mick laBriola

Yusef Abdul Lateef (born William Emanuel Huddleston; October 9, 1920 – December 23, 2013) was an American jazz multi-instrumentalist, composer, and prominent figure among the Ahmadiyya Community in America.

Although Lateef’s main instruments were the tenor saxophone and flute, he also played oboe and bassoon, both rare in jazz, and non-western instruments such as the bamboo flute, shanai, shofar, xun, arghul and koto. He is known for having been an innovator in the blending of jazz with “Eastern” music. Peter Keepnews, in his New York Times obituary of Lateef, wrote that the musician “played world music before world music had a name”.

Lateef’s books included two novellas entitled A Night in the Garden of Love and Another Avenue, the short story collections Spheres and Rain Shapes, also his autobiography, The Gentle Giant, written in collaboration with Herb Boyd. Along with his record label YAL Records, Lateef owned Fana Music, a music publishing company. Lateef published his own work through Fana, which includes Yusef Lateef’s Flute Book of the Blues and many of his own orchestral compositions.

Lateef was born in Chattanooga, Tennessee as William Emanuel Huddleston. His family moved, in 1923, to Lorain, Ohio, and again in 1925, to Detroit, Michigan, where his father changed the family’s name to Evans.

Al Duncan (October 8, 1927, McKinney, Texas — January 3, 1995, Las Vegas) was an American drummer and songwriter. Music critic and musicologist Eugene Chadbourne described Duncan as a “forefather of rhythm and blues” and “one of less than a half dozen key studio legends of the 1950s and 1960s who have sometimes been called the ‘grandfathers of groove’.” Chadbourne credited Duncan as helping develop the characteristic metric feel or timekeeping of rhythm and blues. His work is featured on recordings with Roy Buchanan, Billy “The Kid” Emerson, Buddy Guy, Dale Hawkins, Red Holloway, Camille Howard, Horace Palm, Jimmy Reed, Phil Upchurch, and Rob Wasserman among others.^[2] Of the songs he penned, the best known is “It’s Too Late, Brother” which has become a blues staple.

Park Frederick “Pepper” Adams III (October 8, 1930 – September 10, 1986) was an American jazz baritone saxophonist and composer. He composed 42 pieces, was the leader on eighteen albums spanning 28 years, and participated in 600 sessions as a sideman. He worked with an array of musicians, and had especially fruitful collaborations with trumpeter Donald Byrd and as a member of the Thad Jones/Mel Lewis Big Band.

Pepper Adams was born in Highland Park, Michigan, to father Park Adams II, who worked as the manager of a furniture store, and mother Cleo Marie Coyle.Both of his parents were college graduates, with each spending some time at the University of Michigan. Due to the onset of the Great Depression, Adams’ parents separated to allow his father to find work without geographic dependence. In the fall of 1931, Adams moved with his mother to his extended family’s farm near Columbia City, Indiana, where food and support were more readily available. In 1933, Adams began playing piano. His father having reunited with the family, they moved to Rochester, New York, in 1935 and in that city he began his musical efforts on tenor sax and clarinet.

John J. Mellencamp (born October 7, 1951 Seymour, IN), previously known as Johnny Cougar, John Cougar, and John Cougar Mellencamp, is an American singer-songwriter. He is known for his catchy brand of heartland rock, which emphasizes traditional instrumentation.

Mellencamp rose to fame in the 1980s while “honing an almost startlingly plainspoken writing style” that, starting in 1982, yielded a string of Top 10 singles, including “Hurts So Good“, “Jack & Diane“, “Crumblin’ Down“, “Pink Houses“, “Lonely Ol’ Night“, “Small Town“, “R.O.C.K. in the U.S.A.“, “Paper in Fire“, and “Cherry Bomb“. He has amassed 22 Top 40 hits in the United States. In addition, he holds the record for the most tracks by a solo artist to hit number one on the Hot Mainstream Rock Tracks chart, with seven. Mellencamp has been nominated for 13 Grammy Awards, winning one. His latest album of original songs, Strictly a One-Eyed Jack, was released on January 21, 2022. Mellencamp has sold over 30 million albums in the US and over 60 million worldwide.

Mellencamp is also one of the founding members of Farm Aid, an organization that began in 1985 with a concert in Champaign, Illinois, to raise awareness about the loss of family farms and to raise funds to keep farm families on their land. Farm Aid concerts have remained an annual event over the past 37 years, and as of 2022 the organization has raised over $60 million.

Mellencamp was inducted into the Rock and Roll Hall of Fame in 2008, followed by an induction into the Songwriters Hall of Fame in 2018.

Larry Young (also known as Khalid Yasin [Abdul Aziz]; October 7, 1940 – March 30, 1978) was an American jazz organist and occasional pianist. Young’s early work was strongly influenced by the soul jazz of Jimmy Smith, but he later pioneered a more experimental, modal approach to the Hammond B-3.

Born and raised in Newark, New Jersey, United States, Young attended Newark Arts High School, where he began performing with a vocal group and a jazz band.

Young played with various R&B bands in the 1950s, before gaining jazz experience with Jimmy Forrest, Lou Donaldson, Kenny Dorham, Hank Mobleyand Tommy Turrentine. Recording as a leader for Prestige from 1960, Young made a number of soul jazz discs, Testifying, Young Blues and Groove Street. When Young signed with Blue Note around 1964, his music began to show the marked influence of John Coltrane. In this period, he produced his most enduring work. He recorded several times as part of a trio with guitarist Grant Green and drummer Elvin Jones, who were occasionally augmented by additional players. Most of these albums were released under Green’s name, though Into Somethin’ (with Sam Rivers on saxophone) became Young’s Blue Note debut. In March 1978, he checked into the hospital for stomach pains. He died there on March 30, 1978, while being treated for what is said to be pneumonia. However, the actual cause of his death is unclear.

Jonathan David Samuel Jones (October 7, 1911 – September 3, 1985) was an American jazz drummer. A band leader and pioneer in jazz percussion, Jones anchored the Count Basie Orchestra rhythm section from 1934 to 1948. He was sometimes known as Papa Jo Jones to distinguish him from younger drummer Philly Joe Jones. Born in Chicago, Illinois, United States, Jones moved to Alabama, where he learned to play several instruments, including saxophone, piano, and drums. He worked as a drummer and tap-dancer at carnival shows until joining Walter Page‘s band, the Blue Devils in Oklahoma City in the late 1920s. He recorded with trumpeter Lloyd Hunter‘s Serenaders in 1931, and later joined pianist Count Basie‘s band in 1934. Jones, Basie, guitarist Freddie Green and bassist Walter Page were sometimes billed as an “All-American Rhythm section,” an ideal team. Jones took a brief break for two years when he was in the military, but he remained with Basie until 1948. He participated in the Jazz at the Philharmonic concert series.

He was one of the first drummers to promote the use of brushes on drums, and shifting the role of timekeeping from the bass drum to the hi-hatcymbal. Jones had a major influence on later drummers such as Buddy Rich, Kenny Clarke, Roy Haynes, Max Roach, and Louie Bellson. He also starred in several films, most notably the musical short Jammin’ the Blues (1944).

Derived from flamenco’s earliest root forms, the tonás, siguiriyas is one of flamenco’s oldest and deepest forms. Its name is a corruption of the term seguidillas, a group of 18th Century songs and dances. Siguiriyas first emerged in the 18th Century in Cádiz, Sevilla and Jerez de la Frontera. Slow, majestic and tragic, Siguiriyas is the most jondo of cante jondo forms. Its lyrics focus on tragedy, inconsolable sorrow, and pain. When performed without a dancer, siguiriyas opens with a solo introduction on the guitar, followed by a temple in which the singer warms up, matching tone and tempo with the guitar. The singer then sings one or more letras. The guitarist accompanies the letras with a fairly regular chord and bass note pattern, maintaining a steady pulse. As with other forms, the guitarist can insert a falseta between the letras or between the lines of a letra. If a dancer is present, they interpret the letras and falsetas, and insert escobillas and other percussive sections accompanied by a quicker, more rhythmic pattern on the guitar. The underlying compás for siguiriyas is a 12 count pattern with beats grouped as 2, 2, 3, 3, 2, and with an accent on the first beat of each group.

https://www.youtube.com/watch?v=MHs4SJai8Ag

Little Sonny (born Aaron Willis; October 6, 1932, in Greensboro, Alabama) is an American electric blues harmonica player, singer and songwriter.^[1] His early mentor and inspiration was Sonny Boy Williamson II. Nevertheless, Little Sonny stated that his nickname was originated by his mother: “[She] called me ‘Sonny boy’ from the time I can remember.” He has released eight albums, including three for a subsidiary of Stax Records. His 1973 release, Hard Goin’ Up, reached the Top 50 in the Billboard R&B chart.

Willis was born in 1932 and raised solely by his mother. He relocated to Detroit in 1953. He had no real interest in music, he said, “But then I saw Sonny Boy Williamson II.” Willis was “spellbound at the way he played. After the show I went home and practiced for hours. Every day after that I would practice until I got the sound I wanted.” His daytime job was working in a used car lot.

Samuel Blythe Price (October 6, 1908 – April 14, 1992) was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price’s playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings.

Price was born in Honey Grove, Texas, United States. Price formally studied the piano with Booker T. Washington‘s daughter, Portia Marshall Washington (1883–1978). In the mid-1920s, when he was employed in a Dallas music store, Price wrote to Paramount Records recommending Blind Lemon Jefferson to the label.

During his early career, he was a singer and dancer in local venues in the Dallas area. Price lived and played jazz in Kansas City, Chicago and Detroit. In 1938 he was hired by Decca Records as a session sideman on piano, assisting singers such as Trixie Smith and Sister Rosetta Tharpe. Price’s trio accompanied Rosetta Tharpe and Marie Knight on many of their gospel recordings such as “Up Above My Head” and “Two Little Fishes and Five Loaves of Bread.”