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Otis Ray Redding Jr. (September 9, 1941 – December 10, 1967) was an American singer and songwriter. He is considered one of the greatest singers in the history of American popular music and a seminal artist in soul music and rhythm and blues. Nicknamed the “King of Soul“, Redding’s style of singing gained inspiration from the gospel music that preceded the genre. His singing style influenced many other soul artists of the 1960s.
Redding was born in Dawson, Georgia, and at age two, moved to Macon. Redding quit school at age 15 to support his family, working with Little Richard‘s backing band, the Upsetters, and by performing in talent shows at the historic Douglass Theatre in Macon. In 1958, he joined Johnny Jenkins‘s band, the Pinetoppers, with whom he toured the Southern states as a singer and driver. An unscheduled appearance on a Stax recording session led to a contract and his first hit single, “These Arms of Mine“, in 1962.
Stax released Redding’s debut album, Pain in My Heart, two years later. Initially popular mainly with African-Americans, Redding later reached a wider American pop music audience. Along with his group, he first played small shows in the American South. Redding later performed at the popular Los Angeles night club Whisky a Go Go and toured Europe, performing in London, Paris and other major cities. He also performed at the Monterey Pop Festival in 1967.
Shortly before his death in a plane crash, Redding wrote and recorded his iconic “(Sittin’ On) The Dock of the Bay” with Steve Cropper. The song became the first posthumous number-one record on both the Billboard Hot 100 and R&B charts. The album The Dock of the Bay was the first posthumous album to reach number one on the UK Albums Chart. Redding’s premature death devastated Stax. Already on the verge of bankruptcy, the label soon discovered that the Atco division of Atlantic Records owned the rights to his entire song catalog.
Redding received many posthumous accolades, including two Grammy Awards, the Grammy Lifetime Achievement Award and induction into the Rock and Roll Hall of Fame, the Black Music & Entertainment Walk of Fame. and the Songwriters Hall of Fame. In addition to “(Sittin’ On) The Dock of the Bay”, “Respect” and “Try a Little Tenderness” are among his best-known songs.
By 1967, the band was traveling to performances in Redding’s Beechcraft H18 airplane. On December 9, they appeared on the Upbeat television show produced in Cleveland. They played three concerts in two nights at a club called Leo’s Casino. After a phone call with his wife and children, Redding’s next stop was Madison, Wisconsin; the next day, Sunday, December 10, they were to play at the Factory nightclub, near the University of Wisconsin.
Although the weather was poor, with heavy rain and fog, and despite warnings, the plane took off. Four miles (6.5 km) from their destination at Truax Field in Madison, pilot Richard Fraser radioed for permission to land. Shortly thereafter, the plane crashed into Lake Monona. Bar-Kays member Ben Cauley, the accident’s only survivor, was sleeping shortly before the accident.
more...Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era.
Most famously a member of John Coltrane‘s quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such widely celebrated albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Goia calls Jones “one of the most influential drummers in the history of jazz.” He was also named Number 23 on Rolling Stone Magazine’s 100 Greatest Drummers of All Time.
Elvin Jones was born in Pontiac, Michigan, to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississippi. His elder brothers were pianist Hank Jones and trumpeter Thad Jones, both highly regarded musicians as well. By age two he said drums held a special fascination for him. He would watch the circus parades go past his home as a child, and was particularly excited by the marching band drummers.
Following this early passion, Elvin joined his high school’s black marching band, where he developed his foundation in rudiments. Jones served in the United States Army from 1946 to 1949. With his mustering-out pay (and an additional $35.00 borrowed from his sister), Jones purchased his first drumset.
more...Tarantas and Taranto are two related styles (palos) of Flamenco music, that originated in the Andalusian province of Almería. Each is characterized by a shared modality (F-sharp Phrygian) and harmonic progression (Bm–A7–G–F-sharp), but differ significantly with respect to rhythm and meter. Tarantas is a cante libre (or toque libre, if played as a solo), meaning that it lacks both a regular rhythmic pattern (compás, in flamenco terminology) and a regular rhythmic unit (or beat). It can be sung or played, but not danced. Taranto, conversely, has a regular 2/4-meter, and is danceable. When played on, or accompanied by, the guitar, both palos have a unique and characteristic sound that is created, in part, by dissonances that result from the use of the guitar’s first three open strings (E, B, and G, respectively), in combination with harmonies and melodies based on the F-sharp Phrygian mode.
“Taranta”, as flamenco style, was originated in the region of Almeria. “Taranta” is one of the “cantes minero-levantinos” and is the origin of mining songs. It is composed by a couplet of 4 or 5 eight-syllable verses. One of them is repeated when is sung. The first “taranta” singer was Rojo “el Alpargatero” who sang on the basis of “fandangos”. It is a free interpretation in every verse of the song.
more...Teaching a Rhythm Roots Workshop at Tasks Unlimited (https://tasksunlimited.org) St Louis Park location working with the Mental Health community. Celebrating world drumming and world cultures. Sept 1st thru Oct 13th on Thursdays.
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On the left, bright emission outlined by dark, obscuring dust lanes seems to trace a continental shape, lending the popular name North America Nebula to the emission region cataloged as NGC 7000. To the right, just off the North America Nebula’s east coast, is IC 5070, whose avian profile suggests the Pelican Nebula. The two bright nebulae are about 1,500 light-years away, part of the same large and complex star forming region, almost as nearby as the better-known Orion Nebula. At that distance, the 3 degree wide field of view would span 80 light-years. This careful cosmic portrait uses narrowband images combined to highlight the bright ionization fronts and the characteristic glow from atomic hydrogen, and oxygen gas. These nebulae can be seen with binoculars from a dark location. Look northeast of bright star Deneb in Cygnus the Swan, soaring high in the northern summer night sky.
Ronald Charles McKernan (September 8, 1945 – March 8, 1973 San Bruno, CA), known as Pigpen, was an American musician. He was a founding member of the San Francisco band the Grateful Dead and played in the group from 1965 to 1972.
McKernan grew up heavily influenced by African-American music, particularly the blues, and enjoyed listening to his father’s collection of records and taught himself how to play harmonica and piano. He began socializing around the San Francisco Bay Area, becoming friends with Jerry Garcia. After the pair had played in various folk and jug bands, McKernan suggested they form an electric group, which became the Grateful Dead. He was the band’s original frontman as well as playing harmonica and electric organ, but Garcia and bassist Phil Lesh‘s influences on the band became increasingly stronger as they embraced psychedelic rock. McKernan struggled to keep up with the changing music, causing the group to hire keyboardist Tom Constanten, with McKernan’s contributions essentially limited to vocals, harmonica, and percussion from November 1968 to January 1970. He continued to be a frontman in concert for some numbers, including his interpretations of Bobby Bland‘s “Turn On Your Love Light” and the Rascals‘ “Good Lovin’“.
Unlike the other members of the Grateful Dead, McKernan avoided psychedelic drugs, preferring to drink alcohol (namely whiskey and flavored fortified wine). By 1971, his health had been affected by alcoholism and liver damage and doctors advised him to stop touring. Following a hiatus, he resumed touring with the group in December 1971 but was forced to retire from touring altogether in June 1972. McKernan was found dead of a gastrointestinal hemorrhage on March 8, 1973, aged 27, and is buried at Alta Mesa Memorial Park in Palo Alto.
more...David William Kearney (September 8, 1934 – April 20, 2022), known as Guitar Shorty, was an American blues guitarist, singer, and songwriter. He was known for his explosive guitar style and wild stage antics. Credited with influencing both Jimi Hendrix and Buddy Guy, Guitar Shorty recorded and toured from the 1950s until the 2020s. In 2017, Billboard magazine said, “his galvanizing guitar work defines modern, top-of-the-line blues-rock. His vocals remain as forceful as ever. Righteous shuffles…blistering, sinuous guitar solos.”
Shorty was born in either Houston, Texas, or Loughman, Florida. He grew up mainly in Kissimmee, Florida. He was taught by his uncle to play the guitar at an early age, and began leading a band not long after. During his time in Tampa Bay, Florida, at age 16 he received his nickname, Guitar Shorty, when it mysteriously showed up on the marquee of the club he was playing as ‘The Walter Johnson Band featuring Guitar Shorty.’ He steadily began to garner accolades from his peers and, soon after, he joined the Ray Charles Band for a year. He recorded his first single in 1957, “You Don’t Treat Me Right”, for the Cobra label under the direction of Willie Dixon, after Dixon saw him playing with the Walter Johnson Orchestra.
more...James Earl Clay (born September 8, 1935 – January 6, 1995) was an American jazz tenor saxophonist and flutist.
Clay was born in Dallas, Texas, on September 8, 1935. While in school, Clay played alto saxophone, and then played with local bands from around the age of 17.
Clay moved to California in 1955, where he initially played in jam sessions. He appeared on recordings with Lawrence Marable the following year. Clay then played with freer musicians including Don Cherry, Billy Higgins, and Ornette Coleman, before returning to Dallas in 1958. He joined the military in 1959, and recorded two albums as a leader the following year. Back in California, he led a quartet with Roosevelt Wardell, Jimmy Bond, and Frank Butler, but soon returned to Texas. He toured with Lowell Fulson in the early 1960s, and with Ray Charles on and off between 1962 and 1977. A reappearance on a recording led by Cherry in 1988 – Art Deco – led to a short resurgence of interest in Clay’s career. He died in Dallas on January 6, 1995.
more...Wilbur Bernard Ware (September 8, 1923 – September 9, 1979) was an American jazz double bassist. He was a regular bassist for the Riverside record label in the 1950s, and recorded regularly in that decade with Johnny Griffin, Kenny Dorham, Kenny Drew, and Thelonious Monk. He also appeared on records released by J.R. Monterose, Toots Thielemans, Sonny Clark, Tina Brooks, Zoot Sims, and Grant Green, among others.
Ware grew up in Chicago where he taught himself to play drums, banjo, bass while playing at church. In the 1940s, he worked with Stuff Smith, Sonny Stitt, and Roy Eldridge. He recorded with Sun Ra in the early 1950s. Later in the 1950s, settling in New York City, Ware played with Eddie Vinson, Art Blakey, and Buddy DeFranco. His only album recorded as a leader during his lifetime was The Chicago Sound, from 1957 when he worked for Riverside. He made jazz instructional albums for Music Minus One. In 1958, Ware was one of 57 jazz musicians to appear in the photograph A Great Day in Harlem.
Ware was a member of the Thelonious Monk quartet from 1957 to 1958. He also performed and recorded in 1957 with the Sonny Rollins Trio at the Village Vanguard. Largely self taught, Ware had an unorthodox but highly unique and percussive approach to the bass.
Ware’s addiction to narcotics resulted in his return to Chicago in 1963, and then to a period of incarceration. He was inactive musically for about six years. In 1969, Ware played with Clifford Jordan, Elvin Jonesand Sonny Rollins. He died from emphysema in Philadelphia, Pennsylvania, in 1979.
more...Near the center of a nearby star-forming region lies a massive cluster containing some of the largest and hottest stars known. Collectively known as star cluster NGC 2070, these stars are part of the vast Tarantula Nebulaand were captured in two kinds of infrared light by the new Webb Space Telescope. The main image shows the group of stars at NGC 2070’s center — known as R136 — in near-infrared, light just a bit too red for humans to see. In contrast, the rollover image captures the cluster center in mid-infrared light, light closer to radio waves. Since R136‘s brightest stars emit more of their light in the near infrared, they are much more prominent on that image. This LMCcluster’s massive stars emit particle winds and energetic light that are evaporating the gas cloud from which they formed. The Webb images, released yesterday, shows details of R136 and its surroundings that have never been seen before, details that are helping humanity to better understanding of how all stars are born, evolve and die.
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Joseph Dwight Newman (September 7, 1922 – July 4, 1992) was an American jazz trumpeter, composer, and educator, best known as a musician who worked with Count Basie during two periods.
Newman was born in New Orleans, Louisiana, to Dwight, (pianist) and Louise Newman, a musical family, having his first music lessons from David Jones. He attended Alabama State College, where he joined the college band (the Bama State Collegians), became its leader, and took it on tour.
more...James Milton Campbell Jr. (September 7, 1934 – August 4, 2005), better known as Little Milton, was an American blues singer and guitarist, best known for his number-one R&B single “We’re Gonna Make It“. His other hits include “Baby, I Love You“, “Who’s Cheating Who?”, and “Grits Ain’t Groceries (All Around The World)“.
A native of the Mississippi Delta, Milton began his recording career in 1953 at Sun Records before relocating to St. Louis and co-founding Bobbin Records in 1958. It wasn’t until Milton signed to Checker Records that he achieved success on the charts. Other labels Milton recorded for include Meteor, Stax, Glades, Golden Ear, MCA, and Malaco. Milton was inducted into the Blues Hall of Fame in 1988.
Milton was born James Milton Campbell Jr. on September 7, 1934 in Inverness, Mississippi. He was raised in Greenville, Mississippi by a farmer and local blues musician. By age twelve he was a street musician, chiefly influenced by T-Bone Walker and his blues and rock and roll contemporaries. He joined the Rhythm Aces in the early part of the 1950s, a three piece band who played throughout the Mississippi Delta area. One of the members was Eddie Cusic who taught Milton to play the guitar. In 1951, Milton recorded several sides backing pianist Willie Love for Trumpet Records.
more...Charles Hardin Holley (September 7, 1936 – February 3, 1959 Lubbock, TX), known as Buddy Holly, was an American singer and songwriter who was a central and pioneering figure of mid-1950s rock and roll. He was born to a musical family in Lubbock, Texas during the Great Depression, and learned to play guitar and sing alongside his siblings. His style was influenced by gospel music, country music, and rhythm and blues acts, which he performed in Lubbock with his friends from high school.
He made his first appearance on local television in 1952, and the following year he formed the group “Buddy and Bob” with his friend Bob Montgomery. In 1955, after opening for Elvis Presley, he decided to pursue a career in music. He opened for Presley three times that year; his band’s style shifted from country and western to entirely rock and roll. In October that year, when he opened for Bill Haley & His Comets, he was spotted by Nashville scout Eddie Crandall, who helped him get a contract with Decca Records.
Holly’s recording sessions at Decca were produced by Owen Bradley, who had become famous for producing orchestrated country hits for stars like Patsy Cline. Unhappy with Bradley’s musical style and control in the studio, Holly went to producer Norman Petty in Clovis, New Mexico, and recorded a demo of “That’ll Be the Day“, among other songs. Petty became the band’s manager and sent the demo to Brunswick Records, which released it as a single credited to “The Crickets“, which became the name of Holly’s band. In September 1957, as the band toured, “That’ll Be the Day” topped the US and UK singles charts. Its success was followed in October by another major hit, “Peggy Sue“.
The album The “Chirping” Crickets, released in November 1957, reached number five on the UK Albums Chart. Holly made his second appearance on The Ed Sullivan Show in January 1958 and soon after toured Australia and then the UK. In early 1959, he assembled a new band, consisting of future country music star Waylon Jennings (bass), famed session musician Tommy Allsup (guitar), and Carl Bunch (drums), and embarked on a tour of the midwestern US. After a show in Clear Lake, Iowa, he chartered an airplane to travel to his next show in Moorhead, Minnesota. Soon after takeoff, the plane crashed, killing Holly, Ritchie Valens, The Big Bopper, and pilot Roger Peterson in a tragedy later referred to by Don McLean as “The Day the Music Died” in his song “American Pie“.
During his short career, Holly wrote and recorded many songs. He is often regarded as the artist who defined the traditional rock-and-roll lineup of two guitars, bass, and drums. He was a major influence on later popular music artists, including Bob Dylan, The Beatles, The Rolling Stones, Eric Clapton, The Hollies (who named themselves in his honor), Elvis Costello, Dave Edmunds, Marshall Crenshaw, and Elton John. He was among the first artists inducted into the Rock and Roll Hall of Fame, in 1986. Rolling Stone magazine ranked him number 13 in its list of “100 Greatest Artists.”
more...Walter Theodore “Sonny” Rollins (born September 7, 1930) is an American jazz tenor saxophonist who is widely recognized as one of the most important and influential jazz musicians. In a seven-decade career, he has recorded over sixty albums as a leader. A number of his compositions, including “St. Thomas“, “Oleo“, “Doxy“, “Pent-Up House”, and “Airegin“, have become jazz standards. Rollins has been called “the greatest living improviser” and the “Saxophone Colossus”.
Rollins was born in New York City to parents from the United States Virgin Islands. The youngest of three siblings, he grew up in central Harlem and on Sugar Hill, receiving his first alto saxophone at the age of seven or eight. He attended Edward W. Stitt Junior High School and graduated from Benjamin Franklin High Schoolin East Harlem. Rollins began piano lessons at age nine. At 14, he picked up the alto saxophone, and finally switched to tenor at the age of 16 after being influenced by his idol Coleman Hawkins. During his high school years, he played in a band with other future jazz legends Jackie McLean, Kenny Drew, and Art Taylor.
more...https://www.youtube.com/watch?v=sarT6wuID7A
more...Musician Angus “Drummie Zeb” Gaye, the lead vocalist and drummer for the British reggae band Aswad, has died aged 62, according to a statement.
“It is with deepest regret and profound loss that we have to announce the passing of our brother Angus ‘Drummie’ Gaye,” the band said. “Drummie has left us to join our ancestors and leaves a huge void both personally and professionally.”
Aswad, the trio of Angus Gaye, Brinsley Forde and Tony Robinson, were the first reggae band in the UK signed to an international label, Island Records, in the 1970s, and swiftly became a classic British reggae act creating 15 albums in two decades.
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