mick laBriola

Alfred McCoy Tyner (December 11, 1938 – March 6, 2020) was an American jazz pianist and composer known for his work with the John Coltrane Quartet (from 1960 to 1965) and his long solo career afterwards.

He was an NEA Jazz Master and five-time Grammy award winner. Unlike many of the jazz keyboardists of his generation, Tyner very rarely incorporated electric keyboards or synthesizers into his work. Tyner has been widely imitated, and is one of the most recognizable and influential pianists in jazz history.

Willie Mae Thornton (December 11, 1926 – July 25, 1984), better known as Big Mama Thornton, was an American singer and songwriter of the blues and R&B genres. She was the first to record Leiber and Stoller‘s “Hound Dog“, in 1952, which became her biggest hit, staying seven weeks at number one on the Billboard R&B chart in 1953 and selling almost two million copies. Thornton’s other recordings included the original version of “Ball and Chain“, which she wrote.

Dámaso Pérez Prado (December 11, 1916 – September 14, 1989)^{[nb 1]}was a Cuban bandleader, pianist, composer and arranger who popularized the mambo in the 1950s.^[2] His big band adaptation of the danzón-mambo proved to be a worldwide success with hits such as “Mambo No. 5“, earning him the nickname “King of the Mambo”. In 1955, Prado and his orchestra topped the charts in the US and UK with a mambo cover of Louiguy‘s “Cherry Pink (and Apple Blossom White)“. He frequently made brief appearances in films, primarily of the rumberas genre, and his music was featured in films such as La Dolce Vita.

https://youtu.be/CiXztRrljPQ

Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records to his recent involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins’s working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album The Bridge.

Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer.

Pops Mohamed (born Ismail Mohamed  12-10-1949) is a South African multi-instrumentalist, jazz musician and producer.

Born in Benoni, Gauteng, Pops Mohamed had a career in music that was the logical outcome of an early exposure at Dorkay House to the likes of Abdullah Ibrahim and Kippie Moeketsi. Mohamed’s father was a Muslim of Portuguese and Indian heritage and his mother was of Xhosa people and Khoisan heritage. He grew up in the Indian community of Johannesburg. He started his first band The Valiants, at the age of 14. Known by fans as the “Minister of Music”, he plays a wide variety of instruments: African mouth bow, bird whistle, berimbau, didgeridoo, guitar, keyboard, kora, and the thumb piano. He is also known for his wide range of musical styles which include kwela, pop, and soul. He produced Finding One’s Self, the late Moses Taiwa Molelekwa‘s award-winning album.

Pops has also performed regularly with and sits on the board of the Johannesburg Youth Orchestra Company

Ray Willis Nance (December 10, 1913 – January 28, 1976) was an American jazz trumpeter, violinist and singer. He is best remembered for his long association with Duke Ellington and his orchestra.

Nance was the leader of his own band in Chicago from 1932 to 1937. Then, he worked with Earl Hines from 1937 to 1939; and from 1939 to 1940 he worked with Horace Henderson.

Ellington hired Nance to replace trumpeter Cootie Williams, who had joined Benny Goodman, in 1940. Nance’s first recorded performance with Ellington was at the Fargo, North Dakota ballroom dance. Shortly after joining the band, Nance was given the trumpet solo on the earliest recorded version of “Take the “A” Train“, which became the Ellington theme. Nance’s “A Train” solo is one of the most copied and admired trumpet solos in jazz history. Indeed, when Cootie Williams returned to the band more than twenty years later, he would play Nance’s solo on “A Train” almost exactly as the original.

Joan Anita Barbara Armatrading, CBE (/ˈɑːrməˌtreɪdɪŋ/, born 9 December 1950) is a Kittitian-English singer-songwriter and guitarist. A three-time Grammy Award nominee, Armatrading has also been nominated twice for BRIT Awards as Best Female Artist. She received an Ivor Novello Award for Outstanding Contemporary Song Collection in 1996.

In a recording career spanning nearly 50 years, Armatrading has released 20 studio albums, as well as several live albums and compilations.

Joan Armatrading, the third of six children, was born in 1950 in the town of Basseterre in what was then the British colony Saint Christopher and Nevis. Her father was a carpenter and her mother a housewife. When she was three years old, her parents moved with their two eldest boys to Birmingham in England, sending Joan to live with her grandmother on the Caribbean island of Antigua. In early 1958, at the age of seven, she joined her parents in Brookfields, then a district of Birmingham.

Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934 – January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song “Messin’ with the Kid” and his 1965 album Hoodoo Man Blues, described by the critic Bill Dahl as “one of the truly classic blues albums of the 1960s”. Wells himself categorized his music as rhythm and blues.

Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him “one of the rare active survivors of the ‘golden age of the blues'”.Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his cousin Junior Parker and by Sonny Boy Williamson II, Wells learned to play the harmonica skillfully by the age of seven.

Donaldson Toussaint L’Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sidemanfor many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son’s schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert Barnes Sextette for the single “Black Eyed Peas” / “Bobbin’ At Barbee’s.” After playing in a military band during a term in the United States Air Force, Byrd obtained a bachelor’s degree in music from Wayne State University and a master’s degree from Manhattan School of Music. While still at the Manhattan School, he joined Art Blakey‘s Jazz Messengers as Clifford Brown’s successor. In 1955, he recorded with Gigi Gryce, Jackie McLean and Mal Waldron. After leaving the Jazz Messengers in 1956, he performed with many leading jazz musicians of the day, including John Coltrane, Sonny Rollins, Thelonious Monk, and later Herbie Hancock.