Carlos Santana, Stanley Clarke, Tommy Bolin, Neal Schon, Steve Lukather, and Elvin Jones. He has composed and produced at least 14 original motion picture soundtracks, the music for 90 episodes of Miami Vice and 20 episodes of the television series Chancer.

His compositions have won him several Grammy Awards.

Charles Anthony “Buster” Williams (born April 17, 1942) is an American jazz bassist. Williams is known for his membership in pianist Herbie Hancock‘s early 1970s group, working with guitarist Larry Coryell from the 1980s to present, working in the Thelonious Monk repertory band Sphere and as the accompanist of choice for many singers, including Nancy Wilson.

Williams’ father, Charles Anthony Williams Sr., was a musician who played bass, drums, and piano, and had band rehearsals in the family home in Camden, New Jersey, exposing Williams to jazz at an early age. Williams was particularly inspired to focus on bass after hearing his father’s record of Star Dust, performed by Oscar Pettiford, and started playing in his early teens.

Johnny St. Cyr (April 17, 1890 – June 17, 1966) was an American jazz banjoist and guitarist. For banjo his by far most used type in records at least was the six string one. On a famous “action photo” with Jelly Roll Morton’s Red Hot Peppers he is holding a four string banjo, probably tenor. There is, however, no verified information if he ever used such an instrument on records.

St. Cyr was born in New Orleans, Louisiana and raised Catholic. He played for several leading New Orleans bands before moving to Chicago in 1923. He is best remembered as a member of Louis Armstrong’s Hot Five and Hot Seven bands. He also played with Jelly Roll Morton‘s Red Hot Peppers.He composed the standard “Oriental Strut”, known for its adventurous chord sequence.

During the 1950s, he performed and led a group named Johnny St. Cyr and His Hot Five and recorded with Paul Barbarin and George Lewis. From 1961 until his death in 1966, St. Cyr was the bandleader of the Young Men from New Orleans, who performed at Disneyland. He died in Los Angeles, California, and is buried in Evergreen Cemetery, in Los Angeles.

Are stars better appreciated for their art after they die? Actually, stars usually create their most artistic displays as they die. In the case of low-mass stars like our Sun and M2-9 pictured here, the stars transform themselves from normal stars to white dwarfsby casting off their outer gaseous envelopes. The expended gas frequently forms an impressive display called a planetary nebula that fades gradually over thousands of years. M2-9, a butterfly planetary nebula2100 light-years away shown in representative colors, has wings that tell a strange but incomplete tale. In the center, two stars orbit inside a gaseous disk 10 times the orbit of Pluto. The expelled envelope of the dying starbreaks out from the disk creating the bipolar appearance. Much remains unknown about the physical processes that cause and shape planetary nebulae.  

Henry Mancini (/mænˈsiːni/ man-SEE-nee; born Enrico Nicola Mancini,  Maple Hys, Ohio April 16, 1924 – June 14, 1994) was an American composer, conductor, arranger, pianist and flautist. Often cited as one of the greatest composers in the history of film, he won four Academy Awards, a Golden Globe, and twenty Grammy Awards, plus a posthumous Grammy Lifetime Achievement Award in 1995.

Herbert Jay Solomon (April 16, 1930 – July 1, 2003), known by his stage name Herbie Mann, was an American jazz flute player and important early practitioner of world music. Early in his career, he also played tenor saxophone and clarinet (including bass clarinet), but Mann was among the first jazz musicians to specialize on the flute. His most popular single was “Hi-Jack“, which was a Billboard No. 1 dance hit for three weeks in 1975.

Mann emphasized the groove approach in his music. Mann felt that from his repertoire, the “epitome of a groove record” was Memphis Underground or Push Push, because the “rhythm section locked all in one perception.”

Herbie Mann was born in Brooklyn, New York, New York, to Jewish parents Harry C. Solomon (May 30, 1902 – May 31, 1980), who was of Russian descent, and Ruth Rose Solomon (née Brecher) (July 4, 1905 – November 11, 2004), of Romanian descent who was born in Bukovina, Austria-Hungary but immigrated to the United States with her family at the age of 6.

John Wesley Funchess (April 16, 1931 – February 1, 1994) known professionally as John (or Johnny) Littlejohn, was an American electric blues slide guitarist. He was active on the Chicago blues circuit from the 1950s to the 1980s.

Born in Lake, Mississippi, Littlejohn first learned to play the blues from Henry Martin, a friend of his father’s. In 1946 he left home and traveled widely, spending time in Jackson, Mississippi; Arkansas; Rochester, New York; and Gary, Indiana. He settled in Gary in 1951, playing whenever possible in the nearby Chicago area. Through his connections in Gary, he was acquainted with Joe Jackson, the patriarch of the musical Jackson family, and Littlejohn and his band reputedly served as an occasional rehearsal band for the Jackson 5 in the mid- to late 1960s.

Littlejohn played regularly in Chicago clubs (he was filmed by drummer Sam Lay playing with Howlin’ Wolf‘s band about 1961) but did not make any studio recordings until 1966, when he cut singles for several record labels.Later that year he recorded an album for Arhoolie Records and four songs for Chess Records. The Chess tracks were not issued at the time.

He recorded a few singles for small local labels but did not record another album until 1985, when Rooster Bluesissued So-Called Friends. Soon after, he fell into ill health. He died of renal failure in Chicago, on February 1, 1994, at the age of 62.

Samuel McClain (April 15, 1943 – June 15, 2015), billed as Mighty Sam McClain, was an American soul blues singer and songwriter.

He was born in Monroe, Louisiana. As a five-year-old, he began singing in his mother’s Gospel Church. McClain left home when he was thirteen and followed local R&B guitarist, Little Melvin Underwood through the Chitlin’ Circuit, first as his valet and then as lead vocalist himself at 15.

While singing at the 506 Club in Pensacola, Florida he was introduced to the record producer and DJ, Papa Don Schroeder and in 1966, McClain recorded a cover version of Patsy Cline‘s “Sweet Dreams”. Several recording sessions at Muscle Shoals produced the further singles, “Fannie-May” and “In the Same Old Way”.