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Cosmo 30 Doradus

February 2, 2025

A Tarantula web appear as a chaotic mass of silk and a similar region exists in space with a Tarantula like shape in the middle of it all! However, the web is spun to give birth rather than to end life as in the case of our Earth resident Theraphosidae. Several million young stars reside in a region of frenzied star birth known as 30 Doradus. Located 170,000 light-years away in the heart of the Tarantula Nebula, 30 Doradus is part of the Large Magellanic Cloud, a small, satellite galaxy of our Milky Way. It is the brightest star-forming region visible in a neighbouring galaxy, and it is home to the most massive stars ever seen….

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Alphonso Johnson

February 2, 2025

Alphonso Johnson (born February 2, 1951 Philadelphia) is an American jazz bassist active since the early 1970s. Johnson was a member of the jazz fusion group Weather Report from 1973 to 1975, and has performed and recorded with numerous high-profile rock and jazz acts including Santana, Phil Collins, members of the Grateful Dead, Steve Kimock, and Chet Baker.

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Graham Nash

February 2, 2025

Graham William Nash OBE (born 2 February 1942) is an English-Americanmusician, singer and songwriter. He is known for his light tenor voice and for his contributions as a member of the Hollies and Crosby, Stills & Nash.

Nash is a photography collector, a published photographer, and digital image printing pioneer. He was inducted into the Rock and Roll Hall of Fame as a member of Crosby, Stills & Nash in 1997 and as a member of the Hollies in 2010. He was appointed an Officer of the Order of the British Empire (OBE) in the 2010 Birthday Honours List for services to music and to charity.

Nash holds four honorary doctorates, including one from the New York Institute of Technology, one in music from the University of Salford in 2011 and one in fine arts from Lesley University in Cambridge, Massachusetts.

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Stan Getz

February 2, 2025

Stan Getz (born Stanley Gayetski; February 2, 1927 – June 6, 1991 Philadelphia) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as “The Sound” because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman‘s big band, Getz is described by critic Scott Yanow as “one of the all-time great tenor saxophonists”. Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single “The Girl from Ipanema“.

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Sonny Stitt

February 2, 2025

Sonny Stitt (born Edward Hammond Boatner Jr.; February 2, 1924 – July 22, 1982 Boston) was an American jazz saxophonist of the bebop/hard bop idiom. Known for his warm tone, he was one of the best-documented saxophonists of his generation, recording more than 100 albums. He was nicknamed the “Lone Wolf” by jazz critic Dan Morgenstern because of his tendency to rarely work with the same musicians for long despite his relentless touring and devotion to the craft. Stitt was sometimes viewed as a Charlie Parker mimic, especially earlier in his career, but gradually came to develop his own sound and style, particularly when performing on tenor saxophone and even occasionally baritone saxophone.

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World Music Al Andaluz Project

February 2, 2025

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Daily Roots Observer All Stars

February 2, 2025

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War Feed Me

February 1, 2025

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Greensboro Sit In 65th Anniversary

February 1, 2025
Greensboro Sit In 65th Anniversary
On Feb. 1, 1960, four African-American North Carolina A&T University students, Ezell Blair Jr. (now Jibreel Khazan), David Richmond, Franklin McCain, and Joseph McNeil, began a sit-in protest at a Woolworth’s whites-only lunch counter in Greensboro, North Carolina, where they had been refused service.
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Cosmo IC 405

February 1, 2025

IC 405 (also known as the Flaming Star Nebula, SH 2-229, or Caldwell 31) is an emission and reflection nebula in the constellation Auriga north of the celestial equator, surrounding the bluish, irregular variable star AE Aurigae. It shines at magnitude +6.0. Its celestial coordinates are RA 05h 16.2m dec +34° 28′. It is located near the emission nebula IC 410, the open clusters M38 and M36, and the K-class star Iota Aurigae.

The nebula measures approximately 37.0′ x 19.0′, and lies about 1,500 light-years away from Earth. It is believed that the proper motion of the central star can be traced back to the Orion’s Belt area. The nebula is about 5 light-years across.

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Langston Hughes

February 1, 2025

James Mercer Langston Hughes (February 1, 1901 – May 22, 1967) was an American poet, social activist, novelist, playwright, and columnist from Joplin, Missouri. One of the earliest innovators of the literary form called jazz poetry, Hughes is best known as a leader of the Harlem Renaissance.

Growing up in the Midwest, Hughes became a prolific writer at an early age. He moved to New York City as a young man, where he made his career. He studied at Columbia University in New York City. Although he dropped out, he gained notice from New York publishers, first in The Crisis magazine and then from book publishers, and became known in the creative community in Harlem. His first poetry collection, The Weary Blues, was published in 1926. Hughes eventually graduated from Lincoln University.

In addition to poetry, Hughes wrote plays and published short story collections, novels, and several nonfiction works. From 1942 to 1962, as the civil rights movement gained traction, Hughes wrote an in-depth weekly opinion column in a leading black newspaper, The Chicago Defender.

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Joe Sample

February 1, 2025

Joseph Leslie Sample (February 1, 1939 – September 12, 2014) was an American jazz keyboardist and composer. He was one of the founding members of The Jazz Crusaders in 1960, after which its name was shortened to “The Crusaders” in 1971. He remained a part of the group until its final album in 1991, and also the 2003 reunion album Rural Renewal.

Beginning in the late 1960s, he saw a successful solo career and guested on several recordings by other acts, including Miles Davis, George Benson, Jimmy Witherspoon, Michael Franks, B. B. King, Eric Clapton, Steely Dan, Joni Mitchell, Anita Baker, and the Supremes. Sample incorporated gospel, blues, jazz, latin, and classical forms into his music.

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Joshua Redman

February 1, 2025

Joshua Redman (born February 1, 1969) is an American jazz saxophonist and composer. He is the son of jazz saxophonist Dewey Redman (1931–2006). In addition to his own projects, Redman has recorded and performed with musicians including Joey Alexander, Brian Blade, Ray Brown, Dave Brubeck, Chick Corea, The Dave Matthews Band, Jack DeJohnette, Bill Frisell, Aaron Goldberg, Larry Goldings, Charlie Haden, Herbie Hancock, Roy Hargrove, Roy Haynes, Billie Higgins, Milt Jackson, Elvin Jones, Quincy Jones, Big Daddy Kane, Geoff Keezer, B.B. King, The Lincoln Center Jazz Orchestra, Letieres Leite & Orkestra Rumpilezz, DJ Logic, Joe Lovano, Yo Yo Ma, Branford Marsalis, Christian McBride, John Medeski, Brad Mehldau, Pat Metheny, Marcus Miller, Paul Motian, Meshell Ndegeocello, Leon Parker, Nicholas Payton, John Psathas, Simon Rattle, Dewey Redman, Dianne Reeves, Melvin Rhyne, The Rolling Stones, The Roots, Kurt Rosenwinkel, John Scofield, Soulive, String Cheese Incident, Clark Terry, Toots Thielemans, The Trondheim Jazz Orchestra, Mark Turner, McCoy Tyner, Umphrey’s McGee, US3, Bugge Wesseltoft, Cedar Walton, Stevie Wonder and Sam Yahel.

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Sadao Watanabe

February 1, 2025

Sadao Watanabe (渡辺 貞夫, Watanabe Sadao, born 1 February 1933) is a Japanese jazz musician who plays alto saxophone and sopranino saxophone. He is known for his bossa nova recordings, although his work encompasses many styles, with collaborations from musicians all over the world.

In 1969, Watanabe began working part time as a radio broadcaster, promoting jazz across Japan. From 1972, his programme My Dear Life ran for 20 years. He continued to perform internationally, including performances at Montreux Jazz Festival and Newport Jazz Festival. In 1970, he released his album Round Trip, featuring Chick Corea, Jack DeJohnette, and Miroslav Vitouš. Watanabe continued performing and recording throughout the 1970s and 1980s, amassing a catalogue of more than 70 albums as leader.

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Dennis Brown

February 1, 2025

Dennis Emmanuel Brown CD (1 February 1957 – 1 July 1999) was a Jamaicanreggae singer. During his prolific career, which began in the late 1960s when he was aged eleven, he recorded more than 75 albums and was one of the major stars of lovers rock, a subgenre of reggae. Bob Marley cited Brown as his favourite singer, dubbing him “The Crown Prince of Reggae”, and Brown would prove influential on future generations of reggae singers.

After returning to Kingston, Jamaica, on the evening of 30 June 1999, he was rushed to Kingston’s University Hospital, suffering from cardiac arrest. Brown died the next day, the official cause of his death was a collapsed lung.

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World Music Anoushka Shankar

February 1, 2025

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Daily Roots Sly & The Revolutionaries

February 1, 2025

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Marianne Faithfull Memorial

January 31, 2025

Singer and actress Marianne Faithfull has died at the age of 78, her spokesperson has said. (29 December 1946 – 30 January 2025)

Born in Hampstead in December 1946, she was known for hits like As Tears Go By, which reached the UK top 10 in 1964, and for starring roles in films including 1968’s The Girl On A Motorcycle.

She was also famously the girlfriend of Rolling Stones frontman Mick Jagger in the 1960s, inspiring songs such as Wild Horses and You Can’t Always Get What You Want. After a period of heroin addiction in the 70s, she resurrected her career with the classic album Broken English.

Paying tribute, Jagger described Faithfull as “a wonderful friend, a beautiful singer and a great actress,” saying he was “so saddened”.

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Cliff Alexis Memorial

January 31, 2025
Tribute to Cliff Alexis
Cliff passed away on 1-29-19
He was a friend of mine and had tuned my old second double tenor set of pans. I met him when he played with Shangoya in the 80’s. A wonderful musician and steel pan maker and tuner. He had taught at St Paul Central HS and formed the Compas Steel Drum Band. He is father of local musician Brian Alexis.
Clifford Alexis has come to represent quality and innovation for steelpan builders, tuners, educators, performers, and aficionados. He is known the world over as a steelpan builder/tuner of the highest echelon, a skilled performer, a creative composer and arranger, and one with a natural ability to teach and inspire students from all walks of life.
Born on January 15, 1937 in Trinidad, Alexis was tragically orphaned at a young age and raised by relatives. While attending Catholic school, Alexis was magnetically attracted to the steelbands in his east Port of Spain neighborhood. By age eight Alexis was a regular in the panyards and hid the fact from his family that he was sneaking into Hill 60’s panyard. Trinidadian steelbands of this time period were ensconced in pseudo gang warfare, and it was considered “risky business” to even be associated with anyone from the art form. Nonetheless, these panmen were innovating daily, and in order to learn, Alexis recalls, “I had to hang out with some pretty shady characters, but they had skills.”
As a teenager, Alexis moved to the west side of Port of Spain and joined the Hit Paraders steelband located a stone’s throw from Invaders’ legendary panyard. Alexis remembers being chased out of Invaders panyard by Ellie Mannette saying, “All you Hit Paraders doh come here no more…all you does do is take the tune and carry it down Ana Street.”
From Hit Paraders, Alexis moved to the Tripoli steelband and then to what he refers to as his “real education” with Invaders steelband and its many pioneering panmen. According to Alexis, “In Invaders I was standing next to people like Errol Zephyrine and Emmanuel ‘Cobo Jack’ Riley, who was the first real improviser on pan.”
Despite never having a single formal music lesson of any kind, by the early1950s the youthful, self-taught Alexis started earning a reputation as a great player and arranger. He began arranging for various steelbands the likes of Stereophonics and Joyland Synco who, like Tripoli steelband, recruited him after hearing him play with Invaders. “Everyone wanted to emulate what Invaders were doing,” Alexis explains, “so scouts would come to Invaders panyard looking for arrangers.”
The 1960s saw Alexis’s professional career blossom in Trinidad and abroad. In 1964 he was selected to join the National Steelband Orchestra of Trinidad and Tobago, which gave Alexis his first taste of foreign travel to the United States, South America, Europe, Africa, and greater Caribbean. Alexis was enthralled with the United States and, like many Trinidadians during this time, decided to move there and try to make a living as a professional musician. In 1965 he moved to New York City and began playing and arranging for the BWIA Sunjets steelband. In 1967 Alexis joined the Tripoli steelband in Montreal for the Expo ’67 World’s Fair and performed with the flamboyant pianist Liberace. Alexis had impressed Liberace’s agent during Expo ’67, and shortly thereafter he formed the Cliff Alexis Trinidad Troubadours. The agent booked tours throughout the western United States which lasted until 1972.
Prior to 1972 Alexis had yet to build a steelpan, tune a steelpan, or teach a student. In 1972 Alexis moved to Minneapolis in order to join his family and settle down after five years of constant touring. An opportunity presented itself when someone asked Alexis if he could teach steelpan to inner city kids at St. Paul Central High School. Despite his lack of any formal music education, the faculty auditioned Alexis by observing him work with the students. A natural teacher, Alexis charmed everyone with his ability to relate to even the toughest of disadvantaged students. He understood their background, their talent, and never doubted their ability to create music. During his tenure at St. Paul, Alexis built a thriving steelband program and received many awards including the prestigious Minnesota Outstanding Black Musician award in 1983 and 1984. Several of these St. Paul graduates (such as the pop group Mint Condition) went on to become professional musicians as a direct result of Alexis’s caring nature.
Alexis faced a major equipment hurdle, however, and this unique situation was a blessing. At the time he was hired the school had no steelpans, so Alexis called upon Patrick Arnold—his longtime musician friend and tuner—to assist. “Patrick came to Minnesota while I was there,” Alexis recalls. “Basically he and I worked together. This is where I got my first building and tuning experiences.”
The realities of the situation were clear, and Arnold convinced Alexis that if he wanted drums, he should learn to make them himself. Taking his friend’s advice, Alexis did just that and learned the labor of love with every perfectionist stroke that has made him one of the leading pan makers of the world today.
“One does not become a pan maker overnight,” Alexis recalls. “I threw away a lot of instruments that others might consider to be playable. If you think you can learn this art form quickly, you will surely go crazy. You learn from each drum you make, and just when you think you have it down to a science and get cocky about it, a piece of metal will put you in your place.”
This healthy attitude is what makes Alexis’s drums so special. As a player first, he knew exactly what sound he wanted to get from a steelpan, and his abilities and dedication as a craftsman helped him realize the desired sound.
Others were listening, too. Around 1973, Chief Cal Stewart of the U.S. Navy Steel Band heard the quality of Alexis’s steelpans, hired him to tune for the band, and purchased an entire set of instruments. As fate would have it, another important figure in the steelband world, G. Allan O’Connor from Northern Illinois University (NIU) happened to hear the U.S. Navy Steel Band and approached the members inquiring who had tuned their instruments. Their reply: “Clifford Alexis from St. Paul, Minnesota.” By this time, Alexis’s reputation as a steelpan builder and tuner was widely known across the United States and the Caribbean, and when O’Connor finally tracked down Alexis several years later, the two men formed an instant friendship. For the next few years the pair drove steelpans back and forth, or met halfway between St. Paul and Chicago.
In 1985, the robust steelband program at NIU was at a crossroads, and O’Connor decided to put an offer on the table for Alexis: Take a one-year leave of absence from St. Paul and see if you like teaching steelpan at NIU. Alexis accepted, and the rest is history.
Al O’Connor is a visionary entrepreneur in world music, and through his leadership Northern Illinois University was the first in the world to offer steelband as a course for credit in 1973. By the early 1980s, O’Connor had created a steelband course separate from the traditional percussion ensemble—all this at a time when many percussion programs thought steelband had no place in the college music curriculum. O’Connor also had the ear of the university and a vision for the importance of having a fulltime steelpan builder/tuner (Alexis) employed at NIU. He worked with the university hierarchy in creating a position for Alexis and made the dream a reality. During fall semester 1985, Cliff Alexis became the first permanently employed steelband technician in the United States with the title Instrument Repair Technician I.
Once at NIU, Alexis—in addition to building and tuning instruments—taught the NIU Steel Band authentic Trinidadian-style arrangements, worked rehearsals, composed new tunes for the band, and mentored countless steelpan students.
Alexis’s presence at NIU transcended the music department and caught the attention of people across the entire campus, including physics professor Dr. Thomas Rossing. Alexis’s ability to understand and explain the nuances of the steelpan acoustics greatly impressed Rossing, who was fascinated by the physics of acoustical sound generated by steelpans. With the help of Alexis’s keen ear and inquisitive mind, Rossing had an expert tour guide, and the pair conducted groundbreaking research into the science of steelpans, authoring many papers and presenting many lectures on the metallurgy and acoustical quality of steel pans.
Alexis was also a driving force in fostering a relationship with Lester Trilla, arguably the most important patron of steelband in the United States. Trilla is the former owner of a major steel drum manufacturer in Chicago and was charmed by the gregarious Alexis. At the invitation of Alexis, Trilla attended an NIU Steel Band concert in the late 1990s and became totally amazed at the transformation of the barrels into musical instruments. Together, Alexis and Trilla developed new steel drum technology whereby both ends of the drum could be used instead of just the bottom of the barrel. More importantly, Trilla became a lifelong supporter of steelband at NIU and endowed a scholarship fund that has paid in excess of $600,000 for students (mostly from the Caribbean) to study steelpan. Recipients of the Lester Trilla scholarship include Liam Teague (currently Associate Professor of Steelpan at NIU) and many others.
Alexis is no stranger to PAS, and he arranged the tunes as well as played a key role in coordinating (along with Robert Chappell) the first mass steelband concert at PASIC ’87 in St. Louis. Alexis also appeared as a soloist and arranger at PASIC ’94 in Atlanta for a concert in honor of the accomplishments of himself and Ellie Mannette toward the advancement of steelpan in the United States.
A brief highlight of Alexis’s contribution to the field of steelpan and percussion begins with the ever-increasing list of colleges and universities around the world for which he has built or tuned instruments. For the past 40 years, Alexis has been featured as a guest artist at numerous universities in the United States and abroad (Singapore Festival of the Arts and the National Institute of the Arts in Taiwan, for example). From 1989 through 1995, Alexis was an Artist-in-Residence for the California State University Summer Arts Festival in Arcata, California where, in addition to presenting workshops on steelpan building, tuning, and acoustics, he was also featured as a composer, arranger and performance artist. He has served as a guest clinician and an adjudicator at the annual PANorama Caribbean Festival held in Virginia Beach, Virginia, and for the past ten years he has been a regular guest speaker at the University of the West Indies Department for Creative and Festival Arts. Alexis has also served as an instructor at many summer steelpan building and tuning workshops at the University of Akron, University of Arizona, University of Wisconsin Oshkosh, California State University-Humboldt, Birch Creek Music Performance Center, Inc., and Northern Illinois University.
Some of Alexis’s notable achievements include the Trinidad and Tobago Folk Arts Institute Award in 2001 for his contribution to steelpan development and education in the United States. In 2002 Alexis was inducted into the Sunshine Hall of Fame (New York) for lifetime achievements in steelpan. At the World Steelband Music Festival of 2005 held in Madison Square Garden, Alexis was given an award for his outstanding contribution to the development of the steelpan in the United States. In 2006 Alexis was bestowed a Lifetime Achievement Award by the Cultural Academy for Excellence (Hyattsville, Maryland) for his dedication to the development of collegiate level steelbands throughout the United States. In 2006 Alexis was award the Panguard Award by the Trinidad and Tobago Ministry of Community Development, Culture and Gender Affairs in partnership with Pan Trinbago. In 2009 he earned an Outstanding Service Award at NIU, and in 2012 Alexis was nominated for two Emmy Awards (Special Event Coverage and Best Music Composition) for his work in the film Hammer and Steel, which celebrates the University of Akron Steel Band’s 30th anniversary.
Throughout his career, Alexis has been an invaluable resource for those in the media seeking insight into steelpan, and he has been interviewed by numerous newspapers and magazines, and he has been featured in educational books on the history of the steelpan in Trinidad and abroad. The scope of Alexis’s achievements are too vast to thoroughly list here; however, they will be documented in great detail in the forthcoming book Celebration in Steel: 40 years of the Northern Illinois University Steel Band by Andrew Martin, Ray Funk, and Jeannine Remy (Spring 2014).
Cliff Alexis’s lifelong dedication to the art form of steelpan qualifies him as a significant leader in the field, and his contributions have established a priceless legacy.
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Chuck Willis

January 31, 2025

HaroldChuckWillis (January 31, 1926 – April 10, 1958) was an American blues, rhythm and blues, and rock and roll singer and songwriter. His biggest hits, “C. C. Rider” (1957) and “What Am I Living For” (1958), both reached No.1 on the BillboardR&B chart. He was known as The King of the Stroll for his performance of the 1950s dance the stroll.

Willis was born in Atlanta, Georgia, in 1926. He was spotted at a talent contest by Atlanta radio disc jockey Zenas Sears, who became his manager and helped him to sign with Columbia Records in 1951. After one single, Willis began recording on a Columbia subsidiary, Okeh. During his stay at Okeh, he established himself as a popular R&B singer and songwriter, performing material that he wrote himself. In 1956, he moved to Atlantic Records where he had immediate success with “It’s Too Late“, “Juanita” and “Love Me Cherry”.

His most successful recording was “C.C. Rider“, which topped the US Billboard R&Bchart in 1957 and also crossed over and sold well in the pop market. Jerry Wexler said it was Willis’s surprising idea to “do an old standard” instead of one of his own songs.“C.C. Rider” was a remake of a twelve-bar blues, performed by Ma Rainey in Atlanta before Willis was born. Its relaxed beat, combined with a mellow vibraphone backing and chorus, inspired the emergence of the popular dance, The Stroll. When performing on stage Willis and his group would do this step side to side. Dick Clark played “C. C. Rider” on American Bandstand, and “The Stroll” became a popular dance. Willis’s follow-up was “Betty and Dupree”, another “stroll” song and a similar “old standard”, which also did well. Wexler said that Dick Clark used “Betty and Dupree” on American Bandstand to accompany “The Stroll,” and that is how Willis became known as “King of The Stroll.” Willis’ single “Going to the River“, a song by Dave Bartholomew and Fats Domino, was a prototype for his “stroll” sound, reaching No.4 on the R&B chart.

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