Blog
Performing for Shabbat for the Soul Shabbat Service at Mt Zion 630pm Friday December 16th 2022.
more...Sharpless 101 (Sh2-101) is a H II region emission nebula located in the constellation Cygnus. It is sometimes also called the Tulip Nebula because it appears to resemble the outline of a tulip when imaged photographically. It was catalogued by astronomer Stewart Sharpless in his 1959 catalog of nebulae. It lies at a distance of about 6,000 light-years (5.7×1016 km; 3.5×1016 mi) from Earth.
Sh2-101, at least in the field seen from Earth, is in close proximity to microquasar Cygnus X-1, site of one of the first suspected black holes. Cygnus X-1 is located about 15′ west of Sh2-101. The companion star of Cygnus X-1 is a spectral class O9.7 Iab supergiant with a mass of 21 solar masses and 20 times the radius of the Sun. The period of the binary system is 5.8 days and the pair is separated by 0.2 astronomical units. The black hole has a mass of 15 solar masses and a Schwarzschild radius of 45 km. A bowshock is created by a jet of energetic particles from the black hole as they interact with the interstellar medium.
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Sugar Blue (born James Joshua “Jimmie” Whiting, December 16, 1949, Harlem, New York City) is an American blues harmonica player. He is probably best known for playing on the Rolling Stones‘ single “Miss You“, and in partnering Louisiana Red.
The Chicago Tribune said, “The sound of Sugar Blue’s harmonica could pierce any night… it’s the sound of a musician who transcends the supposed limitations of his instrument.”
In the mid-1970s, Blue played as a session musician on Johnny Shines‘s Too Wet to Plow (1975) and with Roosevelt Sykes. While in the company of the latter, he met Louisiana Red, and the two toured and recorded in 1978.
Taking advice from Memphis Slim, in the late 1970s Blue traveled to Paris, France. According to Ronnie Wood, Blue was found by Mick Jaggerbusking on the city streets. This led to him playing on several of the tracks on The Rolling Stones’ Some Girls and Emotional Rescue albums: “Some Girls“, “Send It to Me“, “Down in the Hole” and “Miss You“.
more...Robben Lee Ford (born December 16, 1951) is an American blues, jazz, and rock guitarist. He was a member of the L.A. Express and Yellowjackets and has collaborated with Miles Davis, Joni Mitchell, George Harrison, Larry Carlton, Rick Springfield, Little Feat and Kiss. He was named one of the “100 Greatest Guitarists of the 20th Century” by Musician magazine.
Robben Ford was born in Woodlake, California, United States, and raised in Ukiah, California. He began playing the saxophone at age 10 and the guitar at age 14. Robben and two of his brothers (Patrick and Mark) created the Charles Ford Blues Band in honor of and named after their father. A fourth brother died in the Vietnam conflict.
more...John Laird Abercrombie (December 16, 1944 – August 22, 2017) was an American jazz guitarist. His work explored jazz fusion, free jazz, and avant-garde jazz. Abercrombie studied at Berklee College of Music in Boston, Massachusetts. He was known for his understated style and his work with organ trios.
John Abercrombie was born on December 16, 1944, in Port Chester, New York. Growing up in the 1950s in Greenwich, Connecticut he was attracted to the rock and roll of Chuck Berry, Elvis Presley, Fats Domino, and Bill Haley and the Comets. He also liked the sound of jazz guitarist Mickey Baker of the vocal duo Mickey and Silvia. He had two friends who were musicians with a large jazz collection. They played him albums by Dave Brubeck and Miles Davis. The first jazz guitar album he heard was by Barney Kessel.
He took guitar lessons at the age of ten, asking his teacher to show him what Barney Kessel was playing. After high school, he attended Berklee College of Music. At Berklee, he was drawn to the music of Jim Hall, the 1962 album The Bridge by Sonny Rollins, and Wes Montgomery on his albums The Wes Montgomery Trio (1959) and Boss Guitar (1963). He cites George Benson and Pat Martino as inspirations. He often played with other students at Paul’s Mall, a jazz club in Boston connected to a larger club, Jazz Workshop. Appearing at Paul’s Mall led to meetings with Michael Brecker, Randy Brecker, and organist Johnny Hammond Smith, who invited him to go on tour.
more...Joseph Carl Firrantello (December 16, 1937 – January 10, 1986), known as Joe Farrell, was an American jazz multi-instrumentalist who primarily performed as a saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea‘s Return to Forever.
Farrell was born in Chicago Heights, Illinois. As a child, Farrell began playing the flute and clarinet. After graduating from the University of Illinois at Urbana–Champaign in 1959, he moved to New York City to work as a freelance musician. Farrell died of myelodysplastic syndrome (MDS) in Duarte, California on January 10, 1986 at the age of 48.
more...John Robert “Johnny Hammond” Smith (December 16, 1933 – June 4, 1997) was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3 organ so earning “Hammond” as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith.
Smith played with Paul Williams and Chris Columbo before forming his own group. His bands featured singers Etta Jones, Byrdie Green, saxophonists Houston Person, Earl Edwards, guitarists Eddie McFadden, Floyd Smith, James Clark, vibist Freddie McCoy. His career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song “Quiet Fire” for her Nancy Now!release in 1988.
After a 10-year spell on Prestige Records throughout the 1960s resulting in a series of albums, he signed for soul/R&B influenced Kudu imprint of Creed Taylor‘s well-regarded CTI Records jazz record label in 1971. His first album for Taylor, Break Out was chosen that year to launch Kudu. The album featured Grover Washington Jr. as a sideman prior to the launch of his career as a solo recording artist. Three further albums followed with Taylor on Kudu, as he decided to refer to himself as “Johnny Hammond”, after deciding to drop “Smith” from his name.
more...Ludwig van Beethoven (baptised 17 December 1770 – 26 March 1827) was a German composer and pianist. Beethoven remains one of the most admired composers in the history of Western music; his works rank amongst the most performed of the classical music repertoire and span the transition from the Classical period to the Romantic era in classical music. His career has conventionally been divided into early, middle, and late periods. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterized as heroic. During this time, he began to grow increasingly deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression.
Beethoven was born in Bonn. His musical talent was obvious at an early age. He was initially harshly and intensively taught by his father Johann van Beethoven. Beethoven was later taught by the composer and conductor Christian Gottlob Neefe, under whose tutelage he published his first work, a set of keyboard variations, in 1783. He found relief from a dysfunctional home life with the family of Helene von Breuning, whose children he loved, befriended, and taught piano. At age 21, he moved to Vienna, which subsequently became his base, and studied composition with Haydn. Beethoven then gained a reputation as a virtuoso pianist, and he was soon patronized by Karl Alois, Prince Lichnowsky for compositions, which resulted in his three Opus 1 piano trios (the earliest works to which he accorded an opus number) in 1795.
His first major orchestral work, the First Symphony, premiered in 1800, and his first set of string quartets was published in 1801. Despite his hearing deteriorating during this period, he continued to conduct, premiering his Third and Fifth Symphonies in 1804 and 1808, respectively. His Violin Concerto appeared in 1806. His last piano concerto (No. 5, Op. 73, known as the Emperor), dedicated to his frequent patron Archduke Rudolf of Austria, was premiered in 1811, without Beethoven as soloist. He was almost completely deaf by 1814, and he then gave up performing and appearing in public. He described his problems with health and his unfulfilled personal life in two letters, his Heiligenstadt Testament (1802) to his brothers and his unsent love letter to an unknown “Immortal Beloved” (1812).
After 1810, increasingly less socially involved, Beethoven composed many of his most admired works, including later symphonies, mature chamber music and the late piano sonatas. His only opera, Fidelio, first performed in 1805, was revised to its final version in 1814. He composed Missa solemnis between 1819 and 1823 and his final Symphony, No. 9, one of the first examples of a choral symphony, between 1822 and 1824. Written in his last years, his late string quartets, including the Grosse Fuge, of 1825–1826 are among his final achievements. After some months of bedridden illness, he died in 1827. Beethoven’s works remain mainstays of the classical music repertoire.
more...Soleares is perhaps the most important toque in the study of the Flamenco guitar. Soleares epitomizes the heart and soul of Flamenco music, embodying its vital core: rhythm and harmony. In fact, the rhythmic structure (‘compas’) plays such a central role, that when a guitarist truly masters the compas, he or she is well on the road toward becoming a skilled virtuoso in the art of Flamenco guitar. In Andalusia, the region of Spain where Flamenco got its start, every student of the Flamenco guitar begins with its study. Furthermore, Soleares is a foundational toque; many other toques have developed from its inspiration. As a guitarist, learn to dominate this toque, absorbing its powerful momentum into your very bones. If it takes driving your friends and family nearly mad with hearing you play, do so, for it is the very nature of Flamenco music.
With respect to its origins, the roots of Soleares are uncertain and controversial, as so often is the case in Flamenco and other traditional art forms. The Triana district of Sevilla was probably the most influential center of its development. Other locations, however, have influenced Soleares, giving it their own distinctive flavors. Some historians claim that Canas and Polos are the oldest forms, others suggest that Soleares was earlier than those, claiming that its heritage came from more lighthearted toques which were used as accompaniments for dances. Today, however, the Toque por Soleares is solemn and majestic, rich in passion, whether used as a guitar solo, or as an accompaniment to song or dance.
The origin of the word ‘Soleares’ comes from the word ‘solea,’ whose origin is probably a corruption of ‘soledad,’ which means ‘solitude’ or ‘loneliness.’ The melancholy coplas (song-verses) of the cante can be ironically philosophical or romantic, but with the overarching themes of tragedy, desolation and death.
- Compas 1 2 3 4 5 6 7 8 9 10 11 12 (accent on bold numbers)
- Originated in the mid 1800s
- Share the same compas as Allegris and Buleria
- Use the Phrygian Mode in E major or A major tonalities
- Has regional variants from Cadiz, Seville, Cordoba, Jerez and others
The two interacting galaxies making up the pair known as Arp-Madore 608-333 seem to float side by side in this image from the NASA/ESA Hubble Space Telescope. Though they appear serene and unperturbed, the two are subtly warping one another through a mutual gravitational interaction that is disrupting and distorting both galaxies. Hubble’s Advanced Camera for Surveys captured this drawn-out galactic interaction.
The interacting galaxies in Arp-Madore 608-333 are part of an effort to build up an archive of interesting targets for more detailed future study with Hubble, ground-based telescopes, and the NASA/ESA/CSA James Webb Space Telescope. To build up this archive, astronomers scoured existing astronomical catalogues for a list of targets spread throughout the night sky. They hoped to include objects already identified as interesting and that would be easy for Hubble to observe no matter which direction it was pointing.
Deciding how to award Hubble observing time is a drawn-out, competitive, and difficult process, and the observations are allocated to use every last second of Hubble time available. However, there is a small but persistent fraction of time – around 2-3 percent – that goes unused as Hubble turns to point at new targets. Snapshot programs, such as the one which captured Arp-Madore 608-333, exist to fill this gap and take advantage of the moments between longer observations. Snapshot programs not only produce beautiful images, they enable astronomers to gather as much data as possible with Hubble.
Carmine Appice (/ˈkɑːrmaɪn/ /æˈpiːs/, born December 15, 1946) is an American rock drummer. He is best known for his associations with Vanilla Fudge; Cactus; the power trio Beck, Bogert & Appice; Rod Stewart; King Kobra; and Blue Murder. He is also Vinny Appice‘s older brother. Appice was inducted into the Classic Drummer Hall of Fame in 2013 and the Modern Drummer Hall of Fame in 2014.
He is credited with influencing later rock drummers including Iron Maiden‘s Nicko McBrain, Aerosmith‘s Joey Kramer, Roger Taylor of Queen, Phil Collins of Genesis, Rush‘s Neil Peart, Mötley Crüe‘s Tommy Lee, Slayer‘s Dave Lombardo, Richard Christy, Chris Grainger,[3] David Kinkade, Ray Mehlbaum, Led Zeppelin‘s John Bonham, Ian Paice of Deep Purple, Anvil‘s Robb Reiner and Eric Singer of Kiss.
His best-selling drum instruction book The Realistic Rock Drum Method. was first published in 1972 and has since been revised and republished as The Ultimate Realistic Rock Drum Method. It covers the basic subjects of rock rhythms and polyrhythms, linear rudiments and groupings, shuffle rhythms, hi-hat and double bass drum exercises.
Appice received classical music training, and was influenced early on by the work of jazz drummers Buddy Rich and Gene Krupa. Appice first came to prominence as the drummer with the late 1960s psychedelic band Vanilla Fudge. He contributed distinctive background harmonies with bassist Tim Bogert. After five albums, the pair left Vanilla Fudge to form the blues rock quartet Cactus, with vocalist Rusty Day and guitarist Jim McCarty. Appice and Bogert then left Cactus to join Jeff Beck in the power trio Beck, Bogert & Appice.
more...Eddie Palmieri (born December 15, 1936) is an American Grammy Award-winning pianist, bandleader, musician, and composer of Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive.
Palmieri’s parents moved to New York from Ponce, Puerto Rico, in 1926 and settled in the South Bronx, a largely Jewish neighborhood. There, he and his elder brother Charlie Palmieri were born. He accompanied Charlie and participated in many talent contests when he was eight years old.
Palmieri continued his education in the city’s public school system where he was constantly exposed to jazz music. He took piano lessons and performed at Carnegie Hall at the age of eleven. Influenced by Thelonious Monk and McCoy Tyner, and inspired by his older brother, he determined to someday form his own band — which he accomplished in 1950 when he was fourteen years old. During the 1950s, Palmieri played in several bands including Tito Rodríguez‘s.
more...Curtis DuBois Fuller (December 15, 1932 – May 8, 2021) was an American jazz trombonist. He was a member of Art Blakey‘s Jazz Messengersand contributed to many classic jazz recordings.
Fuller was born in Detroit on December 15, 1932. His father had emigrated from Jamaica and worked in a Ford automobile factory, but he died from tuberculosis before his son was born. His mother, who had moved north from Atlanta, died when he was 9. He spent several years in an orphanage run by Jesuits. He developed a passion for jazz after one of the nuns there brought him to see Illinois Jacquet and his band perform, with J. J. Johnson on trombone.
more...Barry Doyle Harris (December 15, 1929 – December 8, 2021) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style.
Edwin LeMar “Buddy” Cole (December 15, 1916 – November 5, 1964), was a jazz pianist, organist, orchestra leader, and composer. He played behind a number of pop singers, including Rosemary Clooney and Bing Crosby.
Cole was born in Irving, Illinois, on December 15, 1916 and the family moved to California when he was two. One of his two sisters – Bertie – played for silent movies and Buddy would watch as a little boy. At the age of ten, he deputised on the theater piano for someone who had not turned up. He started his musical career in the theater playing between movies and his first keyboard job was as theater organist at Los Angeles’ Figueroa Theater. He was recruited to be part of Gil Evans‘s band at the age of 19. In Hollywood in the second half of the 1930s Cole played in dance bands, including those led by Alvino Rey and Frankie Trumbauer. He married Yvonne King, member of the King Sisters, in 1940 and they had two daughters, Christine and Cathleen. They divorced in 1953. He married Regina Woodruff (known as Clare) on November 12, 1955 in Las Vegas but they separated on July 6, 1956 prior to a divorce on September 20 the same year.As soon as the divorce became final, Cole and Clare remarried in Los Angeles on November 12, 1957. From the 1940s, his main work was as a studio musician, utilising piano, electric organ, celeste, harpsichord and Novachord.
more...The Heart and Soul Nebula are very popular deep sky imaging targets for astrophotographers with widefield scopes. This image however dives in deeper into the 1848th entry in the Index Catalogues of the New General Catalogue of nebulae and star clusters. IC 1848 or Sh2-199 or the Soul Nebula lies within the Perseus spiral arm of our Milky Way Galaxy, at a distance of 6500 light years from planet Earth’s skies toward the constellation Cassiopeia. Imaging was done at the DeepSkyWest remote observatory on the fabulous AstroPhysics Starfire AP175 refractor.
Phineas Newborn Jr. (December 14, 1931 – May 26, 1989) was an American jazz pianist, whose principal influences were Art Tatum, Oscar Peterson, and Bud Powell.
Newborn was born in Whiteville, Tennessee, and came from a musical family: his father, Phineas Newborn Sr., was a drummer in blues bands, and his younger brother, Calvin, a jazz guitarist. He studied piano as well as trumpet, and tenor and baritone saxophone.
Before moving on to work with Lionel Hampton, Charles Mingus, and others, Newborn first played in an R&B band led by his father on drums, with his brother Calvinon guitar, Tuff Green on bass, Ben Branch and future Hi Records star Willie Mitchell. The group was the house band at the now famous Plantation Inn Club in West Memphis, Arkansas, from 1947 to 1951, and recorded as B. B. King‘s band on his first recordings in 1949, as well as the Sun Records sessions in 1950. They left West Memphis in 1951 to tour with Jackie Brenston as the “Delta Cats” in support of the record “Rocket 88“, recorded by Sam Phillips and considered by many to be the first ever rock & roll record (it was the first Billboard No. 1 record for Chess Records).
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