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Stephen Valentine Patrick William Allen (December 26, 1921 – October 30, 2000) was an American television personality, radio personality, musician, composer, actor, comedian, and writer. In 1954, he achieved national fame as the co-creator and first host of The Tonight Show, which was the first late-night television talk show.
Though he got his start in radio, Allen is best known for his extensive network television career. He gained national attention as a guest host on Arthur Godfrey’s Talent Scouts. After he hosted The Tonight Show, he went on to host numerous game and variety shows, including his own The Steve Allen Show, I’ve Got a Secret, and The New Steve Allen Show. He was a regular panel member on CBS’s What’s My Line? and, from 1977 until 1981, he wrote, produced, and hosted the award-winning public broadcasting show Meeting of Minds, a series of historical dramas presented in a talk format.
Allen was a pianist and a prolific composer. By his own estimate, he wrote more than 8,500 songs, some of which were recorded by numerous leading singers. Working as a lyricist, Allen won the 1964 Grammy Award for Best Original Jazz Composition, for “Gravy Waltz,” for which he wrote the lyrics. He also wrote more than 50 books, including novels, children’s books, and books of opinions, including his final book, Vulgarians at the Gate: Trash TV and Raunch Radio (2001).
In 1996, Allen was presented with the Martin Gardner Lifetime Achievement Award from the Committee for Skeptical Inquiry (CSICOP). He has two stars on the Hollywood Walk of Fame and a Hollywood theater named in his honor.
more...William Fredrick Bean (December 26, 1933 – February 6, 2012) was an American jazz guitarist from Philadelphia.
Bean was born into a musical family in Philadelphia. His mother played the piano. His father was an amateur singer and guitarist, and his sister was a professional singer. He started on guitar at the age of twelve.
His father taught him some of the basics on guitar before he received lessons from Howard Herbert. Then he studied for about one year with Dennis Sandole. During the late 1940s and 1950s, he performed at venues in the Philadelphia area. In the mid-1950s, he moved to New York City and recorded with Charlie Ventura and Red Callender, and in 1958 he moved to Los Angeles to record for Decca. In Los Angeles, he worked with Buddy Collette, Paul Horn, John Pisano, Bud Shank, Milt Bernhart, Les Elgart, Herb Geller, Lorraine Geller, Calvin Jackson, and Zoot Sims.
more...Comet C/2022 E3 (ZTF) was discovered by astronomers using the wide-field survey camera at the Zwicky Transient Facility this year in early March. Since then the new long-period comet has brightened substantially and is now sweeping across the northern constellation Corona Borealis in predawn skies. It’s still too dim to see without a telescope though. But this fine telescopic image from December 19 does show the comet’s brighter greenish coma, short broad dust tail, and long faint ion tail stretching across a 2.5 degree wide field-of-view. On a voyage through the inner Solar System comet 2022 E3 will be at perihelion, its closest to the Sun, in the new year on January 12 and at perigee, its closest to our fair planet, on February 1. The brightness of comets is notoriously unpredictable, but by then C/2022 E3 (ZTF) could become only just visible to the eye in dark night skies.
more...David Noel Redding (25 December 1945 – 11 May 2003) was an English rock musician, best known as the bass player for the Jimi Hendrix Experience and guitarist/singer for Fat Mattress.
Following his departure from the Experience in 1969 and the dissolution of Fat Mattress in 1970, Redding formed the short-lived group Road in the United States, which released the self-titled album Road before he re-located to Clonakilty, Ireland, in 1972. There he formed the Noel Redding Band with former Thin Lizzy guitarist Eric Bell, with whom he released two albums. Although by the 1980s Redding had largely removed himself from the music business, he would later perform around his new hometown with wife Carol Appleby.
He was inducted into the Rock and Roll Hall of Fame in 1992 as a member of the Jimi Hendrix Experience.
more...Don Gabriel Pullen (December 25, 1941 – April 22, 1995) was an American jazz pianist and organist. Pullen developed a strikingly individual style throughout his career. He composed pieces ranging from blues to bebop and modern jazz. The great variety of his body of work makes it difficult to pigeonhole his musical style.
Pullen was and raised in Roanoke, Virginia, United States. Growing up in a musical family, he learned the piano at an early age. A graduate of Lucy Addison High School, Pullen played in the school’s band. He played with the choir in his local church and was heavily influenced by his cousin, Clyde “Fats” Wright, who was a professional jazz pianist. He took some lessons in classical piano and knew little of jazz. At this time, he was mainly aware of church music and the blues.
more...Robert McElhiney James (born December 25, 1939) is an American jazz keyboardist, arranger, and record producer. He founded the band Fourplay and wrote “Angela”, the theme song for the TV show Taxi.[2] According to VICE (magazine), music from his first seven albums has often been sampled and believed to have contributed to the formation of hip hop. Among his most well known recordings are “Nautilus”, “Westchester Lady”, “Tappan Zee”, and his version of “Take Me to The Mardi Gras”.
more...Cabell Calloway III (December 25, 1907 – November 18, 1994) was an American singer, songwriter, bandleader, conductor and dancer. He was associated with the Cotton Club in Harlem, where he was a regular performer and became a popular vocalist of the swing era. His niche of mixing jazz and vaudeville won him acclaim during a career that spanned over 65 years.
Calloway was a master of energetic scat singing and led one of the most popular dance bands in the United States from the early 1930s to the late 1940s. His band included trumpeters Dizzy Gillespie, Jonah Jones, and Adolphus “Doc” Cheatham, saxophonists Ben Webster and Leon “Chu” Berry, guitarist Danny Barker, bassist Milt Hinton, and drummer Cozy Cole.
Calloway had several hit records in the 1930s and 1940s, becoming known as the “Hi-de-ho” man of jazz for his most famous song, “Minnie the Moocher“, originally recorded in 1931. He reached the Billboard charts in five consecutive decades (1930s–1970s). Calloway also made several stage, film, and television appearances until his death in 1994 at the age of 86. He had roles in Stormy Weather (1943), Porgy and Bess (1953), The Cincinnati Kid (1965), and Hello Dolly! (1967). His career saw renewed interest when he appeared in the 1980 film The Blues Brothers.
Calloway was the first African-American musician to sell a million records from a single and to have a nationally syndicated radio show. In 1993, Calloway received the National Medal of Arts from the United States Congress. He posthumously received the Grammy Lifetime Achievement Award in 2008. His song “Minnie the Moocher” was inducted into the Grammy Hall of Fame in 1999, and added to the Library of Congress‘ National Recording Registry in 2019. Three years later in 2022, the National Film Registry selected his home films for preservation as “culturally, historically or aesthetically significant films”. He is also inducted into the Big Band and Jazz Hall of Fame and the International Jazz Hall of Fame.
more...Great Emission Nebula IC 1805 or Heart Nebula. The nebula glows in red light highlighted by hydrogen. In the center of the Heart Nebula are the young stars of the open star cluster called Melotte 15 that erode several pillars of dust and clouds that with their light and wind sculpt these fantastic structures where there are a great variety of massive stars.
Located about 7,500 light years away and in the constellation Cassiopeia. In the image you can also see the Fisheye Nebula.
David Louis Bartholomew (December 24, 1918 – June 23, 2019) was an American musician, bandleader, composer, arranger, and record producer. He was prominent in the music of New Orleans throughout the second half of the 20th century. Originally a trumpeter, he was active in many musical genres, including rhythm and blues, big band, swing music, rock and roll, New Orleans jazz, and Dixieland. In his induction into the Rock and Roll Hall of Fame, he was cited as a key figure in the transition from jump blues and swing to R&B and as “one of the Crescent City’s greatest musicians and a true pioneer in the rock and roll revolution”.
Many musicians have recorded Bartholomew’s songs, but his partnership with Fats Domino produced some of his greatest successes. In the mid-1950s they wrote more than forty hits for Imperial Records, including the Billboard number one pop chart hit “Ain’t That a Shame“. Bartholomew’s other hit songs as a composer include “I Hear You Knocking“, “Blue Monday“, “I’m Walkin’“, “My Ding-a-Ling“, and “One Night“. He was a member of the Songwriters Hall of Fame, the Rock and Roll Hall of Fame, and the Louisiana Music Hall of Fame.
more...Woody Herman Shaw Jr. (December 24, 1944 – May 10, 1989) was an American jazz trumpeter, flugelhornist, cornetist, composer, arranger, band leader, and educator. Shaw is widely known as one of the most important and influential jazz trumpeters and composers of the twentieth century. He is often credited with revolutionizing the technical and harmonic language of modern jazz trumpet playing, and to this day is regarded by many as one of the major innovators of the instrument. He was an acclaimed virtuoso, mentor, and spokesperson for jazz and worked and recorded alongside many of the leading musicians of his time. In 1963, after many local professional jobs, Shaw worked for Willie Bobo (with Chick Corea and Joe Farrell), and performed and recorded as a sideman with Eric Dolphy, with whom he made his recorded debut, Iron Man. Dolphy, who was living in Paris, unexpectedly died in June 1964. Shaw was nonetheless invited to Paris to join Dolphy’s colleague, Nathan Davis, and the two men found steady work all over Europe. While living in Paris, they frequented the club Le Chat Qui Peche, and Shaw crossed paths with musicians such as Bud Powell, Kenny Clarke, Johnny Griffin, Dexter Gordon, Art Taylor, other lesser known musicians such as John Bodwin, and French musicians like Jean-Louis Chautemps, Rene Urtreger, Jacques Thollot and Jef Gilson. After some time, Shaw demanded that two of his contemporaries, organist Larry Young and drummer Billy Brooks, be relocated to Paris. The four young musicians – Davis, Shaw, Young, and Brooks – continued living and performing in France, intermittently touring cities in Europe, including Berlin, Germany.
more...Raphael Homer “Ray” Bryant (December 24, 1931 – June 2, 2011) was an American jazz pianist, composer, and arranger. After three years working on and off in Collins’s band, Bryant toured with guitarist Tiny Grimes (1948–49). He was then a solo pianist based in Syracuse, New York for a year. After returning to Philadelphia, he played Dixieland in Billy Kretchmer’s club for around two years. He attracted more attention after becoming house pianist at the Blue Note club in Philadelphia in 1953. He was there until 1956, accompanying many leading players such as Lester Young, Charlie Parker, Miles Davis, and Sonny Stitt. Davis and Sonny Rollins both liked Bryant’s playing enough to record with him in New York in 1955: on Quintet/Sextet and Work Time, respectively.
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Irving Lee Dorsey (December 24, 1924 – December 1, 1986) was an American pop and R&B singer during the 1960s. His biggest hits were “Ya Ya” (1961) and “Working in the Coal Mine” (1966). Much of his work was produced by Allen Toussaint, with instrumental backing provided by the Meters. Born in New Orleans, Louisiana, Dorsey was a childhood friend of Fats Domino. He moved to Portland, Oregon when he was ten years old. He served in the United States Navy in World War II and began a career in prizefighting. Boxing as a featherweight in Portland in the early 1950s, he fought under the name Kid Chocolate and was not successful, fighting only one time and being knocked out in the second round. He returned to New Orleans in 1955, where he opened an auto repair business as well as singing in clubs at night.
His first recording was “Rock Pretty Baby/Lonely Evening” on Cosimo Mattasa’s Rex label, in 1958. This was followed by “Lottie Mo/Lover of Love”, for the small Valiant label in late 1960 (picked up by ABC Paramount in 1961). These efforts were unsuccessful, but around 1960 he was discovered by A&R man Marshall Sehorn, who secured him a contract with Fury Records, owned by Bobby Robinson. After meeting songwriter and record producer Allen Toussaint at a party, he recorded “Ya Ya“, a song inspired by a group of children chanting nursery rhymes. It went to number seven on the Billboard Hot 100 in 1961, sold over one million copies, and was awarded a gold disc. Although the follow-up “Do-Re-Mi” also made the charts, later releases on Fury were not successful. Dorsey returned to running his repair business, but also released singles on the Smash and Constellation labels in 1963 and 1964.
more...Warren “Baby” Dodds (December 24, 1898 – February 14, 1959) was an American jazz drummer born in New Orleans, Louisiana, United States. He is regarded as one of the best jazz drummers of the pre-big band era, and one of the most important early jazz drummers. He varied his drum patterns with accents and flourishes, and he generally kept the beat with the bass drum while playing buzz rolls on the snare. Some of his early influences included Louis Cottrell, Sr., Harry Zeno, Henry Martin, and Tubby Hall. Dodds was among the first drummers to be recorded improvising while performing. Dodds gained a reputation as a top young drummer in New Orleans. In 1918, Dodds left Sonny Celestin’s group to play in Fate Marable‘s riverboat band. A teenaged Louis Armstrong also joined the band, and the two of them were on the boats together. The band played on four different boats, and usually left New Orleans in May and travel to St. Louis, though they also sometimes traveled further north. They played jazz, popular, and classical music while on the boats. Dodds and Armstrong left Fate Marable’s band in 1921 due to a disagreement about musical style, and Dodds soon joined King Oliver’s Creole Jazz Band. At this time, the personnel in Oliver’s band were Joe “King” Oliver on cornet, Baby Dodds’ brother Johnny Dodds on clarinet, Davey Jones on alto saxophone, Honoré Dutrey on trombone, Lil Hardin on piano, Jimmy Palao on violin, and Eddie Garland on bass fiddle. They moved to California in 1921 to work with Oliver there, and they played together for about fifteen months. In 1922, the band, excepting Garland, Palao, and Jones, followed Oliver to Chicago, which would be his base of operations for several years. They began playing at the Lincoln Gardens, and Louis Armstrong also joined this outfit. Dodds describes playing with this band as “a beautiful experience”. King Oliver’s Creole Jazz Band broke up in 1924 due to disagreements about travel and musical style; the argument became so heated that the Dodds brothers threatened to beat up Oliver. Dodds recorded with Louis Armstrong, Jelly Roll Morton, Art Hodes, and his brother Johnny Dodds. Dodds played in Louis Armstrong’s Hot Five and Hot Seven groups. In May 1927, Armstrong recorded with the Hot Seven, which consisted of Johnny Dodds, Johnny St. Cyr, Lil Hardin Armstrong, John Thomas, Pete Briggs, and Baby Dodds. From September to December 1927, the Hot Five Armstrong assembled consisted of Johnny Dodds, Kid Ory, Johnny St. Cyr, Lonnie Johnson, and Baby Dodds.
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