mick laBriola

Lawrence Benjamin Bunker (November 4, 1928 – March 8, 2005 Long Beach, CA) was an American jazz drummer, vibraphonist, and percussionist. A member of the Bill Evans Trio in the mid-1960s, he also played timpani with the Los Angeles Philharmonic orchestra.

A dependable and in-demand studio drummer and vibist, Bunker achieved particular distinction by recording with Billie Holiday, Ella Fitzgerald, Peggy Lee, Diana Krall, and many other jazz greats. In 1952, he was the drummer in one of Art Pepper‘s first groups. In 1953 and 1954, Bunker played drums in some of the earliest of Gerry Mulligan‘s groups. From 1963 to 1965, he was, intermittently, the drummer in the Bill Evans trio. His work in movie soundtracks spanned over fifty years, from Stalag 17 (1953) and Glengarry Glen Ross (1992) to The Incredibles (2004), and included soundtracks by John Williams, Henry Mancini, Quincy Jones, Miklós Rózsa, Jerry Goldsmith, Johnny Mandel, Lalo Schifrin and many other composers.

Bunker died of complications of a stroke in Los Angeles at age 76.

Carlos Valdés Galán (November 4, 1926 – December 4, 2007), better known as Patato, was a Cuban conga player. In 1954, he emigrated from La Habana to New York City where he continued his prolific career as a sideman for several jazz and Latin music ensembles, and occasionally as a bandleader. He contributed to the development of the tunable conga drum which revolutionized the use of the instrument in the US. His experimental descarga albums recorded for Latin Percussion are considered the counterpart to the commercial salsa boom of the 1970s. Tito Puenteonce called him “the greatest conguero alive today”.

During one pass of NASA’s Juno over Jupiter, the robotic spacecraft imaged an usually dark cloud feature informally dubbed the Abyss. Surrounding cloud patterns show the Abyss to be at the center of a vortex. Since dark features on Jupiter’s atmosphere tend to run deeper than light features, the Abyss may really be the deep hole that it appears — but without more evidence that remains conjecture. The Abyss is surrounded by a complex of meandering clouds and other swirling storm systems, some of which are topped by light colored, high-altitude clouds. The featured image was captured in 2019 while Juno passed only about 15,000 kilometers above Jupiter’s cloud tops. The next close pass of Juno near Jupiter will be in about three weeks.

Herbert Jansch (3 November 1943 – 5 October 2011) was a Scottish folk musicianand founding member of the band Pentangle. He was born in Glasgow and came to prominence in London in the 1960s as an acoustic guitarist and singer-songwriter. He recorded more than 28 albums and toured extensively from the 1960s to the 21st century.

Jansch was a leading figure in the 1960s British folk revival, touring folk clubs and recording several solo albums, as well as collaborating with other musicians such as John Renbourn and Anne Briggs. In 1968, he co-founded the band Pentangle, touring and recording with them until their break-up in 1972. He then took a few years’ break from music, returning in the late 1970s to work on a series of projects with other musicians. He joined a reformed Pentangle in the early 1980s and remained with them as they evolved through various changes of personnel until 1995. Until his death, Jansch continued to work as a solo artist.

Jansch’s work influenced many artists, especially Jimmy Page, Mike Oldfield, Paul Simon, Pete Hawkes, Nick Drake, Donovan, Neil Young, and Johnny Marr. He received two Lifetime Achievement Awards at the BBC Folk Awards: one, in 2001, for his solo achievements and the other, in 2007, as a member of Pentangle.

Mable John (November 3, 1930 – August 25, 2022) was an American blues vocalist and was the first female artist signed by Berry Gordy to Motown‘s Tamla label.

John was born in Bastrop, Louisiana, on November 3, 1930, the eldest of at least nine siblings. At a very young age, she and her parents, Mertis and Lillie (Robinson) John, moved north into Arkansas, where her father got a job in a paper mill near Cullendale, where four of her brothers (including R&B singer Little Willie John) and two sisters were born. In 1960, she released her first Tamla single, “Who Wouldn’t Love a Man Like That?,” a romantic blues number, to no success. John followed with “No Love” in June of that year and then with “Actions Speak Louder Than Words” by year’s end. While Motown was beginning to have success with acts like the Miracles and the Marvelettes (and later Martha & the Vandellas and the Supremes, both of whom had sung background vocals for John) that appealed to teenagers and young adults, it was making no impact in the established blues market. As a result, Gordy soon thinned out his roster of early blues artists. While John continued to be used as a background singer, Gordy dissolved her contract in 1962.

Joseph H. Turner (November 3, 1907 – July 21, 1990) was an American jazz pianist.

One of the masters of the stride piano style associated with Harlem, New York City, Turner gained his first big musical break in 1928 when he was hired for the Benny Carter Orchestra. Another break was his work accompanying Adelaide Hall, sometimes alongside Art Tatum, in the early 1930s. He also played with Louis Armstrong. After World War II, he settled in Europe, living in Paris from 1962, appeared regularly on French national television and released over a dozen albums. He played at La Calavodos, a nightclub situated near the Champs Elysees until his death from a heart attack in 1990, at the age of 82.

Keith Noel Emerson (2 November 1944 – 11 March 2016) was an English keyboardist, songwriter, composer and record producer. He played keyboards in a number of bands before finding his first commercial success with the Nice in the late 1960s. He became internationally famous for his work with the Nice, which included writing rock arrangements of classical music. After leaving the Nice in 1970, he was a founding member of Emerson, Lake & Palmer (ELP), one of the early progressive rocksupergroups.

Emerson, Lake & Palmer were commercially successful through much of the 1970s, becoming one of the best-known progressive rock groups of the era. Emerson wrote and arranged much of ELP’s music on albums such as Tarkus (1971) and Brain Salad Surgery (1973), combining his own original compositions with classical or traditional pieces adapted into a rock format. Following ELP’s break-up at the end of the 1970s, Emerson pursued a solo career, composed several film soundtracks, and formed the bands Emerson, Lake & Powell and 3 to carry on in the style of ELP. In the early 1990s, ELP reunited for two more albums and several tours before breaking up again in the late 1990s. Emerson also reunited The Nice in 2002 and 2003 for a tour.

During the 2000s, Emerson resumed his solo career, including touring with his own Keith Emerson Band featuring guitarist Dave Kilminster, then replaced by Marc Bonilla, and collaborating with several orchestras. He reunited with ELP bandmate Greg Lake in 2010 for a duo tour, culminating in a one-off ELP reunion show in London to celebrate the band’s 40th anniversary. Emerson’s last album, The Three Fates Project, with Marc Bonilla and Terje Mikkelsen, was released in 2012. Emerson reportedly suffered from depression, and since 1993 developed nerve damage that hampered his playing, making him anxious about upcoming performances. He died of a self-inflicted gunshot wound on 11 March 2016 at his home in Santa Monica, California.

Philip Wells Woods (November 2, 1931 – September 29, 2015) was an American jazz alto saxophonist, clarinetist, bandleader, and composer. Woods was born in Springfield, Massachusetts. After inheriting a saxophone at age 12, he began taking lessons from Harvey LaRose at a local music shop. His heroes on the alto saxophone included Benny Carter and Johnny Hodges. He studied music with Lennie Tristano at the Manhattan School of Music and at the Juilliard School. His friend, Joe Lopes, coached him on clarinet as there was no saxophone major at Juilliard at the time and received a bachelor’s degree in 1952. Although he did not copy Charlie Parker, Woods was known as the New Bird, a nickname also given to other alto saxophone players such as Sonny Stitt and Cannonball Adderley.