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Just in time for the festive season, this new Picture of the Week from the NASA/ESA Hubble Space Telescope features a glistening scene in holiday red. This image shows a small region of the well-known nebula Westerhout 5, which lies about 7000 light-years from Earth. Suffused with bright red light, this luminous image hosts a variety of interesting features, including a free-floating Evaporating Gaseous Globule (frEGG). The frEGG in this image is the small tadpole-shaped dark region in the upper centre-left. This buoyant-looking bubble is lumbered with two rather uninspiring names — [KAG2008] globule 13 and J025838.6+604259.  FrEGGs are a particular class of Evaporating Gaseous Globules (EGGs). Both frEGGs and EGGs are regions of gas that are sufficiently dense that they photoevaporate less easily than the less compact gas surrounding them. Photoevaporation occurs when gas is ionised and dispersed away by an intense source of radiation — typically young, hot stars releasing vast amounts of ultraviolet light. EGGs were only identified fairly recently, most notably at the tips of the Pillars of Creation, which were captured by Hubble in iconic images released in 1995. FrEGGs were classified even more recently, and are distinguished from EGGs by being detached and having a distinct ‘head-tail’ shape. FrEGGs and EGGs are of particular interest because their density makes it more difficult for intense UV radiation, found in regions rich in young stars, to penetrate them. Their relative opacity means that the gas within them is protected from ionisation and photoevaporation. This is thought to be important for the formation of protostars, and it is predicted that many FrEGGs and EGGs will play host to the birth of new stars.  The frEGG in this image is a dark spot in the sea of red light. The red colour is caused by a particular type of light emission known as H-alpha emission. This occurs when a very energetic electron within a hydrogen atom loses a set amount

John Patitucci (born December 22, 1959) is an American jazz bassist and composer.

John James Patitucci was born in Brooklyn, New York. When he was 12, he bought his first bass and decided on his career. He listened to bass parts in R&B songs on the radio and on his grandfather’s jazz records. He cites as influences Oscar Peterson‘s albums with Ray Brown and Wes Montgomery‘s with Ron Carter. For the development of rhythm, he points to the time he has spent with Danilo Pérez, a pianist from Panama.

In the late 1970s he studied acoustic bass at San Francisco State University and Long Beach State University. He began his professional career when he moved to Los Angeles in 1980 and made connections with Henry Mancini, Dave Grusin, and Tom Scott. From the mid-1980s to the mid-1990s he was a member of three Chick Corea groups: the Elektric Band, the Akoustic Band, and the quartet. As a leader he formed a trio with Joey Calderazzo and Peter Erskine, and a quartet with Vinnie Colaiuta, Steve Tavaglione, and John Beasley. He has played with Herbie Hancock, Wayne Shorter, and Roy Haynes. Patitucci switches between double bass and electric bass.

He was the artistic director of the Bass Collective, a school for bassists in New York City and is involved with the Thelonious Monk Institute of Jazz and the Betty Carter Jazz Ahead program. He was Professor of Jazz Studies at City College of New York. In June 2012 he started the Online Jazz Bass School. He was appointed artist in residence at Berklee College of Music.

Star formation. Dusty emission in the Tadpole Nebula, IC 410, lies about 12,000 light-years away in the northern constellation of the Charioteer (Auriga). The cloud of glowing gas is over 100 light-years across, sculpted by stellar winds and radiation from embedded open star cluster NGC 1893. Formed in the interstellar cloud a mere 4 million years ago, bright newly formed cluster stars are seen all around the star-forming nebula. Notable on the lower-right of the featured image are two relatively dense streamers of material trailing away from the nebula’s central regions. Potentially sites of ongoing star formation in IC 410, thesecosmic tadpole shapes are about 10 light-years long. The image was processed highlighting the emission from sulfur (red), hydrogen (green), and oxygen (blue) gas — but with the stars digitally removed.

Francisco Sánchez Gómez (21 December 1947 – 25 February 2014), known as Paco de Lucía, was a Spanish virtuoso flamenco guitarist, composer, and record producer. A leading proponent of the new flamenco style, he was one of the first flamenco guitarists to branch into classical and jazz. Richard Chapman and Eric Clapton, authors of Guitar: Music, History, Players, describe de Lucía as a “titanic figure in the world of flamenco guitar”, and Dennis Koster, author of Guitar Atlas, Flamenco, has referred to de Lucía as “one of history’s greatest guitarists”.

De Lucía was noted for his fast and fluent picados (fingerstyle runs). A master of contrast, he often juxtaposed picados and rasgueados (flamenco strumming) with more sensitive playing and was known for adding abstract chords and scale tones to his compositions with jazz influences. These innovations saw him play a key role in the development of traditional flamenco and the evolution of new flamenco and Latin jazz fusion from the 1970s. He received acclaim for his recordings with flamenco singer Camarón de la Isla in the 1970s, recording ten albums which are considered some of the most important and influential in flamenco history.

Some of de Lucía’s best known recordings include “Río Ancho” (later fused with Al Di Meola‘s “Mediterranean Sundance“), “Entre dos aguas“, “La Barrosa“, “Ímpetu“, “Cepa Andaluza” and “Gloria al Niño Ricardo“. His collaborations with guitarists John McLaughlin, Al Di Meola and Larry Coryell in the late 1970s saw him gain wider popularity outside his native Spain. De Lucía formed the Paco de Lucía Sextet in 1981 with his brothers, singer Pepe de Lucía and guitarist Ramón de Algeciras, and collaborated with jazz pianist Chick Corea on their 1990 album, Zyryab. In 1992, he performed live at Expo ’92 in Seville and a year later on the Plaza Mayor in Madrid. He also collaborated with guitarist Juan d’Anyelica on his album Cositas Buenas. After 2004 he greatly reduced his public performances, retiring from full touring, and typically only gave several concerts a year, usually in Spain and Germany and at European festivals during the summer months.

Frank Vincent Zappa (December 21, 1940 – December 4, 1993 Baltimore, MD) was an American musician, composer, and bandleader. His work is characterized by nonconformity, free-form improvisation, sound experiments, musical virtuosity and satire of American culture. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works, and produced almost all of the 60-plus albums that he released with his band the Mothers of Invention and as a solo artist. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation.

As a self-taught composer and performer, Zappa had diverse musical influences that led him to create music that was sometimes difficult to categorize. While in his teens, he acquired a taste for 20th-century classical modernism, African-American rhythm and blues, and doo-wop music. He began writing classical music in high school, while at the same time playing drums in rhythm-and-blues bands, later switching to electric guitar. His 1966 debut album with the Mothers of Invention, Freak Out!, combined songs in conventional rock and roll format with collective improvisations and studio-generated sound collages. He continued this eclectic and experimental approach whether the fundamental format was rock, jazz, or classical.

Zappa’s output is unified by a conceptual continuity he termed “Project/Object”, with numerous musical phrases, ideas, and characters reappearing across his albums. His lyrics reflected his iconoclastic views of established social and political processes, structures and movements, often humorously so, and he has been described as the “godfather” of comedy rock. He was a strident critic of mainstream education and organized religion, and a forthright and passionate advocate for freedom of speech, self-education, political participation and the abolition of censorship. Unlike many other rock musicians of his generation, he disapproved of recreational drug use, but supported decriminalization and regulation.

Zappa was a highly productive and prolific artist with a controversial critical standing; supporters of his music admired its compositional complexity, while detractors found it lacking emotional depth. He had greater commercial success outside the US, particularly in Europe. Though he worked as an independent artist, Zappa mostly relied on distribution agreements he had negotiated with the major record labels. He remains a major influence on musicians and composers. His many honors include his 1995 posthumous induction into the Rock and Roll Hall of Fame and the 1997 Grammy Lifetime Achievement Award.

A portion of the open cluster NGC 6530 appears as a roiling wall of smoke studded with stars in this image from the NASA/ESA Hubble Space Telescope. NGC 6530 is a collection of several thousand stars lying around 4350 light-years from Earth in the constellation Sagittarius. The cluster is set within the larger Lagoon Nebula, a gigantic interstellar cloud of gas and dust. It is the nebula that gives this image its distinctly smokey appearance; clouds of interstellar gas and dust stretch from one side of this image to the other.Astronomers investigated NGC 6530 using Hubble’s Advanced Camera for Surveys and Wide Field Planetary Camera 2. They scoured the region in the hope of finding new examples of proplyds, a particular class of illuminated protoplanetary discs surrounding newborn stars. The vast majority of proplyds have been found in only one region, the nearby Orion Nebula. This makes understanding their origin and lifetimes in other astronomical environments challenging.Hubble’s ability to observe at infrared wavelengths — particularly with Wide Field Camera 3— have made it an indispensable tool for understanding starbirth and the origin of exoplanetary systems. In particular, Hubble was crucial to investigations of the proplyds around newly born stars in the Orion Nebula. The new NASA/ESA/CSA James Webb Space Telescope’s unprecedented observational capabilities at infrared wavelengths will complement Hubble observations by allowing astronomers to peer through the dusty envelopes around newly born stars and investigate the faintest, earliest stages of starbirth.[Image description: Clouds of gas cover the entire view, in a variety of bold colours. In the centre the gas is brighter and very textured, resembling dense smoke. Around the edges it is more sparse and faint. Several small, bright blue stars are scattered over the nebula.]

Lawrence Elliott Willis (December 20, 1942 – September 29, 2019) was an American jazz pianist and composer. He performed in a wide range of styles, including jazz fusion, Afro-Cuban jazz, bebop, and avant-garde.

Willis was born in New York City. After his first year studying music theory at the Manhattan School of Music he began performing regularly with Jackie McLean. After he graduated he made his first jazz recording, McLean’s Right Now! in January 1965, which featured two of Willis’ compositions. His first recording of any type, however, was as a singer with the Music and Arts Chorale Ensemble, performing an opera by Aaron Copland under the direction of Leonard Bernstein. He decided to concentrate on jazz because of the difficulties African-American musicians had in finding work in concert music.

Throughout his career he performed with a wide range of musicians, including several years as keyboardist for Blood, Sweat & Tears (beginning in 1972). He spent several years as pianist for trumpeters Nat Adderley and Woody Shaw as well as long and productive tenures with Roy Hargrove and with Jerry Gonzalez and his Fort Apache Band. His late recording with Paul Murphy, Exposé, demonstrated the fusion principles of bebop and avant-garde jazz. His composition “Sanctuary” began exploring works employing strings. After a successful performance in Frank Lloyd Wright‘s Annie Pfieffer Chapel at Florida Southern College‘s Child of the Sun Jazz Festival he was commissioned to write a full-scale orchestral work for jazz trio and orchestra. He worked with Hugh Masekela on a South African Suite of music and interpreted Miles Davis‘ work. He was in the Round About Midnight tour of Miles Davis’ music. He received the Don Redman award in 2011, and the Benny Golson Jazz Master Award at Howard University in 2012.

He died of an aneurysm in Baltimore at the age of 76.