mick laBriola

Brian Lewis Hopkin Jones (28 February 1942 – 3 July 1969) was an English multi-instrumentalist and singer best known as the founder, rhythm/lead guitarist, and original leader of the Rolling Stones. Initially a guitarist, he went on to provide backing vocals and played a wide variety of instruments on Rolling Stones recordings and in concerts.

After he founded the Rolling Stones as a British blues outfit in 1962, and gave the band its name, Jones’ fellow band members Keith Richards and Mick Jagger began to take over the band’s musical direction, especially after they became a successful songwriting team. Jones and fellow guitarist Richards also developed a unique style of guitar play that Richards refers to as the “ancient art of weaving” in which both players would play rhythm and lead parts together, which became a Rolling Stones trademark. Jones, however, did not get along with the band’s manager, Andrew Loog Oldham, who pushed the band into a musical direction at odds with Jones’ blues background, and with whom he got into many fights.

When Jones developed alcohol and drug problems, his performance in the studio became increasingly unreliable, leading to a diminished role within the band he had founded. In June 1969, the Rolling Stones dismissed Jones; guitarist Mick Taylor took his place in the group. Less than a month later, Jones died by drowning in the swimming pool at his home at Cotchford Farm, East Sussex. His death was referenced in songs by many other pop bands, and Pete Townshend and Jim Morrison wrote poems about it. In 1989, he was inducted into the Rock and Roll Hall of Fame as a member of the Rolling Stones.

John Aloysius Fahey  February 28, 1939 – February 22, 2001) was an American fingerstyle guitarist and composer who played the steel-string acoustic guitar as a solo instrument. His style has been enormously influential and has been described as the foundation of the genre of American primitive guitar, a term borrowed from painting and referring mainly to the self-taught nature of the music and its minimalist style. Fahey borrowed from the folk and blues traditions in American roots music, having compiled many forgotten early recordings in these genres. He would later incorporate 20th-century classical, Portuguese, Brazilian, and Indian influences into his work.

Fahey spent many of his later years in poverty and poor health, but enjoyed a minor career resurgence in the late 1990s, with a turn towards the avant-garde. He also created a series of abstract paintings in his final years. Fahey died in 2001 from complications from heart surgery. In 2003, he was ranked 35th on Rolling Stone magazine’s “100 Greatest Guitarists of All Time” list.

Fahey was born into a musical household in Washington, D.C. in 1939. Both his father, Aloysius John Fahey, and his mother, Jane (née Cooper), played the piano. In 1945, the family moved to the Washington suburb of Takoma Park, Maryland, where his father lived until his death in 1994. On weekends, the family attended performances of the top country and bluegrass acts of the day, but it was hearing Bill Monroe‘s version of Jimmie Rodgers‘ “Blue Yodel No. 7” on the radio that ignited the young Fahey’s passion for music.

William Correa (February 28, 1934 – September 15, 1983), better known by his stage name Willie Bobo, was an American Latin jazz percussionist of Puerto Rican descent. Bobo rejected the stereotypical expectations of Latino music and was noted for combining elements of jazz, Latin and rhythm and bluesmusic.

Born William Correa to a Puerto Rican family, Bobo grew up in Spanish Harlem, New York City, United States. His father played the cuatro, a ten stringed guitar-like instrument. As a teenager, Bobo taught himself the bongos and later the congas, timbales and drums. In 1947, Bobo started working as a band boy for Machito in order to gain entrance to the band’s concerts, sometimes filling in on percussion. At age 12, he began his professional career as a dancer and two years later made his recording debut as a bongo player.

Chuck Wayne (February 27, 1923 – July 29, 1997) was an American jazz guitarist. He came to prominence in the 1940s, and was among the earliest jazz guitarists to play in the bebop style. Wayne was a member of Woody Herman‘s First Herd, the first guitarist in the George Shearing quintet, and Tony Bennett‘s music director and accompanist. He developed a systematic method for playing jazz guitar.

Wayne was known for a bebop style influenced by saxophone players of his time, especially Charlie Parkerand Coleman Hawkins. In an era when many guitarists used four-square, mandolin-style picking, with rigid up-down stroke articulation, Wayne developed a technique not widely adopted by others until decades later. He also developed a comprehensive approach to guitar chords and arpeggios – based on generic tetradforms spanning all possible inversions, in varying degrees of open voicing. This highly analytic approach to the fretboard was later documented in a series of theory books, some released posthumously.

Chuck Wayne was born Charles Jagelka in New York City to a Czechoslovakian family. As a boy, he learned banjo, mandolin, and balalaika. In the early 1940s he began playing in jazz bands on 52nd Street.

Mitch Ryder (born William Sherille Levise, Jr.; February 26, 1945) is an American musician, who has recorded more than 25 albums over more than four decades.

Trevor Charles Watts (born 26 February 1939) is an English jazzand free-improvising alto and soprano saxophonist.

David Pell (February 26, 1925 – May 7, 2017) was an American jazzsaxophonist, bandleader and record producer. He was best known for leading a cool jazz octet in the 1950s.

John R. Cash (born J. R. Cash; February 26, 1932 – September 12, 2003) was an American countrysinger-songwriter. Much of Cash’s music contained themes of sorrow, moral tribulation, and redemption, especially in the later stages of his career. He was known for his deep, calm bass-baritone voice, the distinctive sound of his Tennessee Three backing band characterized by train-like chugging guitar rhythms, a rebelliousness coupled with an increasingly somber and humble demeanor, free prison concerts, and a trademark all-black stage wardrobe, which earned him the nickname the “Man in Black“.

Antoine Dominique Domino Jr. (February 26, 1928 – October 24, 2017), known as Fats Domino, was an American pianist, singer and songwriter. One of the pioneers of rock and roll music, Domino sold more than 65 million records. Born in New Orleans to a French Creolefamily, Domino signed to Imperial Records in 1949. His first single “The Fat Man” is cited by some historians as the first rock and roll single and the first to sell more than 1 million copies. Domino continued to work with the song’s co-writer Dave Bartholomew, contributing his distinctive rolling piano style to Lloyd Price‘s “Lawdy Miss Clawdy” (1952) and scoring a string of mainstream hits beginning with “Ain’t That a Shame” (1955). Between 1955 and 1960, he had eleven Top 10 US pop hits. By 1955, five of his records had sold more than a million copies, being certified gold.