mick laBriola

Marilyn Mazur (born January 18, 1955) is an American-born Danish percussionist. Since 1975, she has worked as a percussionist with various groups, among them Six Winds with Alex Riel. Mazur is primarily an autodidact, but she has a degree in percussion from the Royal Danish Academy of Music.

Mazur was born in New York City in 1955, from Polish and African-American parents, who moved with her to Denmark at age 6. She learned to play the piano, but when she was 19, she took up drumming, inspired by Al Foster, Airto Moreira, and Alex Riel. She started her first band in 1973, Zirenes. In 1978, she formed Primi, an all-woman theatre band. In 1985, she was asked to participate in the Palle Mikkelborg project that would become the Miles Davis album Aura, and soon after she went on the road with Miles Davis. Afterward, she played with Gil Evans, Wayne Shorter, Jan Garbarek, and Makiko Hirabayashi.

Vassilis Tsitsanis (Greek: Βασίλης Τσιτσάνης 18 January 1915 – 18 January 1984) was a Greek songwriter and bouzouki player. He became one of the leading Greek composers of his time and is widely regarded as one of the founders of modern Rebetiko and Laiko music. Tsitsanis wrote more than 500 songs and is still remembered as an extraordinary composer and bouzouki player.

Tsitsanis was born in Trikala, in Thessaly, Greece. His family came from the region of Epirus. He has been described as having been an Aromanian, and his surname Tsitsanis could indicate some connection with the Aromanians of Metsovo. He was the only figure performing rebetiko at his time coming from the Greek mainland and not from the islands. This may be the reason why he was sometimes known as “the Vlach” by his fellow musicians, although this could be due to the actually Aromanian ethnic origin of Tsitsanis (as Aromanians are known as Vlachs in Greece). It is also rumored that Stratos Pagioumtzis gave him this nickname. Tsitsanis was also nicknamed “Tsilias”.

Aloysius Tyrone Foster (born January 18, 1943) is an American jazz drummer. Foster’s professional career began in the mid-60s, when he played and recorded with hard bop and swing musicians including Blue Mitchell and Illinois Jacquet. Foster played jazz fusion with Miles Davis during the 70s and was one of the few people to have contact with Davis during his retirement from 1975–1980. During Davis’s retirement, Foster continued to play and record acoustic jazz with Sonny Rollins, Dexter Gordon, McCoy Tyner, Horace Silver, and other band leaders. Foster played on Miles Davis’s 1981 comeback album The Man with the Horn, and was the only musician to play in Davis’s band both before, and after, his retirement. After leaving Davis’s band in the mid-80s, Foster toured and recorded with Herbie Hancock, Sonny Rollins, Joe Henderson, and many other band leaders, primarily working in acoustic jazz settings. Foster has also released several solo albums under his own name, starting with Mixed Roots in 1978.

Foster was born in Richmond, Virginia, United States, and grew up in New York. He began playing drums at the age of 13 and made his recording debut on Blue Mitchell‘s, The Thing to Do, at age 20.

He joined Miles Davis‘s group when Jack DeJohnette left in 1972, and played with Davis until 1985. In his 1989 autobiography, Davis described the first time he heard Foster play live in 1972 at the Cellar Club in Manhattan: “He [Foster] knocked me out because he had such a groove and he would just lay it right in there. That was the kind of thing I was looking for. Al could set it up for everybody else to play off and just keep the groove going forever.”

https://www.youtube.com/watch?v=oX5zkXywYTI

The gas arcs, shown in blue, were discovered and first confirmed by amateur astronomers just last year. The two main origin hypotheses for the arcs are that they really are close to Andromeda (M31), or that they are just coincidentally placed gas filaments in our Milky Way galaxy. Adding to the mystery is that arcs were not seen in previous deep images of M31 taken primarily in light emitted by hydrogen, and that other, more distant galaxies have not been generally noted as showing similar oxygen-emitting structures. Dedicated amateurs using commercial telescopes made this discovery because, in part, professional telescopes usually investigate angularly small patches of the night sky, whereas these arcs span several times the angular size of the full moon. Future observations — both in light emitted by oxygen and by other elements — are sure to follow.

Michael Kevin Taylor (born 17 January 1949) is an English guitarist, best known as a former member of John Mayall’s Bluesbreakers (1967–1969) and the Rolling Stones (1969–1974). As a member of the Stones, he appeared on: Let It Bleed (1969), Get Yer Ya-Ya’s Out! The Rolling Stones in Concert (1970), Sticky Fingers (1971), Exile on Main St. (1972), Goats Head Soup (1973) and It’s Only Rock ‘n Roll (1974).

Since leaving the Rolling Stones in December 1974, Taylor has worked with numerous other artists and released several solo albums. From November 2012 onwards he participated in the Stones’ 50th-Anniversary shows in London and Newark, and in the band’s 50 & Counting tour, which included North America, Glastonbury Festival and Hyde Park in 2013. He was ranked 37th in Rolling Stone magazine’s 2011 list of the 100 greatest guitarists of all time.^[1] Guns N’ Roses guitarist Slash states that Taylor had the biggest influence on him.

Billy Harper (born January 17, 1943) is an American jazz saxophonist, “one of a generation of Coltrane-influenced tenor saxophonists” with a distinctively stern, hard-as-nails sound on his instrument.

He was born in Houston, Texas, United States. In 1965, Harper earned a Bachelor of Music degree from the University of North Texas.

Harper has played with some of jazz’s greatest drummers; he served with Art Blakey‘s Messengers for two years (1968–1970); he played very briefly with Elvin Jones (1970), he played with the Thad Jones/ Mel Lewis Orchestra in the 1970s, and was a member of Max Roach‘s quartet from 1971–1978. In 1979, Harper formed his own group, touring with it and documenting its music on the recording Billy Harper Quintet in Europe, and he was featured as a soloist on a 1983 recording, Such Great Friends, with virtuoso, visionary pianist and record producer Stanley Cowell. After a period of relative inactivity in the 1980s, Harper came back strong with another international tour, which ended with perhaps his most ambitious recording: the three-volume Live on Tour in the Far East (1991). In the new millennium, Harper’s recording activity has been subdued and sporadic, though more recently he appeared as a regular member of pianist-jazz historian Randy Weston‘s ensembles. In 2013, they recorded their first album as a duo, entitled The Roots of the Blues.

Cedar Anthony Walton Jr. (January 17, 1934 – August 19, 2013) was an American hard bop jazz pianist. He came to prominence as a member of drummer Art Blakey‘s band, The Jazz Messengers, before establishing a long career as a bandleader and composer. Several of his compositions have become jazz standards, including “Mosaic”, “Bolivia“, “Holy Land”, “Mode for Joe” and “Ugetsu/Fantasy in D”.

Walton was born and grew up in Dallas, Texas. His mother Ruth, an aspiring concert pianist, was his first teacher, and took him to jazz performances around Dallas. Walton cited Nat King Cole, Bud Powell, Thelonious Monk and Art Tatum as his major influences on piano. He began emulating these artists’ recordings from an early age.

Sidney “Big Sid” Catlett (January 17, 1910 – March 25, 1951) was an American jazz drummer. Catlett was one of the most versatile drummers of his era, adapting with the changing music scene as bebop emerged.

Catlett was born in Evansville, Indiana, United States, and at an early age he was instructed in the rudiments of piano and drums, under the tutelage of a music teacher hired by his mother. When he and his family relocated to Chicago, Catlett received his first drum kit, and immersed himself in the diverse styles and techniques of Zutty Singleton, Warren “Baby” Dodds, and Jimmy Bertrand, among others.

Roy Howard Lanham (January 16, 1923 – February 14, 1992) was an American guitarist. Best known for his work with the Western-style vocal band Sons of the Pioneers between 1961 and 1986, he had a long career that spanned from the prewar years to his death. His main style was early country and Western swing, although he could also play jazz remarkably well. His name never quite achieved widespread notoriety; but within the music industry and his peers, he was considered on a par with the likes of Merle Travis and Chet Atkins.

Roy Lanham was born in Corbin, KY. He learned to play the guitar at an early age, and by his teenage years he was playing rhythm guitar for different bands’ radio performances. In 1939, country singer and humorist Archie Campbell auditioned Lanham for inclusion in his group, and was so impressed by the youngster’s playing that Lanham left with Campbell’s group on the very next day. After moving to Knoxville, TN, he worked with the band The Stringdusters, which included two eclectic musicians also well versed in jazz—Homer Haynes and Jethro Burns (who would later become the musical humor duo Homer and Jethro). The two introduced Lanham to jazz, and he soon became influenced by the guitar-playing of the likes of Charlie Christian and Django Reinhardt.

This is the mess that is left when a star explodes. The Crab Nebula, the result of a supernovaseen in 1054 AD, is filled with mysterious filaments. The filaments are not only tremendously complex, but appear to have less mass than expelled in the original supernova and a higher speed than expected from a free explosion. The featured image, taken by the Hubble Space Telescope, is presented in three colors chosen for scientific interest. The Crab Nebula spans about 10 light-years. In the nebula‘s very center lies a pulsar: aneutron star as massive as the Sun but with only the size of a small town. The Crab Pulsar rotates about 30 times each second.