mick laBriola

William George Wyman (Perks; born 24 October 1936) is an English musician who was the bass guitarist with the rock band the Rolling Stones from 1962 to 1993. Wyman was part of the band’s first stable lineup and performed on their first 19 albums. Since 1997, he has performed as the vocalist and bass guitarist for Bill Wyman’s Rhythm Kings. He was inducted to the Rock and Roll Hall of Fame as a member of the Rolling Stones in 1989. Wyman briefly returned to recording with the Rolling Stones in 2023.

James Henry “Jimmy” Dawkins (October 24, 1936 – April 10, 2013 Tchula, MS) was an American Chicago blues and electric blues guitarist and singer. He is generally considered to have been a practitioner of the “West Side sound” of Chicago blues.

Willie James Mabon (October 24, 1925 – April 19, 1985 Hollywood, TN)  was an American R&B singer, songwriter, pianist, and harmonica player. He had two number one hits on the Billboard R&B chart, “I Don’t Know” in 1952 and “I’m Mad” in 1953.

Saunders Terrell (October 24, 1911 – March 11, 1986 Greensboro, GA), known as Sonny Terry, was an American Piedmont blues and folk musician, who was known for his energetic blues harmonica style, which frequently included vocal whoops and hollers and occasionally imitations of trains and fox hunts.

Terry was born in Greensboro, Georgia. His father, a farmer, taught him to play basic blues harp as a youth. He sustained injuries to his eyes and went blind by the time he was 16, which prevented him from doing farm work, and was forced to play music in order to earn a living. Terry played “Camptown Races” to the plow horses which improved the efficiency of farming in the area. He began playing blues in Shelby, North Carolina. After his father died, he began playing with Piedmont blues–style guitarist Blind Boy Fuller. When Fuller died in 1941, Terry established a long-standing musical relationship with Brownie McGhee, and they recorded numerous songs together. The duo became well known among white audiences during the folk music revival of the 1950s and 1960s, including for collaborations with Styve Homnick, Woody Guthrie and Moses Asch, producing classic recordings for Folkways Records (now Smithsonian/Folkways).

I saw the comet in Two Harbors Sunday night! Wow! The tails of Comet Tsuchinshan-ATLAS were a sight to behold. Pictured, C/2023 A3 (Tsuchinshan–ATLAS) was captured near peak impressiveness last week over the Eastern Sierra Mountains in California, USA. The comet not only showed a bright tail, but a distinct anti-tail pointing in nearly the opposite direction. The globular star cluster M5 can be seen on the right, far in the distance. As it approached, it was unclear if this crumbling iceberg would disintegrate completely as it warmed in the bright sunlight. In reality, the comet survived to become brighter than any star in the night (magnitude -4.9), but unfortunately was then so nearly in front of the Sun that it was hard for many casual observers to locate. Whether Comet Tsuchinshan-Atlas becomes known as the Great Comet of 2024 now depends, in part, on how impressive incoming comet C/2024 S1 (ATLAS) becomes over the next two weeks.

Eleanor Louise Greenwich (October 23, 1940 – August 26, 2009) was an American pop music singer, songwriter, and record producer. She wrote or co-wrote “Da Doo Ron Ron“, “Be My Baby“, “Maybe I Know“, “Then He Kissed Me“, “Do Wah Diddy Diddy“, “Christmas (Baby Please Come Home)“, “Hanky Panky“, “Chapel of Love“, “Leader of the Pack“, and “River Deep – Mountain High“, among others.

Ernest James Watts (born October 23, 1945 Norfolk, Va) is a Grammy-winning American jazz and R&B saxophonistwho plays soprano, alto, and tenor saxophone. He has worked with Charlie Haden‘s Quartet West and toured with the Rolling Stones. On Frank Zappa‘s album The Grand Wazoo he played the “Mystery Horn”, a straight-necked C melody saxophone. Watts also played the notable sax riff on “The One You Love” from Glenn Frey‘s album No Fun Aloud.

Frank Hewitt (October 23, 1935 – September 5, 2002) was an American hard bop jazz pianist.

Born in Queens, New York, Hewitt lived most of his life in Harlem. His mother was a church pianist, and he initially studied classical and gospel music, but switched to jazz after hearing a Charlie Parker record. He took the bop pianists Thelonious Monk, Bud Powell and Elmo Hope as his role models. In the 1950s and 1960s, he worked with Howard McGhee, Cecil Payne, John Coltrane, Dinah Washington and Billie Holiday, among others; in 1961, he also participated in the Living Theater‘s production of Jack Gelber‘s The Connection. He became a regular figure in the circle of the pianist Barry Harris. In the 1990s, Hewitt became a central figure at New York’s Smalls Jazz Club; aside from playing there several nights a week, he sometimes also ended up using the walk-in refrigerator as a place to bunk when times were rough.

During his lifetime only one track of Hewitt’s playing was released, a version of the Kenny Dorham tune “Prince Albert” on the compilation Jazz Underground: Live at Smalls (Impulse, 1998). After Hewitt’s death, however, recordings made by Luke Kaven began to surface on Kaven’s Smalls Records label: the trio discs We Loved You, Not Afraid to Live, Fresh from the Cooler, and Out of the Clear Black Sky, and the quintet date Four Hundred Saturdays. His reputation as a neglected jazz master has steadily grown among fans of bebop piano.

William “Sonny” Criss (23 October 1927 – 19 November 1977) was an American jazz musician. An alto saxophonist of prominence during the bebop era of jazz, he was one of many players influenced by Charlie Parker. William Mansfield Turner, known to the world as Sonny Criss, was born in Memphis, Tennessee, United States, and moved to Los Angeles at the age of 15. He then went on to play in various bands including Howard McGhee‘s, which also featured Charlie Parker, Sonny’s idol.

However, Criss was much more than just a Charlie Parker clone. He developed his own sound, drenched in the blues, as his ability on the instrument continued to develop. Nevertheless, he continued to drift from band to band, and played on some records with Johnny Otis and Billy Eckstine.

His first major break came in 1947, on a number of jam sessions arranged by jazz impresario Norman Granz. In 1956 he signed to Imperial Records, based in New York, and recorded a series albums including Jazz U.S.A , Go Man! and Sonny Criss Plays Cole Porter featuring pianist Sonny Clark. Capitol, which owned the master recordings, reissued them as a double-CD set on their Blue Note imprint in 2000. Criss also recorded At the Crossroads with pianist Wynton Kelly. In 1977, Criss was preparing to tour Japan but developed stomach cancer. As a consequence of this painful condition, Criss committed suicide (self-inflicted gunshot) in 1977, in his adopted city of Los Angeles. He never married, but had one son, Steven Criss.

Robert Gaston Fuller (October 22, 1942 – July 18, 1966 Baytown, TX) was an American rock singer, songwriter, and guitarist best known for “Let Her Dance” and his cover of the Crickets‘ “I Fought the Law,” recorded with his group The Bobby Fuller Four. Within months of “I Fought the Law” becoming a top 10 hit, Fuller was found dead in an automobile parked outside his Hollywood apartment.The Los Angeles deputy medical examiner, Jerry Nelson, performed the autopsy. According to Dean Kuipers: “The report states that Bobby’s face, chest, and side were covered in ‘petechial hemorrhages,’ probably caused by gasoline vapors and the summer heat. He found no bruises, no broken bones, no cuts. No evidence of beating.” Kuipers further explains that boxes for “accident” and “suicide” were checked, but next to the boxes were question marks. Despite the official cause of death, some commentators believe Fuller was murdered.

Franz Liszt (22 October 1811 – 31 July 1886) was a Hungarian composer, virtuoso pianist, conductor and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be one of the most prolific and influential composers of his era, and his piano works continue to be widely performed and recorded.