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https://www.youtube.com/watch?v=A_75U-1Ki30
more...Theatre 55’s fourth installment of RENT performing at the Gremlin Theater Wednesday February 8th 2023 at 7pm. Running through Saturday 2-11. Music with Shirley Mier, Jamie Carter, Lyra Olson and mick laBriola.
100 times as massive as our Sun, a million times more luminous, and with 30 times the surface temperature. Such stars exist, and some are known as Wolf Rayet (WR) stars, named after French astronomers Charles Wolf and Georges Rayet. The central star in this image is WR 40 which is located toward the constellation of Carina. Stars like WR 40 live fast and die young in comparison with the Sun. They quickly exhaust their core hydrogen supply, move on to fusing heavier core elements, and expand while ejecting their outer layers via high stellar winds. In this case, the central star WR 40 ejects the atmosphere at a speed of nearly 100 kilometers per second, and these outer layers have become the expanding oval-shaped nebula RCW 58.
Thomas Walker Rush (born February 8, 1941) is an American folk and blues singer, guitarist and songwriter who helped launch the careers of other singer-songwriters in the 1960s and has continued his own singing career for 60 years.
Rush was born in Portsmouth, New Hampshire, United States, the son of a teacher at St. Paul’s School, in Concord, New Hampshire. He began performing in 1961 while studying at Harvard University, after having graduated from the Groton School. He majored in English literature. His early recordings include Southern and Appalachian folk or old-time country songs, Woody Guthrie ballads, and acoustic-guitar blues, such as Jesse Fuller‘s “San Francisco Bay Blues,” which appeared on both of his first two LPs. He regularly performed at the Club 47 coffeehouse (now called Club Passim) in Cambridge, the Unicorn in Boston, and The Main Point in Bryn Mawr, Pennsylvania. In the 1970s he lived in Deering, New Hampshire.
Rush is credited by Rolling Stone magazine with ushering in the era of the singer-songwriter. In addition to performing his own compositions, he sang songs by Joni Mitchell, Jackson Browne, James Taylor, Murray McLauchlan, David Wiffen and William Hawkins, helping them to gain recognition early in their careers.
His 1968 composition “No Regrets” has become a standard, with numerous cover versions having been recorded (Rush did two radically different versions himself). These include The Walker Brothers, who gave Tom Rush Top Ten credit as a songwriter on the UK Singles Chart, Emmylou Harris, who included the song on her 1988 album Bluebird, and Midge Ure whose cover also made the UK Top Ten.
more...John Towner Williams KBE (born February 8, 1932) is an American composer, conductor and pianist. In a career that has spanned seven decades, he has composed some of the most popular, recognizable and critically acclaimed film scores in cinematic history. Williams has won 25 Grammy Awards, seven British Academy Film Awards, five Academy Awards and four Golden Globe Awards. With 53 Academy Award nominations, he is the second most-nominated individual, after Walt Disney. His compositions are considered the epitome of film music, and he is considered among the greatest composers in the history of cinema.
Williams has composed for many critically acclaimed and popular movies, including the Star Wars saga, Jaws, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, the first two Home Alonefilms, the Indiana Jones films, the first two Jurassic Park films, Schindler’s List, Saving Private Ryan, Catch Me If You Can, Seven Years In Tibet, and the first three Harry Potter films. Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops‘ principal conductor from 1980 to 1993 and is its laureate conductor. He has been associated with director Steven Spielberg since 1974, composing music for all but five of his feature films, and George Lucas, with whom he has worked on both of his main franchises. Other works by Williams include theme music for the 1984 Summer Olympic Games, NBC Sunday Night Football, “The Mission” theme used by NBC News and Seven News in Australia, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan’s Island. Williams announced his intention to retire from film score composing after the release of Indiana Jones and the Dial of Destiny in 2023 to focus more on composing independent orchestral and symphonic pieces, though he later rescinded this.
In 2005, the American Film Institute selected Williams’s score to 1977’s Star Wars as the greatest film score of all time. The Library of Congress entered the Star Wars soundtrack into the National Recording Registryfor being “culturally, historically, or aesthetically significant”. Williams was inducted into the Hollywood Bowl‘s Hall of Fame in 2000, and he received a Kennedy Center Honor in 2004. His AFI Life Achievement Award in 2016 was the first to be awarded outside of the acting and directing fields. He has composed the score for nine of the top 25 highest-grossing films at the U.S. box office (adjusted for inflation). His work has influenced other composers of film, popular, and contemporary classical music; Norwegian composer Marcus Paus argues that Williams’s “satisfying way of embodying dissonance and avant-garde techniques within a larger tonal framework” makes him “one of the great composers of any century”.
more...Eddie Locke (August 2, 1930 – September 7, 2009) was an American jazz drummer.
Eddie Locke was a part of the fertile and vibrant Detroit jazz scene during the 1940s and 1950s, which brought forth many great musicians including the Jones brothers (Hank, Thad, and Elvin), Kenny Burrell, Lucky Thompson, Tommy Flanagan, Barry Harris, and so many others. He eventually formed a variety act with drummer Oliver Jackson called Bop & Locke which played the Apollo Theater. He moved to New York City in 1954, and worked there with Dick Wellstood, Tony Parenti, Red Allen, Willie “The Lion” Smith, and Teddy Wilson amongst others. During this time he came under the tutelage of the great Jo Jones, and eventually became known as a driving and swinging drummer who kept solid time and supported the soloist. During the late 1950s he formed two of his most fruitful musical relationships, one with Roy Eldridge, and the other with Coleman Hawkins. His recording debut came with Eldridge in 1959 on “On The Town”. He later became a member of the Coleman Hawkins Quartet in the 1960s along with pianist Tommy Flanagan and bassist Major Holley. That group made many fine records including the exquisite album “Today and Now”, in 1963. Throughout the 1970s, he played with Roy Eldridge at Jimmy Ryan’s in Manhattan, and wound out his career freelancing, as well as teaching youngsters at the Trevor Day School on Manhattan’s upper west side.
Eddie died on Monday morning, September 7, 2009, in Ramsey, New Jersey.
more...Alonzo “Lonnie” Johnson (February 8, 1899 – June 16, 1970) was an American blues and jazz singer, guitarist, violinist and songwriter. He was a pioneer of jazz guitar and jazz violin and is recognized as the first to play an electrically amplified violin.
Johnson was born in New Orleans, Louisiana, and raised in a family of musicians. He studied violin, piano and guitar as a child and learned to play various other instruments, including the mandolin, but he concentrated on the guitar throughout his professional career. “There was music all around us,” he recalled, “and in my family you’d better play something, even if you just banged on a tin can.”
In 1917, Johnson joined a revue that toured England, returning home in 1919 to find that all of his family, except his brother James, had died in the 1918 influenza epidemic.
He and his brother settled in St. Louis in 1921, where they performed as a duo. Lonnie also worked on riverboats and in the orchestras of Charlie Creath and Fate Marable.
In 1925, Johnson married, and his wife, Mary, soon began a blues career of her own, performing as Mary Johnson and pursuing a recording career from 1929 to 1936. (She is not to be confused with the later souland gospel singer of the same name.)
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C/2022 E3 (ZTF) fades, there is still time to see it if you know where and when to look. Geometrically, Comet ZTF has passed its closest to both the Sun and the Earth and is now headed back to the outer Solar System. Its orbit around the Sun has it gliding across the northern sky all month, after passing near Polaris and both the Big and Little Dippers last month. Pictured, Comet ZTF was photographed between the two dippers in late January while sporting an ion tail that extended over 10 degrees. Now below naked-eye visibility, Comet ZTF can be found with binoculars or a small telescope and a good sky map. A good time to see the comet over the next week is after the Sun sets — but before the Moon rises. The comet will move nearly in front of Mars in a few days.
Laurence Reginald Ward Johnson, MBE (born 7 February 1927) is an English composer and bandleader who has written scores for dozens of film and television series and has been one of the most highly regarded arrangers of instrumental pop and swing music since the 1950s with works often serving as stock production music.
Johnson was born in Hampstead, England, and studied at the Royal College of Music in London, and spent four years in the Coldstream Guards before moving to the entertainment industry in the 1950s. One of his first major projects was as composer and music director in a musical adaptation of Henry Fielding‘s Rape Upon Rape, entitled Lock Up Your Daughters (1959), which opened in Bernard Miles‘ Mermaid Theatre. The score, with lyrics by Lionel Bart, won an Ivor Novello Award. Johnson’s stage work included music for the Peter Cook revue, Pieces of Eight (1959), and The Four Musketeers (1967), starring Harry Secombe.
In 1961, Johnson entered the UK Singles Chart with “Sucu Sucu”, the theme music from the UK television series Top Secret. It was in this area of television scoring that he was to be most prolific. From the 1960s to the 1980s, he composed over fifty themes and scores, including the theme used on This Is Your Life (entitled “Gala Performance”), The Avengers (from 1965), Animal Magic (entitled “Las Vegas”), Jason King, The New Avengers and The Professionals. He was one of the founders, with Albert Fennell and Brian Clemens, of Mark One Productions, the television production company responsible for The New Avengers and The Professionals.
more...Milton Holland (born Milton Olshansky; February 7, 1917 – November 4, 2005) was an American drummer, percussionist, ethnomusicologist, and writer in the Los Angeles music scene. He pioneered the use of African, South American, and Indian percussion styles in jazz, pop and film music, traveling extensively in those regions to collect instruments and learn styles of playing them.
Holland was born Milton Olshansky in Chicago, Illinois, where he attended Theodore Roosevelt High School. His first instrument was the violin. He pursued a passion for percussion, playing in clubs and shows and on CBS Radio in Chicago. By the age of twelve, he was playing at speakeasies for the likes of Al Capone.
more...Curtis Ousley (born Curtis Montgomery; February 7, 1934 – August 13, 1971), known professionally as King Curtis, was an American saxophonist who played rhythm and blues, jazz, and rock and roll. A bandleader, band member, and session musician, he was also a musical director and record producer. A master of the instrument, he played tenor, alto, and soprano saxophone. He played riffs and solos on hit singles such as “Respect” by Aretha Franklin (1965), and “Yakety Yak” by The Coasters (1958) and his own “Soul Twist” (1962), “Soul Serenade” (1964), and “Memphis Soul Stew” (1967).
Curtis Montgomery was born in Fort Worth, Texas, the son of Ethel Montgomery, and was adopted, with his sister Josephine Allen (died 2019), by Josie and William Ousley. Curtis attended I.M. Terrell High School, and studied and performed music with schoolmate Ornette Coleman (1930–2015).
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Earl Silas Johnson IV (February 7, 1934 – April 17, 2003), known as Earl King, was an American singer, guitarist, and songwriter, most active in blues music. A composer of blues standards such as “Come On” (covered by Jimi Hendrix, Freddie King, Stevie Ray Vaughan) and “Big Chief” (recorded by Professor Longhair), he was an important figure in New Orleans R&B.
King was born in New Orleans, Louisiana, United States. His father was a piano player. He died when Earl was still a baby, and Earl was brought up by his mother. With his mother, he started going to church at an early age. In his youth he sang gospel music, but he took the advice of a friend to switch to blues to make a better living.
more...James Hubert “Eubie” Blake (February 7, 1887 – February 12, 1983) was an American pianist and composer of ragtime, jazz, and popular music. In 1921, he and his long-time collaborator Noble Sissle wrote Shuffle Along, one of the first Broadway musicals written and directed by African Americans. Blake’s compositions included such hits as “Bandana Days”, “Charleston Rag”, “Love Will Find a Way”, “Memories of You” and “I’m Just Wild About Harry“. The 1978 Broadway musical Eubie! showcased his works.
Blake was born at 319 Forrest Street in Baltimore, Maryland. Of the many children born to former slavesEmily “Emma” Johnstone and John Sumner Blake, he was the only one to survive childhood. John Sumner Blake was a stevedore on the Baltimore Docks.
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Fall deeper into the entrancing NGC 4303, a spiral galaxy located approximately 55 million light-years from Earth in the constellation Virgo. This image combines data taken at radio and visible wavelengths, and is helping astronomers understand how stars form in galaxies. The hypnotising golden glow drawing you into the image corresponds to clouds of molecular gas, the raw material out of which stars form. The data was taken with the Atacama Large Millimeter/submillimeter Array (ALMA), co-operated by ESO in the Chilean Andes. The blueish regions in the background, on the other hand, were imaged with the Multi-Unit Spectroscopic Explorer (MUSE) instrument on ESO’s Very Large Telescope (VLT), also in Chile, and they reveal already formed stars. By comparing the distribution of gas and stars astronomers are able to study what triggers, enhances or hampers the birth of new stars. This image is part of the Physics at High Angular resolution in Nearby GalaxieS (PHANGS) project, which is using ground-based and space telescopes to make detailed observations of nearby galaxies across the electromagnetic spectrum
Natalie Maria Cole (February 6, 1950 – December 31, 2015) was an American singer, songwriter, and actress. She was the daughter of American singer and jazz pianist Nat King Cole. She rose to success in the mid-1970s as an R&B singer with the hits “This Will Be“, “Inseparable” (1975), and “Our Love” (1977). She returned as a pop singer on the 1987 album Everlasting and her cover of Bruce Springsteen‘s “Pink Cadillac“. In the 1990s, she sang traditional pop by her father, resulting in her biggest success, Unforgettable… with Love, which sold over seven million copies and won her seven Grammy Awards. She sold over 30 million records worldwide.
Natalie Cole was born at Cedars of Lebanon Hospital in Los Angeles, California, to American singer and jazz pianist Nat King Cole and former Duke Ellington Orchestra singer Maria Hawkins Ellington, and raised in the affluent Hancock Park district of Los Angeles. Regarding her childhood, Cole referred to her family as “the black Kennedys” and was exposed to many great singers of jazz, soul and blues. At the age of 6, Natalie sang on her father’s Christmas album The Magic of Christmas and later started performing at age 11.
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