mick laBriola

Tunde Jegede (born 28 January 1972) is a composer and multi-instrumentalist in contemporary classical, African and pop music, who is of Nigerian descent and born in England and as a child travelled to Africa to learn the art of the kora. He is a producer-songwriter and has worked across several genres both as a performer (cello, kora, piano and percussion) and producer. He is a master kora player, and specializes in the West African classical music tradition which dates from the period of Sundiata. His sister is Sona Jobarteh, who is the first female kora virtuoso to come from a griot family. His father is Nigerian artist Emmanuel Taiwo Jegede.

Osbourne Ruddock (28 January 1941 – 6 February 1989), better known as King Tubby, was a Jamaican sound engineer who greatly influenced the development of dub in the 1960s and 1970s.

Tubby’s innovative studio work, which saw him elevate the role of the mixing engineer to a creative fame previously only reserved for composers and musicians, would prove to be influential across many genres of popular music. He is often cited as the inventor of the concept of the remix that later became ubiquitous in dance and electronic music production. Singer Mikey Dread stated, “King Tubby truly understood sound in a scientific sense. He knew how the circuits worked and what the electrons did. That’s why he could do what he did”. King Tubby was shot dead on 6 February 1989, outside his home in Duhaney Park, Kingston, upon returning from a session at his Waterhouse studio.

King Tubby’s first interaction with the music industry came in the late 1950s with the rising popularity of Jamaican sound systems, which were to be found all over Kingston and which were developing into enterprising businesses. As a talented radio repairman, Tubby soon found himself in great demand by most of the major sound systems of Kingston, as the tropical weather of the Caribbean island (often combined with sabotage by rival sound system owners) led to malfunctions and equipment failure. Tubby owned an electrical repair shop on Drumalie Avenue, Kingston, that fixed televisions and radios. It was here that he built large amplifiers for the local sound systems. In 1961–62, he built his own radio transmitter and briefly ran a pirate radio station playing ska and rhythm and blues which he soon shut down when he heard that the police were looking for the perpetrators. Tubby eventually formed his own sound system, Tubby’s Hometown Hi-Fi, in 1958. It became a crowd favourite due to the high quality sound of his equipment, exclusive releases and Tubby’s own echo and reverb sound effects, at that point something of a novelty.The sound also launched the career of U-Roy, its featured toaster.

Ronnie Scott OBE (born Ronald Schatt; 28 January 1927 – 23 December 1996) was a British jazztenor saxophonist and jazz club owner. He co-founded Ronnie Scott’s Jazz Club in London’s Sohodistrict, one of the world’s most popular jazz clubs, in 1959.

Ronnie Scott was born in Aldgate, East London, into a Jewish family. His father, Joseph Schatt, was of Russian ancestry, and his mother Sylvia’s family attended the Portuguese synagogue in Alie Street. Scott attended the Central Foundation Boys’ School.

Scott began playing in small jazz clubs at the age of 16. His claim to fame was that he was taught to play by “Vera Lynn’s father-in-law!”. He toured with trumpeter Johnny Claes from 1944 to 1945 and with Ted Heath in 1946. That same year, he appeared as one of the band members in George in Civvy Street. He worked with Ambrose, Cab Kaye, and Tito Burns. He was involved in the short-lived musicians’ co-operative Club Eleven band and club (1948–50) with Johnny Dankworth. Scott became an acquaintance of the arranger/composer Tadd Dameron, when the American was working in the UK for Heath, and is reported to have performed with Dameron as the pianist, at one Club Eleven gig.

Scott was a member of the generation of British musicians who worked on the Cunard liner Queen Maryintermittently from 1946 to around 1950. The ship would sail to New York City where they were exposed to Bebop, the new form of jazz being played in the clubs there. Scott was among the earliest British musicians to have been influenced by Charlie Parker and other players of modern jazz.

Performing with the Temple Israel Erev Shabbat Service Ensemble with Inbal Sharett-Singer at 6pm Friday January 27th 2023

Robert Hutcherson (January 27, 1941 – August 15, 2016) was an American jazz vibraphone and marimba player. “Little B’s Poem”, from the 1966 Blue Note album Components, is one of his best-known compositions. Hutcherson influenced younger vibraphonists including Steve Nelson, Joe Locke, and Stefon Harris.

Bobby Hutcherson was born in Los Angeles, California, to Eli, a master mason, and Esther, a hairdresser. Hutcherson was exposed to jazz by his brother Teddy, who listened to Art Blakey records in the family home with his friend Dexter Gordon. His older sister Peggy was a singer in Gerald Wilson‘s orchestra. Hutcherson went on to record on a number of Gerald Wilson’s Pacific Jazz recordings as well as play in his orchestra. Hutcherson’s sister personally introduced Hutcherson to Eric Dolphy (her boyfriend at the time) and Billy Mitchell. Hutcherson was inspired to take up the vibraphone when at about the age of 12 he heard Milt Jackson with Thelonious Monk, Percy Heath, Kenny Clarke and Miles Davis playing “Bemsha Swing” on the Miles Davis All Stars, Volume 2 album (1954). Still in his teens, Hutcherson began his professional career in the late 1950s working with tenor saxophonist Curtis Amy and trumpeter Carmell Jones, as well as with Dolphy and tenor saxophonist Charles Lloyd at Pandora’s Box on the Sunset Strip.

Oran Thaddeus “Hot Lips” Page (January 27, 1908 – November 5, 1954) was an American jazztrumpeter, singer, and bandleader. He was known as a scorching soloist and powerful vocalist.

Page was a member of Walter Page‘s Blue Devils, Artie Shaw‘s Orchestra and Count Basie‘s Orchestra, and he worked with Ma Rainey, Bessie Smith and Ida Cox. He was one of the five musicians booked for the opening night at Birdland with Charlie Parker in 1949.

Oran Thadeus Page was born in Dallas, Texas, United States, to a schoolteacher and musician mother. He moved with his mother to Corsicana where he began attending Corsicana High School and later Texas College while also working at the oilfields. His earliest gigs were in circuses and minstrel shows while also backing such blues singers as Ma Rainey, Bessie Smith, and Ida Cox. Page’s main trumpet influence was Louis Armstrong, though throughout his career he cited other local trumpeters, including Harry Smith(Kansas City) and Benno Kennedy (San Antonio) as being early influences.

Elmore James (Brooks; January 27, 1918 – May 24, 1963) was an American blues guitarist, singer, songwriter, and bandleader. Noted for his use of loud amplification and his stirring voice, James was inducted into the Rock and Roll Hall of Fame in 1992. His slide guitar technique earned him the nickname “King of the Slide Guitar”.

Elmore James was born Elmore Brooks in Richland, Holmes County, Mississippi, the son of 15-year-old Leola Brooks, a field hand. His father was probably Joe Willie “Frost” James, who moved in with Leola, and Elmore took his surname. He began making music at the age of 12, using a simple one-string instrument (diddley bow, or jitterbug) strung on a shack wall. As a teen he performed at dances under the names Cleanhead and Joe Willie James.

James was influenced by Robert Johnson, Kokomo Arnold and Tampa Red. He recorded several of Tampa Red’s songs. He also inherited from Tampa Red’s band two musicians who joined his own backing band, the Broomdusters, “Little” Johnny Jones (piano) and Odie Payne (drums). In the late 1930s, James worked alongside Sonny Boy Williamson II.

During World War II, James joined the U.S. Navy, was promoted to coxswain and took part in the invasion of Guam. Upon his discharge, he returned to central Mississippi and settled in the town of Canton with his adopted brother Robert Holston.

Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791), baptised as Joannes Chrysostomus Wolfgangus Theophilus Mozart, was a prolific and influential composer of the Classical period. Despite his short life, his rapid pace of composition resulted in more than 800 works of virtually every genre of his time. Many of these compositions are acknowledged as pinnacles of the symphonic, concertante, chamber, operatic, and choral repertoire. Mozart is widely regarded as among the greatest composers in the history of Western music,with his music admired for its “melodic beauty, its formal elegance and its richness of harmony and texture”.

Born in Salzburg, then in the Holy Roman Empire, Mozart showed prodigious ability from his earliest childhood. Already competent on keyboard and violin, he composed from the age of five and performed before European royalty. His father took him on a grand tour of Europe and then three trips to Italy. At 17, he was a musician at the Salzburg court but grew restless and travelled in search of a better position.

While visiting Vienna in 1781, Mozart was dismissed from his Salzburg position. He stayed in Vienna, where he achieved fame but little financial security. During his final years there, he composed many of his best-known symphonies, concertos, and operas. His Requiem was largely unfinished by the time of his death at the age of 35, the circumstances of which are uncertain and much mythologized.

Each copla (verse) of the Fandangos de Huelva contains six sets of twelve counts, and dancers usually perform several verses of the song, or trade off performing a verse with another dancer.

In a performance, the guitarist plays two or four sets of estribillos before each copla. The singer may also sing the estribillo before the first copla.

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When performed in the traditional, regional style, steps are characterized by beautiful leg gestures, flicks of the feet, jota steps and jumps, escuela bolera steps and patterns, a small amount of taconeo/zapateado, castanets, and a distinctive arched line in the back of the dancer – torcido – which produces a spiraling effect.

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The dance is also often performed aflamencada, in a flamenco style that includes footwork, flamenco marking steps and cues, and llamadas and remates that are similar to those found in Bulerías.

​The typical scenario for a traditional Fandangos de Huelva dance (performed by soloists or in groups) is as follows:

1. Entrance/entrada

   • Danced to a musical (with or without cante) estribillo

2. 1st copla

   • Each verse contains six sets of twelve count phrases, performed with or without castanets, and includes traditional regional or flamenco steps and phrases

3. Estribillo transition

   • Two to four sets of twelve count phrases are performed to the estribillo music, acting as transitions between the coplas (verses). These transitions allow dancers to enter or exit the stage.

4. Arrimaté

   • A traditional cierre (closing/ending) for cante and baile por Fandangos de Huelva

Anita Denise Baker (born January 26, 1958) is an American singer-songwriter. She is one of the most popular singers of soulful ballads, especially renowned for her work during the height of the quiet stormperiod in the 1980s. Starting her career in the late 1970s with the funk band Chapter 8, Baker released her first solo album, The Songstress, in 1983. In 1986, she rose to stardom following the release of her Platinum-selling second album, Rapture, which included the Grammy-winning single “Sweet Love“. As of 2017, Baker has won eight Grammy Awards and has four Platinum albums, along with two Gold albums.  Baker is a contralto with a range of nearly three octaves.

Anita Baker was born on January 26, 1958, in Toledo, Ohio. When she was two, her mother abandoned her and Baker was raised by a foster family in Detroit, Michigan. When Baker was 12, her foster parents died and her foster sister raised her afterwards. By the time Baker was 16, she began singing R&B at Detroit nightclubs. After one performance, she was discovered by bandleader David Washington, who gave her a card to audition for the funk band, Chapter 8.