mick laBriola

November 1st 1955

Seven-time Grammy-nominated percussionist, US Artists Fontanals Fellow, and 2013-2014 SFJAZZ Resident Artistic Director, John Santos, is one of the foremost exponents of Afro-Latin music in the world today.

Born in San Francisco, California, November 1, 1955, he was raised in the Puerto Rican and Cape Verdean traditions of his family, surrounded by music. The fertile musical environment of the San Francisco Bay Area shaped his career in a unique way.

His studies of Afro-Latin music have included several trips to New York, Puerto Rico, Cuba, Brazil and Colombia. He is known for his innovative use of traditional forms and instruments in combination with contemporary music, and has earned much respect and recognition as a prolific performer, composer, teacher, writer, radio programmer, and record/event producer whose career has spanned five decades. John has performed and/or recorded with acknowledged, multi-generational masters such as Cachao, Dizzy Gillespie, Tito Puente, Bebo Valdés, Max Roach, Eddie Palmieri, Patato Valdés, Lázaro Ros, Bobby Hutcherson, Manny Oquendo, Chucho Valdes, Paquito D’Rivera, Buenavista Social Club, Chocolate Armenteros, John Handy, Billy Cobham, Zakir Hussain, Hermeto Pascoal, George Cables, Generoso Jimenez, Joe Henderson, Ernesto Oviedo, Regina Carter, Chester Thompson, Francisco Aguabella, John Faddis, Ed Thigpen, Giovanni Hidalgo, Steve Turre, McCoy Tyner, Batacumbele, Poncho Sanchez, Omar Sosa, Mel Martin, Ignacio Berroa, Danilo Perez, Los Pleneros de la 21, Jose Luis “Changuito” Quintana, Armando Peraza, Pancho Quinto, Tootie Heath, Art Farmer, Pupy Pedroso, Jacqueline Castellanos, Malonga Casquelord, CK Ladzekpo, Pancho Terry, Juan De Dios Ramos, Carlos Aldama, Yosvany Terry, Dafnis Prieto, Oscar Castro Neves, Mark Murphy, Orkestra Rumpilezz, Larry Coryell, Lázaro Galarraga, Regino Jimenez, Luis Daniel “Chichito” Cepeda, Modesto Cepeda, Guillermo “Negro” Triana, Lázaro Rizo, Raul “Lali” Gonzalez, Amado DeDeus, Pedrito Martinez, Jose Lugo, Jerry Medina, Orestes Vilató, Kamau Daaood, Johnny Rodriguez, Sonny Bravo, Arturo Sandoval, Nestor Torres, Anthony Carrillo, Paoli Mejías, Raul Rekow, Andy Gonzalez, Jerry Gonzalez, Jovino Santos Neto, Lalo Schifrin, Gema y Pavel, Pete Escovedo, Claudia Gómez, Maria Márquez, Jon Jang, Wayne Wallace, Mark Levine, Elio Villafranca, Bruce Forman, Linda Tillery, Charlie Hunter, Joyce Cooling, Bobby Matos, Mark Weinstein, Roberto Borrell, Sandy Perez, Jesus Diaz, Roman Diaz, Pablo Menendez y Mezcla, Yma Sumac, Rhiannon, Larry Vukovich, Kenny Washington, Faye Carol, Kellye Gray, Destani Wolf, Kimiko Joy, Kenny Endo, Abhijit Banerjee, Erik Jekabson, and Carlos Santana, among others. John was the director of the Orquesta Tipica Cienfuegos (1976-1980) and the award-winning Orquesta Batachanga (1981-1985). He was founder and director of the internationally renowned, Grammy-nominated Machete Ensemble (1985-2006), with whom he released nine CDs with special guests from Puerto Rico, Cuba, NY, Los Angeles, and San Francisco, mostly on John’s Machete Records label that was founded in 1984 and continues today.

Richard Roman Grechko (1 November 1946 – 17 March 1990), better known as Ric Grech, was a British rock musician. He is best known for playing bass guitar and violin with the rock band Family as well as in the supergroups Blind Faith and Traffic. He also played with ex-Cream drummer Ginger Baker.

He was born in Bordeaux, France. He was educated at Corpus Christi RC School, Leicester, after attending Sacred Heart Primary School. He played violin in the school orchestra. Grech died on 17 March 1990, aged 43, of liver failure as a result of alcoholism.

Sippie Wallace (born Beulah Belle Thomas, November 1, 1898 – November 1, 1986 Jefferson County, AK) was an American blues singer, pianist and songwriter. Her early career in tent shows gained her the billing “The Texas Nightingale”. Between 1923 and 1927, she recorded over 40 songs for Okeh Records, many written by her or her brothers, George and Hersal Thomas. Her accompanists included Louis Armstrong, Johnny Dodds, Sidney Bechet, King Oliver, and Clarence Williams. Among the top female blues vocalists of her era, Wallace ranked with Ma Rainey, Ida Cox, Alberta Hunter, and Bessie Smith.

In the 1930s, she left show business to become a church organist, singer, and choir director in Detroit and performed secular music only sporadically until the 1960s, when she resumed her performing career. Wallace was nominated for a Grammy Award in 1982 and was inducted into the Michigan Women’s Hall of Fame in 1993.

Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970 Denison, TX) was an American tenor saxophoneplayer. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus. After stays in Denver and Pittsburgh, Ervin moved to New York City in spring 1958, initially working a day job and playing jam sessions at night. Ervin then worked with Charles Mingus regularly from late 1958 to 1960, rejoining various outfits led by the bassist at various times up to autumn 1964, when he departed for Europe. During the mid-1960s, Ervin led his own quartet, recording for Prestige Records with, among others, ex-Mingus associate pianist Jaki Byard, along with bassist Richard Davis and Alan Dawson on drums.

Jean-Baptiste Illinois Jacquet (October 30, 1922 – July 22, 2004 Broussard, LA) was an American jazz tenor saxophonist, best remembered for his solo on “Flying Home“, critically recognized as the first R&Bsaxophone solo. He is also known as one of the writers of the jazz standard “Don’cha Go ‘Way Mad.”

Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument.

Julia Lee (October 31, 1902 – December 8, 1958 Boonville, MO) was an American blues and dirty blues musician.Her most commercially successful number was the US Billboard R&B chart topping hit “(Opportunity Knocks But Once) Snatch and Grab It” in 1947. She is best known for her trademark double entendre songs.

Grace Slick (born Grace Barnett Wing; October 30, 1939 Highland Park, Ill) is an American retired musician and painter whose musical career spanned four decades. She was a prominent figure in San Francisco‘s psychedelicmusic scene during the mid-1960s to the early 1970s.

Initially performing with the Great Society, Slick achieved fame as the lead singer and frontwoman of Jefferson Airplane and the subsequent spinoff bands Jefferson Starship and Starship. Slick and Jefferson Airplane achieved significant success and popularity with their 1967 studio album Surrealistic Pillow, which included the top-ten US Billboard hits “White Rabbit” and “Somebody to Love“.

With Starship, she sang co-lead for two number-one hits, “We Built This City” and “Nothing’s Gonna Stop Us Now“. She has released four studio albums as an independent artist. Slick retired from music in 1990, but continues to be active in visual arts. In 1996, Slick was inducted into the Rock and Roll Hall of Fameas a member of Jefferson Airplane.

Trilok Gurtu (born 30 October 1951) is an Indian percussionist and composer whose work has blended the music of India with jazz fusion and world music.

He has worked with Terje Rypdal, Gary Moore, John McLaughlin, Jan Garbarek, Joe Zawinul, Michel Bisceglia, Bill Laswell, Maria João & Mário Laginha, Stefano Bollani and Robert Miles.

Poncho Sánchez (born Ildefonso Sanchez, October 30, 1951 Loredo, TX) is an American conguero(conga player), Latin jazz band leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album Latin Soul. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power.

In 1975, Sanchez’s idol, vibraphonist Cal Tjader, invited him to perform a set with his band. Seeing the young man’s talent, Tjader hired Sanchez for a week before officially making him a full member of the ensemble. Sanchez played a crucial role as conguero for several years until Tjader’s death in 1982.

Before he died, Tjader suggested that Concord Records founder Carl Jefferson sign Sanchez and his soon-to-be-formed group under the Concord Picante label. Tjader’s wishes were honored, and the first two records were composed and arranged by long-time Tjader collaborator Clare Fischer. Sanchez went on to produce 19 albums for the label, eventually garnering a Grammy for his work.

AllMusic described Sanchez as “among the most influential percussionists in jazz.” He has been performing frequently in venues varying in size from concert halls to local jazz festivals. His 2005 CD, Do It!, features the funk band Tower of Power on two tracks, as well as South African trumpeter Hugh Masekela.

Clifford Benjamin Brown (October 30, 1930 – June 26, 1956 Wilmington, DE) was an American jazz trumpeter, pianist and composer. He died at the age of 25 in a car crash,leaving behind four years’ worth of recordings. His compositions “Sandu”, “Joy Spring”, and “Daahoud” have become jazz standards. Brown won the DownBeat magazine Critics’ Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.

One of the most notable developments during Brown’s period in New York was the formation of Art Blakey‘s Quintet, which would become the Jazz Messengers. Blakey formed the band with Brown, Lou Donaldson, Horace Silver, and Curley Russell, and recorded the quintet’s first album live at the Birdlandjazz club. During one of the rehearsal sessions, fellow trumpeter Miles Davis listened and joked about Clifford Brown’s technical ability to play the trumpet. The live recording session ultimately spanned two days with multiple takes needed on only a couple of the tunes.

A week at Club Harlem in May 1952 featured alto saxophonist Charlie Parker and Brown. Brown later noted that Parker was impressed by his playing, saying privately to the young trumpeter “I don’t believe it.”

Just before the formation of the Clifford Brown/Max Roach Quintet, journalist Nat Hentoff and Brown interviewed for a DownBeat article titled “Clifford Brown – the New Dizzy”.