mick laBriola

A gaseous nebula where star formation takes place. Cataloged as IC 2944, the Running Chicken Nebula spans about 100 light years and lies about 6,000 light years away toward the constellation of the Centaur (Centaurus). The featured image, shown in scientifically assigned colors, was captured recently in a 16-hour exposure over three nights. The star cluster Collinder 249 is visible embedded in the nebula’s glowing gas. Although difficult to discern here, several dark molecular clouds with distinct shapes can be found inside the nebula.

Herbert Jeffrey Hancock (born April 12, 1940) is an American jazz pianist, keyboardist, bandleader, and composer. Hancock started his career with trumpeter Donald Byrd‘s group. He shortly thereafter joined the Miles Davis Quintet, where he helped to redefine the role of a jazz rhythm section and was one of the primary architects of the post-bop sound. In the 1970s, Hancock experimented with jazz fusion, funk, and electrostyles, using a wide array of synthesizers and electronics. It was during this period that he released perhaps his best-known and most influential album, Head Hunters.

Hancock’s best-known compositions include “Cantaloupe Island“, “Watermelon Man“, “Maiden Voyage“, and “Chameleon“, all of which are jazz standards. During the 1980s, he enjoyed a hit single with the electronic instrumental “Rockit“, a collaboration with bassist/producer Bill Laswell. Hancock has won an Academy Award and 14 Grammy Awards, including Album of the Year for his 2007 Joni Mitchell tribute album River: The Joni Letters, becoming only the second jazz album to win the award after Getz/Gilberto in 1965.

Since 2012, Hancock has served as a professor at the University of California, Los Angeles, where he teaches at the UCLA Herb Alpert School of Music. He is also the chairman of the Herbie Hancock Institute of Jazz (formerly known as the Thelonious Monk Institute of Jazz until 2019).

Hancock was born in Chicago, the son of Winnie Belle (née Griffin), a secretary, and Wayman Edward Hancock, a government meat inspector. His parents named him after the singer and actor Herb Jeffries. He attended Hyde Park High School. Like many jazz pianists, Hancock started with a classical education. He started playing piano when he was seven years old, and his talent was recognized early. Considered a child prodigy, he played the first movement of Mozart‘s Piano Concerto No. 26 in D Major, K. 537 (Coronation) at a young people’s concert on February 5, 1952, with the Chicago Symphony Orchestra (led by CSO assistant conductor George Schick) at age 11.

Will Wampach Day 
William Wampach (April 11 1951) Born St Cloud, MN. Mostly know as a Electric Guitarist also a songwriter, painter, sculptor and artist. Growing up in Brooklyn Center, Mn. Will worked with bands like Blackbone, Angry Souls, The Mystic Evolution, CCLC. Later Will delved into Calypso and Reggae with Lloyd Cordner in Macumba, later working with Peter Nelson in Shangoya touring Trinidad. Will then became guitarist in the Maroons a Minneapolis based premier Rock Steady/Reggae group blending R&B, Rock and Human Rights issues. 

Cassiopeia A (Cas A) is a supernova remnant located about 11,000 light-years from Earth in the constellation Cassiopeia. It spans approximately 10 light-years. This new image uses data from the James Webb Space Telescope’s Mid-Infrared Instrument (MIRI) to reveal Cas A in a new light. “Cas A represents our best opportunity to look at the debris field of an exploded star and run a kind of stellar autopsy to understand what type of star was there beforehand and how that star exploded,” Danny Milisavljevic of Purdue University in Indiana, principal investigator of the Webb program that captured the new observations, said in a NASA statement on Friday (April 7 2023).

Here we see JO204, a ‘jellyfish galaxy’ so named for the bright tendrils of gas that appear in this image to be drifting lazily below JO204’s bright central bulk. The galaxy lies almost 600 million light-years away in the constellation Sextans. This image was captured by the NASA/ESA Hubble Space Telescope, and it is the third of a series of Pictures of the Week featuring jellyfish galaxies. This series of images is possible thanks to a survey in which observations were made of six of these fascinating galaxies, including JO204. This survey was performed with the intention of better understanding star formation under extreme conditions.  Given the dreamy appearance of this image, it would be understandable to wonder why jellyfish galaxies should be such a crucible for star formation. The answer is that — as is often the case with astronomy — first appearances can be deceiving. Whilst the delicate ribbons of gas beneath JO204 may look like floating jellyfish tentacles, they are in fact the outcome of an intense astronomical process known as ram pressure stripping. Ram pressure is a particular type of pressure exerted on a body when it moves relative to a fluid. An intuitive example is the sensation of pressure you experience when you are standing in an intense gust of wind — the wind is a moving fluid, and your body feels pressure from it. An extension of this analogy is that your body will remain whole and coherent, but the more loosely bound things — like your hair and your clothes — will flap in the wind. The same is true for jellyfish galaxies. They experience ram pressure because of their movement against the intergalactic medium that fills the spaces between galaxies in a galaxy cluster. The galaxies experience intense pressure from that movement, and as a result their more loosely bound gas is stripped away. This gas is mostly the colder and denser gas in the galaxy — gas which, when stirred and compressed by the ram pressure, collapses and forms new stars in the jellyfish’s beautiful tendrils.

Joey DeFrancesco (April 10, 1971 – August 25, 2022) was an American jazz organist, trumpeter, saxophonist, and occasional singer. He released more than 30 albums under his own name, and recorded extensively as a sideman with such leading jazz performers as trumpeter Miles Davis, saxophonist Houston Person, and guitarist John McLaughlin.

DeFrancesco signed his first record deal at the age of 16 and over the years recorded and toured internationally with David Sanborn, Arturo Sandoval, Larry Coryell, Frank Wess, Benny Golson, James Moody, Steve Gadd, Danny Gatton, Elvin Jones, Jimmy Cobb, George Benson, Pat Martino, Tony Monaco, John Scofield, Lee Ritenour, Joe Lovano, and had prominent session work with a variety of musicians, including Ray Charles, Bette Midler, Janis Siegel, Diana Krall, Jimmy Smith, and Van Morrison.

DeFrancesco was born in Springfield, Pennsylvania, on April 10, 1971. He was born into a musical family that included three generations of jazz musicians. He was named after his grandfather, Joseph DeFrancesco, a jazz musician who played the saxophone and clarinet. His father, “Papa” John DeFrancesco, is an organist who played nationally and received the Oklahoma Jazz Hall of Fame‘s Living Legend Award in 2013.

Claude Bolling (10 April 1930 – 29 December 2020) was a French jazz pianist, composer, arranger, and occasional actor. He was born in Cannes, France, and studied at the Nice Conservatory, and then in Paris. A child prodigy, by the age of 14 he was playing jazz piano professionally, with Lionel Hampton, Roy Eldridge, and Kenny Clarke. Bolling’s books on jazz technique show that he did not delve far beyond bebop into much avant-garde jazz. He was a major part of the traditional jazz revival in the late 1960s, and he became friends with Oscar Peterson.

He wrote music for over one hundred films, including a 1957 documentary about the Cannes Film Festival, and films such as The Hands of Orlac (1960), World in My Pocket (1961), Me and the Forty Year Old Man (1965), Atlantic Wall (1970), Borsalino (1970), To Catch a Spy (1971), Le Magnifique (1973), Borsalino & Co. (1974), Flic Story (1975), The Passengers (1977), Silver Bears (1978), California Suite (1978), Jigsaw (L’Homme en colère) (1979), The Awakening (1980), Willie & Phil (1980), Three Men to Kill (1980), The Bay Boy (1984), He Died with His Eyes Open (1985), Try This One for Size (1989) and Chance or Coincidence (1998).