mick laBriola

The sun continues to hide some mysteries about its behavior, many times its dynamics can be unpredictable.
But on the morning of October 1, the sun wanted to show us in a very graphic way that it is a star with many unanswered questions. This huge and beautiful filament in the shape of a question mark clearly demonstrates it.      

Pascal-Emmanuel Sinamoyi Tabu(13 November 1940 – 30 November 2013), better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of Orchestre Afrisa International, as well as one of Africa’s most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as “the Congolese personality who, along with Mobutu, marked Africa’s 20th century history.” He was dubbed “the African Elvis” by the Los Angeles Times. After the fall of the Mobutu regime, Tabu Ley also pursued a political career. His musical career ran parallel to the other great Congolese rhumba bandleader and rival Franco Luambo Makiadi who ran the band TPOK Jazz throughout the 1960s, 1970s and ’80s.

Hampton Barnett Hawes Jr.(November 13, 1928 – May 22, 1977) was an American jazz pianist. He was the author of the memoir Raise Up Off Me, which won the Deems-Taylor Award for music writing in 1975.

Baaba Maal (Fula: , born 13 June 1953) is a Senegalese singer and guitarist born in Podor, on the Senegal River. In addition to acoustic guitar, he also plays percussion. He has released several albums, both for independent and major labels. In July 2003, he was made a UNDP Youth Emissary.

Maal sings primarily in Pulaar and promotes the traditions of the Pulaar-speaking people, who live on either side of the Senegal River in the ancient Senegalese kingdom of Futa Tooro.

Maal was expected to follow in his father’s profession and become a fisherman. However, under the influence of his lifelong friend and family gawlo, blind guitarist Mansour Seck, Maal devoted himself to learning music from his mother and his school’s headmaster. He went on to study music at the university in Dakar before leaving for postgraduate studies on a scholarship at Beaux-Arts in Paris.

Wilbur Dorsey “Buck” Clayton (November 12, 1911 – December 8, 1991) was an American jazz trumpeter who was a member of Count Basie‘s orchestra. His principal influence was Louis Armstrong, first hearing the record “Confessin’ That I Love You” as he passed by a shop window.

Clayton learned to play the piano from the age of six. His father was an amateur musician associated with the family’s local church, who was responsible for teaching his son the scales on a trumpet, which he did not take up until his teens. From the age of 17, Clayton was taught the trumpet by Bob Russell, a member of George E. Lee‘s band. In his early twenties he was based in California, and was briefly a member of Duke Ellington‘s Orchestra and worked with other leaders. Clayton was also taught at this time by trumpeter Mutt Carey, who later emerged as a prominent west-coast revivalist in the 1940s. He also met Louis Armstrongwhile Armstrong was performing at Sebastian’s Cotton Club, who taught him how to glissando on his trumpet. After high school, he moved to Los Angeles. He later formed a band named 14 Gentlemen from Harlem, in which he was the leader of the 14-member orchestra.

Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer.

Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church.^[3] In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards “Del Sasser” and “Unit 7” while working with Adderley. Other compositions include “Blue Funk”, “O.P.”, “Bittersweet”, and “Seven Minds”.

He died of lung cancer in 1981 at the age of 57.

Booker T. Washington “Bukka” White (November 12, 1906  – February 26, 1977) was an American Delta blues guitarist and singer.

White was born south of Houston, Mississippi. He was a first cousin of B.B. King‘s mother (White’s mother and King’s grandmother were sisters). Bukka is a phonetic spelling of White’s first name; he was named after the African-American educator and civil rights activist Booker T. Washington. He played National resonator guitars, typically with a slide, in an open tuning. He was one of the few, along with Skip James, to use a crossnote tuning in E minor, which he may have learned, as James did, from Henry Stuckey. He also played piano, but less adeptly.

Kahil El’Zabar (born Clifton Blackburn; November 11, 1953) is an American jazz multi-instrumentalist (mainly a percussionist) and composer. He regularly records for Delmark Records.

El’Zabar was born in Chicago, Illinois. He attended Lake Forest College and joined the Association for the Advancement of Creative Musicians (AACM) in the early 1970s, and became its chairman in 1975. During the 1970s, he formed the musical groups Ritual Trio and the Ethnic Heritage Ensemble, both of which remain active. Musicians with whom Kahil EL’Zabar has collaborated include Dizzy Gillespie, Stevie Wonder, Nina Simone, Cannonball Adderley, Paul Simon, Pharoah Sanders, and Billy Bang.

In 2017 the film “Be Known – The Mystery of Kahil El Zabar” by filmmaker Dwayne Johnson-Cochran was released. The documentary follows El’ Zabar and band on their 2007 Black History Month tour. The film has been available on Amazon Prime.

Delores LaVern Baker (November 11, 1929 – March 10, 1997) was an American R&B singer who had several hit records on the pop chart in the 1950s and early 1960s. Her most successful records were “Tweedle Dee” (1955), “Jim Dandy” (1956), and “I Cried a Tear” (1958).

Baker was born Delores Evans in Chicago. She was raised in Calumet City, Illinois. Under her mother’s new surname, McMurley, Delores – on December 23, 1948, at age nineteen, in Cook County, Illinois – married Eugene Williams.

Ernestine Anderson (November 11, 1928 – March 10, 2016) was an American jazz and blues singer. In a career spanning more than six decades, she recorded over 30 albums. She was nominated four times for a Grammy Award. She sang at Carnegie Hall, the Kennedy Center, the Monterey Jazz Festival (six times over a 33-year span), as well as at jazz festivals all over the world. In the early 1990s she joined Qwest Records, the label founded by fellow Garfield High School graduate Quincy Jones.

Ernestine Irene Anderson (and her twin sister Josephine) were born in Houston, Texas, on November 11, 1928. Her mother, Erma, was a housewife, and her father, Joseph, a construction worker who sang bass in a gospel quartet. By the age of three, Anderson showed a talent for singing along with her parents’ old blues 78 rpm records by the likes of Bessie “The Empress of the Blues” Smith. Anderson started singing at a local church, singing solos in its gospel choir.