mick laBriola

James Stanley Hall (December 4, 1930 – December 10, 2013) was an American jazz guitarist, composer and arranger.

Born in Buffalo, New York, Hall moved with his family to Cleveland, Ohio, during his childhood. Hall’s mother played the piano, his grandfather violin, and his uncle guitar. He began playing the guitar at the age of 10, when his mother gave him an instrument as a Christmas present. At 13 he heard Charlie Christian play on a Benny Goodman record, which he calls his “spiritual awakening”. As a teenager in Cleveland, he performed professionally, and also took up the double bass. Hall’s major influences since childhood were tenor saxophonists Coleman Hawkins, Lester Young, Paul Gonsalves, and Lucky Thompson. While he copied out solos by Charlie Christian, and later Barney Kessel, it was horn players from whom he took the lead. In 1955, Hall attended the Cleveland Institute of Music, where he majored in composition, studying piano and bass in addition to theory.

December 3rd 1954

Mark Boling is a jazz guitarist, teacher, composer, author and collaborator with drummer Keith Brown and bassist Rusty Holloway in the Boling, Brown, & Holloway trio. He has also performed and recorded with pianist Donald Brown, the Knoxville Jazz Orchestra, and South African saxophonist Zim Ngqawana.

Evidence (MaBO Music 2000), Boling’s first recording as a leader, documents the Boling, Brown and Holloway (BBH) trio in a set of ten jazz standards and two original tunes. Evidence was featured as an outstanding recording by a southern artist on the syndicated Jazz South radio program in 2002. The BBH trio is augmented by Carlos Fernandez (percussion), Donald Brown (piano), and Zim Ngqawana (saxophone) on Tune Me (MaBO Music 2004).

Boling is author of Creative Comping Concepts for Jazz Guitar (Mel Bay), The Jazz Theory Workbook (Advance Music), Elements of the Jazz Language software (CPP/Belwin), and Curriculum for Aural Training software. He has been a Senior Artist-in-Residence at the Banff Center International Jazz Workshop, a visiting artist at the Brubeck Institute and has taught at the Berklee College of Music summer guitar program. He received a Bachelor of Music degree from the Berklee College of Music in Boston (1981) and a Masters in Music Theory from the University of Tennessee (1984). Mark Boling is an Associate Professor of Music and Coordinator of the University of Tennessee Jazz Program.

Joseph William Thomas, also known as Brother Cornbread (December 3, 1902 – February 18, 1981) was an American jazz clarinetist and singer, closely-associated with the New Orleans jazz scene.

Thomas’s first professional gig was in New Orleans with trombone player Joe Harris in 1923. Soon after that, he worked with Jack Carey, Chris Kelly, and Kid Rena. He recorded with Charles Derbigny in 1941, but the recordings were not publicly released until the 1960s, by which time Thomas had become a figure in the Dixieland revival movement. He led his own ensemble at New Orleans’s H&J Tavern for much of the 1940s, then, in 1951, became a sideman for Papa Celestin. He worked with this ensemble for years, including after Papa French and Eddie Pierson had taken over as leader. Other associations in the 1950s and 1960s included work with Freddie Kohlman, Punch Miller, the Olympia Brass Band, and on Swedish television with Sweet Emma Barrett in 1968. In the 1970s he worked with the Legends of Jazz, replacing Joe Darensbourg.

Ronald Mathews (December 2, 1935 in New York City – June 28, 2008 in Brooklyn) was an American jazz pianist who worked with Max Roach from 1963 to 1968 and Art Blakey‘s Jazz Messengers. He acted as lead in recording from 1963 and 1978–79. His most recent work was in 2008, as both a mentor and musician with Generations, a group of jazz musicians headed by veteran drummer Jimmy Cobb. He contributed two new compositions for the album that was released by San Francisco State University’s International Center for the Arts on September 15, 2008. Critics have compared him to pianists Thelonious Monk, Bud Powell, and McCoy Tyner.

In his twenties, Mathews toured internationally and recorded with Roach, Freddie Hubbard and Roy Haynes. He was also a member of Art Blakey’s Jazz Messengers in the late 1950s through the 1960s. By thirty, he began teaching jazz piano and led workshops, clinics and master classes at Long Island University in New York City. Besides Dexter Gordon and Clark Terry, he toured and recorded on two Louis Hayesprojects in the 70’s (i.e. the Louis Hayes-Woody Shaw Quintet and the Louis Hayes-Junior Cook Quintet).

Wynton Charles Kelly (December 2, 1931 – April 12, 1971) was an American jazz pianist and composer. He is known for his lively, blues-based playing and as one of the finest accompanists in jazz. He began playing professionally at the age of 12 and was pianist on a No. 1 R&B hit at the age of 16. His recording debut as a leader occurred three years later, around the time he started to become better known as an accompanist to singer Dinah Washington, and as a member of trumpeter Dizzy Gillespie‘s band. This progress was interrupted by two years in the United States Army, after which Kelly worked again with Washington and Gillespie, and played with other leaders. Over the next few years, these included instrumentalists Cannonball Adderley, John Coltrane, Hank Mobley, Wes Montgomery, and Sonny Rollins, and vocalists Betty Carter, Billie Holiday, and Abbey Lincoln.

Kelly attracted the most attention as part of Miles Davis‘ band from 1959, including an appearance on the trumpeter’s Kind of Blue, often mentioned as the best-selling jazz album ever. After leaving Davis in 1963, Kelly played with his own trio, which recorded for several labels and toured the United States and internationally. His career did not develop much further, and he had difficulty finding enough work late in his career. Kelly, who was known to have epilepsy, died in a hotel room in Canada following a seizure, aged 39.

The son of Jamaican immigrants, Kelly was born in Brooklyn, New York, on December 2, 1931. He began playing the piano at the age of four, but did not receive much formal training in music. He attended the High School of Music & Art and the Metropolitan Vocational High School in New York, but “[t]hey wouldn’t give us piano, so I fooled around with the bass and studied theory.

The Soleá is a slow, solemn, and majestic flamenco form that likely comes from the Spanish word soledad, meaning solitude or loneliness. Tragedy, death, and desperation are the common subject matter for the Soleá cante (singers). Guitarists evoke these feelings in their playing as well. This tragic form is also known as the “Cante Jondo” category.

The Soleá is synonymous with the Soleares, known as the “Mother of Flamenco”. Flamenco guitarists usually begin their study with the Soleá since it has a relatively slow BPM (usually 50-110BPM). As a result, students have ample time to feel comfortable with the compás accents.

     V      V     V     V     V

1  2 3 4 5  6  7  8  9  10 11 12

Harmonic tension between the E major and F major chords is prevalent in the Soleá form, causing both harmonic and tension and resolve throughout a performance. A Soleá may include the escobilla section, where the beat shifts to a feeling of three (1,2,3, 4,5,6, 7,8,9, 10,11,12).

Christine McVie, the longtime co-lead vocalist, keyboardist, and songwriter for Fleetwood Mac, died Wednesday, Nov. 30, at the age of 79. A cause of death was not available, but McVie’s family saidshe died at a hospital “following a short illness.”

The band confirmed McVie’s death in a note shared on social media. “There are no words to describe our sadness at the passing of Christine McVie. She was truly one-of-a-kind, special and talented beyond measure. She was the best musician anyone could have in their band and the best friend anyone could have in their life. We were so lucky to have a life with her. Individually and together, we cherished Christine deeply and are thankful for the amazing memories we have. She will be so very missed.”

I saw Christine McVie with Fleetwood Mac and Peter Green in Boulder, Co (1970?) with Savoy Brown & Long John Baldry and she was a big part of the bands sound!

John Paul Densmore (born December 1, 1944) is an American musician, songwriter, author and actor. He is best known as the drummer of the rock band the Doors, and as such is a member of the Rock and Roll Hall of Fame. He appeared on every recording made by the band, with drumming inspired by jazz and world musicas much as by rock and roll.

Densmore is also noted for his veto of attempts by the other two Doors members, in the wake of singer Jim Morrison‘s 1971 death, to accept offers to license the rights to various Doors songs for commercial purposes, as well as his objections to their use in the 21st century of the Doors name and logo. Densmore’s lengthy court battles to gain compliance with his veto, based on a 1960s contract requiring unanimity among Doors members to use the band’s name or music, ended with total victory for him and his allies in the Morrison estate.

Densmore has worked additionally in the performing arts as a dancer and actor, and written successfully as both a playwright and the author of two books on the topic of the Doors, and a third book, The Seekers (2020), on a selection of notable people he has worked with and encountered.

The many honors he shares with the other Doors include a Grammy Award for lifetime achievement and a star on the Hollywood Walk of Fame.

Densmore was born in Los Angeles on December 1, 1944, to a Catholic family. He grew up playing piano and later took up drums/percussion for the marching band at his school. He also played timpani in orchestra.

Sander Lloyd Nelson (December 1, 1938 – February 14, 2022) was an American drummer. Nelson, one of the best-known rock and modern jazz drummers of the late 1950s and early 1960s, had several solo instrumental Top 40 hits and released over 30 albums. He was a session drummer on many other well-known hits. He lived in Boulder City, Nevada, where he continued to experiment with music on keyboards and piano.

Sander Lloyd Nelson was born in Santa Monica, California to Lloyd and Lydia Nelson on December 1, 1938. Nelson attended high school with Jan Berry and Dean Torrence, who later became recording stars as Jan and Dean, and Kim Fowley. In 1959, Fowley produced Nelson’s first recording, “Geronimo” by the Renegades (a band made up of Nelson, Richard Podolor, Bruce Johnston, and songwriter Nick Venet). Although the single flopped on the national charts, it charted in some of the Mid West markets. The song featured in the 1959 film Ghost of Dragstrip Hollow released by American International Pictures.