mick laBriola

The most massive young star cluster in the Small Magellanic Cloud is NGC 346, embedded in our small satellite galaxy’s largest star forming region some 210,000 light-years distant. Of course the massive stars of NGC 346 are short lived, but very energetic. Their winds and radiation sculpt the edges of the region’s dusty molecular cloud triggering star-formation within. The star forming region also appears to contain a large population of infant stars. A mere 3 to 5 million years old and not yet burning hydrogen in their cores, the infant stars are strewn about the embedded star cluster. This spectacular infrared view of NGC 346 is from the James Webb Space Telescope’s NIRcam. Emission from atomic hydrogen ionized by the massive stars’ energetic radiation as well as and molecular hydrogen and dust in the star-forming molecular cloud is detailed in pink and orange hues. Webb’s sharp image of the young star-forming region spans 240 light-years at the distance of the Small Magellanic Cloud.

Pandit Shivkumar Sharma (13 January 1938 – 10 May 2022) was an Indian classical musician and santoor player who is credited with adapting the santoor for Indian classical music. As a music composer, he collaborated with Indian flautist Hariprasad Chaurasia under the collaborative name Shiv–Hari and composed music for such hit Indian films as Faasle (1985), Chandni (1989), and Lamhe (1991).

Sharma was awarded the Sangeet Natak Akademi Award in 1986 and the Padma Shri and Padma Bhushan (India’s fourth and third highest civilian awards) in 1991 and 2001.

Sharma was born on 13 January 1938, in Jammu, which was part of the Jammu and Kashmir princely state then. His father Uma Dutt Sharma was a vocalist and a tabla player. His father started teaching him vocals and tabla, when he was just five. His father saw an opportunity to introduce him to the santoor, a hammered dulcimer, which was a folk instrument that traced its origins to ancient Persia, but was played in Kashmir. He saw the styles that integrated Sufi notes with traditional Kashmiri folk music and had his son play the instrument that was then new to Indian classical music. Sharma started learning santoor at the age of thirteen and gave his first public performance in Mumbai in 1955.

Joe Pass (born Joseph Anthony Jacobi Passalaqua; January 13, 1929 – May 23, 1994) was an American jazz guitarist. Pass is well known for his work stemming from numerous collaborations with pianist Oscar Peterson and vocalist Ella Fitzgerald, and is often heralded as one of the most unique and notable jazz guitarists of the 20th century.

Pass was born in New Brunswick, New Jersey, on January 13, 1929. His father, Mariano Passalaqua, was a steel mill worker who was born in Sicily. The family later moved to Johnstown, Pennsylvania. Pass became interested in the guitar after he saw Gene Autry on television. He got his first guitar when he was nine. He took guitar lessons every Sunday with a local teacher for 6-8 months and also practiced for many hours each day.

Pass found work as a performer as early as age 14. He played with bands led by Tony Pastor and Charlie Barnet, honing his guitar skills while learning the ropes in the music industry. He began traveling with small jazz groups and moved from Pennsylvania to New York City. Within a few years, Pass developed an addiction to heroin. He moved to New Orleans for a year and played bebop at strip clubs. Pass revealed to Robert Palmer of Rolling Stone that he had suffered a “nervous breakdown” in New Orleans “because [he] had access to every kind of drug there and was up for days […] [he] would come to New York a lot, then get strung out and leave.”

Pass spent much of the 1950s in and out of prison for drug-related convictions. In the same Rolling Stone interview, Pass said, “staying high was my first priority; playing was second; girls were third. But the first thing really took all my energy.” He recovered after a two-and-a-half-year stay in the Synanon rehabilitation program. Pass largely put music on hiatus during his prison sentence.

Pass recorded a series of albums during the 1960s for Pacific Jazz Records, including Catch Me, 12-String Guitar, For Django, and Simplicity. In 1963, he received DownBeat magazine’s New Star Award. He also played on Pacific Jazz recordings by Gerald Wilson, Bud Shank, and Les McCann. He toured with George Shearing in 1965. During the 1960s, he did mostly TV and recording session work in Los Angeles. Norman Granz, the producer of Jazz at the Philharmonic and the founder of Verve Records, signed Pass to Pablo Records in December 1973. In 1974, Pass released his solo album Virtuoso on Pablo. Also in 1974, Pablo released the album The Trio with Pass, Oscar Peterson, and Niels-Henning Ørsted Pedersen. He performed with them on many occasions throughout the 1970s and 1980s. At the Grammy Awards of 1975, The Trio won the Grammy Award for Best Jazz Performance by a Group. As part of the Pablo roster, Pass recorded with Benny Carter, Milt Jackson, Herb Ellis, Zoot Sims, Duke Ellington, Dizzy Gillespie, Ella Fitzgerald, and Count Basie.

This cosmic expanse of dust, gas, and stars covers some 6 degrees on the sky in the heroic constellation Perseus. At upper left in the gorgeous skyscape is the intriguing young star cluster IC 348 andneighboring Flying Ghost Nebula with clouds of obscuring interstellar dust cataloged as Barnard 3 and 4. At right, another active star forming region NGC 1333 is connected by dark and dusty tendrils on the outskirts of the giant Perseus Molecular Cloud, about 850 light-years away. Other dusty nebulae are scattered around the field of view, along with the faint reddish glow of hydrogen gas. In fact, the cosmic dust tends to hide the newly formed stars and young stellar objects or protostars from prying optical telescopes. Collapsing due to self-gravity, the protostars form from the dense cores embedded in the molecular cloud. At the molecular cloud’sestimated distance, this field of view would span over 90 light-years.

George M. Duke (January 12, 1946 – August 5, 2013) was an American keyboardist, composer, singer-songwriter and record producer. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music. He first made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He was known primarily for 32 solo albums, of which A Brazilian Love Affair from 1979 was his most popular, as well as for his collaborations with other musicians, particularly Frank Zappa.

George M. Duke was born in San Rafael, California, United States, to Thadd Duke and Beatrice Burrell and raised in Marin City. At four years old, he became interested in the piano. His mother took him to see Duke Ellington in concert and told him about this experience. “I don’t remember it too well, but my mother told me I went crazy. I ran around saying ‘Get me a piano, get me a piano!'” He began his formal piano studies at the age of seven at a local Baptist church.

He attended Tamalpais High School in Mill Valley before earning a bachelor’s degree in trombone and composition with a minor in contrabass from the San Francisco Conservatory of Music in 1967. He earned a master’s degree in composition from San Francisco State University in 1975.

Although Duke started playing classical music, he credited his cousin Charles Burrell for convincing him to switch to jazz. He explained that he “wanted to be free” and Burrell “more or less made the decision for me” by convincing him to “improvise and do what you want to do”. He taught a course on jazz and American culture at Merritt College in Oakland.

Duke recorded his first album in 1966. His second was with French violinist Jean-Luc Ponty, with whom he performed in San Francisco. After Frank Zappa and Cannonball Adderley heard him play, they invited him to join their bands. He spent two years with Zappa as a member of The Mothers of Invention, two years with Adderley, then returned to Zappa. Zappa played guitar solos on his album Feel (1974). In 1975 he recorded with Pete Magadini (his Original drummer) the album Polyrhythm on Ibis Recordings. He recorded I Love the Blues She Heard My Cry with Zappa’s bandmates Ruth Underwood, Tom Fowler, and Bruce Fowler and jazz guitarist Lee Ritenour.

Iceland. The rock arch is named Gatklettur and located on the island’s northwest coast. Some of the larger rocks in the foreground span a meter across. The fog over the rocks is really moving waves averaged over long exposures. The featured image is a composite of several foreground and background shots taken with the same camera and from the same location on the same night last November. The location was picked for its picturesque foreground, but the timing was planned for its colorful background: aurora. The spiral aurora, far behind the arch, was one of the brightest seen in the astrophotographer’s life. The coiled pattern was fleeting, though, as auroral patterns waved and danced for hours during the cold night. Far in the background were the unchanging stars, with Earth’s rotation causing them to appear to slowly circle the sky‘s northernmost point near Polaris.