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Ronald Shannon Jackson (January 12, 1940 – October 19, 2013) was an American jazz drummer from Fort Worth, Texas. A pioneer of avant-garde jazz, free funk, and jazz fusion, he appeared on over 50 albums as a bandleader, sideman, arranger, and producer. Jackson and bassist Sironeare the only musicians to have performed and recorded with the three prime shapers of free jazz: pianist Cecil Taylor, and saxophonists Ornette Coleman and Albert Ayler.
Musician, Player and Listener magazine writers David Breskin and Rafi Zabor called him “the most stately free-jazz drummer in the history of the idiom, a regal and thundering presence.” Gary Giddins wrote “Jackson is an astounding drummer, as everyone agrees…he has emerged as a kind of all-purpose new-music connoisseur who brings a profound and unshakably individual approach to every playing situation.”
In 1979, he founded his own group, the Decoding Society, playing what has been dubbed free funk: a blend of funk rhythm and free jazzimprovisation.
Jackson was born in Fort Worth, Texas. As a child, he was immersed in music. His father monopolized the local jukebox business and established the only African American-owned record store in the Fort Worth area. His mother played piano and organ at their local church. Between the ages of five and nine he took piano lessons. In the third grade, he studied music with John Carter.
Jackson graduated from I.M. Terrell High School, where he played with the marching band and learned about symphonic percussion. During lunch breaks, students would conduct jam sessions in the band room.
more...George M. Duke (January 12, 1946 – August 5, 2013) was an American keyboardist, composer, singer-songwriter and record producer. He worked with numerous artists as arranger, music director, writer and co-writer, record producer and as a professor of music. He first made a name for himself with the album The Jean-Luc Ponty Experience with the George Duke Trio. He was known primarily for 32 solo albums, of which A Brazilian Love Affair from 1979 was his most popular, as well as for his collaborations with other musicians, particularly Frank Zappa.
George M. Duke was born in San Rafael, California, United States, to Thadd Duke and Beatrice Burrell and raised in Marin City. At four years old, he became interested in the piano. His mother took him to see Duke Ellington in concert and told him about this experience. “I don’t remember it too well, but my mother told me I went crazy. I ran around saying ‘Get me a piano, get me a piano!'” He began his formal piano studies at the age of seven at a local Baptist church.
He attended Tamalpais High School in Mill Valley before earning a bachelor’s degree in trombone and composition with a minor in contrabass from the San Francisco Conservatory of Music in 1967. He earned a master’s degree in composition from San Francisco State University in 1975.
Although Duke started playing classical music, he credited his cousin Charles Burrell for convincing him to switch to jazz. He explained that he “wanted to be free” and Burrell “more or less made the decision for me” by convincing him to “improvise and do what you want to do”. He taught a course on jazz and American culture at Merritt College in Oakland.
Duke recorded his first album in 1966. His second was with French violinist Jean-Luc Ponty, with whom he performed in San Francisco. After Frank Zappa and Cannonball Adderley heard him play, they invited him to join their bands. He spent two years with Zappa as a member of The Mothers of Invention, two years with Adderley, then returned to Zappa. Zappa played guitar solos on his album Feel (1974). In 1975 he recorded with Pete Magadini (his Original drummer) the album Polyrhythm on Ibis Recordings. He recorded I Love the Blues She Heard My Cry with Zappa’s bandmates Ruth Underwood, Tom Fowler, and Bruce Fowler and jazz guitarist Lee Ritenour.
more...James Columbus “Jay” McShann (January 12, 1916 – December 7, 2006) was an American jazz pianist, vocalist, composer, and bandleader. He led bands in Kansas City, Missouri, that included Charlie Parker, Bernard Anderson, Walter Brown, and Ben Webster.
McShann was born in Muskogee, Oklahoma, and was nicknamed Hootie. During his youth he taught himself how to play the piano through observing his sister’s piano lessons and trying to practicing tunes he heard off the radio. He was also heavily influenced by late-night broadcasts of pianist Earl Hines from Chicago’s Grand Terrace Cafe: “When ‘Fatha’ (Hines) went off the air, I went to bed”. He began working as a professional musician in 1931 at the age of 15, performing around Tulsa, Oklahoma, and neighboring Arkansas.
more...Fred McDowell (January 12, 1904 – July 3, 1972), known by his stage name Mississippi Fred McDowell, was an American hill country bluessinger and guitar player.
McDowell was born in Rossville, Tennessee, United States. His parents were farmers, who both died while Fred was in his youth. He took up the guitar at the age of 14 and was soon playing for tips at dances around Rossville. Seeking a change from plowing fields, he moved to Memphis in 1926, where he worked in the Buck-Eye feed mill, which processed cotton into oil and other products. In 1928, he moved to Mississippi to pick cotton. He finally settled in Como, Mississippi, in 1940 or 1941 (or maybe the late 1930s), where he worked as a full-time farmer for many years while continuing to play music on weekends at dances and picnics.
more...Iceland. The rock arch is named Gatklettur and located on the island’s northwest coast. Some of the larger rocks in the foreground span a meter across. The fog over the rocks is really moving waves averaged over long exposures. The featured image is a composite of several foreground and background shots taken with the same camera and from the same location on the same night last November. The location was picked for its picturesque foreground, but the timing was planned for its colorful background: aurora. The spiral aurora, far behind the arch, was one of the brightest seen in the astrophotographer’s life. The coiled pattern was fleeting, though, as auroral patterns waved and danced for hours during the cold night. Far in the background were the unchanging stars, with Earth’s rotation causing them to appear to slowly circle the sky‘s northernmost point near Polaris.
Lee Mack Ritenour (born January 11, 1952) is an American jazz guitarist who has been active since the late 1960s.
Ritenour was born on January 11, 1952, in Los Angeles, California, United States. At the age of eight he started playing guitar and four years later decided on a career in music. When he was 16 he played on his first recording session with the Mamas & the Papas. He developed a love for jazz and was influenced by guitarist Wes Montgomery. At the age of 17 he worked with Lena Horne and Tony Bennett. He studied classical guitar at the University of Southern California.
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Wilton “Bogey” Gaynair (11 January 1927 – 13 February 1995) was a Jamaican-born jazz musician, whose primary instrument was the tenor saxophone. “Blue Bogey”, “Kingston Bypass” “Debra”, and “Wilton Mood” are among his better known songs.
Born in Kingston, Jamaica, Gaynair was raised at Kingston’s Alpha Boys School, where fellow Jamaican musicians Joe Harriott, Harold McNair and Don Drummond were also pupils of a similar age.
Gaynair began his professional career playing in the clubs of Kingston, backing such visitors as George Shearing and Carmen McRae, before travelling to Europe in 1955, deciding to base himself in Germany because of the plentiful live work on offer. He recorded very seldom, only three times as a bandleader. Two of those recordings came during visits to England, 1959’s Blue Bogey (1959) on Tempo Records and Africa Calling (1960), also recorded for Tempo but unreleased until 2005 on account of that label’s demise.
Soon after recording these sessions, he returned to Germany, where he remained based for the rest of his life. He concentrated on live performance with such bands as the Kurt Edelhagen Radio Orchestra – including playing at the opening ceremony of the 1972 Summer Olympics in Munich, also being involved in extensive session work. He was a guest artist on Alfred Haurand‘s Third Eye (LP 1977) but only recorded one more jazz album under his own name, Alpharian (1982). Among the many artists he played performed with include Gil Evans, Freddie Hubbard, Shirley Bassey, Manhattan Transfer, Horace Parlan, Bob Brookmeyer, and Mel Lewis.
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Stars are forming in the gigantic dust pillar called the Cone Nebula. Cones, pillars, and majestic flowing shapes abound in stellar nurseries where clouds of gas and dust are sculpted by energetic winds from newborn stars. The Cone Nebula, a well-known example, lies within the bright galactic star-forming region NGC 2264. The featured image of the Cone was captured recently combining 24-hours of exposure with a half-meter telescope at the El Sauce Observatory in Chile. Located about 2,500 light-years away toward the constellation of the Unicorn (Monoceros), the Cone Nebula‘s conical pillar extends about 7 light-years. The massive star NGC 2264 IRS, is the likely source of the wind sculpting the Cone Nebula and lies off the top of the image. The Cone Nebula‘s reddish veil is produced by glowing hydrogen gas.
Sir Roderick David Stewart CBE (born 10 January 1945) is a British rock and pop singer and songwriter. Born and raised in London, he is of Scottish and English ancestry. With his distinctive raspy singing voice, Stewart is among the best-selling music artists of all time, having sold over 250 million records worldwide. He has had 10 number-one albums and 31 top ten singles in the UK, six of which reached number one. Stewart has had 16 top ten singles in the US, with four reaching number one on the Billboard Hot 100. He was knighted in the 2016 Birthday Honours for services to music and charity.
Stewart’s music career began in 1962 when he took up busking with a harmonica. In 1963, he joined The Dimensions as a harmonica player and vocalist. In 1964, Stewart joined Long John Baldry and the All Stars before moving to the Jeff Beck Group in 1967. Joining Faces in 1969, he also maintained a solo career releasing his debut album that year. Stewart’s early albums were a fusion of rock, folk music, soul music, and R&B. His third album, 1971’s Every Picture Tells a Story, was his breakthrough, topping the charts in the UK, US, Canada and Australia, as did its ballad “Maggie May“. His 1972 follow-up album, Never a Dull Moment, also reached number one in the UK and Australia, while going top three in the US and Canada. Its single, “You Wear It Well“, topped the chart in the UK and was a moderate hit elsewhere.
After Stewart had a handful more UK top ten hits, the Faces broke up in 1975. Stewart’s next few hit singles were ballads with “Sailing“, off the 1975 UK and Australian number-one album, Atlantic Crossing, becoming a hit in the UK and the Netherlands (number one), Germany (number four) and other countries, but barely charting in North America. A Night on the Town (1976), his fifth straight chart-topper in the UK, began a three-album run of going number one or top three in the US, Canada, the UK and Australia with each release. That album’s “Tonight’s the Night (Gonna Be Alright)” spent almost two months at number one in the US and Canada, and made the top five in other countries. Foot Loose & Fancy Free (1977) contained the hit “You’re in My Heart (The Final Acclaim)” as well as the rocker “Hot Legs”. Blondes Have More Fun (1978) and its disco-tinged “Da Ya Think I’m Sexy” both went to number one in Canada, Australia and the US, with “Da Ya Think I’m Sexy” also hitting number one in the UK and the top ten in other countries. Stewart’s albums regularly hit the upper rungs of the charts in the Netherlands throughout the 70s and in Sweden from 1975 onward.
After a disco and new wave period in the late 1970s and early 1980s, Stewart’s music turned to a soft rock/middle-of-the-road style, with most of his albums reaching the top ten in the UK, Germany and Sweden, but faring less well in the US. The single “Rhythm of My Heart” was a top five hit in the UK, US and other countries, with its source album, 1991’s Vagabond Heart, becoming, at number ten in the US and number two in the UK, his highest-charting album in a decade. In 1993, he collaborated with Bryan Adams and Sting on the power ballad “All for Love“, which went to number one in many countries. In the early 2000s, he released a series of successful albums interpreting the Great American Songbook.
In 2008, Billboard magazine ranked him the 17th most successful artist on the “Billboard Hot 100 All-Time Top Artists”. A Grammy and Brit Awardrecipient, he was voted at No. 33 in Q Magazine‘s list of the Top 100 Greatest Singers of all time. As a solo artist, Stewart was inducted into the US Rock and Roll Hall of Fame in 1994, the UK Music Hall of Fame in 2006, and he was inducted a second time into the US Rock and Roll Hall of Fame in 2012 as a member of Faces.
more...Aynsley Thomas Dunbar (born 10 January 1946) is an English drummer. He has worked with John Mayall, Frank Zappa, Jeff Beck, Journey, Jefferson Starship, Nils Lofgren, Eric Burdon, Shuggie Otis, Ian Hunter, Lou Reed, David Bowie, Mick Ronson, Whitesnake, Pat Travers, Sammy Hagar, Michael Schenker, UFO, Michael Chapman, Jake E. Lee, Leslie West, Kathi McDonald, Keith Emerson, Mike Onesko, Herbie Mann and Flo & Eddie. Dunbar was inducted into the Rock and Roll Hall of Fame as a member of Journey in 2017.
Aynsley Thomas Dunbar was born in Liverpool, England. He started his professional career in Derry Wilkie and the Pressmen in 1963. In December 1964 he joined Merseybeat group the Mojos, who were renamed Stu James & the Mojos, with original members vocalist Stu James and guitarist Nick Crouch and bass player Lewis Collins (later an actor in The Professionals). This line-up continued until 1966. Dunbar then auditioned for the Jimi Hendrix Experience and Hendrix had difficulty deciding between Dunbar and Mitch Mitchell – the latter won Hendrix’s coin flip.[citation needed] Dunbar then joined John Mayall’s Bluesbreakers replacing Hughie Flint. He stayed with Mayall until the spring of 1967 (playing on the A Hard Road album), and was replaced by Mick Fleetwood.
more...James Joseph Croce (/ˈkroʊtʃi/; January 10, 1943 – September 20, 1973) was an American folk and rock singer-songwriter. Between 1966 and 1973, he released five studio albums and numerous singles. During this period, Croce took a series of odd jobs to pay bills while he continued to write, record, and perform concerts. After he formed a partnership with songwriter and guitarist Maury Muehleisen, his fortunes turned in the early 1970s. His breakthrough came in 1972; his third album, You Don’t Mess Around with Jim, produced three charting singles, including “Time in a Bottle“, which reached No. 1 after his death. The follow-up album, Life and Times, included the song “Bad, Bad Leroy Brown“, which was the only No. 1 hit he had during his lifetime.
On September 20, 1973, at the height of his popularity and the day before the lead single to his fifth album I Got a Name was released, Croce and five others died in a plane crash. His music continued to chart throughout the 1970s following his death. Croce’s wife Ingrid was his early songwriting partner. She continued to write and record after his death and their son A. J. Croce became a singer-songwriter in the 1990s.
Croce was born January 10, 1943, (although some sources say 1942) in South Philadelphia, Pennsylvania, to James Albert Croce (April 14, 1914 – March 8, 1972) and Flora Mary (Babusci) Croce (May 28, 1913 – December 22, 2000), Italian Americans whose parents had immigrated from Trasacco and Balsorano in Abruzzo and Palermo in Sicily.
more...William Parker (born January 10, 1952) is an American free jazz double bassist. Beginning in the 1980s, Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. The Village Voice named him “the most consistently brilliant free jazz bassist of all time” and DownBeat has called him “one of the most adventurous and prolific bandleaders in jazz”.
Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instrument was the trumpet, followed by the trombone and cello. Parker was not formally trained as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis, and Wilbur Ware in learning the tradition.
While Parker has been active since the early 1970s, he first came to public attention playing with pianist Cecil Taylor in the 1980s. He has performed in many of Peter Brötzmann‘s groups, and played with saxophonist David S. Ware from 1989 until his last concert performance in 2011. He is a member of the Other Dimensions In Music cooperative. His work as leader came to greater prominence in the 1990s with groups such as the Little Huey Creative Music Orchestra and In Order to Survive.
more...Sam Chatmon (born Vivian Chatmon; January 10, 1897 – February 2, 1983) was a Delta blues guitarist and singer. He was a member of the Mississippi Sheiks. He may have been Charley Patton‘s half-brother.
Chatmon was born in Bolton, Mississippi, United States. Chatmon’s family was well known in Mississippi for their musical talents; he was a member of the family’s string band when he was young. In an interview he stated that he started playing the guitar at the age of three, laying it flat on the floor and crawling under it. A year older and he recalled singing a song including the lyrics “Run down to the river thought I’d jump an’ drown / I thought about the woman I lovin’ and I turn around”. He regularly performed for white audiences in the 1900s.
more...Maxwell Lemuel Roach (January 10, 1924 – August 16, 2007) was an American jazz drummer and composer. A pioneer of bebop, he worked in many other styles of music, and is generally considered one of the most important drummers in history. He worked with many famous jazz musicians, including Clifford Brown, Coleman Hawkins, Dizzy Gillespie, Charlie Parker, Miles Davis, Duke Ellington, Thelonious Monk, Abbey Lincoln, Dinah Washington, Charles Mingus, Billy Eckstine, Stan Getz, Sonny Rollins, Eric Dolphy, and Booker Little. He was inducted into the DownBeat Hall of Fame in 1980 and the Modern Drummer Hall of Fame in 1992.
In the mid-1950s, Roach co-led a pioneering quintet along with trumpeter Clifford Brown. In 1970, he founded the percussion ensemble M’Boom. He made numerous musical statements relating to the civil rights movement.
Max Roach was born to Alphonse and Cressie Roach in the Township of Newland, Pasquotank County, North Carolina, which borders the southern edge of the Great Dismal Swamp. The Township of Newland is sometimes mistaken for Newland Town in Avery County, North Carolina. Although his birth certificate lists his date of birth as January 10, 1924, Roach has been quoted by Phil Schaap, saying that his family believed he was actually born on January 8, 1924.
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