mick laBriola

Wilbert Thirkield “Big Chief” Ellis (November 10, 1914 – December 20, 1977)was an American blues pianist and vocalist.

Ellis was born in Birmingham, Alabama, United States, and was an autodidact at piano. He played at local parties and dances in the late 1920s before leaving Alabama, traveling the United States and working odd jobs. He served in the Army from 1939 to 1942, then moved to New York City, where he accompanied touring blues performers for their concerts there. He recorded with Lenox Records in 1945, and recorded for Capitol Records with Sonny Terry and Brownie McGhee in the 1950s.

In 1972, Ellis moved to Washington, D.C., where he operated a liquor store. Towards the end of his life, Ellis began recording for Trix Records, where he played again with McGhee as well as Tarheel Slim and John Cephas.

Ellis died in Birmingham, Alabama, of heart failure aged 63.

The largest canyon in the Solar System cuts a wide swath across the face of Mars. Named Valles Marineris, the grand valley extends over 3,000 kilometers long, spans as much as 600 kilometers across, and delves as much as 8 kilometers deep. By comparison, the Earth’s Grand Canyon in Arizona, USA is 800 kilometers long, 30 kilometers across, and 1.8 kilometers deep. The origin of the Valles Marineris remains unknown, although a leading hypothesis holds that it started as a crack billions of years ago as the planet cooled. Several geologic processes have been identified in the canyon. The featured mosaic was created from over 100 images of Mars taken by Viking Orbiters in the 1970s. 88 million miles.

Russell Charles Means (November 10, 1939 – October 22, 2012) was an Oglala Lakota activist for the rights of American Indians and all oppressed First Nation Americans, libertarian political activist, actor, musician and writer. He became a prominent member of the American Indian Movement (AIM) after joining the organization in 1968 and helped organize notable events that attracted national and international media coverage.

Means was active in international issues of indigenous peoples, including working with groups in Central and South America and with the United Nations for recognition of their rights. He was active in politics at his native Pine Ridge Indian Reservation and at the state and national level.

Beginning an acting career in 1992, he appeared on numerous television series and in several films, including The Last of the Mohicans and Pocahontas and released his own music CD. Means published his autobiography Where White Men Fear to Tread in 1995.

Bobby Rush (born Emmett Ellis Jr. in Homer, Louisiana on November 10, 1933) is an American blues musician, composer, and singer. His style incorporates elements of blues, rap, and funk, as well as a comic sense about blues tropes.

Rush has won twelve Blues Music Awards and in 2017, at the age of 83, he won his first Grammy Award for the album Porcupine Meat. He is inducted into the Blues Hall of Fame, Mississippi Musicians Hall of Fame, and Rhythm & Blues Music Hall of Fame.

Hubert Laws (born November 10, 1939) is an American flutist and saxophonist with a career spanning over 50 years in jazz, classical, and other music genres. Laws is one of the few classical artists who has also mastered jazz, pop, and rhythm-and-blues genres, moving effortlessly from one repertory to another. He has three Grammy nominations.

Paul Bley, CM (November 10, 1932 – January 3, 2016) was a Canadian jazz pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing and his early live performance on the Moogand ARP synthesizers. His music has been described by Ben Ratliff of the New York Times as “deeply original and aesthetically aggressive”. Bley’s prolific output includes influential recordings from the 1950s through to his solo piano recordings of the 2000s.

Andrew Charles Cyrille (born November 10, 1939) is an American avant-garde jazzdrummer. Throughout his career, he has performed both as a leader and a sideman in the bands of Walt Dickerson and Cecil Taylor, among others. AllMusic biographer Chris Kelsey wrote: “Few free-jazz drummers play with a tenth of Cyrille’s grace and authority. His energy is unflagging, his power absolute, tempered only by an ever-present sense of propriety.”

Cyrille was born in Brooklyn, New York, United States, into a Haitian family. He began studying science at St. John’s University, but was already playing jazz in the evenings and switched his studies to the Juilliard School. His first drum teachers were fellow Brooklyn-based drummers Willie Jones and Lenny McBrowne; through them, Cyrille met Max Roach. Nonetheless, Cyrille became a disciple of Philly Joe Jones.

Mary Allin Travers (November 9, 1936 – September 16, 2009 Louisville, KY) was an American singer-songwriter who found fame as a member of the 1960s folk trio Peter, Paul and Mary, along with Peter Yarrow and Paul Stookey. Travers grew up amid the burgeoning folk scene in New York City‘s Greenwich Village, and she released five solo albums. She sang in the contralto range.

Solomon Kamaluhiakekipikealiʻikaʻapunikukealaokamahanahana Bright Sr. (9 November 1909 – 27 April 1992) was an entertainer of Hawaiian and Castilian ancestry, who played steel guitar and is most widely known as the composer of Hawaiian Cowboy. He was born one of fourteen children to Hawaiian minister Andrew Laukea Bright and church organist Alike Kekipau Bright in Honolulu.

His early touring years were as part of Sol Hoʻopiʻi‘s Novelty Trio, before forming Sol K. Bright’s Hollywaiians. During this time, Bright also began producing musical shows. After his World War II stint in the U.S. Merchant Marines, he began appearing in films and on radio and television. In his later years he performed regularly in Hawaii before live audiences.

Milton Mesirow (November 9, 1899 – August 5, 1972), better known as Mezz Mezzrow, was an American jazz clarinetist and saxophonist from Chicago, Illinois. He is remembered for organizing and financing recording sessions with Tommy Ladnier and Sidney Bechet. He recorded with Bechet as well and briefly acted as manager for Louis Armstrong. Mezzrow is equally known as a colorful character, as portrayed in his autobiography, Really the Blues (which takes its title from a Bechet composition), co-written with Bernard Wolfe and published in 1946.

According to one biographer: “As a juvenile delinquent, [Mezzrow] was in and out of reformatory schools and prisons where he was exposed to jazz and blues music. He began to play the clarinet and decided to adopt the African American culture as his own. He became a ubiquitous figure on the Chicago jazz scene of the 1920s and ran in the circles of musicians that included King Oliver, Louis Armstrong, Sidney Bechet, Jimmy Noone, Al Jolson, Baby Dodds, Bix Beiderbecke, Louis Bellson and many others. [He] was an advocate for the pure New Orleans jazz style.”