mick laBriola

Racism 1957 to 2024
Go figure!
November 1919 with riots, lynchings, and mobs across the country. Hundreds of African American lives were claimed and hundreds more were left maimed and homeless. The most violent episodes occurred in Chicago, IL, Washington, D.C. and Elaine, AR and were precursors for what many are now learning to be the Black Wall Street Massacre in Tulsa. Fast forwarding to a century later, the COVID-19 pandemic, the murder of George Floyd and the protests demonstrations attended by millions, as well as the insurrection of 2021, all mirror a place that we have seen before in this country. It seems that syndemics, or rather the aggregation of multiple epidemics (e.g., coronavirus, police brutality), followed by racial violence are the strands that make up America’s DNA.

Emmanuel “Rico” Rodriguez MBE (17 October 1934 – 4 September 2015), also known as Rico, Reco or El Reco, was a Cuban-born Jamaican ska and reggae trombonist. He recorded with producers such as Karl Pitterson, Prince Buster, and Lloyd Daley. He was known as one of the first ska musicians. Beginning in the 1960s, he worked with The Members, The Specials, Jools Holland, and Paul Young.

Rodriguez was born in Havana, Cuba, and at an early age moved with his family to Jamaica. He grew up there in Kingston, and was taught to play the trombone by his slightly older schoolmate Don Drummond at the Alpha Boys School. In the 1950s, Rodriguez became a Rastafarian and was closely associated musically to the rasta drummer Count Ossie.

In 1961 Rodriguez moved to the UK, where he joined live bands such as Georgie Fame‘s Blue Flames and started to play in reggae bands. Rodriguez also began recording with his own band, Rico’s All Stars, and later formed the group Rico and the Rudies, recording the 1969 albums Blow Your Horn and Brixton Cat. In 1976 he recorded the album Man from Wareika under a contract with Island Records. In the late 1970s, he recorded a song called Offshore Banking Business with The Members and with the arrival of the 2 Tone genre, he played with ska revival bands such as The Specials including their single “A Message to You, Rudy“.

Adam Block pic 10-13-24

C/2023 A3 (Tsuchinshan–ATLAS) (or Comet Tsuchinshan–ATLAS or simply Comet A3) is a comet from the Oort cloud discovered by the Purple Mountain Observatory in China on 9 January 2023 and independently found by ATLAS South Africa on 22 February 2023. The comet passed perihelion at a distance of 0.39 AU (58 million km; 36 million mi) on 27 September 2024, when it became visible to the naked eye. Tsuchinshan-Atlas peaked its brightest magnitude shortly after passing the Sun at 9 October, with a magnitude of −4.9 per reported observations at the Comet Observation Database (COBS).

Nel Ust Wyclef Jean (born October 17, 1969) is a Haitian rapper and record producer. At the age of nine, he emigrated with his family to the Northeastern United States. In 1990, he formed the New Jersey–based hip hop trio Fugees with fellow musicians Lauryn Hill and Pras Michel. Jean served as lead guitarist and producer. The group released the albums Blunted on Reality (1994) and The Score (1996), the latter becoming one of the best-selling albums of all time. Following their success, Jean released his debut solo album, Wyclef Jean Presents The Carnival (1997), which yielded the Billboard Hot 100-top ten single “Gone till November“.

In 1997, Jean guest featured on Destiny Child‘s breakout single “No, No, No“. Afterwards, he co-wrote the 1999 singles “My Love Is Your Love” for Whitney Houston, and “Maria Maria” for Santana. His second solo album, The Ecleftic: 2 Sides II a Book (2000) was supported by the top 40 single “911” (featuring Mary J. Blige), and received platinum certification by the Recording Industry Association of America (RIAA). His third album, Masquerade (2002), peaked within the top ten of the Billboard 200. He guest performed on Shakira‘s 2006 single, “Hips Don’t Lie“, which peaked atop the Billboard Hot 100. The following year, his single “Sweetest Girl (Dollar Bill)” (featuring Akon, Lil Wayne and Niia) peaked within the top 20 of the chart and led his sixth studio album, Carnival Vol. II: Memoirs of an Immigrant (2007). The album moderately entered the Billboard 200 and marked his final to be released by a major label.

David Nesta “Ziggy” Marley (born 17 October 1968) is a Jamaican reggae musician. He is the son of reggae icon Bob Marley and Rita Marley. He led the family band Ziggy Marley and the Melody Makers until 2002, with whom he released eight studio albums. After the disbandment, Ziggy launched a successful solo career, releasing eight solo studio albums on his own label, Tuff Gong Worldwide. Ziggy continues his father’s practice of recording and self-releasing all of his music. Marley is an eight-time Grammy Awardwinner and a Daytime Emmy Award recipient.

David Nesta Marley was born in Kingston, Jamaica, on October 17, 1968. He grew up in Trenchtown, a poor neighborhood of Kingston, and in Wilmington, Delaware, where he attended elementary school for a few years. Ziggy grew up very active, playing soccer and running the mountains, a lifestyle passed on by his parents. As the oldest son of Bob and Rita Marley, Ziggy grew up surrounded by music. He has 5 half brothers, one brother, and two sisters. He received guitar and drum lessons from his father and began sitting in on Wailers recording sessions by the age of ten.

In the earliest known record of his musical career, Marley performed as part of a singing group called The Seven Do Bees, made up of him and his classmates, and wherein he was given the stage name “Freddie Dic”. The name never stuck, however, and instead, David went on to become known as “Ziggy”, a nickname often reported to have been given to him by his father Bob Marley, meaning “little spliff”. However, Ziggy stated the following to Melody Maker magazine in 1988: “Me name David but me big Bowiefan. So at the time of the Ziggy Stardust album, me call meself Ziggy and now everyone do.”

During the late 1970s, Ziggy could also be seen alongside his brother Stephen at some of their father’s larger concerts around Jamaica and abroad. In 1978, the duo appeared on stage at the One Love Peace Concert in Kingston, and the following year at Reggae Sunsplash II in Montego Bay.

Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a “first call” guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.

Kessel was born in Muskogee, Oklahoma in 1923 to a Jewish family. Kessel’s father was an immigrant from Hungary who owned and operated a shoe shop. A self-taught guitarist, his only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager, touring with local swing bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him “Fruitcake” because he practiced in excess of 16 hours per day. Kessel gained recognition due in part to his youth, and in part to being the only white musician playing in all-African-American bands at black clubs.

In the early 1940s, he moved to Los Angeles, where for one year he was a member of the Chico Marx big band. Noticed by Norman Granz, he appeared in the 1944 film Jammin’ the Blues, which featured Lester Young. Soon after, he played in the bands of Charlie Barnet and Artie Shaw. During the day, he worked as a studio musician and at night played bop-oriented jazz in clubs. In 1947, he recorded with Charlie Parker. He worked in Jazz at the Philharmonic and for one year in the early 1950s he was a member of the Oscar Peterson trio. After leaving the trio, he recorded several solo albums for Contemporary. He recorded a series of albums with Ray Brown and Shelly Manne as The Poll Winnersbecause the three of them often won polls conducted by Metronome and DownBeat magazines. He was the guitarist on the album Julie Is Her Name (1955) by Julie London, which includes the standard “Cry Me a River“, selling a million copies and demonstrated Kessel’s chordal approach to guitar.

Jones-Emberson 1 (PK 164+31.1), also known as the Headphone Nebula, is a 14th magnitude planetary nebula in the constellation Lynx at a distance of 1600 light years. It is a larger planetary with low surface brightness. The 16.8-magnitude central star is a very blue white dwarf.