mick laBriola

Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), born and widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn’s compositions include symphonies, concertos, piano music, organ music and chamber music. His best-known works include the overture and incidental music for A Midsummer Night’s Dream (which includes his “Wedding March“), the Italian Symphony, the Scottish Symphony, the oratorio St. Paul, the oratorio Elijah, the overture The Hebrides, the mature Violin Concerto and the String Octet. The melody for the Christmas carol “Hark! The Herald Angels Sing” is also his. Mendelssohn’s Songs Without Words are his most famous solo piano compositions.

Mendelssohn’s grandfather was the renowned Jewish philosopher Moses Mendelssohn, but Felix was initially raised without religion. He was baptised at the age of seven, becoming a Reformed Christian. He was recognised early as a musical prodigy, but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother’s name and her Easter Sonata was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s.

Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach, notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries such as Franz Liszt, Richard Wagner, Charles-Valentin Alkan and Hector Berlioz. The Leipzig Conservatory,^{[n 3]} which he founded, became a bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era.

The 1970s are sometimes ignored by astronomers, like this beautiful grouping of reflection nebulae in Orion – NGC 1977, NGC 1975, and NGC 1973 – usually overlooked in favor of the substantial glow from the nearby stellar nursery better known as the Orion Nebula. Found along Orion’s sword just north of the bright Orion Nebula complex, these reflection nebulae are also associated with Orion’s giant molecular cloud about 1,500 light-years away, but are dominated by the characteristic blue color of interstellar dust reflecting light from hot young stars. In this sharp color image a portion of the Orion Nebula appears along the bottom border with the cluster of reflection nebulae at picture center. NGC 1977 stretches across the field just below center, separated from NGC 1973 (above right) and NGC 1975 (above left) by dark regions laced with faint red emission from hydrogen atoms. Taken together, the dark regions suggest the region’s popular moniker, the Running Man Nebula. At the estimated distance of Orion’s dusty molecular cloud this running man would be about 15 light-years across.

On February 1, 1960, in Greensboro, North Carolina, four Black college students spark a nationwide civil rights movement by refusing to leave a “whites-only” lunch counter at a popular retail store after they are denied service. The North Carolina Agricultural and Technical State students—Ezell Blair Jr., Franklin McCain, Joseph McNeil and David Richmond—become known as the “Greensboro Four.”

There’s a giant bear on Mars—or rather a rock formation that looks remarkably like one. NASA shared the intriguing image, captured last month by the Mars Reconnaissance Orbiter, in a Wednesday release. Taken from 156 miles above Mars’ southern hemisphere, it shows two circular craters above a muzzle-shaped structure, enclosed in a circular stress fracture which forms the face. And it’s a big one. The image covers an area some 6,560 feet across, per CNET. Of course, there are no bears—giant or otherwise—on Mars. This is an example of pareidolia, the tendency to see recognizable objects in random or natural shapes.

NASA’s James Webb Space Telescope has produced the deepest and sharpest infrared image of the distant universe to date. Known as Webb’s First Deep Field, this image of galaxy cluster SMACS 0723 is overflowing with detail.

Thousands of galaxies – including the faintest objects ever observed in the infrared – have appeared in Webb’s view for the first time. This slice of the vast universe is approximately the size of a grain of sand held at arm’s length by someone on the ground.

The image shows the galaxy cluster SMACS 0723 as it appeared 4.6 billion years ago. The combined mass of this galaxy cluster acts as a gravitational lens, magnifying much more distant galaxies behind it. Webb’s NIRCam has brought those distant galaxies into sharp focus – they have tiny, faint structures that have never been seen before, including star clusters and diffuse features. Researchers will soon begin to learn more about the galaxies’ masses, ages, histories, and compositions, as Webb seeks the earliest galaxies in the universe.

Charles Douglas Musselwhite (born January 31, 1944) is an American electric blues harmonica player and bandleader, one of the white bluesmen who came to prominence, along with Mike Bloomfield, Paul Butterfield, and Elvin Bishop, as a pivotal figure in helping to revive the Chicago Blues movement of the 1960s. He has often been identified as a “white bluesman”.

Musselwhite was reportedly the inspiration for Elwood Blues; the character played by Dan Aykroyd in the 1980 film, The Blues Brothers.

Musselwhite was born in Kosciusko, Mississippi to white parents. Originally claiming to be of partly Choctaw descent, in a 2005 interview he said his mother had told him he was of distant Cherokee descent.His family considered it natural to play music. His father played guitar and harmonica, his mother played piano, and a relative was a one-man band.

At the age of three, Musselwhite moved to Memphis, Tennessee. When he was a teenager, Memphis experienced the period when rockabilly, western swing, and electric blues were combining to give birth to rock and roll. That period featured Elvis Presley, Jerry Lee Lewis, Johnny Cash, and lesser-known musicians such as Gus Cannon, Furry Lewis, Will Shade, and Johnny Burnette. Musselwhite supported himself by digging ditches, laying concrete and running moonshine in a 1950 Lincoln automobile. This environment was a school for music as well as life for Musselwhite, who eventually acquired the nickname Memphis Charlie.

In true bluesman fashion, Musselwhite then took off in search of the rumored “big-paying factory jobs” up the “Hillbilly Highway”, Highway 51 to Chicago, where he continued his education on the South Side, making the acquaintance of even more blues musicians, including Lew Soloff, Muddy Waters, Junior Wells, Sonny Boy Williamson, Buddy Guy, Howlin’ Wolf, Little Walter, and Big Walter Horton. Musselwhite immersed himself completely in the musical life, living in the basement of and occasionally working at Jazz Record Mart (the record store operated by Delmark Records founder Bob Koester) with Big Joe Williams and working as a driver for an exterminator, which allowed him to observe what was happening around the city’s clubs and bars.