mick laBriola

The Great Nebula in Orion. Visible as a faint celestial smudge to the naked-eye, the nearest large star-forming region sprawls across this sharp telescopic image, recorded on a cold January night in dark skies from West Virginia, planet Earth. Also known as M42, the Orion Nebula’s glowing gas surrounds hot, young stars. About 40 light-years across, it lies at the edge of an immense interstellar molecular cloud only 1,500 light-years away within the same spiral arm of our Milky Way galaxy as the Sun. Along with dusty bluish reflection nebula NGC 1977 and friends near the top of the frame, the eye-catching nebulae represent only a small fraction of our galactic neighborhood’s wealth of star-forming material. Within the well-studied stellar nursery, astronomers have also identified what appear to be numerousinfant solar systems.

Leon Bismark “Bix” Beiderbecke (March 10, 1903 – August 6, 1931) was an American jazz cornetist, pianist and composer.

Beiderbecke was one of the most influential jazz soloists of the 1920s, a cornet player noted for an inventive lyrical approach and purity of tone, with such clarity of sound that one contemporary famously described it like “shooting bullets at a bell”. His solos on seminal recordings such as “Singin’ the Blues” and “I’m Coming, Virginia” (both 1927) demonstrate a gift for extended improvisation that heralded the jazz ballad style, in which jazz solos are an integral part of the composition. Moreover, his use of extended chords and an ability to improvise freely along harmonic as well as melodic lines are echoed in post-WWII developments in jazz. “In a Mist” (1927) is the best known of Beiderbecke’s published piano compositions and the only one that he recorded. His piano style reflects both jazz and classical (mainly impressionist) influences. All five of his piano compositions were published by Robbins Music during his lifetime.

A native of Davenport, Iowa, Beiderbecke taught himself to play the cornet largely by ear, leading him to adopt a non-standard fingering technique that informed his unique style. He first recorded with Midwestern jazz ensemble The Wolverines in 1924, after which he played briefly for the Detroit-based Jean GoldketteOrchestra before joining Frankie “Tram” Trumbauer for an extended engagement at the Arcadia Ballroom in St. Louis, also under the auspices of Goldkette’s organisation. Beiderbecke and Trumbauer joined Goldkette’s main band at the Graystone Ballroom in Detroit in 1926. The band toured widely and famously played a set opposite Fletcher Henderson at the Roseland Ballroom in New York City in October 1926. He made his greatest recordings in 1927. The Goldkette band folded in September 1927 and, after briefly joining bass saxophone player Adrian Rollini‘s band in New York, Trumbauer and Beiderbecke joined America’s most popular dance band: Paul Whiteman and his Orchestra.

Beiderbecke’s most influential recordings date from his time with Goldkette and Whiteman, although he also recorded under his own name and that of Trumbauer’s. The Whiteman period marked a precipitous decline in his health due to his increasing use of alcohol. Treatment for alcoholism in rehabilitation centers, with the support of Whiteman and the Beiderbecke family, failed to stop his decline. He left the Whiteman band in 1929 and in the summer of 1931 died aged 28 in his Sunnyside, Queens, New York apartment.^[A]

His death, in turn, gave rise to one of the original legends of jazz. In magazine articles, musicians’ memoirs, novels, and Hollywood films,^[F] Beiderbecke has been envisaged as a Romantic hero, the “Young Man with a Horn” (a novel, later made into a movie starring Kirk Douglas, Lauren Bacall, Doris Day, and his friend Hoagy Carmichael). His life has often been portrayed as that of a jazz musician who had to compromise his art for the sake of commercialism. Beiderbecke remains the subject of scholarly controversy regarding his full name, the cause of his death and the importance of his contributions to jazz.

He composed or played on recordings that are jazz classics and standards such as “Davenport Blues“, “In a Mist“, “Copenhagen“, “Riverboat Shuffle“, “Singin’ the Blues“, and “Georgia on My Mind“.

The irregular spiral galaxy NGC 5486 hangs against a background of dim, distant galaxies in this image from the NASA/ESA Hubble Space Telescope. The tenuous disc of the galaxy is threaded through with pink wisps of star formation, which stand out from the diffuse glow of the galaxy’s bright core. While this particular galaxy has indistinct, meandering spiral arms it lies close to the much larger Pinwheel Galaxy, one of the best known examples of ‘grand design’ spiral galaxies with prominent and well-defined spiral arms. In 2006 Hubble captured an image of the Pinwheel Galaxy which was — at the time — the largest and most detailed photo of a spiral galaxy ever taken with Hubble. NGC 5486 lies 110 million light-years from Earth in the constellation Ursa Major. Constellations are not only patterns of bright stars, but also a system that astronomers use to divide the sky into regions. There are 88 of these regions, and each has an associated constellation depicting a mythological figure, an animal, or even an item of scientific equipment. This strange celestial menagerie contains everything from Ursa Major’s great bear to a toucan, a sea monster, a telescope, and even a painter’s easel! This observation comes from a selection of Hubble images exploring the detritus left behind by Type II supernovae. As massive stars reach the end of their lives they cast off huge amounts of gas and dust before ending their lives in titanic supernova explosions. NGC 5486 hosted a supernova in 2004, and astronomers used the keen vision of Hubble’s Advanced Camera for Surveys to explore the aftermath in the hopes of learning more about these explosive events. [Image description: A spiral galaxy. It is irregularly-shaped and its spiral arms are difficult to distinguish. The edges are faint and the core has a pale glow. It is dotted with small, wispy, pink regions where stars are forming. A few stars and small galaxies in warm colours are visible around it.] Link Hubble spies.

Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, trumpeter, violinist, and composer. He was best known as a principal founder of the free jazz genre, a term derived from his 1960 album Free Jazz: A Collective Improvisation. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms.Instead, Coleman emphasized an experimental approach to improvisation, rooted in ensemble playing and blues phrasing. AllMusic called him “one of the most beloved and polarizing figures in jazz history,” noting that while “now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud.”

Born and raised in Fort Worth, Texas, Coleman taught himself to play the saxophone when he was a teenager. He began his musical career playing in local R&B and bebop groups, and eventually formed his own group in Los Angeles featuring members such as Ed Blackwell, Don Cherry, Charlie Haden, and Billy Higgins. In November 1959, his quartet began a controversial residency at the Five Spot jazz club in New York City and he released the influential album The Shape of Jazz to Come, his debut LP on Atlantic Records. Coleman’s subsequent Atlantic releases in the early 1960s would profoundly influence the direction of jazz in that decade, and his compositions “Lonely Woman” and “Broadway Blues” became genre standards that are cited as important early works in free jazz.

In the mid 1960s, Coleman left Atlantic for labels such as Blue Note and Columbia Records, and began performing with his young son Denardo Coleman on drums. He explored symphonic compositions with his 1972 album Skies of America, featuring the London Symphony Orchestra. In the mid-1970s, he formed the group Prime Time and explored electric jazz-funk and his concept of harmolodic music. In 1995, Coleman and his son Denardo founded the Harmolodic record label. His 2006 album Sound Grammar received the Pulitzer Prize for Music, making Coleman the second jazz musician ever to receive the honor.

Coleman was born on March 9, 1930, in Fort Worth, Texas, where he was raised.

Messier 74 (also known as NGC 628 and Phantom Galaxy) is a large spiral galaxy in the equatorial constellation Pisces. It is about 32 million light-years away from Earth. The galaxy contains two clearly defined spiral arms and is therefore used as an archetypal example of a grand design spiral galaxy. It is a galaxy with low surface brightness. Its relatively large angular (that is, apparent) size and the galaxy’s face-on orientation make it an ideal object for professional astronomers who want to study spiral arm structure and spiral density waves. It is estimated that M74 hosts about 100 billion stars.

John Smith Hurt (March 8, 1893 – November 2, 1966), better known as Mississippi John Hurt, was an American country blues singer and guitarist.

Raised in Avalon, Mississippi, Hurt taught himself to play the guitar around the age of nine. He worked as a sharecropper and began playing at dances and parties, singing to a melodious fingerpickedaccompaniment. His first recordings, made for Okeh Records in 1928, were commercial failures, and he continued to work as a farmer.

Dick Spottswood and Tom Hoskins, a blues enthusiast, located Hurt in 1963 and persuaded him to move to Washington, D.C. He was recorded by the Library of Congress in 1964. This helped further the American folk music revival, which led to the rediscovery of many other bluesmen of Hurt’s era. Hurt performed on the university and coffeehouse concert circuit with other Delta blues musicians who were brought out of retirement. He also recorded several albums for Vanguard Records.

Hurt returned to Grenada in 1966, where he died at the age of 73.

Material recorded by him has been re-released by many record labels. His songs have been recorded by Bob Dylan, Dave Van Ronk, Jerry Garcia, Beck, Doc Watson, John McCutcheon, Taj Mahal, Bruce Cockburn, David Johansen, Bill Morrissey, Gillian Welch, The Be Good Tanyas, Josh Ritter, Chris Smither, Guthrie Thomas, Parsonsfield, and Rory Block.

Hurt was born in Teoc, Carroll County, Mississippi, and raised in Avalon, Mississippi. He taught himself to play guitar at the age of nine, stealthily playing the guitar of William Henry Carson, a friend of his mother Mary Jane’s, who often stayed at the Hurt home while courting a woman who lived nearby. As a youth, he played old-time music for friends and at dances. He worked as a farmhand and sharecropper into the 1920s.