mick laBriola

Edmond “Doc” Souchon (October 25, 1897, New Orleans – August 24, 1968, New Orleans) was an American jazz guitarist and writer on music. He was a pivotal figure in the historical preservation of New Orleans jazz in the middle of the 20th century.

Souchon received schooling to become a physician in Chicago, though he was playing regularly in groups such as the Six and Seven Eighths Band in the 1910s. He helped oversee a reconstitution of this band in 1945 as a four-piece, and made many recordings of early string band tunes through the early 1960s. Alongside this, Souchon recorded with many noted New Orleans jazz mainstays, such as Johnny Wiggs, Sherwood Mangiapane, Papa Jack Laine, Raymond Burke, and Paul Barbarin.

Souchon was involved early on in the management of the New Orleans Jazz Club, and served as president of the organization early in its existence. He had his own radio program on WWL, and edited the journal Second Line from 1951 until his death in 1968. Aside from his contributions to jazz journals such as Jazz and Jazz Report, Souchon compiled a photo book with Al Rose entitled New Orleans Jazz: A Family Album, first published in 1967 and subsequently revised in 1978 and 1984.

He helped establish the National Jazz Foundation in 1942, as well as the New Orleans Jazz Museum about a decade later. His record collection, which included some 2,000 recordings of New Orleans jazz, was bequeathed to the New Orleans Public Library, and many other music-related materials he collected are now in the possession of the William Ransom Hogan Jazz Archive at Tulane University.

James Edward Heath (October 25, 1926 – January 19, 2020 Philadelphia, PA), nicknamed Little Bird, was an American jazz saxophonist, composer, arranger, and big band leader. He was the brother of bassist Percy Heath and drummer Albert Heath.

From late 1945 through most of 1946, he performed with the Nat Towles band. In 1946, he formed his own band, which was a fixture on the Philadelphia jazz scene until 1949. The band included John Coltrane, Benny Golson, Specs Wright, Cal Massey, Johnny Coles, Ray Bryant, and Nelson Boyd. Charlie Parker and Max Roachsat in on one occasion. The band performed at venues such as the Apollo Theaterin Harlem. Although Heath recalls that the band recorded a few demos on acetate, it never released any recordings, and its arrangements were lost at a Chicago train station. The band dissolved in 1949 so that Heath could join Dizzy Gillespie’s band.

Heath was arrested and convicted twice for the sale of heroin; he was an acknowledged addict. The first time, in the spring of 1954, he was sent to the Federal Medical Center, Lexington, Kentucky, where many musicians and celebrities (and other people) were given treatment. After release, In early 1955, still an addict, he was arrested again, and served most of a six-year prison sentence in Lewisburg. He went cold turkey, and was able to spend a lot of his time engaged in music. While in prison he actually composed most of the Chet Baker and Art Pepper album Playboys (1956). He was released early, on May 21, 1959, and remained clean for the rest of his life; conditions of probation made it difficult, but he managed to start rebuilding his career.

Eddie Lang (born Salvatore Massaro; October 25, 1902 – March 26, 1933) was an American musician who is credited as the father of jazz guitar. During the 1920s, he gave the guitar a prominence it previously lacked as a solo instrument, as part of a band or orchestra, and as accompaniment for vocalists. He recorded duets with guitarists Lonnie Johnson and Carl Kress and jazz violinist Joe Venuti, and played rhythm guitar in the Paul Whiteman Orchestra and was the favoured accompanist of Bing Crosby. Lang suffered from occasional laryngitis, chronic sore throat, and digestion problems. After a doctor recommended a tonsillectomy, Crosby urged Lang to have the operation. Assured that the operation was routine, Lang entered Park West Hospital in Manhattan, but he never awoke from the surgery. He died at the age of thirty in 1933.

Georges Bizet (Alexandre César Léopold Bizet; 25 October 1838 – 3 June 1875) was a French composer of the Romantic era. Best known for his operas in a career cut short by his early death, Bizet achieved few successes before his final work, Carmen, which has become one of the most popular and frequently performed works in the entire opera repertoire.

During a brilliant student career at the Conservatoire de Paris, Bizet won many prizes, including the prestigious Prix de Rome in 1857. He was recognised as an outstanding pianist, though he chose not to capitalise on this skill and rarely performed in public. Returning to Paris after almost three years in Italy, he found that the main Parisian opera theatres preferred the established classical repertoire to the works of newcomers. His keyboard and orchestral compositions were likewise largely ignored; as a result, his career stalled, and he earned his living mainly by arranging and transcribing the music of others. Restless for success, he began many theatrical projects during the 1860s, most of which were abandoned. Neither of his two operas that reached the stage in this time—Les pêcheurs de perles and La jolie fille de Perth—were immediately successful.

After the Franco-Prussian War of 1870–1871, during which Bizet served in the National Guard, he had little success with his one-act opera Djamileh, though an orchestral suite derived from his incidental music to Alphonse Daudet‘s play L’Arlésienne was instantly popular. The production of his final opera, Carmen, was delayed because of fears that its themes of betrayal and murder would offend audiences. After its premiere on 3 March 1875, Bizet was convinced that the work was a failure; he died of a heart attack three months later, unaware that it would prove a spectacular and enduring success.

Bizet’s marriage to Geneviève Halévy was intermittently happy and produced one son. After his death, his work, apart from Carmen, was generally neglected. Manuscripts were given away or lost, and published versions of his works were frequently revised and adapted by other hands. He founded no school and had no obvious disciples or successors. After years of neglect, his works began to be performed more frequently in the 20th century. Later commentators have acclaimed him as a composer of brilliance and originality whose premature death was a significant loss to French musical theatre. 1 June, he was afflicted by high fever and pain, which was followed by an apparent heart attack. He seemed temporarily to recover, but in the early hours of 3 June, his wedding anniversary, he suffered a fatal second attack.He was 36 years old.

William George Wyman (Perks; born 24 October 1936) is an English musician who was the bass guitarist with the rock band the Rolling Stones from 1962 to 1993. Wyman was part of the band’s first stable lineup and performed on their first 19 albums. Since 1997, he has performed as the vocalist and bass guitarist for Bill Wyman’s Rhythm Kings. He was inducted to the Rock and Roll Hall of Fame as a member of the Rolling Stones in 1989. Wyman briefly returned to recording with the Rolling Stones in 2023.

James Henry “Jimmy” Dawkins (October 24, 1936 – April 10, 2013 Tchula, MS) was an American Chicago blues and electric blues guitarist and singer. He is generally considered to have been a practitioner of the “West Side sound” of Chicago blues.

Willie James Mabon (October 24, 1925 – April 19, 1985 Hollywood, TN)  was an American R&B singer, songwriter, pianist, and harmonica player. He had two number one hits on the Billboard R&B chart, “I Don’t Know” in 1952 and “I’m Mad” in 1953.

Saunders Terrell (October 24, 1911 – March 11, 1986 Greensboro, GA), known as Sonny Terry, was an American Piedmont blues and folk musician, who was known for his energetic blues harmonica style, which frequently included vocal whoops and hollers and occasionally imitations of trains and fox hunts.

Terry was born in Greensboro, Georgia. His father, a farmer, taught him to play basic blues harp as a youth. He sustained injuries to his eyes and went blind by the time he was 16, which prevented him from doing farm work, and was forced to play music in order to earn a living. Terry played “Camptown Races” to the plow horses which improved the efficiency of farming in the area. He began playing blues in Shelby, North Carolina. After his father died, he began playing with Piedmont blues–style guitarist Blind Boy Fuller. When Fuller died in 1941, Terry established a long-standing musical relationship with Brownie McGhee, and they recorded numerous songs together. The duo became well known among white audiences during the folk music revival of the 1950s and 1960s, including for collaborations with Styve Homnick, Woody Guthrie and Moses Asch, producing classic recordings for Folkways Records (now Smithsonian/Folkways).

I saw the comet in Two Harbors Sunday night! Wow! The tails of Comet Tsuchinshan-ATLAS were a sight to behold. Pictured, C/2023 A3 (Tsuchinshan–ATLAS) was captured near peak impressiveness last week over the Eastern Sierra Mountains in California, USA. The comet not only showed a bright tail, but a distinct anti-tail pointing in nearly the opposite direction. The globular star cluster M5 can be seen on the right, far in the distance. As it approached, it was unclear if this crumbling iceberg would disintegrate completely as it warmed in the bright sunlight. In reality, the comet survived to become brighter than any star in the night (magnitude -4.9), but unfortunately was then so nearly in front of the Sun that it was hard for many casual observers to locate. Whether Comet Tsuchinshan-Atlas becomes known as the Great Comet of 2024 now depends, in part, on how impressive incoming comet C/2024 S1 (ATLAS) becomes over the next two weeks.

Eleanor Louise Greenwich (October 23, 1940 – August 26, 2009) was an American pop music singer, songwriter, and record producer. She wrote or co-wrote “Da Doo Ron Ron“, “Be My Baby“, “Maybe I Know“, “Then He Kissed Me“, “Do Wah Diddy Diddy“, “Christmas (Baby Please Come Home)“, “Hanky Panky“, “Chapel of Love“, “Leader of the Pack“, and “River Deep – Mountain High“, among others.

Ernest James Watts (born October 23, 1945 Norfolk, Va) is a Grammy-winning American jazz and R&B saxophonistwho plays soprano, alto, and tenor saxophone. He has worked with Charlie Haden‘s Quartet West and toured with the Rolling Stones. On Frank Zappa‘s album The Grand Wazoo he played the “Mystery Horn”, a straight-necked C melody saxophone. Watts also played the notable sax riff on “The One You Love” from Glenn Frey‘s album No Fun Aloud.

Frank Hewitt (October 23, 1935 – September 5, 2002) was an American hard bop jazz pianist.

Born in Queens, New York, Hewitt lived most of his life in Harlem. His mother was a church pianist, and he initially studied classical and gospel music, but switched to jazz after hearing a Charlie Parker record. He took the bop pianists Thelonious Monk, Bud Powell and Elmo Hope as his role models. In the 1950s and 1960s, he worked with Howard McGhee, Cecil Payne, John Coltrane, Dinah Washington and Billie Holiday, among others; in 1961, he also participated in the Living Theater‘s production of Jack Gelber‘s The Connection. He became a regular figure in the circle of the pianist Barry Harris. In the 1990s, Hewitt became a central figure at New York’s Smalls Jazz Club; aside from playing there several nights a week, he sometimes also ended up using the walk-in refrigerator as a place to bunk when times were rough.

During his lifetime only one track of Hewitt’s playing was released, a version of the Kenny Dorham tune “Prince Albert” on the compilation Jazz Underground: Live at Smalls (Impulse, 1998). After Hewitt’s death, however, recordings made by Luke Kaven began to surface on Kaven’s Smalls Records label: the trio discs We Loved You, Not Afraid to Live, Fresh from the Cooler, and Out of the Clear Black Sky, and the quintet date Four Hundred Saturdays. His reputation as a neglected jazz master has steadily grown among fans of bebop piano.

William “Sonny” Criss (23 October 1927 – 19 November 1977) was an American jazz musician. An alto saxophonist of prominence during the bebop era of jazz, he was one of many players influenced by Charlie Parker. William Mansfield Turner, known to the world as Sonny Criss, was born in Memphis, Tennessee, United States, and moved to Los Angeles at the age of 15. He then went on to play in various bands including Howard McGhee‘s, which also featured Charlie Parker, Sonny’s idol.

However, Criss was much more than just a Charlie Parker clone. He developed his own sound, drenched in the blues, as his ability on the instrument continued to develop. Nevertheless, he continued to drift from band to band, and played on some records with Johnny Otis and Billy Eckstine.

His first major break came in 1947, on a number of jam sessions arranged by jazz impresario Norman Granz. In 1956 he signed to Imperial Records, based in New York, and recorded a series albums including Jazz U.S.A , Go Man! and Sonny Criss Plays Cole Porter featuring pianist Sonny Clark. Capitol, which owned the master recordings, reissued them as a double-CD set on their Blue Note imprint in 2000. Criss also recorded At the Crossroads with pianist Wynton Kelly. In 1977, Criss was preparing to tour Japan but developed stomach cancer. As a consequence of this painful condition, Criss committed suicide (self-inflicted gunshot) in 1977, in his adopted city of Los Angeles. He never married, but had one son, Steven Criss.