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Earl Klugh (/kluː/ KLOO; born September 16, 1953) is an American acoustic guitarist and composer. He has won one Grammy award and thirteen nominations. Klugh was awarded the “1977” Best Recording Award For Performance and Sound” for his album “Finger Painting” by “Swing Journal” a Japanese jazz magazine.

At the age of six, Klugh commenced training on the piano until he switched to the guitar at the age of ten. At the age of thirteen, Klugh was captivated by the guitar playing of Chet Atkins when Atkins made an appearance on the Perry Como Show. Klugh was a performing guest on several of Atkins’ albums. Atkins, reciprocating as well, joined Earl on his Magic In Your Eyes album. Klugh also appeared with Atkins on several television programs, including Hee Haw and a 1994 TV special titled “Read my Licks”. Klugh was also influenced by Bob James, Ray Parker Jr, Wes Montgomery and Laurindo Almeida. His sound is a blend of these jazz, pop and rhythm and blues influences, forming a potpourri of sweet contemporary music original to only him.

Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album Jazz Samba, a recording which brought bossa nova into the mainstream of North American music.

Byrd played fingerstyle on a classical guitar.

Charlie Byrd was born in 1925 in Suffolk, Virginia, and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene “Joe” Byrd, who was a bass player. In 1942, Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943, he was drafted into the United States Army, saw combat in World War II, and was stationed in Paris in 1945. There he played in an Army Special Services band and toured occupied Europe in the all-soldier production G.I. Carmen.

Madurai Shanmukhavadivu Subbulakshmi (16 September 1916 – 11 December 2004) was an Indian Carnatic singer from Madurai, Tamil Nadu. She was the first musician ever to be awarded the Bharat Ratna, India’s highest civilian honour. She is the first Indian musician to receive the Ramon Magsaysay award in 1974 with the citation reading “Exacting purists acknowledge Srimati M. S. Subbulakshmi as the leading exponent of classical and semi-classical songs in the carnatic tradition of South India. She was the First Indian who performed in United Nations General Assemblyin 1966.”

Derived from flamenco’s earliest root forms, the tonás, siguiriyas is one of flamenco’s oldest and deepest forms. Its name is a corruption of the term seguidillas, a group of 18th Century songs and dances. Siguiriyas first emerged in the 18th Century in Cádiz, Sevilla and Jerez de la Frontera. Slow, majestic and tragic, Siguiriyas is the most jondo of cante jondo forms. Its lyrics focus on tragedy, inconsolable sorrow, and pain.  An important feature of Siguiriyas is its unusual compás which gives the form its unique, uneven pattern and much of its expressive power. Siguiriyas is a highly personal form and most artists associated with the style, such as El Planeta, La Niña de los Peines, Manuel Molina and Antonio Chacón, created their own extraordinary versions.

James Edward “Snooky” Pryor (September 15, 1919 or 1921 – October 18, 2006) was an American Chicago blues harmonica player. He claimed to have pioneered the now-common method of playing amplified harmonica by cupping a small microphone in his hands along with the harmonica, although on his earliest records, in the late 1940s, he did not use this method.

Pryor was born in Lambert, Mississippi, United States. He developed a country blues style influenced by Sonny Boy Williamson I (John Lee Williamson) and Sonny Boy Williamson II (Aleckhttps://www.youtube.com/watch?v=vNg4VNqB_24 Ford “Rice” Miller). In the mid-1930s, in and around Vance, Mississippi, Pryor played in impromptu gatherings of three or four harmonica players, including Jimmy Rogers, who then lived nearby and had yet to take up playing the guitar. Pryor moved to Chicago around 1940.

While serving in the U.S. Army he would blow bugle calls through a PA system, which led him to experiment with playing the harmonica that way. However, Most historians credit the idea to Little Walter. Upon discharge from the Army in 1945, he obtained his own amplifier and began playing harmonica at the outdoor Maxwell Street Market, becoming a regular on the Chicago blues scene.

Roy Claxton Acuff (September 15, 1903 – November 23, 1992) was an American country music singer, fiddler, and promoter. Known as the “King of Country Music”, Acuff is often credited with moving the genre from its early string band and “hoedown” format to the singer-based format that helped make it internationally successful. In 1952, Hank Williams told Ralph Gleason, “He’s the biggest singer this music ever knew. You booked him and you didn’t worry about crowds. For drawing power in the South, it was Roy Acuff, then God.”

Acuff began his music career in the 1930s and gained regional fame as the singer and fiddler for his group, the Smoky Mountain Boys. He joined the Grand Ole Opryin 1938, and although his popularity as a musician waned in the late 1940s, he remained one of the Opry’s key figures and promoters for nearly four decades. In 1942, Acuff and Fred Rose founded Acuff-Rose Music, the first major Nashville-based country music publishing company, which signed such artists as Hank Williams, Roy Orbison, and the Everly Brothers. In 1962, Acuff became the first living inductee into the Country Music Hall of Fame.

Acuff was born on September 15, 1903 in Maynardville, Tennessee, to Ida Florence (née Carr) and Simon E. Neill Acuff, the third of their five children. Acuff is of Scottish ancestry, and his ancestors came to North America during the colonial era, settling in the mountains of Virginia and the Carolinas. The Acuffs were a fairly prominent family in Union County.

Julian Edwin “Cannonball” Adderley (September 15, 1928 – August 8, 1975) was an American jazz alto saxophonist of the hard bop era of the 1950s and 1960s.

Adderley is perhaps best remembered for the 1966 soul jazz single “Mercy, Mercy, Mercy“, which was written for him by his keyboardist Joe Zawinul and became a major crossover hit on the pop and R&B charts. A cover version by the Buckinghams, who added lyrics, also reached #5 on the charts. Adderley worked with Miles Davis, first as a member of the Davis sextet, appearing on the seminal records Milestones (1958) and Kind of Blue (1959), and then on his own 1958 album Somethin’ Else. He was the elder brother of jazz trumpeter Nat Adderley, who was a longtime member of his band.

Julian Edwin Adderley was born on September 15, 1928, in Tampa, Florida. Elementary school classmates called him “cannonball” (i.e., “cannibal”) after his voracious appetite.

Cannonball moved to Tallahassee when his parents obtained teaching positions at Florida A&M University. Both Cannonball and brother Nat played with Ray Charles when Charles lived in Tallahassee during the early 1940s. Adderley moved to Broward County, Florida, in 1948 after finishing his music studies at Florida A&M and became the band director at Dillard High School in Fort Lauderdale, a position which he held until 1950.

Arvell Shaw (September 15, 1923 – December 5, 2002) was an American jazz double-bassist, best known for his work with Louis Armstrong.

He was born on September 15, 1923 in St. Louis, Missouri. Shaw learned to play tuba in high school, but switched to bass soon after. In 1942 he worked with Fate Marable on riverboats traveling on the Mississippi River, then served in the Navy from 1942 to 1945. After his discharge he played with Armstrong in his last big band, from 1945 to 1947. Shaw and Sid Catlett then joined the Louis Armstrong All-Stars until 1950, when Shaw broke off to study music. He returned to play with Armstrong from 1952 to 1956, and performed in the 1956 musical, High Society.

Edward Calhoun King  (September 14, 1949 – August 22, 2018)  was an American musician. He was a guitarist for the psychedelic rock band Strawberry Alarm Clock and guitarist and bassist for the Southern rock band Lynyrd Skynyrd from 1972 to 1975 and again from 1987 to 1996.

King was born in the Los Angeles suburb of Glendale, California. He was one of the founding members of the LA-based Strawberry Alarm Clock, a mid-1960s pop psychedelic rock band. The band’s largest success was with the 1967 single “Incense and Peppermints“, which reached No. 1 on the Billboard Hot 100. While with the band he played both electric guitar and bass guitar. The band’s popularity waned considerably in the early 1970s. Faced with the loss of their recording contract with Uni Records and with internal conflicts over musical direction, Strawberry Alarm Clock disbanded in early 1972. King opted to remain in the South, inspired by an up-and-coming band called Lynyrd Skynyrd.

Joseph Jarman (September 14, 1937 – January 9, 2019) was an American jazz musician, composer, poet, and Shinshu Buddhist priest. He was one of the first members of the Association for the Advancement of Creative Musicians and a member of the Art Ensemble of Chicago.

He was born in Pine Bluff, Arkansas, United States. Jarman grew up in Chicago, Illinois. At DuSable High School, he studied drums with Walter Dyett, switching to saxophone and clarinet when he joined the United States Army after graduation. During his time there, he was part of the 11th Airborne Division Band for a year.