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The largest photomosaic ever assembled from Hubble Space Telescope image data is a panoramic view of our neighboring spiral Andromeda Galaxy. With 600 overlapping frames assembled from observations made from July 2010 to December 2022, the full Hubble Andromeda Galaxy mosaic spans almost six full moons across planet Earth’s sky. A cropped version shown above is nearly two full moons across and partially covers Andromeda’s core and inner spiral arms. Also known as M31, the Andromeda Galaxy is 2.5 million light-years away. That makes it the closest large spiral galaxy to our own Milky Way. Our perspective on the spiral Milky Way is anchored to the view from thelocation of the Sun, a star found within the Milky Way’s galactic disk. But Hubble’s magnificent Andromeda mosaic offers an expansive view of a large spiral galaxy from the outside looking in. Hubble’s comprehensive, detailed data setextending across the Andromeda Galaxy will allow astronomers to make an unprecedented holistic exploration of the mysteries of spiral galaxy structure and evolution.
Edward Haydn Higgins (February 21, 1932 – August 31, 2009) was an American jazz pianist, composer, and orchestrator. His performance and composition in 1959’s “Cry of Jazz” is preserved in the Library of Congress’ National Film Registry. Born and raised in Cambridge, Massachusetts, United States, Higgins initially studied privately with his mother. He started his professional career in Chicago, Illinois, while studying at the Northwestern University School of Music and earned a spot in fellow Northwestern alumnus Paul Severson‘s band in 1956 before leading his own band in 1957.
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Joseph Allen Farnsworth (born February 21, 1968, in Holyoke, Massachusetts) is an American jazz drummer.
Farnsworth was one of five sons born to trumpeter and bandleader Roger Farnsworth; one of the brothers played saxophone in Ray Charles‘s band. He attended High School in Jakarta International School in Jakarta, Indonesia. He studied at William Paterson College, studying under Harold Mabern and Arthur Taylor and receiving his BMus in 1990. Following this he played with Junior Cook (1991), Jon Hendricks (1991), Jon Faddis (1992), George Coleman, Cecil Payne(1993 and subsequently), Annie Ross, and Benny Green (1995). He has played in the group One for All since 1995 with David Hazeltine and Jim Rotondi, and worked with Benny Golson, Steve Davis, and Eric Alexander in the second half of the 1990s. During that period he also played with Alex Graham (1995), Michael Weiss (1996, 1998), the Three Baritone Saxophone Band (1997), and Diana Krall (1999). He was a member of Pharoah Sanders‘ band.
more...Tadley Ewing Peake Dameron (February 21, 1917 – March 8, 1965) was an American jazz composer, arranger, and pianist. Born in Cleveland, Ohio, Dameron was the most influential arranger of the bebop era, but also wrote charts for swing and hard bop players. The bands he arranged for included those of Count Basie, Artie Shaw, Jimmie Lunceford, Dizzy Gillespie, Billy Eckstine, and Sarah Vaughan. In 1940–41, Dameron was the piano player and arranger for the Kansas City band Harlan Leonard and his Rockets. He and lyricist Carl Sigman wrote “If You Could See Me Now” for Sarah Vaughan and it became one of her first signature songs. According to the composer, his greatest influences were George Gershwin and Duke Ellington.
more...Nina Simone born Eunice Kathleen Waymon; February 21, 1933 – April 21, 2003) was an American singer, songwriter, pianist, composer, arranger, and civil rights activist. Her music spanned styles including classical, folk, gospel, blues, jazz, R&B, and pop. Her piano playing was strongly influenced by baroque and classical music, especially Johann Sebastian Bach, and accompanied expressive, jazz-like singing in her contralto voice.
The sixth of eight children born into a poor family in North Carolina, Simone initially aspired to be a concert pianist. With the help of a few supporters in her hometown, she enrolled in the Juilliard School of Music in New York City. She then applied for a scholarship to study at the Curtis Institute of Music in Philadelphia, where, despite a well received audition, she was denied admission, which she attributed to racism. In 2003, just days before her death, the institute awarded her an honorary degree.
Early in her career, to make a living, Simone played piano at a nightclub in Atlantic City. She changed her name to “Nina Simone” to disguise herself from family members, having chosen to play “the devil’s music” or so-called “cocktail piano”. She was told in the nightclub that she would have to sing to her own accompaniment, which effectively launched her career as a jazz vocalist. She went on to record more than 40 albums between 1958 and 1974, making her debut with Little Girl Blue. She released her first and biggest hit single in the United States in 1959 with “I Loves You, Porgy“, which peaked inside the top 20 of the Billboard Hot 100 chart. Simone also became known for her work in the civil rights movement during the 1950s and 1960s, and she later fled the United States and settled in France following the assassination of her friend Martin Luther King Jr. in 1968. She lived and performed in Europe, Africa, and the Caribbeanthroughout the 1970s, 1980s, and 1990s. In 1991, Simone published her autobiography, I Put a Spell on You (taking the title from her famous 1965 album), and she continued to perform and attract audiences until her death.
more...Andrés Segovia Torres, 1st Marquis of Salobreña (21 February 1893 – 2 June 1987), was a Spanish virtuoso classical guitarist. Many professional classical guitarists were either students of Segovia or students of Segovia’s students. Segovia’s contribution to the modern-romantic repertoire included not only commissions but also his own transcriptions of classical or baroque works. He is remembered for his expressive performances: his wide palette of tone, and his distinctive musical personality, phrasing and style.
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Charles Kynard (20 February 1933 – 8 July 1979) was an American soul jazz/acid jazz organistborn in St. Louis, Missouri.
Kynard first played piano then switched to organ and led a trio in Kansas City including Tex Johnson (flute, sax) and Leroy Anderson (drums). In 1963, he settled to Los Angeles and his band featured guitarists Cal Green and Ray Crawford, drummer Johnny Kirkwood.
more...Frank Isola (February 20, 1925 – December 12, 2004 in Detroit, Michigan) was an American jazz drummer.
Isola was born and raised in Detroit and was heavily influenced by Gene Krupa. He played in the U.S. military during World War II (1943–45), and then studied and performed in California with Bobby Sherwood and Earle Spencer. He then moved to New York City, where he played with Johnny Bothwell and Elliot Lawrence in 1947. Following this he played with Stan Getz (1951–53) and Gerry Mulligan (1953–54), as well as with Mose Allison, Eddie Bert, Bob Brookmeyer, Jimmy Raney, Johnny Williams and Tony Fruscella.
more...Buffy Sainte-Marie (born Beverley Jean Santamaria; February 20, 1941 Stoneham, MA) is an American singer-songwriter, musician, and social activist.
Sainte-Marie’s singing and writing repertoire includes subjects of love, war, religion, and mysticism, and her work has often focused on issues facing Indigenous peoples of the United States and Canada. She has won recognition, awards, and honors for her music as well as her work in education and social activism. In 1983, her co-written song “Up Where We Belong“, for the film An Officer and a Gentleman, won the Academy Award for Best Original Song at the 55th Academy Awards. The song also won the Golden Globe Award for Best Original Song that same year.
Since the early 1960s, Sainte-Marie claimed Indigenous Canadian ancestry, but a 2023 investigation by CBC News concluded she was born in the United States and is of Italian and English descent. Some Indigenous musicians and organizations have since called for awards she won while falsely claiming an Indigenous identity to be rescinded, including her induction to the Canadian Music Hall of Fame. She subsequently had her Order of Canada, Canada’s highest award bestowed to a civilian, revoked in 2025 as a result.
more...Enormous elliptical galaxy Messier 87 is about 50 million light-years away. Also known as NGC 4486, the giant galaxy holds trillions of stars compared to the mere billions of stars in our large spiral Milky Way. M87 reigns as the large central elliptical galaxy in the Virgo galaxy cluster. An energetic jet from the giant galaxy’s core is seen to stretch outward for about 5,000 light-years in this sharp optical and near-infrared view from the Hubble Space Telescope. In fact, the cosmic blow torch is seen across the electromagnetic spectrum from gamma-rays to radio wavelengths. Its ultimate power source is M87’s central, supermassive black hole. An image of this monster in the middle of M87 has been captured by planet Earth’s Event Horizon Telescope.
John Warren Geils Jr. (February 20, 1946 – April 11, 2017), known professionally as J. Geils or Jay Geils, was an American guitarist. He was known as the leader of the J. Geils Band.
Growing up in New York City, Geils became interested in jazz and blues. After moving to Massachusetts for his college education, he formed the J. Geils Blues Band while still a student at Worcester Polytechnic Institute. After dropping the word “Blues” from their name, the band released their first album in 1970, performing souland rhythm and blues-influenced rock music for most of the 1970s before turning to pop music in the 1980s. After the band broke up in 1985, Geils left regular performing to take up restoration and racing of automobiles, with occasional forays into music production. He continued to appear in reunion tours with the rest of his band sporadically during the 2000s and 2010s.
more...James Edward Yancey (February 20, c. 1895 – September 17, 1951 Chicago) was an American boogie-woogie pianist, composer, and lyricist. One reviewer described him as “one of the pioneers of this raucous, rapid-fire, eight-to-the-bar piano style”.
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Leroy Jones (born February 20, 1958) is a jazztrumpeter. Born in New Orleans, Louisiana, Jones began playing trumpet at the age of ten, and by the time he was 12 was leading the Fairview Baptist Church Marching Band, a group of young musicians organized by jazz guitarist and banjo player Danny Barker. When the musicians’ union forced Barker to disband the group in 1974, Jones became a union musician and took over the running of the group, renamed the Hurricane Brass Band, himself. In 1975 or 1976, he left the group, touring for a time with Eddie Vinson and Della Reese before forming his own group, the Leroy Jones Quintet. In 1991, Jones joined the big band of Harry Connick, Jr., and the exposure with Connick’s band (including the opportunity for the Leroy Jones Quintet to open for Connick, which they did in 1994), led to Jones’ releasing his first album under his own name; Mo’ Cream From The Crop came out on the Columbia label in 1994. The Leroy Jones Quintet continues to tour and record, and since 2004 Jones has also appeared with the Preservation Hall Jazz Band and Dr. John.
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