mick laBriola

November 17th

Lyrically-gifted veteran guitarist/composer/band leader Jaime Valle has refused to allow his growing success of the last several years slow him down. No mold decorates Valle’s frequent treks from Tutto Mare in UTC on Wednesdays to the U. S. Grant Hotel downtown on Saturdays, to La Jolla’s Lime Leaf Grill on numerous Thursdays or Fridays, as well as an occasional jaunt up to Nieman’s or to the Coyote Bar in Carlsbad (and countless casual gigs all over San Diego county) in between.

Valle also holds forth for Sunday brunches at Sally’s in downtown San Diego and admits that he enjoys the rapartee of playing with bassists such as Chris Conner and Bob Magnusson since both have spent time in the company of musical heavyweights whose influence informs their work and makes the job of creating “duo music” an exercise in versatility.

Versatile is a term that captures Jaime Valle’s professional outlook. He carves out a ferocious weekly schedule, playing Latin jazz and straight-ahead jazz. He books several local clubs. And he writes music for movies and for commercials. “Those are jingles,” he notes, “some people call them that, or worse, but the trick is to make these little tunes rise to the level of listenable songs that hook you.” He chuckles when he says these words. Valle is a musician whose infectious good taste and well- acknowledged sense of humor on stage attract new admirers to his ever-expanding fan base.

“We have had full houses at the Grant Grill pretty much ongoing now for three or four years and these people come to hear my band smoke, see? This is serious business,” he adds. “Saturday night crowds do not want wallpaper music. They want dynamite, nitroglycerine, the musical equivalent of the hydrogen bomb. Our fans in San Diego are the greatest anywhere. They love a good time. My band ‘Equinox’ is there in living color to blast off and let them have it.”

Jaime Valle’s playing exists in living color – as concocted by a manic combination of guitarist Jimmy Raney, comedian Sid Cesar, and choreographer Tito Puente. When Valle gets cranked up, he’s likely to dance across the enclosed stage at the Grant Grill, rooted on by veteran bartenders, Jerry and Bubba, as well as a swirling throng pressing the stage railings with their gyrating salsa steps and vocal enthusiasm. “All in a Saturday night’s job,” he claims. “The energy is there, you can touch it.” Valle pauses, quiet with calm inflection. “The energy is everywhere people are happy, full of life, and just plain hip. Our job as musicians is to play the best music possible and make sure that folks feel it. If we do that, they get their money’s worth. I try to make certain the whole room gets more than they expect. I want to send people into the streets dancing. I want them exhausted by the sheer joy of being with us doing our thing to the max – dig it?” Valle arches his eyebrow and you know you dig precisely what he means.

David Werner Amram III (born November 17, 1930) is an American composer, arranger, and conductor of orchestral, chamber, and choral works, many with jazz flavorings. He plays piano, French horn, Spanish guitar, and pennywhistle, and sings.

Amram was born in Philadelphia, the son of legal scholar Philip Werner Amram. He studied at the Oberlin Conservatory of Music in 1948–1949, and earned a bachelor’s degree in European history from George Washington University in 1952. In 1955 he enrolled at the Manhattan School of Music, where he studied under Dimitri Mitropoulos, Vittorio Giannini, and Gunther Schuller. Under Schuller he studied French horn.

Jack Owens (November 17, 1904 – February 9, 1997) was an American blues singer and guitarist, from Bentonia, Mississippi.

Owens was born L. F. Nelson. His mother was Celia Owens; his father was George Nelson, who abandoned his family when Jack was 5 or 6 years old. After that time, he was raised by the Owens family with his maternal grandfather, the father of eight children, according to the 1910 census, two of whom shared the Nelson name. (This does not account for two more children born after that census.) While very young, Owens learned some chords on the guitar from his father and an uncle. He also learned to play the fife, fiddle, and piano while still a child, but his chosen instrument was the guitar.

Diana Jean Krall OC OBC (born November 16, 1964) is a Canadian jazz pianist and singer known for her contralto vocals. She has sold more than 15 million albums worldwide, including over six million in the US. On December 11, 2009, Billboard magazine named her the second greatest jazz artist of the decade (2000–2009), establishing her as one of the best-selling artists of her time.

Krall is the only jazz singer to have had eight albums debuting at the top of the Billboard Jazz Albums. To date, she has won three Grammy Awards and eight Juno Awards. She has also earned nine gold, three platinum, and seven multi-platinum albums.

Hubert Charles Sumlin (November 16, 1931 – December 4, 2011) was a Chicago blues guitarist and singer, best known for his “wrenched, shattering bursts of notes, sudden cliff-hanger silences and daring rhythmic suspensions” as a member of Howlin’ Wolf‘s band. He was ranked number 43 in Rolling Stone‘s “100 Greatest Guitarists of All Time”.

Sumlin was born in Greenwood, Mississippi, and raised in Hughes, Arkansas. He got his first guitar when he was eight years old. As a boy, he met Howlin’ Wolf by sneaking into a performance.

Wolf relocated from Memphis to Chicago in 1953, but his longtime guitarist Willie Johnson chose not to join him. In Chicago, Wolf hired the guitarist Jody Williams, but in 1954 he invited Sumlin to move to Chicago to play second guitar in his band. Williams left the band in 1955, leaving Sumlin as the primary guitarist, a position he held almost continuously (except for a brief spell playing with Muddy Waters around 1956) for the remainder of Wolf’s career. According to Sumlin, Howlin’ Wolf sent him to a classical guitar instructor at the Chicago Conservatory of Music to learn keyboards and scales. Sumlin played on the album Howlin’ Wolf (called the “rocking chair album”, with reference to its cover illustration), which was named the third greatest guitar album of all time by Mojo magazine in 2004.

Albert Edwin Condon (November 16, 1905 – August 4, 1973) was an American jazz banjoist, guitarist, and bandleader. A leading figure in Chicago jazz, he also played piano and sang.

Condon was born in Goodland, Indiana, the son of John and Margaret (née McGraw) Condon. He grew up in Momence, Illinois, and Chicago Heights, Illinois, where he attended St. Agnes and Bloom High School. After playing ukulele, he switched to banjo and was a professional musician by 1921.

When he was 15 years old, he received his first union card in Waterloo, Iowa.

William Christopher Handy (November 16, 1873 – March 28, 1958) was an American composer and musician who referred to himself as the Father of the Blues. Handy was one of the most influential songwriters in the United States. One of many musicians who played the distinctively American blues music, Handy did not create the blues genre but was the first to publish music in the blues form, thereby taking the blues from a regional music style (Delta blues) with a limited audience to a new level of popularity.

Handy was an educated musician who used elements of folk music in his compositions. He was scrupulous in documenting the sources of his works, which frequently combined stylistic influences from various performers. Handy was born in Florence, Alabama, the son of Elizabeth Brewer and Charles Barnard Handy. His father was the pastor of a small church in Guntersville, a small town in northeast central Alabama. Handy wrote in his 1941 autobiography Father of the Blues that he was born in a log cabin built by his grandfather William Wise Handy, who became an African Methodist Episcopal minister after the Emancipation Proclamation. The log cabin of Handy’s birth has been preserved near downtown Florence.

Clyde Lensley McPhatter (November 15, 1932 – June 13, 1972) was an American rhythm and blues, soul, and rock and roll singer. He was one of the most widely imitated R&B singers of the 1950s and early 1960s and was a key figure in the shaping of doo-wop and R&B.

McPhatter’s high-pitched tenor voice was steeped in the gospel music he sang in much of his early life. He was the lead tenor of the Mount Lebanon Singers, a gospel group he formed as a teenager. He was later the lead tenor of Billy Ward and his Dominoes and was largely responsible for the initial success of the group. After his tenure with the Dominoes, McPhatter formed his own group, the Drifters, and later worked as a solo performer. Only 39 at the time of his death, he struggled for years with alcoholism and depression, and was, according to Jay Warner’s On This Day in Music History, “broke and despondent over a mismanaged career that made him a legend but hardly a success.”

McPhatter left a legacy of over 22 years of recording history. He was the first artist to be inducted twice into the Rock and Roll Hall of Fame, first as a solo artist and later as a member of the Drifters. Subsequent double and triple inductees into the Rock and Roll Hall of Fame are said to be members of the “Clyde McPhatter Club”.

McPhatter was born in the community of Hayti, in Durham, North Carolina on November 15, although the year is disputed. Some sources cite 1932. Author Colin Escott cites 1931, stating, “most biographies quote 1933 or 1934, although government documents cite the earlier year”.

McPhatter returned to the U.S. in 1970, making a few appearances in rock-and-roll revival tours, but lived mostly as a recluse. Hopes for a major comeback with a Decca album were crushed on June 13, 1972, when he died in his sleep at the age of 39, of complications of heart, liver, and kidney disease, brought on by alcohol abuse – behavior fueled by a failed career and resentment he harbored towards the fans he felt deserted him.

Jerome Richardson (November 15, 1920 – June 23, 2000) was an American jazz musician, tenor saxophonist, and flute player, who also played soprano sax, alto sax, baritone sax, clarinet, bass clarinet, alto flute and piccolo. He played with Charles Mingus, Lionel Hampton, Billy Eckstine, The Thad Jones/Mel Lewis Orchestra, Kenny Burrell, and later with Earl Hines‘ small band.

Richardson was born in Oakland, California, and died in Englewood, New Jersey, of heart failure at the age of 79.

https://www.youtube.com/watch?v=63a-fJSukwE&list=PL0q2VleZJVEmN6JjcCmFrSW4IW5JvvEau&index=2