mick laBriola

Johnny Rivers (born John Henry Ramistella; November 7, 1942) is an American musician, singer, songwriter, and record producer. His repertoire includes pop, folk, blues, and old-time rock ‘n’ roll. Rivers charted during the 1960s and 1970s but remains best known for a string of hit singles between 1964 and 1968, among them “Memphis” (a Chuck Berry cover), “Mountain of Love” (a Harold Dorman cover), “The Seventh Son” (a Willie Mabon cover), “Secret Agent Man“, “Poor Side of Town” (a US No. 1), “Baby I Need Your Lovin’” (a 1967 cover of the Four Tops single from 1964), and “Summer Rain“.

Rivers was born as John Henry Ramistella in New York City, of Italian ancestry. His family moved from New York to Baton Rouge, Louisiana. Influenced by the distinctive Louisiana musical style, Rivers began playing guitar at age eight, taught by his father and uncle. While still in junior high school, he started sitting in with a band called the Rockets, led by Dick Holler, who later wrote a number of hit songs, including “Abraham, Martin and John” and the novelty song “Snoopy vs. the Red Baron“.

David Spencer Ware (November 7, 1949 – October 18, 2012) was an American jazz saxophonist, composer, and bandleader.

Ware was born in Plainfield, New Jersey, and grew up in Scotch Plains, New Jersey. While in high school he attended music camp at the University of Connecticuttaught by Ron Carter, Charlie Mariano, and Alan Dawson and played in his school’s bands as well as in the New Jersey All-State band. He graduated from Scotch Plains-Fanwood High School and briefly attended the Berklee College of Music in 1967–68.

Ware moved from Boston to New York City in 1973, where he participated in the loft jazz scene, and later worked as a cab driver for 14 years in order to focus on his own group concept. In the early 1980s, he returned to Scotch Plains with his wife Setsuko S. Ware.

Alvin Batiste (November 7, 1932 – May 6, 2007) was an American avant-garde jazz clarinetist born, who was in New Orleans, Louisiana, United States. He taught at his own jazz institute at Southern University in Baton Rouge, Louisiana.

His final album was a tribute produced by Branford Marsalis, and also featured Russell Malone and Herlin Riley.

Several well-known musicians studied under Batiste while at Southern University. They include Branford Marsalis, Randy Jackson, his brother Herman, Donald Harrison, Henry Butler, Charlie Singleton (Cameo), Ronald Myers and Woodie Douglas (Spirit). Mike Esneault, an Emmy Award-winning composer, pianist, and educator was also mentored by Batiste.

Batiste died in Baton Rouge, of a heart attack in his sleep, aged 74.

Howard Rumsey (November 7, 1917 – July 15, 2015) was an American jazz double-bassist known for his leadership of the Lighthouse All-Stars in the 1950s.

Born in Brawley, California, United States, Rumsey first began playing the piano, followed by the drums and finally the bass.^[2] After jobs with Vido Musso and Johnnie Davis, Rumsey became part of Stan Kenton‘s first band. Rumsey soon left Kenton after an argument. He played with Charlie Barnet and Barney Bigard before taking a short hiatus from music. Following this absence, Rumsey returned to the Los Angeles jazz scene to form the group the Lighthouse All-Stars. For most of the 1950s this group played each Sunday at the Lighthouse Cafe in Hermosa Beach. During its lifetime, the Lighthouse All-Stars were one of the primary modern jazz institutions on the west coast, providing a home for many Los Angeles musicians.

John Philip Sousa  November 6, 1854 – March 6, 1932 Washington DC) was an American composer and conductor of the late Romantic era known primarily for American military marches. He is known as “The March King” or the “American March King”, to distinguish him from his British counterpart Kenneth J. Alford. Among his best-known marches are “The Stars and Stripes Forever” (National March of the United States of America), “Semper Fidelis” (official march of the United States Marine Corps), “The Liberty Bell“, “The Thunderer“, and “The Washington Post“.

Sousa began his career playing violin and studying music theory and composition under John Esputa and George Felix Benkert. His father enlisted him in the United States Marine Band as an apprentice in 1868. He left the band in 1875, and over the next five years, he performed as a violinist and learned to conduct. In 1880 he rejoined the Marine Band, and he served there for 12 years as director, after which he was hired to conduct a band organized by David Blakely, P.S. Gilmore‘s former agent. Blakely wanted to compete with Gilmore. From 1880 until his death, he focused exclusively on conducting and writing music. Sousa aided in the development of the sousaphone, a large brass instrument similar to the helicon and tuba.

Upon the outbreak of World War I, Sousa was awarded a wartime commission of lieutenant commander to lead the Naval Reserve Band in Illinois. He then returned to conduct the Sousa Band until he died in 1932. In the 1920s, he was promoted to the permanent rank of lieutenant commander in the naval reserve.

Arturo Sandoval 11-6-1949 is a Cuban-American jazz trumpeter, pianist, and composer. While living in his native Cuba, Sandoval was influenced by jazz musicians Charlie Parker, Clifford Brown, and Dizzy Gillespie. In 1977 he met Gillespie, who became his friend and mentor and helped him defect from Cuba while on tour with the United Nations Orchestra. Sandoval became an American naturalized citizen in 1998. His life was the subject of the film For Love or Country: The Arturo Sandoval Story (2000) starring Andy García.

Sandoval has won Grammy Awards, Billboard Awards and one Emmy Award. He performed at the White House and at the Super Bowl (1995).

Pablo Rodríguez Lozada (January 4, 1923 – February 28, 1973), better known as Tito Rodríguez, was a Puerto Rican singer and bandleader. He started his career singing under the tutelage of his brother, Johnny Rodríguez. In the 1940s, both moved to New York, where Tito worked as a percussionist in several popular rhumba ensembles, before directing his own group to great success during the 1950s. His most prolific years coincided with the peak of the mambo and cha-cha-cha dance craze. He also recorded boleros, sones, guarachas and pachangas.

Rodríguez is known by many fans as “El Inolvidable” (The Unforgettable One), a moniker based on his most popular song, a bolero written by Cuban composer Julio Gutiérrez.

Neil Cowley (born 5 November 1972) is an English contemporary pianist and composer. He has also released music as part of Fragile State, the Green Nuns of the Revolution, and the Neil Cowley Trio. With his trio, he appeared on Later… with Jools Holland in April 2008 and won the 2007 BBC Jazz Award for best album for Displaced. In 2018, Cowley announced he was working on a new electronic focused solo project. In 2020, Cowley announced his debut solo album, ‘Hall of Mirrors’.

Arthur Ira Garfunkel (born November 5, 1941 NY, NY) is an American singer, poet, and actor. He is best known for his partnership with Paul Simon in the folk rock duo Simon & Garfunkel.

Highlights of Garfunkel’s solo music career include one top-10 hit, three top-20 hits, six top-40 hits, 14 Adult Contemporary top-30 singles, five Adult Contemporary number ones, two UK number ones and a People’s Choice Award. Through his solo and collaborative work, Garfunkel has earned eight Grammys, including a Lifetime Achievement Award. In 1990, he and Simon were inducted into the Rock and Roll Hall of Fame. In 2008, Garfunkel was ranked 86th in Rolling Stone magazine’s list of the 100 Greatest Singers of All Time.

Harold McNair (5 November 1931 – 7 March 1971) was a Jamaican-born saxophonist and flautist.

McNair was born in Kingston, Jamaica. He attended the Alpha Boys School under the tutelage of Vincent Tulloch, while playing with Joe Harriott (a lifelong friend who considered McNair his de facto younger brother), Wilton “Bogey” Gaynair, and Baba Motta‘s band. He spent the first decade of his musical career in The Bahamas, where he used the name “Little G” for recordings and live performances. His early Bahamian recordings were mostly in Caribbean musical styles rather than jazz, in which he sang and played both alto and tenor saxophone. He also played a calypso singer in the film Island Women (1958). In 1960, he recorded his first album, a mixture of jazz and calypso numbers entitled Bahama Bash. It was around this time that he began playing the flute, which would eventually become his signature instrument. Initially he had some lessons in New York, but he was largely self-taught. He departed for Europe later in 1960.