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Alphonso Martin (born 20 March 1956) is a British musician best known as a percussionist and vocalist for the reggae group Steel Pulse.

He joined Steel Pulse in 1976 as a friend of David Hinds. He played percussion and backup vocals for fifteen years, and also contributed lead vocals on the songs “Shining”, “Your House”, “Reaching Out”, “Soul of My Soul”, and “Evermore”, until leaving the band in 1991 after the release of Victims to pursue other interests.

He is the father of Shakira Martin, the 2011 Miss Jamaica Universe winner who died aged 30 on 3 August 2016 as a consequence of sickle-cell disease.

He lives in Birmingham.

Lee “Scratch” Perry OD (born Rainford Hugh Perry; 20 March 1936 – 29 August 2021) was a Jamaican record producer, composer and singer noted for his innovative studio techniques and production style. Perry was a pioneer in the 1970s development of dub music with his early adoption of remixing and studio effects to create new instrumental or vocal versions of existing reggae tracks. He worked with and produced for a wide variety of artists, including Bob Marley and the Wailers, Junior Murvin, The Congos, Max Romeo, Adrian Sherwood, Beastie Boys, Ari Up, The Clash, The Orb, and many others.

Rainford Hugh Perry was born on 20 March 1936 in Kendal, Jamaica, in the parish of Hanover, the third child of Ina Davis and Henry Perry. His mother had strong African traditions originating from her Yoruba ancestry that she passed on to her son. His parents were both laborers, but his father later became a professional dancer.

Lee left school at age 15 and lived in Hanover where he did not have much regard for working, and preferred to play dominoes and live according to his own desires. He eventually wound up in Clarendon where he got into the dance and music scene and earned the nickname “The Neat Little Thing”. Lee later moved to Kingston after experiencing a mystical connection to stones (“When the stones clash, I hear like the thunder clash… and I hear words… These words send me to Kingston. Kingston means King’s Stone, the Son of the King… the stone that I was throwing in Negril send me to King Stone for my graduation.”) where he apprenticed at Studio One.

Harold Mabern Jr. (March 20, 1936 – September 17, 2019) was an American jazz pianist and composer, principally in the hard bop, post-bop, and soul jazz fields. He is described in The Penguin Guide to Jazz Recordings as “one of the great post-bop pianists”.

Mabern was born in Memphis, Tennessee on March 20, 1936. He initially started learning drums before switching to learning piano. He had access to a piano from his teens, after his father, who worked in a lumber yard, saved to buy him one. Mabern learned by watching and emulating pianists Charles Thomas and Phineas Newborn Jr.

Margaret Marian McPartland OBE (née Turner; 20 March 1918 – 20 August 2013), was an English–American jazz pianist, composer, and writer. She was the host of Marian McPartland’s Piano Jazz on National Public Radio from 1978 to 2011.

After her marriage to trumpeter Jimmy McPartland in February 1945, she resided in the United States when not travelling throughout the world to perform. In 1969, she founded Halcyon Records, a recording company that issued albums for 10 years. In 2000, she was named a National Endowment for the Arts Jazz Master. In 2004, she was given a Grammy Award for lifetime achievement. In 2007, she was inducted into the National Radio Hall of Fame. Although known mostly for jazz, she composed other types of music as well, performing her own symphonic work A Portrait of Rachel Carson with the University of South Carolina Symphony Orchestra in 2007. In 2010, she was named a member of the Order of the British Empire.

Clarence Henry II (born March 19, 1937), known as Clarence “Frogman” Henry, is an American rhythm and blues singer and pianist, best known for his hits “Ain’t Got No Home” (1956) and “(I Don’t Know Why) But I Do” (1961).

Clarence Henry was born in New Orleans, Louisiana, United States, in 1937, moving to the Algiersneighborhood in 1948. He started learning piano as a child, with Fats Domino and Professor Longhair being his main influences. When Henry played in talent shows, he dressed like Longhair and wore a wig with braids on both sides. He joined Bobby Mitchell & the Toppers in 1952, playing piano and trombone, before leaving when he graduated in 1955 to join saxophonist Eddie Smith’s band.

James Joseph “Buster“ Bennett (March 19, 1914 – July 3, 1980) was an American blues saxophonist and blues shouter. His nickname was “Leap Frog”. At various times in his career, he played the soprano saxophone, the alto, and the tenor. He was known for his gutbucket style on the saxophone. He also played the piano and the string bass professionally.

Bennett was born in Pensacola, Florida. By 1930 or so, he was working in Texas, but he spent most of his active career (1938 to 1954) in Chicago. He was employed as a session musician by Lester Melrose from 1938 to 1942; he played on recordings with Big Bill Broonzy, the Yas Yas Girl, Monkey Joe, and Washboard Sam. Concomitantly he played on sessions with Jimmie Gordon under the direction of Sammy Price.

In 1944, the Buster Bennett Trio featured Arrington Thornton on piano and Duke Groner on bass. Other lineups led by Bennett included Wild Bill Davis, Israel Crosby, and Pee Wee Jackson.

Leonard Joseph Tristano (March 19, 1919 – November 18, 1978) was an American jazz pianist, composer, arranger, and teacher of jazz improvisation.

Tristano studied for bachelor’s and master’s degrees in music in Chicago before moving to New York City in 1946. He played with leading bebop musicians and formed his own small bands, which soon displayed some of his early interests – contrapuntal interaction of instruments, harmonic flexibility, and rhythmic complexity. His quintet in 1949 recorded the first free group improvisations. Tristano’s innovations continued in 1951, with the first overdubbed, improvised jazz recordings, and two years later, when he recorded an atonal improvised solo piano piece that was based on the development of motifs rather than on harmonies. He developed further via polyrhythms and chromaticism into the 1960s, but was infrequently recorded.

Tristano started teaching music, especially improvisation, in the early 1940s, and by the mid-1950s was concentrating on teaching in preference to performing. He taught in a structured and disciplined manner, which was unusual in jazz education when he began. His educational role over three decades meant that he exerted an influence on jazz through his students, including saxophonists Lee Konitz and Warne Marsh.

Musicians and critics vary in their appraisal of Tristano as a musician. Some describe his playing as cold and suggest that his innovations had little impact; others state that he was a bridge between bebop and later, freer forms of jazz, and assert that he is less appreciated than he should be because commentators found him hard to categorize and because he chose not to commercialize.

Tristano was born in Chicago on March 19, 1919. His mother, Rose Tristano (née Malano), was also born in Chicago. His father, Michael Joseph Tristano, was born in Italy and moved to the United States as a child. Lennie was the second of four brothers.

Andy Narell (born March 18, 1954) is an American jazz steel pannist, composer and producer. Narell took up the steelpan at a young age in Queens, New York. His father, who was a social worker, had started a program of steelpan playing for at-risk youth at the Jewish philanthropic Education Alliance in Lower East Side Manhattan using two sets of pans made by Rupert Sterling, a native of Antigua. Beginning in 1962, Andy, his brother Jeff, and three others boys played on a third set of Sterling-made pans in the basement of the Narell house in the Whitestone neighborhood of Queens, calling themselves the Steel Bandits. The band was a novelty steelpan act that played concerts and appeared on television shows, including I’ve Got a Secret in 1963.

William Richard Frisell (born March 18, 1951) is an American jazz guitarist, composer and arranger. Frisell first came to prominence at ECM Records in the 1980s, as both a session player and a leader. He went on to work in a variety of contexts, notably as a participant in the Downtown Scene in New York City, where he formed a long working relationship with composer and saxophonist John Zorn. He was also a longtime member of veteran drummer Paul Motian‘s groups from the early 1980s until 2011 (upon Motian’s death). Since the late 1990s, Frisell’s output as a bandleader has also integrated prominent elements of folk, country, rock ‘n’ roll and Americana. He has six Grammy nominations and one win.

Frisell was born in Baltimore, Maryland, United States, but spent most of his youth in the Denver, Coloradoarea. He studied clarinet with Richard Joiner of the Denver Symphony Orchestra as a youth, but by his teens, was more interested in guitar. He graduated from Denver East High School and went to the University of Northern Colorado to study music. At UNC, he took a class taught by guitarist Johnny Smith. However, Frisell later reported the class effectively became private lessons from Smith because the emphasis on music theory “was too much for everyone else—they didn’t want to be learning scales and inversions.”

Wilson Pickett (March 18, 1941 – January 19, 2006) was an American singer and songwriter.

A major figure in the development of soul music, Pickett recorded over 50 songs which made the US R&B charts, many of which crossed over to the Billboard Hot 100. Among his best-known hits are “In the Midnight Hour” (which he co-wrote), “Land of 1,000 Dances“, “634-5789 (Soulsville, U.S.A.)“, “Mustang Sally“, “Funky Broadway“, “Engine No. 9”, and “Don’t Knock My Love“. Pickett was inducted into the Rock and Roll Hall of Fame in 1991, in recognition of his impact on songwriting and recording.

Pickett was born March 18, 1941 in Prattville, Alabama,  and sang in Baptist church choirs. He was the fourth of 11 children and called his mother “the baddest woman in my book,” telling historian Gerri Hirshey: “I get scared of her now. She used to hit me with anything, skillets, stove wood … [one time I ran away and] cried for a week. Stayed in the woods, me and my little dog.”^[5] Pickett eventually left to live with his father in Detroit in 1955.