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Laurence Gordon “Corky” Laing (born January 26, 1948) is a Canadian rock drummer, best known as a longtime member of pioneering American hard rock band Mountain.

A native of Montreal, Quebec, Laing was the youngest in a family of five children. His eldest sister Carol was followed by triplet brothers, Jeffrey, Leslie, and Stephen, and then by Corky. According to Corky, his brothers called him “Gorky” because they could not pronounce his given name “Gordon”. “Gorky” eventually morphed into Corky, a moniker which has remained with him throughout his career.

Getting his break playing drums for vocal group The Ink Spots in 1961, he later played in a group called Energy, who was produced by Cream collaborator and Laing’s future bandmate Felix Pappalardi. Laing left Energy in 1969 to replace drummer N.D. Smart in a hard rock outfit and heavy metal forerunner Mountain, who, with Laing at the drum kit, released three albums and the classic song “Mississippi Queen” between 1970 and 1971.

Huey Pierce Smith,  known as Huey “Piano” Smith (born January 26, 1934) is an American rhythm-and-blues pianist whose sound was influential in the development of rock and roll.

His piano playing incorporated the boogie-woogie styles of Pete Johnson, Meade Lux Lewis, and Albert Ammons, the jazz style of Jelly Roll Morton and the rhythm-and-blues style of Fats Domino. Steve Huey of AllMusic noted that “At the peak of his game, Smith epitomized New Orleans R&B at its most infectious and rollicking, as showcased on his classic signature tune, ‘Don’t You Just Know It.’ Smith was born in the Central City neighborhood of New Orleans. He was influenced by the innovative work of Professor Longhair. He became known for his shuffling right-handed break on the piano that influenced other Southern players.

Smith wrote his first song “Robertson Street Boogie”, named after the street where he lived, on the piano, when he was eight years old. He performed the tune with a friend Percy Anderson, with the two billing themselves as Slick and Doc. Smith attended Walter L. Cohen High School in New Orleans.

Clement Seymour “Coxsone” Dodd CD (26 January 1932 – 4 May 2004) was a Jamaican record producer who was influential in the development of ska and reggae in the 1950s, 1960s and beyond.

He was nicknamed “Coxsone” at school due to his talent as a cricketer (his friends compared him to Alec Coxon, a member of the 1940s Yorkshire County Cricket Club team).

The Kingston-born Dodd used to play records to the customers in his parents’ shop. During a spell in the American South he became familiar with the rhythm and blues music popular there at the time. In 1954, back in Jamaica, he set up the Downbeat Sound System, being the owner of an amplifier, a turntable, and some US records, which he would import from New Orleans and Miami.

With the success of his sound system, and in a competitive environment, Dodd would make trips through the US looking for new tunes to attract the Jamaican public. While he did, his mother Doris Darlington would run the sound system and play the tunes. Dodd opened five different sound systems, each playing every night. To run his sound systems, Dodd appointed people such as Lee “Scratch” Perry, who was Dodd’s right-hand man during his early career, U-Roy and Prince Buster. Perry would later leave Dodd in 1966 due to Perry feeling disrespected by Dodd, this is documented in the 1966 song The Upsetter.

Stéphane Grappelli ; 26 January 1908 – 1 December 1997, born Stefano Grappelli) was a French jazz violinist. He is best known as a founder of the Quintette du Hot Club de France with guitarist Django Reinhardt in 1934. It was one of the first all-string jazz bands. He has been called “the grandfather of jazz violinists” and continued playing concerts around the world well into his eighties.

For the first three decades of his career, he was billed using a gallicised spelling of his last name, Grappelly, reverting to Grappelli in 1969. The latter, Italian spelling is now used almost universally when referring to the violinist, including reissues of his early work.

Grappelli was born at Hôpital Lariboisière in Paris, France, and christened with the name Stefano. His father, Italian marchese Ernesto Grappelli, was born in Alatri, Lazio, while his French mother, Anna Emilie Hanoque, was from St-Omer. Ernesto was a scholar who taught Italian, sold translations, and wrote articles for local journals. Grappelli’s mother died when he was five, leaving his father to care for him.Although he was residing in France when World War I began, Ernesto was still an Italian citizen, and was consequently drafted into the Italian Army in 1914.

Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (Portuguese pronunciation: [tõ ʒoˈbĩ]), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa novaand, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the “father of bossa nova”.

Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally since the early 1960s.

In 1965, the album Getz/Gilberto was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. The album’s single ‘”Garota de Ipanema (The Girl from Ipanema)‘”, composed by Jobim, has become one of the most recorded songs of all time, and the album won the Record of the Year. Jobim composed many songs that are now included in jazz and pop standard repertoires. “Garota de Ipanema” has been recorded over 240 times by other artists. His 1967 album with Frank Sinatra, Francis Albert Sinatra & Antônio Carlos Jobim, was nominated for Album of the Year in 1968.

Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959. From the late 1960s through the 1970s Golson was in demand as an arranger for film and television and thus was less active as a performer, but he and Farmer re-formed the Jazztet in 1982.

In addition to “I Remember Clifford“, many of Golson’s compositions have become jazz standards including “Blues March“, “Stablemates“, “Whisper Not“, and “Killer Joe”. He is regarded as “one of the most significant contributors” to the development of hard bop jazz, and was a recipient of a Grammy Trustees Award in 2021.

Golson began learning the piano at age nine, then switched to the saxophone when he was 14. While a student at Benjamin Franklin High School in Philadelphia, he played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. After graduating from Howard University, Golson joined Bull Moose Jackson‘s rhythm and bluesband; Tadd Dameron, whom Golson came to consider the most important influence on his writing, was Jackson’s pianist at the time.

Floyd George Smith (January 25, 1917 – March 29, 1982), sometimes credited as Floyd “Guitar” Smith, was an American jazz guitarist and record producer.

Born in St. Louis, Missouri, Smith studied music theory as a teenager and learned ukulele as a child before taking up guitar. He spent his early career in territory bands, playing in groups such as Eddie Johnson‘s Crackerjacks, the Jeter-Pillars Orchestra, the Sunset Royal Orchestra, the Brown Skin Models, and Andy Kirk‘s 12 Clouds Of Joy. His composition “Floyd’s Guitar Blues”, recorded with Andy Kirk’s orchestra in March 1939, has been claimed as the first hit record to feature a blues solo on electric guitar.

Two galaxies are squaring off in Virgo and here are the latest pictures. When two galaxies collide, the stars that compose them usually do not. This is because galaxies are mostly empty space and, however bright, stars only take up only a small fraction of that space. But during the collision, one galaxy can rip the other apart gravitationally, and dust and gas common to both galaxies does collide. If the two galaxies merge, black holes that likely resided in each galaxy center may eventually merge. Because the distances are so large, the whole thing takes place in slow motion — over hundreds of millions of years. Besides the two large spiral galaxies, a smaller third galaxy is visible on the far left of the featured image of Arp 274, also known as NGC 5679. Arp 274 spans about 200,000 light years across and lies about 400 million light years away toward theconstellation of Virgo.

Aaron Joseph Neville (born January 24, 1941) is a retired American R&B and soul singer. He has had four platinum albums and four Top 10 hits in the United States, including three that reached number one on Billboard‘s Adult Contemporary chart. “Tell It Like It Is”, from 1966, also reached the top position on the Soul chart for five weeks.

He has also recorded with his brothers Art, Charles and Cyril as the Neville Brothers and is the father of singer/keyboards player Ivan Neville. Neville is of mixed African-American, Caucasian, and North American Indigenous (Choctaw) heritage.

The first of his singles that was given airplay outside of New Orleans was “Over You” (Minit, 1960). Neville’s first major hit single was “Tell It Like It Is“, released on a small New Orleans label, Par-Lo, co-owned by local musician/arranger George Davis, a friend from school, and band-leader Lee Diamond. The song topped Billboard‘s R&B chart for five weeks in 1967 and also reached No. 2 on the Billboard Hot 100 (behind “I’m a Believer” by the Monkees). It sold over one million copies, and was awarded a gold disc. It was not the label’s only release, as some sources claim. At least five other Par-Lo singles, three of them by Neville himself, are known to exist.

Joe Albany (born Joseph Albani; January 24, 1924 – January 12, 1988) was an American modern jazzpianist who played bebop with Charlie Parker as well as being a leader on his own recordings.

Born in Atlantic City, New Jersey, Albany studied piano as a child and, by 1943, was working on the West Coast in Benny Carter‘s orchestra. In 1946, Lester Young recorded with Albany as his pianist, for Aladdin Records. Also that year, he played at least once with Parker and then 20-year-old Miles Davis. He continued for a few years afterward, and in 1957 recorded an album for Riverside with an unusual trio line-up with saxophonist Warne Marsh and Bob Whitlock on bass, omitting a drummer. Despite that, most of the 1950s and 1960s saw him battling a heroin addiction, or living in seclusion in Europe. He also had several unsuccessful marriages in this period. He returned to jazz in the 1970s and played on more than ten albums. He died of respiratory failure and cardiac arrest in New York City at the age of 63.

Albany was the focus of a 1980 documentary titled, Joe Albany… A Jazz Life. His daughter Amy-Jo wrote a memoir about her father called Low Down: Junk, Jazz, and Other Fairy Tales from Childhood. The book was adapted for the screen and released in 2014 as the biopic Low Down. Joe was also the biological father to Benjamin David Goldberg, who was adopted by another family shortly after being born. Benjamin David was also a musician, who studied percussion at Juilliard, played for Broadway shows and was in the US Army Band.

James Robert Forrest Jr. (January 24, 1920 – August 26, 1980) was an American jazz musician, who played tenor saxophone throughout his career.

Forrest is known for his first solo recording of “Night Train“. It reached No. 1 on the Billboard R&B chart in March 1952, and stayed at the top for seven weeks. “Hey Mrs. Jones” (No. 3 R&B) and “Bolo Blues” were his other hits. All were made for United Records, for which he recorded between 1951 and 1953; he recorded frequently as both a sideman and a bandleader.

Born in St. Louis, Missouri, United States, Forrest played alongside Fate Marable as a young man. He was with Jay McShann in 1940-42 and with Andy Kirk from 1942 until 1948 when he joined Duke Ellington.During the early 1950s, Forrest led his own combos. He also played with Miles Davis, in early 1952 at The Barrel Club. After his solo career, he played in small combos with Harry “Sweets” Edison and Al Grey, as well as appearing with Count Basie.

Late in life Forrest married Betty Tardy (November 30, 1929 – October 21, 2011), and settled in Grand Rapids, Michigan, where he died in August 1980, aged 60, from heart failure.