mick laBriola

Roy Howard Lanham (January 16, 1923 – February 14, 1992) was an American guitarist. Best known for his work with the Western-style vocal band Sons of the Pioneers between 1961 and 1986, he had a long career that spanned from the prewar years to his death. His main style was early country and Western swing, although he could also play jazz remarkably well. His name never quite achieved widespread notoriety; but within the music industry and his peers, he was considered on a par with the likes of Merle Travis and Chet Atkins.

Roy Lanham was born in Corbin, KY. He learned to play the guitar at an early age, and by his teenage years he was playing rhythm guitar for different bands’ radio performances. In 1939, country singer and humorist Archie Campbell auditioned Lanham for inclusion in his group, and was so impressed by the youngster’s playing that Lanham left with Campbell’s group on the very next day. After moving to Knoxville, TN, he worked with the band The Stringdusters, which included two eclectic musicians also well versed in jazz—Homer Haynes and Jethro Burns (who would later become the musical humor duo Homer and Jethro). The two introduced Lanham to jazz, and he soon became influenced by the guitar-playing of the likes of Charlie Christian and Django Reinhardt.

This is the mess that is left when a star explodes. The Crab Nebula, the result of a supernovaseen in 1054 AD, is filled with mysterious filaments. The filaments are not only tremendously complex, but appear to have less mass than expelled in the original supernova and a higher speed than expected from a free explosion. The featured image, taken by the Hubble Space Telescope, is presented in three colors chosen for scientific interest. The Crab Nebula spans about 10 light-years. In the nebula‘s very center lies a pulsar: aneutron star as massive as the Sun but with only the size of a small town. The Crab Pulsar rotates about 30 times each second.

Earl Zebedee Hooker (January 15, 1930 – April 21, 1970) was a Chicago blues guitarist known for his slide guitar playing. Considered a “musician’s musician”, he performed with blues artists such as Sonny Boy Williamson II, Junior Wells, and John Lee Hooker and fronted his own bands. An early player of the electric guitar, Hooker was influenced by the modern urban styles of T-Bone Walker and Robert Nighthawk. He recorded several singles and albums as a bandleader and with other well-known artists. His “Blue Guitar”, a slide guitar instrumental single, was popular in the Chicago area and was later overdubbed with vocals by Muddy Waters as “You Shook Me“.

In the late 1960s, Hooker began performing on the college and concert circuit and had several recording contracts. Just as his career was on an upswing, he died in 1970, at age 40, after a lifelong struggle with tuberculosis. His guitar playing has been acknowledged by many of his peers, including B.B. King, who commented, “to me he is the best of modern guitarists. Period. With the slide he was the best. It was nobody else like him, he was just one of a kind”.

Hooker was born in rural Quitman County, Mississippi, outside of Clarksdale. In 1930, his parents moved the family to Chicago, during the Great Migration of blacks out of the rural South in the early 20th century. Hooker died on April 21, 1970, at age 40, of complications due to tuberculosis. He is interred in Restvale Cemetery, in the Chicago suburb of Alsip.

Ida Lewis “Queen Ida” Guillory (born January 15, 1929) is a Louisiana Creole accordionist. She was the first female accordion player to lead a zydeco band. Queen Ida’s music is an eclectic mix of R&B, Caribbean, and Cajun, though the presence of her accordion always keeps it traditional.

Born Ida Lee Lewis to a musical family of rice farmers in Lake Charles, Louisiana, United States, her family were Louisiana Creole people and her first language is French. Her family moved to Beaumont, Texas, when she was ten and eight years later moved to San Francisco, California.Although her mother was an accordion player, women were not encouraged to play in public, and Queen Ida learned mostly from her brother Al Lewis, later known as Al Rapone. After marrying Raymond Guillory she raised their three children and worked as a bus driver but occasionally sat in with her brother’s Zydeco band, also cooking Louisiana cuisine for the band members. She was dubbed “Queen Ida” after being chosen queen of a Mardi Gras celebration. A year after her first appearance on stage Queen Ida and the Bon Temps Band signed with the record label GNP/Crescendo,and her first record Play the Zydeco demonstrated her style combining Zydeco with a Tex Mex sound.

Eugene Bertram Krupa (January 15, 1909 – October 16, 1973), known as Gene Krupa, was an American jazz drummer, bandleader and composer who performed with energy and showmanship.His drum solo on Benny Goodman‘s 1937 recording of “Sing, Sing, Sing” elevated the role of the drummer from an accompanist to an important solo voice in the band.

In collaboration with the Slingerland drum and Zildjian cymbal manufacturers, he was a major force in defining the standard band drummer’s kit. Krupa is considered “the founding father of the modern drumset” by Modern Drummer magazine.

The youngest of Anna (née Oslowski) and Bartłomiej Krupa’s nine children, Gene Krupa was born in Chicago, Illinois, United States. Bartłomiej was an immigrant from Poland born in the village of Łęki Górne, southeastern Poland. Anna was born in Shamokin, Pennsylvania, and was also of Polishdescent. His parents were Roman Catholics who groomed him for the priesthood. He spent his grammar school days at parochial schools. He attended the James H. Bowen High School on Chicago’s southeast side. After graduation he attended Saint Joseph’s College for a year but decided the priesthood was not his vocation. In 1973, Krupa died in Yonkers at the age 64 from heart failure, though he also had leukemia and emphysema. He is buried in Holy Cross Cemetery in Calumet City, Illinois.

https://www.youtube.com/watch?v=_lY8sTKlsCk

Allen Richard Toussaint (/ˈtuːsɑːnt/; January 14, 1938 – November 10, 2015) was an American musician, songwriter, arranger and record producer. He was an influential figure in New Orleans rhythm and blues from the 1950s to the end of the century, described as “one of popular music’s great backroom figures”. Many musicians recorded Toussaint’s compositions. He was a producer for hundreds of recordings, among the best known of which are “Right Place, Wrong Time“, by his longtime friend Dr. John, and “Lady Marmalade” by Labelle.

The youngest of three children, Toussaint was born in 1938 in New Orleans and grew up in a shotgun house in the Gert Town neighborhood, where his mother, Naomi Neville (whose name he later adopted pseudonymously for some of his works), welcomed and fed all manner of musicians as they practiced and recorded with her son. His father, Clarence, worked on the railway and played trumpet. Allen Toussaint learned piano as a child and took informal music lessons from an elderly neighbor, Ernest Pinn. In his teens he played in a band, the Flamingos, with the guitarist Snooks Eaglin, before dropping out of school. A significant early influence on Toussaint was the syncopated “second-line” piano style of Professor Longhair.

Grady Tate (January 14, 1932 – October 8, 2017) was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated Schoolhouse Rock! series.

Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones‘s band.

Grady Tate’s drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp “on top of the beat” timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 1960s.

During the 1970s he was a member of the New York Jazz Quartet. In 1981 he played drums and percussion for Simon and Garfunkel’s Concert in Central Park.

As a sideman he has played with musicians including Jimmy Smith, Astrud Gilberto, Ella Fitzgerald, Duke Ellington, Count Basie, Rahsaan Roland Kirk, Quincy Jones, Stan Getz, Cal Tjader, Wes Montgomery, Eddie Harris, J.J. Johnson, Kai Winding and Michel Legrand.

Kenneth Vincent John Wheeler, OC (14 January 1930 – 18 September 2014) was a Canadian composer and trumpet and flugelhorn player, based in the U.K. from the 1950s onwards.

Most of his performances were rooted in jazz, but he was also active in free improvisation and occasionally contributed to rock music recordings. Wheeler wrote over one hundred compositions and was a skilled arranger for small groups and large ensembles.

Wheeler was the patron of the Royal Academy Junior Jazz course.

Wheeler was born in Toronto, Ontario, on 14 January 1930. Growing up in Toronto, he began playing the cornet at age 12 and became interested in jazz in his mid-teens. Wheeler spent a year studying composition at The Royal Conservatory of Music in 1950. In 1952 he moved to Britain. He found his way into the London jazz scene of the time, playing in groups led by Tommy Whittle, Tubby Hayes, and Ronnie Scott.

https://www.youtube.com/watch?v=POq99GwA2jU