mick laBriola

The mysterious blue reflection nebula found in catalogs as VdB 152 or Ced 201 really is very faint. It lies at the tip of the long dark nebula Barnard 175 in a dusty complex that has also been called Wolf’s Cave. At the center of this deep telescopic view, the cosmic apparitions are nearly 1,400 light-years away along the northern Milky Way in the royal constellation Cepheus. Interstellar dust in the region blocks light from background stars and scatters light from the embedded bright star, giving the end nebula its characteristic blue color. Though stars do form in molecular clouds, this star seems to have only accidentally wandered into the area, as its measured velocity through space is very different from the cloud’s velocity. At the image bottom is the planetary nebula Dengel-Hartl 5, while red glowing gas from an ancient supernova remnant is also visible along the image’s right side.

William Edward “Little Willie” John (November 15, 1937 – May 26, 1968) was an American R&B singer who performed in the 1950s and early 1960s. He is best known for his successes on the record charts, with songs such as “All Around the World” (1955), “Need Your Love So Bad” (1956), “Talk to Me, Talk to Me” (1958), “Leave My Kitten Alone” (1960), “Sleep” (1960), and his number-one R&B hit “Fever” (1956). An important figure in R&B music of the 1950s, he faded into obscurity in the 1960s and died while serving a prison sentence for manslaughter. John was posthumously inducted into the Rock and Roll Hall of Fame in 1996. In 2022, John was inducted into the Blues Hall of Fame.

John was born in Cullendale, Arkansas on November 15, 1937. He was one of ten children born to Lillie (née Robinson) and Mertis John. Many sources erroneously give his middle name as Edgar. His family moved to Detroit, Michigan, when he was four, so that his father could find factory work. In the late 1940s, the eldest children, including Willie, formed a gospel singing group. Willie also performed in talent shows, which brought him to the notice of Johnny Otis and, later, the musician and producer Henry Glover. After seeing him sing with the Paul “Hucklebuck” Williams orchestra, Glover signed him to a recording contract with King Records in 1955. He was nicknamed “Little Willie” for his short stature.

In 1965, he was convicted of manslaughter for the 1964 stabbing of Kendall Roundtree in Seattle. He was sent to Washington State Penitentiary in Walla Walla.John appealed the conviction and was released on probation while the case was reconsidered, during which time he recorded what was intended to be his comeback album. Due to contractual disputes and the decline of his appeal, it was not released until 2008 (as Nineteen Sixty Six). John died at Washington State Penitentiary on May 26, 1968. Despite counterclaims, the cause of death stated on his death certificate was a heart attack. His interment was in Detroit Memorial Park East, in Warren, Michigan.

A small, dense cloud of gas and dust called CB 130-3 blots out the centre of this image from the NASA/ESA Hubble Space Telescope. CB 130-3 is an object known as a dense core, a compact agglomeration of gas and dust. This particular dense core is in the constellation Serpens, and seems to billow across a field of background stars. Dense cores like CB 130-3 are the birthplaces of stars, and as such are of particular interest to astronomers. During the collapse of these cores enough mass can accumulate in one place to reach the temperatures and densities required to ignite hydrogen fusion, marking the birth of a new star. While it may not be obvious from this image, a compact object teetering on the brink of becoming a fully fledged star is embedded deep within CB 130-3. Astronomers used Hubble’s Wide Field Camera 3 to better understand the environment surrounding this fledgling star. As this image shows, the density of CB 130-3 isn’t constant; the outer edges of the cloud consist of only tenuous wisps, whereas at its core CB 130-3 blots out background light entirely. The gas and dust making up CB 130-3 affect not only the brightness but also the colour of background stars, with stars towards the centre the cloud appearing redder than their counterparts at the outskirts of this image. Astronomers used Hubble to measure this reddening effect and chart out the density of CB 130-3, providing insights into the inner structure of this stellar nursery. [Image description: The image shows an irregularly-shaped bright orange object composed of dense gas and dust, which appears darker and more compact at the centre. This dense cloud, called CB 130-3, is outlined by thinner gas and dust in light shades of blue. The background shows a multitude of bright stars against a black background.]

Stanley Dural Jr. (November 14, 1947 – September 24, 2016) better known by his stage name Buckwheat Zydeco, was an American accordionist and zydecomusician. He was one of the few zydeco artists to achieve mainstream success. His music group was formally billed as Buckwheat Zydeco and Ils Sont Partis Band (“Ils Sont Partis” being French for “They have left”), but they often performed as merely Buckwheat Zydeco.

The New York Times said: “Stanley ‘Buckwheat’ Dural leads one of the best bands in America. A down-home and high-powered celebration, meaty and muscular with a fine-tuned sense of dynamics…propulsive rhythms, incendiary performances.” USA Today called him “a zydeco trailblazer.” Buckwheat Zydeco performed with famous musicians such as Eric Clapton (with whom he also recorded), U2 and the Boston Pops. The band performed at the closing ceremonies of the 1996 Summer Olympics to a worldwide audience of three billion people. Buckwheat performed for President Clinton twice, celebrating both of his inaugurations. The band appeared on the Late Show with David Letterman, CNN, The Today Show, MTV, NBC News, CBS Morning News, National Public Radio‘s Mountain Stage, and Late Night with Jimmy Fallon.

Dural was born in Lafayette, Louisiana. He was one of 13 children; he had six brothers and six sisters. As a five-year-old boy, he worked on a farm picking cotton. He acquired his nickname as a youth, because, with his braided hair, he looked like the character Buckwheat from Our Gang/The Little Rascals movies. His father, a farmer, was an accomplished amateur traditional Creole accordion player, but young Dural preferred listening to and playing rhythm and blues.

Aaron Copland  (November 14, 1900 – December 2, 1990 Brooklyn, NY) was an American composer, composition teacher, writer, and later a conductor of his own and other American music. Copland was referred to by his peers and critics as “the Dean of American Composers”. The open, slowly changing harmonies in much of his music are typical of what many people consider to be the sound of American music, evoking the vast American landscape and pioneer spirit. He is best known for the works he wrote in the 1930s and 1940s in a deliberately accessible style often referred to as “populist” and which the composer labeled his “vernacular” style. Works in this vein include the ballets Appalachian Spring, Billy the Kid and Rodeo, his Fanfare for the Common Man and Third Symphony. In addition to his ballets and orchestral works, he produced music in many other genres, including chamber music, vocal works, opera and film scores.

After some initial studies with composer Rubin Goldmark, Copland traveled to Paris, where he first studied with Isidor Philipp and Paul Vidal, then with noted pedagogueNadia Boulanger. He studied three years with Boulanger, whose eclectic approach to music inspired his own broad taste. Determined upon his return to the U.S. to make his way as a full-time composer, Copland gave lecture-recitals, wrote works on commission and did some teaching and writing. However, he found that composing orchestral music in the modernist style, which he had adopted while studying abroad, was a financially contradictory approach, particularly in light of the Great Depression. He shifted in the mid-1930s to a more accessible musical style which mirrored the German idea of Gebrauchsmusik (“music for use”), music that could serve utilitarian and artistic purposes. During the Depression years, he traveled extensively to Europe, Africa, and Mexico, formed an important friendship with Mexican composer Carlos Chávez and began composing his signature works.

During the late 1940s, Copland became aware that Stravinsky and other fellow composers had begun to study Arnold Schoenberg‘s use of twelve-tone (serial) techniques. After he had been exposed to the works of French composer Pierre Boulez, he incorporated serial techniques into his Piano Quartet (1950), Piano Fantasy (1957), Connotations for orchestra (1961) and Inscape for orchestra (1967). Unlike Schoenberg, Copland used his tone rows in much the same fashion as his tonal material—as sources for melodies and harmonies, rather than as complete statements in their own right, except for crucial events from a structural point of view. From the 1960s onward, Copland’s activities turned more from composing to conducting. He became a frequent guest conductor of orchestras in the U.S. and the UK and made a series of recordings of his music, primarily for Columbia Records.

Idris Muhammad (Arabic: إدريس محمد; born Leo Morris; November 13, 1939 – July 29, 2014) was an American jazz drummer and bandleader. He had an extensive career performing jazz, funk, R&B, and soul music and recorded with musicians such as Ahmad Jamal, Lou Donaldson, Pharoah Sanders, Bob James, and Tete Montoliu.