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Robert Dennis Crumb (/krʌm/; born August 30, 1943) is an American cartoonist who often signs his work R. Crumb. His work displays a nostalgia for American folk cultureof the late 19th and early 20th centuries, and satire of contemporary American culture.

Crumb contributed to many of the seminal works of the underground comix movement in the 1960s, including being a founder of the first successful underground comix publication, Zap Comix, contributing to all 16 issues. He was additionally contributing to the East Village Other and many other publications, including a variety of one-off and anthology comics. During this time, inspired by psychedelics and cartoons from the 1920s and 1930s, he introduced a wide variety of characters that became extremely popular, including countercultural icons Fritz the Cat and Mr. Natural, and the images from his Keep On Truckin’ strip. Sexual themes abounded in all these projects, often shading into scatological and pornographic comics. In the mid-1970s, he contributed to the Arcade anthology; following the decline of the underground, he moved towards biographical and autobiographical subjects while refining his drawing style, a heavily crosshatched pen-and-ink style inspired by late 19th- and early 20th-century cartooning. Much of his work appeared in a magazine he founded, Weirdo (1981–1993), which was one of the most prominent publications of the alternative comics era. As his career progressed, his comic work became more autobiographical.

In 1991 Crumb was inducted into the comic book industry’s Will Eisner Comic Book Hall of Fame, and in 1994 the Terry Zwigoff film Crumb explored his artistic career and personal life. He was married to cartoonist Aline Kominsky-Crumb, with whom he frequently collaborated. Their daughter Sophie Crumb has also followed a cartooning career.

“Rondeña” belong to Malaga’s singing group. “Rondeña” existed before flamenco, joining it in the 19th century. Its origin is in “fandango” from Malaga, more specifically in ” bandolás”. Some authors suggest that this name comes from the nightly rounds. Other authors believe that it comes from the city of Ronda, as “rodeña” was originated in the homonymous mountains. “Rondeña” has greatly extended through Andalusia during the 19th century. “Rondeña” singing has evolved in recent times with with a decrease in melismatic ornamentation. Its composition ad libitum (without “compas”). Lyrics are related to countryside life. Its structure is a couplet of four eight-syllable verses, usually consonant rhyme. They normally turn into five by repetition of the second one, but also without repetition. Dance displays a rhythm of wild abandon. Others have used the rhythm of the “taranto“, which has many similarities but, being rondeña, more open and evocative.

Bennie Maupin (born August 29, 1940) is an American jazz multireedist who performs on various saxophones, flute, and bass clarinet.

Maupin was born in Detroit, Michigan, United States. He is known for his participation in Herbie Hancock‘s Mwandishi sextet and Headhunters band, and for performing on Miles Davis‘s seminal fusion record, Bitches Brew. Maupin has collaborated with Horace Silver, Roy Haynes, Woody Shaw, Lee Morgan and many others. He is noted for having a harmonically-advanced, “out” improvisation style, while having a different sense of melodic direction than other “out” jazz musicians such as Eric Dolphy.

Maupin was a member of Almanac, a group with Cecil McBee (bass), Mike Nock (piano) and Eddie Marshall (drums).

Dinah Washington ( born Ruth Lee Jones; August 29, 1924 – December 14, 1963 Tuscaloosa, Al) was an American singer and pianist, one of the most popular black female recording artists of the 1950s. Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of “Queen of the Blues”. She was also known as “Queen of the Jukeboxes”. She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.

Early in the morning of December 14, 1963, Washington’s last husband, football player Dick “Night Train” Lane, went to sleep with Washington and awoke later to find her slumped over and not responsive. Dr. B.C. Ross pronounced her dead at the scene at age 39. An autopsy later showed a lethal combination of secobarbital and amobarbital, prescriptions for her insomnia and diet, which contributed to her death. She is buried in the Burr Oak Cemetery in Alsip, Illinois.

Charles Parker Jr. (August 29, 1920 – March 12, 1955 Kansas City, KS), nicknamed “Bird” or “Yardbird“, was an American jazz saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Parker was primarily a player of the alto saxophone.

Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer.

Bhekizizwe Joseph Shabalala (28 August 1940 – 11 February 2020) was a South African singer and musician who was the founder and musical director of the choral group Ladysmith Black Mambazo.

Bhekizizwe Joseph Shabalala was born in the town of Ladysmith (eMnambithi district) in the KwaZulu-Natal region of South Africa. His parents, Jonathan Mluwane Shabalala and Nomandla Elina Shabalala, raised Joseph and his six siblings on a white-owned farm called Tugela. His father died in the late 1940s; Joseph, being the eldest, had to take care of the family. He left the farm, however, in 1958 to search for work in the nearby city of Durban.

Joseph Osborn (August 28, 1937 – December 14, 2018) was an American bass guitar player known for his work as a session musician in Los Angeles with the Wrecking Crew and in Nashville with the A-Team of studio musicians during the 1960s through the 1980.

Osborn began his career working in local clubs, then played on a hit record by singer Dale Hawkins. He moved to Las Vegas at age 20, and spent a year playing backup for country singer Bob Luman. With legendary guitar player Roy Buchanan among his bandmates, Osborn switched from guitar to electric bass. In 1960, with Allen “Puddler” Harris, a native of Franklin Parish, also in northeastern Louisiana, and James Burton, originally from Webster Parish, Osborn joined pop star Ricky Nelson‘s backup band, where he spent four years. His playing on such Nelson hits as “Travelin’ Man” began attracting wider notice, and he found opportunities to branch out into studio work with artists such as Johnny Rivers.

Kenneth Sidney “Kenny” Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist.

Drew was born on August 28, 1928, in New York City, United States, and he received piano lessons from the age of five. He attended the High School of Music & Art in Manhattan. His first recording, in 1950, was with Howard McGhee, and over the next two years Drew worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others.

Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was an Indian classical sitarplayer, considered by many to be the greatest sitarist of his age. Along with Imdad Khan, Enayat Khan, and Imrat Khan, he is credited with the creation and development of gayaki ang (a technique that emulates the vocal melisma of Hindustani classical music) on the sitar.

He recorded his first 78-RPM disc at the age of and gave his last concert in 2004 at the age of 75. He has composed the music for several films, including Jalsaghar (1958), The Guru (1969), and Kadambari (1976). He had given a chance to newcomer Kavita Krishnamurthy in Kadambari which was the first song in her career.