mick laBriola

Carlton “Carly” Barrett (17 December 1950 – 17 April 1987) was a Jamaican musician best known for being the long-time drummer for Bob Marley & The Wailers. Recognized for his innovative style, which featured a highly syncopated, broken triplet pattern on the high-hat cymbals, and for his dazzling drum introductions, Barrett’s prolific recordings with Marley have been internationally celebrated. He is credited with popularizing the One Drop rhythm.

Carlton Barrett was born in Kingston, Jamaica in 1950, the son of Wilfred and Violet Barrett. As a teenager, he built his first set of drums out of empty paint cans he found on the street. Along with his contemporaries, drummers Sly Dunbar, Leroy “Horsemouth” Wallace, Style Scott and Carlton “Santa” Davis, Barrett was heavily influenced by Lloyd Knibb of The Skatalites.

In the 1960s, Barrett began performing with his brother Aston “Family Man” Barrett, under the names The Soul Mates, The Rhythm Force and eventually The Hippy Boys, a line-up that featured Max Romeo on vocals, Leroy Brown, Delano Stewart, Glen Adams and Alva Lewis. In 1969, the brothers joined The Wailers (later Known as Bob Marley and The Wailers). During his years with Marley, Barrett continued to record for many of Jamaica’s most well known artists and is featured on solo albums by Bunny Wailer (Blackheart Man) and Peter Tosh (Legalize It and Equal Rights) as well as many others. On April 17, 1987, a gunman shot and killed Barrett outside his home at 12 Bridgemount Park Avenue in Kingston, Jamaica. He was 36.

James Carroll Booker III (December 17, 1939 – November 8, 1983) was a New Orleans rhythm and blues keyboardist born in New Orleans, Louisiana, United States. Booker’s unique style combined rhythm and blues with jazz standards. Musician Dr. John described Booker as “the best black, gay, one-eyed junkie piano genius New Orleans has ever produced.” Flamboyant in personality and having an extraordinary technical facility, he was known as “the Black Liberace”.

Booker was the son and grandson of Baptist ministers, both of whom played the piano. He spent most of his childhood on the Mississippi Gulf Coast, where his father was a church pastor. Booker received a saxophone as a gift from his mother when he was 10. He had wanted a trumpet, but mastered the saxophone even though it was bought by mistake. Booker’s proficiency on the saxophone and piano gave him a local reputation as a child prodigy. Yet he focused on the piano and mastered Bach’s Inventions and Sinfonias, performing such pieces at a professional level by the age of 12. He also played the organ in his father’s churches. He aspired, however, to become a Catholic priest. He decided against this path with the idea that music would be his means of spiritual expression.

In 1949 at age 9, Booker was struck by an ambulance that he said was traveling about 70 miles an hour. According to Booker, it dragged him for 30 feet and broke his leg in eight places, nearly requiring its amputation. He was given morphine, to which he attributed to some extent his eventual drug addiction. The accident left him with a permanent limp.

Having returned to New Orleans in his early adolescence, Booker attended the Xavier University Preparatory School on Magazine Street. At Xavier he was an excellent student, especially in math, music, and Spanish, and graduated from the high school in 1957.

Paul Vaughn Butterfield (December 17, 1942 – May 4, 1987) was an American blues harmonica player, singer and band leader. After early training as a classical flautist, he developed an interest in blues harmonica. He explored the blues scene in his native Chicago, where he met Muddy Waters and other blues greats, who provided encouragement and opportunities for him to join in jam sessions. He soon began performing with fellow blues enthusiasts Nick Gravenites and Elvin Bishop.

In 1963, he formed the Paul Butterfield Blues Band, which recorded several successful albums and was popular on the late-1960s concert and festival circuit, with performances at the Fillmore West, in San Francisco; the Fillmore East, in New York City; the Monterey Pop Festival; and Woodstock. The band was known for combining electric Chicago blues with a rock urgency and for their pioneering jazz fusion performances and recordings. After the breakup of the group in 1971, Butterfield continued to tour and record with the band Paul Butterfield’s Better Days, with his mentor Muddy Waters, and with members of the roots-rock group the Band. While still recording and performing, Butterfield died in 1987 at age 44 of an accidental drug overdose.

Music critics have acknowledged his development of an original approach that places him among the best-known blues harp players. In 2006, he was inducted into the Blues Hall of Fame. Butterfield and the early members of the Paul Butterfield Blues Band were inducted into the Rock and Roll Hall of Fame in 2015. Both panels noted his harmonica skills and his contributions to bringing blues music to a younger and broader audience.

Edward James Kendrick (December 17, 1939 – October 5, 1992), better known as Eddie Kendricks, was an American singer and songwriter. Noted for his distinctive falsetto singing style, Kendricks co-founded the Motown singing group the Temptations, and was one of their lead singers from 1960 until 1971. He was the lead voice on such famous songs as “The Way You Do the Things You Do“, “Get Ready“, and “Just My Imagination (Running Away with Me)“. As a solo artist, Kendricks recorded several hits of his own during the 1970s, including the number-one single “Keep On Truckin’“.

Kendricks was born to Johnny and Lee Bell Kendrick in Union Springs, Alabama on December 17, 1939. He had one sister, Patricia, and three brothers, Charles, Robert, and Clarence. His family moved to the Ensley neighborhood of Birmingham, where he met and began singing with his best friend Paul Williams in their church choir in the late 1940s. In 1955, Kendricks, Williams, and friends Kell Osborne and Jerome Averette formed a doo-wop group called the Cavaliers, and began performing around Birmingham. The group decided to move for better opportunities in their musical careers, and in 1957 the group moved to Cleveland, Ohio on E 123rd and Kinsman. In Cleveland, they met manager Milton Jenkins, and soon moved with Jenkins to Detroit, Michigan, where the Cavaliers renamed themselves the Primes.

Performing for Shabbat for the Soul Shabbat Service at Mt Zion 630pm Friday December 16th 2022.

Sugar Blue (born James Joshua “Jimmie” Whiting, December 16, 1949, Harlem, New York City) is an American blues harmonica player. He is probably best known for playing on the Rolling Stones‘ single “Miss You“, and in partnering Louisiana Red.

The Chicago Tribune said, “The sound of Sugar Blue’s harmonica could pierce any night… it’s the sound of a musician who transcends the supposed limitations of his instrument.”

In the mid-1970s, Blue played as a session musician on Johnny Shines‘s Too Wet to Plow (1975) and with Roosevelt Sykes. While in the company of the latter, he met Louisiana Red, and the two toured and recorded in 1978.

Taking advice from Memphis Slim, in the late 1970s Blue traveled to Paris, France. According to Ronnie Wood, Blue was found by Mick Jaggerbusking on the city streets. This led to him playing on several of the tracks on The Rolling Stones’ Some Girls and Emotional Rescue albums: “Some Girls“, “Send It to Me“, “Down in the Hole” and “Miss You“.

Robben Lee Ford (born December 16, 1951) is an American blues, jazz, and rock guitarist. He was a member of the L.A. Express and Yellowjackets and has collaborated with Miles Davis, Joni Mitchell, George Harrison, Larry Carlton, Rick Springfield, Little Feat and Kiss. He was named one of the “100 Greatest Guitarists of the 20th Century” by Musician magazine.

Robben Ford was born in Woodlake, California, United States, and raised in Ukiah, California. He began playing the saxophone at age 10 and the guitar at age 14. Robben and two of his brothers (Patrick and Mark) created the Charles Ford Blues Band in honor of and named after their father. A fourth brother died in the Vietnam conflict.

Joseph Carl Firrantello (December 16, 1937 – January 10, 1986), known as Joe Farrell, was an American jazz multi-instrumentalist who primarily performed as a saxophonist and flutist. He is best known for a series of albums under his own name on the CTI record label and for playing in the initial incarnation of Chick Corea‘s Return to Forever.

Farrell was born in Chicago Heights, Illinois. As a child, Farrell began playing the flute and clarinet. After graduating from the University of Illinois at Urbana–Champaign in 1959, he moved to New York City to work as a freelance musician. Farrell died of myelodysplastic syndrome (MDS) in Duarte, California on January 10, 1986 at the age of 48.

John Robert “Johnny Hammond” Smith (December 16, 1933 – June 4, 1997) was an American soul jazz and hard bop organist. Born in Louisville, Kentucky, he was a renowned player of the Hammond B-3 organ so earning “Hammond” as a nickname, which also avoided his being confused with jazz guitarist Johnny Smith.

Smith played with Paul Williams and Chris Columbo before forming his own group. His bands featured singers Etta Jones, Byrdie Green, saxophonists Houston Person, Earl Edwards, guitarists Eddie McFadden, Floyd Smith, James Clark, vibist Freddie McCoy. His career took off as he was serving as accompanist to singer Nancy Wilson. One of his last accomplishments also included Nancy Wilson. He wrote the song “Quiet Fire” for her Nancy Now!release in 1988.

After a 10-year spell on Prestige Records throughout the 1960s resulting in a series of albums, he signed for soul/R&B influenced Kudu imprint of Creed Taylor‘s well-regarded CTI Records jazz record label in 1971. His first album for Taylor, Break Out was chosen that year to launch Kudu. The album featured Grover Washington Jr. as a sideman prior to the launch of his career as a solo recording artist. Three further albums followed with Taylor on Kudu, as he decided to refer to himself as “Johnny Hammond”, after deciding to drop “Smith” from his name.

Soleares is perhaps the most important toque in the study of the Flamenco guitar. Soleares epitomizes the heart and soul of Flamenco music, embodying its vital core: rhythm and harmony. In fact, the rhythmic structure (‘compas’) plays such a central role, that when a guitarist truly masters the compas, he or she is well on the road toward becoming a skilled virtuoso in the art of Flamenco guitar. In Andalusia, the region of Spain where Flamenco got its start, every student of the Flamenco guitar begins with its study. Furthermore, Soleares is a foundational toque; many other toques have developed from its inspiration.  As a guitarist, learn to dominate this toque, absorbing its powerful momentum into your very bones. If it takes driving your friends and family nearly mad with hearing you play, do so, for it is the very nature of Flamenco music.

With respect to its origins, the roots of Soleares are uncertain and controversial, as so often is the case in Flamenco and other traditional art forms. The Triana district of Sevilla was probably the most influential center of its development. Other locations, however, have influenced Soleares, giving it their own distinctive flavors. Some historians claim that Canas and Polos are the oldest forms, others suggest that Soleares was earlier than those, claiming that its heritage came from more lighthearted toques which were used as accompaniments for dances. Today, however, the Toque por Soleares is solemn and majestic, rich in passion, whether used as a guitar solo, or as an accompaniment to song or dance.

The origin of the word ‘Soleares’ comes from the word ‘solea,’ whose origin is probably a corruption of ‘soledad,’ which means ‘solitude’ or ‘loneliness.’ The melancholy coplas (song-verses) of the cante can be ironically philosophical or romantic, but with the overarching themes of tragedy, desolation and death.

• Compas 1 2 3 4 5 6 7 8 9 10 11 12 (accent on bold numbers)
• Originated in the mid 1800s
• Share the same compas as Allegris and Buleria
• Use the Phrygian Mode  in E major or A major tonalities
• Has regional variants from Cadiz, Seville, Cordoba, Jerez and others