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Frank Floyd, known as Harmonica Frank (October 11, 1908 – August 7, 1984) was an American blues singer, guitarist and harmonicist.
Frank Floyd was born in Toccopola, Mississippi, the son of itinerant parents who separated without giving him a name, though he is recorded in the 1910 census as Shankles Floyd. He was raised by his sharecropping grandparents, who died while he was a teenager. He taught himself to play harmonica when he was 10 years old, and he eventually learned guitar. He gave himself the name Frank Floyd, and began performing in the 1920s for traveling carnivals and medicine shows.
He learned many types of folk music and became a mimic, effortlessly switching from humorous hillbilly ballads to deep country blues.
With his self-taught harmonica technique, he was a one-man band, able to play the instrument without his hands or the need for a neck brace. While also playing guitar, he perfected a technique of manipulating the harmonica with his mouth while he sang out of the other side. He could also play harmonica with his nose and thus play two harmonicas at once, a skill he shared with blues harp players Walter Horton and Gus Cannon’s partner Noah Lewis.
https://www.youtube.com/watch?v=BPDsnF0Ca9g
more...Melvin Rhyne (October 12, 1936 – March 5, 2013), was a jazz organist best known for his work with Wes Montgomery.
Melvin Rhyne was born in Indianapolis in 1936 and started playing the piano shortly after. At 19 years old, Rhyne started playing piano with then-unknown tenor saxophonist Rahsaan Roland Kirk but quickly switched over to the instrument that would make him famous: the Hammond B3 organ. Rhyne’s piano skills translated to the organ fluently and before long he was backing famous blues players like B.B. King and T-Bone Walker. In 1959 he was asked to join fellow Indianapolis musician Wes Montgomery‘s newly formed trio.
Rhyne then moved to Wisconsin and largely kept to himself for the next two decades. In 1991, however, he played on Herb Ellis‘s album Roll Call, Brian Lynch‘s At the Main Event, and his own album, The Legend. He continued to be prolific in the years to come, releasing eight more solo albums on the Criss Cross Jazz label. Rhyne also recorded with The Mark Ladley Trio for the 1992 release, Strictly Business and the 1994 release, Evidence.[7] Both landed in the Jazz Charts at CMJ New Music Report and The Gavin Report. The group also appeared on a Jazziz Magazine sampler disc during that time. Altenburgh Records posthumously released, Final Call in 2013 by the same group.
In 2008 Rhyne teamed up with fellow Indianapolis jazz musician Rob Dixon to form the Dixon-Rhyne Project, a boundary-pushing jazz quartet that also includes Chicago guitarist Fareed Haque and drummer Kenny Phelps. The quartet released the album Reinvention in 2008 on Indianapolis jazz label Owl Studios. Rhyne’s later career trio included guitarist Peter Bernstein and drummer Kenny Washington in the same organ, guitar, drum formation of the original Wes Montgomery Trio.
He died in his hometown of Indianapolis of lung cancer at the age of 76.
more...Edward E. Cherry Jr. (October 12, 1954) is an American jazz guitarist and studio musician. Cherry is perhaps best known for his long association with trumpeter with whom he performed from 1978 until shortly before Gillespie’s death in 1993. Since that time, he has worked with Paquito D’Rivera, Jon Faddis, John Patton, Hamiet Bluiett, Henry Threadgill, and Paula West. He has recorded a number of albums as a leader.
more...Alfred “Tubby” Hall (October 12, 1895 – May 13, 1945) was an American jazz drummer.
Hall was born in Sellers, Louisiana; his family moved to New Orleans in his childhood. His younger brother Minor “Ram” Hall also became a professional drummer. He played in many marching bands in New Orleans, including with Buddie Petit.
In March 1917 Tubby Hall moved to Chicago, where he played with Sugar Johnny Smith. After two years in the United States Army, he returned to playing in Chicago mostly with New Orleans bands, joining Carroll Dickerson‘s Orchestra (recording with it in 1927) and later with the groups of King Oliver, Jimmie Noone, Tiny Parham, Johnny Dodds. Noted swing and big-band drummer Gene Krupa said that Hall and Zutty Singleton “were great! They knew every trick and just how to phrase the parts of the choruses behind the horns, how to lead a man in, what to do at the turn-arounds, when to use sticks and when to use brushes, when to go for the rims or the woodblocks, what cymbals are for.”
He is seen in Armstrong’s movies of the early 1930s, including the live action and Betty Boop cartoon I’ll Be Glad When You’re Dead, You Rascal You (1932) and A Rhapsody in Black and Blue (1932), made by Paramount. Only Armstrong and Hall got closeups in the two films, and both get their faces transposed with those of racially stereotyped “jungle natives” in the cartoon. Hall morphs from a jazz drummer to a cannibal stirring a cooking pot with two wooden sticks.
His drumming style was forceful and sober, generally maintaining constant tempo on the snare. Jazz critic Hugues Panassié considered him one of the three greatest jazz drummers of his generation, along with Zutty Singleton and Warren “Baby” Dodds.[8]
Tubby Hall died in Chicago
more...On the whole, the nebula appears like a bird (a pelican) and is seen toward the constellation of a different bird: Cygnus, a Swan. But inside, the Pelican Nebula is a place lit up by new stars and befouled by dark dust. Smoke-sized dust grains start as simple carbon compounds formed in the cool atmospheres of young stars but are dispersed by stellar winds and explosions. Two impressive Herbig-Haro jets are seen emitted by the star HH 555 on the right, and these jets are helping to destroy the light year-long dust pillar that contains it. Other pillars and jets are also visible. The featured image was scientifically-colored to emphasize light emitted by small amounts of heavy elements in a nebula made predominantly of the light elements hydrogen and helium. The Pelican Nebula (IC 5067 and IC 5070) is about 2,000 light-years away and can be found with a small telescope to the northeast of the bright star Deneb.
more...Lester Bowie (October 11, 1941 – November 8, 1999) was an American jazz trumpet player and composer. He was a member of the Association for the Advancement of Creative Musicians and co-founded the Art Ensemble of Chicago.
Born in the historic village of Bartonsville in Frederick County, Maryland, United States, Bowie grew up in St Louis, Missouri. At the age of five he started studying the trumpet with his father, a professional musician. He played with blues musicians such as Little Milton and Albert King, and rhythm and blues stars such as Solomon Burke, Joe Tex, and Rufus Thomas. In 1965, he became Fontella Bass‘s musical director and husband. He was a co-founder of Black Artists Group (BAG) in St Louis.
In 1966, he moved to Chicago, where he worked as a studio musician, and met Muhal Richard Abrams and Roscoe Mitchell and became a member of the AACM. In 1968, he founded the Art Ensemble of Chicago with Mitchell, Joseph Jarman, and Malachi Favors. He remained a member of this group for the rest of his life, and was also a member of Jack DeJohnette‘s New Directions quartet. He lived and worked in Jamaica and Nigeria, and played and recorded with Fela Kuti. Bowie’s onstage appearance, in a white lab coat, with his goatee waxed into two points, was an important part of the Art Ensemble’s stage show.
more...Billy Higgins (October 11, 1936 – May 3, 2001) was an American jazz drummer. He played mainly free jazz and hard bop.
Higgins was born in Los Angeles, California, United States. Higgins played on Ornette Coleman‘s first records, beginning in 1958. He then freelanced extensively with hard bop and other post-bop players, including Donald Byrd, Dexter Gordon, Grant Green, Herbie Hancock, Joe Henderson, Don Cherry, Paul Horn, Milt Jackson, Jackie McLean, Pat Metheny, Hank Mobley, Thelonious Monk, Lee Morgan, David Murray, Art Pepper, Sonny Rollins, Mal Waldron, and Cedar Walton. He was one of the house drummers for Blue Note Records and played on dozens of Blue Note albums of the 1960s. He also collaborated with composer La Monte Young and guitarist Sandy Bull.
more...Arthur Blakey (October 11, 1919 – October 16, 1990) was an American jazz drummer and bandleader. He was also known as Abdullah Ibn Buhainaafter he converted to Islam for a short time in the late 1940s.
Blakey made a name for himself in the 1940s in the big bands of Fletcher Henderson and Billy Eckstine. He then worked with bebop musicians Thelonious Monk, Charlie Parker, and Dizzy Gillespie. In the mid-1950s, Horace Silver and Blakey formed the Jazz Messengers, a group that the drummer was associated with for the next 35 years. The group was formed as a collective of contemporaries, but over the years the band became known as an incubator for young talent, including Freddie Hubbard, Wayne Shorter, Lee Morgan, Benny Golson, Kenny Dorham, Hank Mobley, Donald Byrd, Jackie McLean, Johnny Griffin, Curtis Fuller, Chuck Mangione, Chick Corea, Keith Jarrett, Cedar Walton, Woody Shaw, Terence Blanchard, and Wynton Marsalis. The Biographical Encyclopedia of Jazz calls the Jazz Messengers “the archetypal hard bop group of the late 50s”.
Blakey was inducted into the Down Beat Jazz Hall of Fame (in 1981). Posthumously, he was inducted into the Modern Drummer Hall of Fame in 1991 and the Grammy Hall of Fame (in 1998 and 2001). He was awarded the Grammy Lifetime Achievement Award in 2005.
Blakey was born on October 11, 1919, in Pittsburgh, Pennsylvania, probably to a single mother who died shortly after his birth; her name is often cited as Marie Roddicker, or Roddericker, although Blakey’s own 1937 marriage license shows her maiden name to have been Jackson. His biological father was Bertram Thomas Blakey, originally of Ozark, Alabama, whose family migrated northward to Pittsburgh sometime between 1900 and 1910. Blakey’s uncle, Rubi Blakey, was a popular Pittsburgh singer, choral leader, and teacher who attended Fisk University.
more...This Picture of the Week showcases the impressive NGC 3627 galaxy, also known as Messier 66, located approximately 31 million light-years from Earth in the constellation Leo. The image was taken with the Multi-Unit Spectroscopic Explorer (MUSE) on ESO’s Very Large Telescope (VLT) in Chile. But why does it have these unusual colours? This image is a combination of observations conducted in different wavelengths of light. But rather than seeing the stars in this galaxy, as in more classical images, what this image displays is gas ionised by newly-born stars, with hydrogen, oxygen and sulphur shown in red, blue and orange respectively. The image was taken as part of the Physics at High Angular resolution in Nearby GalaxieS (PHANGS) project, which is using telescopes operating across all wavelengths to make high-resolution observations of nearby galaxies. The goal of the project is to better understand what triggers, boosts or holds back the formation of new stars in different environments.
more...October 10th 1948. Founder of the New Orleans white boy band the Radiators. The Radiators were formed in January 1978 after a jam session in keyboardist Ed Volker’s garage. At the time, Volker, Camile Baudoin and Frank Bua, Jr. were in a band called The Rhapsodizers, while Dave Malone and Reggie Scanlan were in a band called Road Apple. Scanlan had also, not long before, been a member of Professor Longhair’s touring band. The five musicians felt an immediate rapport. Scanlan later said, “we jammed for five hours straight, then all quit our old bands the next day. On April 6, 2019, Reggie Scanlan recalled how the band came to be “The Radiators.” After joining up and playing many shows together, without a formal band name, it was determined that a name was necessary. Scanlan suggested the name.
more...Cyril Garrett Neville (born October 10, 1948) is an American percussionist and vocalist who first came to prominence as a member of his brother Art Neville‘s funky New Orleans-based band, The Meters. He joined Art in the Neville Brothers band upon the dissolution of the Meters.
He has appeared on recordings by Bob Dylan, Robbie Robertson, Edie Brickell, Willie Nelson, Dr. John and The New Orleans Social Club among others.
Neville is interviewed on screen and appears in performance footage with The Neville Brothers in the 2005 documentary film Make It Funky!, which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz. In the film, the band performs “Fire on the Bayou” with guests Ivan and Ian Neville. Neville was also featured in the 2006 documentary film New Orleans Music in Exile.
In 2005, Neville joined up with Tab Benoit for the Voice of the Wetlands Allstars to bring awareness to Louisiana’s rapid loss of wetlands along the Gulf Coast. The band also features Waylon Thibodeaux, Johnny Sansone, Anders Osborne, Monk Boudreaux, George Porter, Jr., Johnny Vidacovich, and Dr. John. The band has become a main feature at the annual New Orleans Jazz & Heritage Festival.
After Hurricane Katrina he moved to Austin, Texas, but as of 2012 lives in Slidell, Louisiana.[citation needed] Soul Rebels Brass Band featured Neville as a special guest on their Rounder Records debut record, Unlock Your Mind, released on January 31, 2012. The Soul Rebels’ name was conceived by Neville at the New Orleans venue Tipitina’s, where the band was opening.
In 2010, Neville joined popular New Orleans funk band Galactic. He put aside his solo career to tour internationally with the band.
In 2012, Cyril Neville joined forces with Devon Allman (son of Gregg Allman of The Allman Brothers Band), award-winning blues-rock guitarist Mike Zito, bassist Charlie Wooton, and Grammy-winning drummer Yonrico Scott to form Royal Southern Brotherhood, a blues-rock supergroup.
more...John Edward Prine (October 10, 1946 – April 7, 2020) was an American singer-songwriter of country-folk music. He was active as a composer, recording artist, live performer, and occasional actor from the early 1970s until his death. He was known for an often humorous style of original music that has elements of protest and social commentary.
Born and raised in Maywood, Illinois, Prine learned to play the guitar at age 14. He attended classes at Chicago’s Old Town School of Folk Music. After serving in West Germany with the U.S. Army, he returned to Chicago in the late 1960s, where he worked as a mailman, writing and singing songs first as a hobby and then as a club performer.
A member of Chicago’s folk revival, Prine credited his fellow songwriter Steve Goodman with hounding singer-songwriter Kris Kristofferson to come listen to him, leading to his “discovering” him, resulting in Prine’s eponymous debut album with Atlantic Records in 1971. Film critic Roger Ebert was also among his early supporters. The acclaim Prine earned from his first LP led to three more albums for Atlantic. He then signed with Asylum Records, where he recorded three more albums. In 1981, he co-founded Oh Boy Records, an independent label where he released most of his subsequent albums.
Widely cited as one of the most influential songwriters of his generation, Prine was known for humorous lyrics about love, life, and current events, as well as serious songs with social commentary and songs that recollect sometimes melancholy tales from his life. According to Nobel laureate songwriter Bob Dylan, “Prine’s stuff is pure Proustian existentialism. Midwestern mindtrips to the nth degree. And he writes beautiful songs. . . . All that stuff about ‘Sam Stone‘, the soldier junkie daddy, and ‘Donald and Lydia’, where people make love from ten miles away. Nobody but Prine could write like that.” In 2020, Prine received the Grammy Lifetime Achievement Award.Prine was the son of William Mason Prine, a tool-and-die maker, and Verna Valentine (Hamm), a homemaker, both originally from Muhlenberg County, Kentucky. He was born and raised in the Chicago suburb of Maywood. In summers, they would go back to visit family near Paradise, Kentucky. Prine started playing guitar at age 14, taught by his brother, David. He attended classes at Chicago’s Old Town School of Folk Music, and graduated from Proviso East High School in Maywood, Illinois. He was a U.S. Postal Service mailman for five years and was drafted into the United States Army during the Vietnam War era, serving as a vehicle mechanic in West Germany before beginning his musical career in Chicago.
more...Julian Clifford Mance, Jr. (October 10, 1928 – January 17, 2021), known as Junior Mance, was an American jazz pianist and composer.
Mance was born in Evanston, Illinois. When he was five years old, Mance started playing piano on an upright in his family’s home in Evanston.[4] His father, Julian, taught Mance to play stride piano and boogie-woogie. With his father’s permission, Mance had his first professional gig in Chicago at the age of ten when his upstairs neighbor, a saxophone player, needed a replacement for a pianist who was ill. Mance was known to his family as “Junior” (to differentiate him from his father), and the nickname stuck with him throughout his professional career.
Mance’s mother encouraged him to study medicine at nearby Northwestern University in Evanston, but agreed to let him attend Roosevelt College in Chicago instead. Despite urging him to enroll in pre-med classes, Mance signed up for music classes, though he found that jazz was forbidden by the faculty, and did not finish out the year.
more...Thelonious Sphere Monk October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisationalstyle and made numerous contributions to the standard jazz repertoire, including “‘Round Midnight“, “Blue Monk“, “Straight, No Chaser“, “Ruby, My Dear“, “In Walked Bud“, and “Well, You Needn’t“. Monk is the second-most-recorded jazz composer after Duke Ellington.[4]
Monk’s compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations.
Monk’s distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano.
Monk is one of five jazz musicians to have been featured on the cover of Time (the others being Louis Armstrong, Dave Brubeck, Duke Ellington and Wynton Marsalis).
Thelonious Sphere Monk was born two years after his sister Marion on October 10, 1917, in Rocky Mount, North Carolina, and was the son of Thelonious and Barbara Monk. His poorly written birth certificate misspelled his first name as “Thelious” or “Thelius”. It also did not list his middle name, taken from his maternal grandfather, Sphere Batts. His brother, Thomas, was born in January 1920. In 1922, the family moved to the Phipps Houses, 243 West 63rd Street, in Manhattan, New York City; the neighborhood was known as San Juan Hill because of the many African-American veterans of the Spanish–American Warwho lived there (urban renewal displaced the long-time residents of the community, who saw their neighborhood replaced by the Amsterdam Housing Projects and Lincoln Center for the Performing Arts, though the Phipps Houses remained). Monk started playing the piano at the age of six, taking lessons from a neighbor, Alberta Simmons, who taught him stride playing in the style of Fats Waller, James P. Johnson and Eubie Blake. Monk’s mother also taught him to play some hymns, and he would sometimes accompany her singing at church. He attended Stuyvesant High School, a public school for gifted students, but did not graduate.
more...Harry “Sweets” Edison (October 10, 1915 – July 27, 1999) was an American jazz trumpeter and a member of the Count Basie Orchestra. His most important contribution was as a Hollywood studio musician, whose muted trumpet can be heard backing singers, most notably Frank Sinatra.
Edison was born in Columbus, Ohio, United States. He spent his early childhood in Louisville, Kentucky, being introduced to music by an uncle. After moving back to Columbus at the age of twelve, the young Edison began playing the trumpet with local bands.
In 1933, he became a member of the Jeter-Pillars Orchestra in Cleveland. Afterwards, he played with the Mills Blue Rhythm Band and Lucky Millinder. In 1937, he moved to New York and joined the Count Basie Orchestra. His colleagues included Buck Clayton, Lester Young (who named him “Sweets”), Buddy Tate, Freddie Green, Jo Jones, and other original members of that famous band.
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