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This image from the NASA/ESA Hubble Space Telescope shows two of the galaxies in the galactic triplet Arp 248 — also known as Wild’s Triplet — which lies around 200 million light-years from Earth in the constellation Virgo. The two large spiral galaxies visible in this image — which flank a smaller, unrelated background spiral galaxy — seem to be connected by a luminous bridge. This elongated stream of stars and interstellar dust is known as a tidal tail, and it was formed by the mutual gravitational attraction of the two foreground galaxies. This observation comes from a project which delves into two rogues’ galleries of weird and wonderful galaxies: A Catalogue Of Southern Peculiar Galaxies And Associations, compiled by astronomers Halton Arp and Barry Madore, and the Atlas of Peculiar Galaxies, compiled by Halton Arp. Each collection contains a menagerie of spectacularly peculiar galaxies, including interacting galaxies such as Arp 248, as well as one- or three-armed spiral galaxies, galaxies with shell-like structures, and a variety of other space oddities. Hubble used its Advanced Camera for Surveys to scour this menagerie of eccentric galaxies in search of promising candidates for future observations with the NASA/ESA/CSA James Webb Space Telescope, the Atacama Large Millimeter/submillimeter Array, and Hubble itself. With such a wealth of astronomical objects to study in the night sky, projects such as this, which guide future observations, are a valuable investment of observing time. As well as the scientific merits of observing these weird and wonderful galaxies, they were also — very unusually — selected as Hubble targets because of their visual appeal to the general public! [Image description: Two spiral galaxies are viewed almost face-on; they are a mix of pale blue and yellow in colour, crossed by strands of dark red dust. They lie in the upper-left and lower-right corners. A long, faint streak of pale blue joins them, extending from an arm
more...Ali Ibrahim “Ali Farka” Touré (31 October 1939 – 6 March 2006) was a Malian singer and multi-instrumentalist, and one of the African continent’s most internationally renowned musicians. His music blends traditional Malian music and its derivative, African American blues and is considered a pioneer of African desert blues. Touré was ranked number 76 on Rolling Stone‘s list of “The 100 Greatest Guitarists of All Time” and number 37 on Spin magazine‘s “100 Greatest Guitarists of All Time”.
Touré was born in 1939 in the village of Kanau, on the banks of the Niger River in Gourma-Rharous Cercle in the northwestern Malian region of Tombouctou. His family belonged to the Arma community and moved to the nearby village of Niafunké when he was still an infant. His father died serving in the French Army in 1940. He was the tenth son of his mother but the only one to survive past infancy. “The name I was given was Ali Ibrahim, but it’s a custom in Africa to give a child a strange nickname if you have had other children who have died”, Touré was quoted as saying in a biography on his record label, World Circuit Records. His nickname, “Farka”, chosen by his parents, means “donkey“, an animal admired for its tenacity and stubbornness: “Let me make one thing clear. I’m the donkey that nobody climbs on!” Ethnically, he was part Songhai, part Fula.
https://www.youtube.com/watch?v=fMsW0KH50-k
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Booker Telleferro Ervin II (October 31, 1930 – August 31, 1970) was an American tenor saxophone player. His tenor playing was characterised by a strong, tough sound and blues/gospel phrasing. He is remembered for his association with bassist Charles Mingus.
Ervin was born in Denison, Texas, United States. He first learned to play trombone at a young age from his father, who played the instrument with Buddy Tate.After leaving school, Ervin joined the United States Air Force, stationed in Okinawa, during which time he taught himself tenor saxophone. After completing his service in 1953, he studied at Berklee College of Music in Boston, Massachusetts. Moving to Tulsa in 1954, he played with the band of Ernie Fields.
After stays in Denver and Pittsburgh, Ervin moved to New York City in spring 1958, initially working a day job and playing jam sessions at night. Ervin then worked with Charles Mingus regularly from late 1958 to 1960, rejoining various outfits led by the bassist at various times up to autumn 1964, when he departed for Europe. During the mid-1960s, Ervin led his own quartet, recording for Prestige Records with, among others, ex-Mingus associate pianist Jaki Byard, along with bassist Richard Davis and Alan Dawson on drums. Ervin died of kidney disease in New York City in 1970, aged 39. Most biographical accounts of Ervin’s death give an incorrect date. His gravestone in The National Cemetery, East Farmingdale, New York, clearly shows the date as August 31, 1970.
more...Jean-Baptiste “Illinois” Jacquet (October 30, 1922 – July 22, 2004) was an American jazz tenor saxophonist, best remembered for his solo on “Flying Home“, critically recognized as the first R&B saxophone solo.
Although he was a pioneer of the honking tenor saxophone that became a regular feature of jazz playing and a hallmark of early rock and roll, Jacquet was a skilled and melodic improviser, both on up-tempo tunes and ballads. He doubled on the bassoon, one of only a few jazz musicians to use the instrument.
Jacquet’s parents were Creoles of color, named Marguerite Trahan and Gilbert Jacquet, When he was an infant, his family moved from Louisiana to Houston, Texas, and he was raised there as one of six siblings. His father was a part-time bandleader. As a child he performed in his father’s band, primarily on the alto saxophone. His older brother Russell Jacquet played trumpet and his other brother Linton played drums.
At 15, Jacquet began playing with the Milton Larkin Orchestra, a Houston-area dance band. In 1939, he moved to Los Angeles, California, where he met Nat King Cole. Jacquet would sit in with the trio on occasion. In 1940, Cole introduced Jacquet to Lionel Hampton who had returned to California and was putting together a big band. Hampton wanted to hire Jacquet, but asked the young Jacquet to switch to tenor saxophone.
more...Planet Earthof course, on a dark and stormy night in 2013 at Hverir, a geothermally active area along the volcanic landscapein northeastern Iceland. Triggered by solar activity,geomagnetic storms produced the auroral display in the starry night sky. The ghostly towers of steam and gas are venting from fumaroles and danced against the eerie greenish light. For now, auroral apparitions are increasing as our Sun approaches a maximum in its 11 year solar activity cycle. And pretty soon, ghostlyshapes may dance in your neighborhood too.
more...more...Grace Slick (born Grace Barnett Wing, October 30, 1939)[1] is an American singer-songwriter, artist, and painter. Slick was a key figure in San Francisco’s early psychedelic music scene in the mid-1960s. With a music career spanning four decades, she first performed with The Great Society, but is best known for her work with Jefferson Airplaneand the subsequent successor bands Jefferson Starship and Starship. Slick and Jefferson Airplane first achieved fame with their 1967 album Surrealistic Pillow, which included the top-ten Billboardhits “White Rabbit” and “Somebody to Love“. She provided the lead vocals on both tracks. With Starship, she sang co-lead for two number one hits, “We Built This City” and “Nothing’s Gonna Stop Us Now“. She also released four solo albums. Slick retired from music in 1990, but continues to be active in the visual arts field. Slick was inducted into the Rock and Roll Hall of Fame in 1996 as a member of Jefferson Airplane.
Trilok Gurtu (born 30 October 1951) is an Indian percussionist and composer whose work has blended the music of India with jazz fusion and world music.
more...Poncho Sánchez (born Filoberto Sanchez, October 30, 1951 is an American conguero (conga player), Latin jazzband leader, and salsa singer. In 2000, he and his ensemble won the Grammy Award for Best Latin Jazz Album for their work on the Concord Picante album Latin Soul. Sanchez has performed with artists including Cal Tjader, Mongo Santamaría, Hugh Masekela, Clare Fischer, and Tower of Power.
more...Clifford Benjamin Brown (October 30, 1930 – June 26, 1956) was an American jazz trumpeter and composer. He died at the age of 25 in a car accident, leaving behind four years’ worth of recordings. His compositions “Sandu”, “Joy Spring”, and “Daahoud” have become jazz standards.Brown won the DownBeat magazine Critics’ Poll for New Star of the Year in 1954; he was inducted into the DownBeat Hall of Fame in 1972.
Brown was born into a musical family in Wilmington, Delaware. His father organized his four sons, including Clifford, into a vocal quartet. Around age ten, Brown started playing trumpet at school after becoming fascinated with the shiny trumpet his father owned. At age thirteen, his father bought him a trumpet and provided him with private lessons. In high school, Brown received lessons from Robert Boysie Lowery and played in “a jazz group that Lowery organized”, making trips to Philadelphia. In June 1956, Brown and Richie Powell embarked on a drive to Chicago for their next appearance. Powell’s wife Nancy was at the wheel so that Clifford and Richie could sleep. While driving at night in the rain on the Pennsylvania Turnpike, west of Bedford, she is presumed to have lost control of the car, which went off the road, killing all three in the resulting crash.[21] Brown is buried in Mt. Zion Cemetery, in Wilmington, Delaware.
more...Part of a dark expanse that splits the crowded plane of our Milky Way galaxy, the Aquila Rift arcs through planet Earth’s skies near bright star Altair. In eerie silhouette against the Milky Way’s faint starlight, its dusty molecular clouds likely contain raw material to form hundreds of thousands of stars and astronomers search the dark clouds for telltale signs of star birth. This telescopic close-up looks toward the region at a fragmented Aquila dark cloud complex identified as LDN 673, stretching across a field of view slightly wider than the full moon. In the scene, visible indications of energetic outflows associated with young stars include the small red tinted nebulosity RNO 109 above and right of center, and Herbig-Haro object HH32 below. These dark clouds might look scary, but they’re estimated to be some 600 light-years away. At that distance, this field of view spans about 7 light-years.
more...Denny Laine (born Brian Frederick Hines, 29 October 1944) is an English musician, singer, and songwriter, known as a founder of two major rock bands: the Moody Blues, with whom he played from 1964 to 1966, and Wings, with whom he played from 1971 to 1981. Laine has worked with a variety of artists and groups over a six-decade career, and continues to record and perform as a solo artist. In 2018, Laine was inducted into the Rock and Roll Hall of Fame as a member of the Moody Blues.
more...Peter Allen Greenbaum (29 October 1946 – 25 July 2020), known professionally as Peter Green, was an English blues rock singer-songwriter and guitarist. As the founder of Fleetwood Mac, he was inducted into the Rock and Roll Hall of Fame in 1998. Green founded Fleetwood Mac in 1967 after a stint in John Mayall’s Bluesbreakers and quickly established the new band as a popular live act in addition to a successful recording act, before departing in 1970. Green’s songs, such as “Albatross“, “Black Magic Woman“, “Oh Well“, “The Green Manalishi (With the Two Prong Crown)” and “Man of the World“, appeared on singles charts, and several have been adapted by a variety of musicians.
Green was a major figure in the “second great epoch” of the British blues movement. Eric Clapton praised his guitar playing, and B.B. King commented, “He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.” His trademark sound included string bending, vibrato, and economy of style.
In June 1996, Green was voted the third-best guitarist of all time in Mojo magazine. In 2015, Rolling Stone ranked him at number 58 in its list of the “100 Greatest Guitarists of All Time”. Green’s tone on the instrumental “The Super-Natural” was rated as one of the 50 greatest of all time by Guitar Player in 2004.
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