Blog
On the night of December 7 Mars wandered near the Full Moon. In fact the Red Planet was occulted, passing behind the Moon, when viewed from locations across Europe and North America. About an hour after disappearing behind the lunar disk Mars reappears in this stack of sharp video frames captured from San Diego, planet Earth. With the Moon in the foreground Mars was a mere 82 million kilometers distant, near its own opposition. Full Moon and full Mars were bright enough provide the spectacular image with no exposure adjustments necessary. In the image Mars appears to rise just over ancient, dark-floored, lunar crater Abel very close to the southeastern edge of the Moon’s near side. Humboldt is the large impact crater to its north (left).
more...Joan Anita Barbara Armatrading, CBE (/ˈɑːrməˌtreɪdɪŋ/, born 9 December 1950) is a Kittitian-English singer-songwriter and guitarist. A three-time Grammy Award nominee, Armatrading has also been nominated twice for BRIT Awards as Best Female Artist. She received an Ivor Novello Award for Outstanding Contemporary Song Collection in 1996.
In a recording career spanning nearly 50 years, Armatrading has released 20 studio albums, as well as several live albums and compilations.
Joan Armatrading, the third of six children, was born in 1950 in the town of Basseterre in what was then the British colony Saint Christopher and Nevis. Her father was a carpenter and her mother a housewife. When she was three years old, her parents moved with their two eldest boys to Birmingham in England, sending Joan to live with her grandmother on the Caribbean island of Antigua. In early 1958, at the age of seven, she joined her parents in Brookfields, then a district of Birmingham.
more...Daniel Ivan Hicks (December 9, 1941 – February 6, 2016) was an American singer-songwriter known for an idiosyncratic style that combined elements of cowboy folk, jazz, country, swing, bluegrass, pop, and gypsy music. He led ″Dan Hicks and His Hot Licks″. He is perhaps best known for the songs “I Scare Myself” and “Canned Music”. His songs are frequently infused with humor, as evidenced by the title of his tune “How Can I Miss You When You Won’t Go Away?”. His album Live at Davies (2013) capped over forty years of music.
Writing about Hicks for Oxford American in 2007, critic David Smay said, “[T]here was a time from the ’20s through the ’40s when swing—’hot rhythm’—rippled through every form of popular music. That’s the music Dan Hicks plays, and there’s no single word for it because it wasn’t limited to any one genre. Django Reinhardtand the Mills Brothers and Spade Cooley and Hank Garland and the Boswell Sisters and Stuff Smith and Bing Crosby all swing. You can make yourself nutty trying to define what Dan Hicks is. Then again, you could just say: Dan Hicks swings.”
Hicks was born in Little Rock, Arkansas on December 9, 1941. His father, Ivan L. Hicks (married to the former Evelyn Kehl), was a career United States Air Forcenon-commissioned officer. At age five, an only child, Hicks moved with his family to California. Following brief stints in Lomita, Cambria, and Vallejo, the family settled in Santa Rosa, the largest city in the North Bay subregion of the San Francisco Bay Area, where he was a drummer in grade school and played the snare drum in his school marching band.
more...Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934 – January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song “Messin’ with the Kid” and his 1965 album Hoodoo Man Blues, described by the critic Bill Dahl as “one of the truly classic blues albums of the 1960s”. Wells himself categorized his music as rhythm and blues.
Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him “one of the rare active survivors of the ‘golden age of the blues'”.Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his cousin Junior Parker and by Sonny Boy Williamson II, Wells learned to play the harmonica skillfully by the age of seven.
more...Donaldson Toussaint L’Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sidemanfor many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son’s schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert Barnes Sextette for the single “Black Eyed Peas” / “Bobbin’ At Barbee’s.” After playing in a military band during a term in the United States Air Force, Byrd obtained a bachelor’s degree in music from Wayne State University and a master’s degree from Manhattan School of Music. While still at the Manhattan School, he joined Art Blakey‘s Jazz Messengers as Clifford Brown’s successor. In 1955, he recorded with Gigi Gryce, Jackie McLean and Mal Waldron. After leaving the Jazz Messengers in 1956, he performed with many leading jazz musicians of the day, including John Coltrane, Sonny Rollins, Thelonious Monk, and later Herbie Hancock.
more...In traditional cuadro flamenco and theatrical performances, bulerías is presented with each dancer performing a short variation and returning back into the cuadro flamenco formation as another dancer enters the performance area. Dancers often try to “out-dance” one another, dance teasingly about each other, spoof the audience, or dance one’s mind. Intricate combinations of palmas and jaleo (shouts of encouragement, including “Olé”) are provided by the other performers, and often by knowledgeable aficionados.
Though open to much variation and interpretation, the generally accepted skeletal framework for the dance includes:
Entrada/Salida – The dancer enters while the guitarist plays. The dancer can also enter during a song.
Llamada – A movement cue to the guitarist and singer that the dancer is about to perform a new letra.
Letras – The singer sings a letra while the dancer dances. A dancer can insert a remate (flashy punch of percussion and movement) between the 1st and 2nd lines of the song, while the singer pauses for 12 counts (respira).
Desplante llamada – A one- or two-compás footwork and movement break.
Dance variation/s- A number of things can occur at this point.
Choreography – The primary dance variation, often including codified movement patterns of counter- clockwise circles and diagonal patterns traveling across the floor. Many of these patterns are traditional, and have been passed down from artist to artist for generations.
Contra tiempo palmas
A second llamada leading to a second letra.
An escobilla – Long sets of footwork sequences
Closing desplante llamada – The final cue for an exit
Salida/Cierre – A closing dance pattern, generally moving across stage. Often also called the cierre.
more...A camera on board the uncrewed Orion spacecraft captured this view on December 5 as Orion approached its return powered flyby of the Moon. Below one of Orion’s extended solar arrays lies dark, smooth, terrain along the western edge of the Oceanus Procellarum. Prominent on the lunar nearside Oceanus Procellarum, the Ocean of Storms, is the largest of the Moon’s lava-flooded maria. The lunar terminator, shadow line between lunar night and day, runs along the left of the frame. The 41 kilometer diameter crater Marius is top center, with ray crater Kepler peeking in at the edge, just right of the solar array wing. Kepler’s bright rays extend to the north and west, reaching the dark-floored Marius. Of course the Orion spacecraft is now headed toward a December 11 splashdown in planet Earth’s water-flooded Pacific Ocean.
more...James Douglas Morrison (December 8, 1943 – July 3, 1971 Melbourne, FL) was an American singer, poet and songwriter who was the lead vocalist of the rock band the Doors. Due to his wild personality, poetic lyrics, distinctive voice, unpredictable and erratic performances, and the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most influential frontmen in rock history. Since his death, Morrison’s fame has endured as one of popular culture’s top rebellious and oft-displayed icons, representing the generation gap and youth counterculture.
Together with pianist Ray Manzarek, Morrison founded the Doors in 1965 in Venice, California. The group spent two years in obscurity until shooting to prominence with their number-one single in the United States, “Light My Fire“, taken from their self-titled debut album. Morrison recorded a total of six studio albums with the Doors, all of which sold well and received critical acclaim. He was well known for improvising spoken word poetry passages while the band played live. Manzarek said Morrison “embodied hippie counterculture rebellion”.
Morrison developed an alcohol dependency throughout the band’s career, which at times affected his performances on stage. On July 3, 1971, Morrison died unexpectedly in Paris at the age of 27, amid several conflicting witness reports. His premature death is often linked with the 27 Club. Since no autopsy was performed, the cause of Morrison’s death remains disputed.
Although the Doors recorded two more albums after Morrison died, his death severely affected the band’s fortunes, and they split up two years later. In 1993, Morrison was inducted into the Rock and Roll Hall of Fame along with the other Doors members. In 2011, a Rolling Stone readers’ pick placed Morrison in fifth position on the magazine’s “Best Lead Singers of All Time”, and in another Rolling Stone list of “The 100 Greatest Singers of All Time”, he was rank 47th. He was also ranked the 22nd greatest singer in rock by Classic Rock magazine.
more...
Frederick Nathaniel Hibbert, OJ (8 December 1942 – 11 September 2020), better known as Toots Hibbert, was a Jamaican singer and songwriter who was the lead vocalist for the reggae and ska band Toots and the Maytals. A reggae pioneer, he performed for six decades and helped establish some of the fundamentals of reggae music. Hibbert’s 1968 song “Do the Reggay” is widely credited as the genesis of the genre name reggae. His band’s album True Love won a Grammy Award in 2005.
Hibbert was born on 8 December 1942 in May Pen, Jamaica, the youngest of his siblings. Hibbert’s parents were both strict Seventh-day Adventist preachers so he grew up singing gospel music in a church choir. Both parents died young and, by the age of 11, Hibbert was an orphan who went to live with his brother John in the Trenchtown neighborhood of Kingston. While working at a local barbershop, he met his future bandmates Raleigh Gordon and Jerry Matthias.
more...
Jean Sibelius born Johan Julius Christian Sibelius; 8 December 1865 – 20 September 1957) was a Finnish composer of the late Romantic and early-modern periods. He is widely regarded as his country’s greatest composer, and his music is often credited with having helped Finland develop a national identity during its struggle for independence from Russia.
The core of his oeuvre is his set of seven symphonies, which, like his other major works, are regularly performed and recorded in Finland and countries around the world. His other best-known compositions are Finlandia, the Karelia Suite, Valse triste, the Violin Concerto, the choral symphony Kullervo, and The Swan of Tuonela(from the Lemminkäinen Suite). His other well-known works include pieces inspired by nature, Nordic mythology, and the Finnish national epic, the Kalevala; over a hundred songs for voice and piano; incidental music for numerous plays; the opera Jungfrun i tornet (The Maiden in the Tower); chamber music, piano music, Masonic ritual music, and 21 publications of choral music.
Sibelius composed prolifically until the mid-1920s, but after completing his Seventh Symphony (1924), the incidental music for The Tempest (1926), and the tone poem Tapiola (1926), he stopped producing major works in his last 30 years—a stunning and perplexing decline commonly referred to as the “silence of Järvenpää“, (the location of his home). Although he is reputed to have stopped composing, he attempted to continue writing, including abortive efforts on an eighth symphony. In later life, he wrote Masonic music and reedited some earlier works, while retaining an active but not always favourable interest in new developments in music.
The Finnish 100 mark note featured his image until 2002, when the euro was adopted. Since 2011, Finland has celebrated a flag flying day on 8 December, the composer’s birthday, also known as the Day of Finnish Music. In 2015, in celebration of the 150th anniversary of Sibelius’s birth, a number of special concerts and events were held, especially in Helsinki, the Finnish capital.
more...James Oscar Smith (December 8, 1925 – February 8, 2005) was an American jazz musician whose albums often appeared on Billboard magazine charts. He helped popularize the Hammond B-3 organ, creating a link between jazz and 1960s soul music.
In 2005, Smith was awarded the NEA Jazz Masters Award from the National Endowment for the Arts, the highest honor that America bestows upon jazz musicians.
There is confusion about Smith’s birth year, with sources citing either 1925 or 1928. Born James Oscar Smith in Norristown, Pennsylvania, he joined his father doing a song-and-dance routine in clubs at the age of six. He began teaching himself to play the piano. When he was nine, Smith won a Philadelphia radio talent contest as a boogie-woogie pianist. After a period in the U.S. Navy, he began furthering his musical education in 1948, with a year at Royal Hamilton College of Music, then the Leo Ornstein School of Music in Philadelphia in 1949. He began exploring the Hammond organ in 1951. From 1951 to 1954, he played piano, then organ in Philly R&B bands like Don Gardner and the Sonotones. He switched to organ permanently in 1954 after hearing Wild Bill Davis.
more...Cleopatra Brown (December 8, 1907 or 1909 – April 15, 1995), known as Cleo Brown, C. Patra Brown or Cleo Patra Brown, was an American blues and jazz vocalist and pianist. She was the first woman instrumentalist to receive the NEA Jazz Masters Fellowship.
While Brown’s place of birth has been published as Meridian, Mississippi, Brown told W. Balliett in a 1986 interview published in The New Yorker that she was born in De Kalb, Mississippi shortly before her father took a position as a pastor in Meridian. She played piano in the Baptist church as a child. In 1919 her family moved to Chicago, and she began learning piano from her brother who worked with “Pine Top” Smith, playing boogie-woogie for dances. From around 1923 she worked in vaudeville, as well as taking gigs in clubs. In 1935, she replaced Fats Waller as pianist on New York radio station WABC.
From the 1930s to the 1950s she toured the United States regularly, recording for Decca Records (among other labels) along the way and recording many humorous, ironic titles such as “Breakin’ in a New Pair of Shoes”, “Mama Don’t Want No Peas and Rice and Coconut Oil“, “When Hollywood Goes Black and Tan”, and “The Stuff Is Here and It’s Mellow”. Her stride piano playing was often compared to Fats Waller, and she is credited as an influence on Dave Brubeck, who played during the intermissions of her shows, and Marian McPartland. She played regularly at clubs in Chicago, toured widely, and recorded for both Decca and Capitol Records.
more...A mere seven hundred light years from Earth, toward the constellation Aquarius, a sun-like star is dying. The dying star’s last few thousand years have produced the Helix Nebula (NGC 7293), a well studied and nearby example of a Planetary Nebula, typical of this final phase of stellar evolution. Combining narrow band image data from emission lines of hydrogen atoms in red and oxygen atoms in blue-green hues, it shows tantalizing details of the Helix, including its bright inner region about 3 light-years across. The white dot at the Helix’s center is this Planetary Nebula’s hot, central star. A simple looking nebula at first glance, the Helix is now understood to have a surprisinglycomplex geometry.
more...Harold Forster Chapin (December 7, 1942 – July 16, 1981) was an American singer-songwriter, philanthropist, and hunger activist best known for his folk rock and pop rock songs. He achieved worldwide success in the 1970s. Chapin, a Grammy Award-winning artist and Grammy Hall of Fame inductee, has sold over 16 million records worldwide.
Chapin recorded a total of 11 albums from 1972 until his death in 1981. All 14 singles that he released became hits on at least one national music chart.
As a dedicated humanitarian, Chapin fought to end world hunger. He was a key participant in the creation of the Presidential Commission on World Hunger in 1977. In 1987, Chapin was posthumously awarded the Congressional Gold Medal for his humanitarian work.
On the afternoon of July 16, 1981, Chapin was driving on the Long Island Expressway en route to perform at a free benefit concert at Eisenhower Park in East Meadow, New York, that evening. At 12:27 PM, Chapin was fatally injured in a fiery traffic collision with a semi-trailer truck outside Jericho, New York. Passers-by managed to help the unconscious Chapin out of his engulfed 1975 Volkswagen Rabbit and he was immediately taken by helicopter to the nearby Nassau County Medical Center where he was pronounced dead at 1:05 PM due to internal bleeding.
more...Thomas Alan Waits (born December 7, 1949 Pomona, CA) is an American musician, composer, songwriter, and actor. His lyrics often focus on the underbelly of society and are delivered in his trademark deep, gravelly voice. He worked primarily in jazz during the 1970s, but his music since the 1980s has reflected greater influence from blues, rock, vaudeville, and experimental genres.
Waits was born and raised in a middle-class family in California. Inspired by the work of Bob Dylan and the Beat Generation, he began singing on the San Diego folk music circuit as a young man. He relocated to Los Angeles in 1972, where he worked as a songwriter before signing a recording contract with Asylum Records. His first albums were the jazz-oriented Closing Time (1973) and The Heart of Saturday Night (1974), which reflected his lyrical interest in nightlife, poverty, and criminality. He repeatedly toured the United States, Europe, and Japan, and attracted greater critical recognition and commercial success with Small Change (1976), Blue Valentine (1978), and Heartattack and Vine (1980). He produced the soundtrack for Francis Ford Coppola‘s film One from the Heart (1981), and subsequently made cameo appearances in several Coppola films.
In 1980, Waits married Kathleen Brennan, split from his manager and record label, and moved to New York City. With Brennan’s encouragement and frequent collaboration, he pursued a more experimental and eclectic musical aesthetic influenced by the work of Harry Partch and Captain Beefheart. This was reflected in a series of albums released by Island Records, including Swordfishtrombones (1983), Rain Dogs (1985), and Franks Wild Years (1987). He continued appearing in films, notably starring in Jim Jarmusch‘s Down by Law (1986), and also made theatrical appearances. With theatre director Robert Wilson, he produced the musicals The Black Rider (1990) and Alice (1992), first performed in Hamburg. Having returned to California in the 1990s, his albums Bone Machine (1992), The Black Rider(1993), and Mule Variations (1999) earned him increasing critical acclaim and multiple Grammy Awards. In the late 1990s, he switched to the record label ANTI-, which released Blood Money (2002), Alice (2002), Real Gone (2004), and Bad as Me (2011).
Despite a lack of mainstream commercial success, Waits has influenced many musicians and gained an international cult following, and several biographies have been written about him. In 2015, he was ranked at No. 55 on Rolling Stone‘s “100 Greatest Songwriters of All Time“. He was inducted into the Rock and Roll Hall of Fame in 2011.
more...More Posts
- Temple Israel Tot Shabbat
- Friday the 13th 2024
- Cosmos Rho Ophiuchi
- Bill Monroe
- Chu Berry
- Arnold Schoenberg
- Flamenco Fridays Olga Pericet
- Daily Roots Declaration of Rights (Get Up & Fight)
- Cosmos NGC 1333
- Neil Peart
- Maria Muldaur
- “Papa” John DeFrancesco
- World Music Jawa
- Daily Roots Joe Higgs
- 911 Memorial 2024
- Cosmos M42
- Mickey Hart
- Leo Kottke
- Victor Wooten
- Hiram Bullock