mick laBriola

On October 14 it was hard to capture a full view of Comet C/2023 A3 Tsuchinshan-ATLAS. Taken after the comet’s closest approach to our fair planet, this evening skyview almost does though. With two telephoto frames combined, the image stretches about 26 degrees across the sky from top to bottom, looking west from Gates Pass, Tucson, Arizona. Comet watchers that night could even identify globular star cluster M5 and the faint apparition of periodic comet 13P Olbers near the long the path of Tsuchinshan-ATLAS’s whitish dust tail above the bright comet’s coma. Due to perspective as the Earth is crossing the comet’s orbital plane, Tsuchinshan-ATLAS also has a pronounced antitail. The antitail is composed of dust previously released and fanning out away from the Sun along the comet’s orbit, visible as a needle-like extension below the bright coma toward the rugged western horizon.

Esperanza Emily Spalding (stylized in lowercase, born October 18, 1984) is an American bassist, singer, songwriter, and composer. Her accolades include five Grammy Awards, a Boston Music Award, a Soul Train Music Award, and two honorary doctorates: one from her alma mater Berklee College of Music and one from the California Institute of the Arts (CalArts).

Born and raised in Portland, Oregon, Spalding began playing music professionally in her childhood, performing as a violinist in the Chamber Music Society of Oregon at age five. She was later both self-taught and trained on other instruments, including guitar and bass. Her proficiency earned her academic scholarships to Portland State University and Berklee College of Music, both of which she attended, studying music.

Spalding released her first album, Junjo, in 2006 on the Spanish label Ayva Musica, after which she signed with the independent American label Heads Up, who released her 2008 self-titled album. Her third studio album, Chamber Music Society (2010), was a commercial success, charting at number 34 on the Billboard 200, and resulting in Spalding winning her first Grammy Award for Best New Artist. She saw further acclaim for her fourth release, Radio Music Society (2012), which earned the Grammy for Best Jazz Vocal Album, as well as the track “City of Roses” winning for Best Arrangement, Instrument and Vocals.

After spending the following several years performing as a supporting band player, Spalding released her fifth studio album, a funk rock-inspired concept album titled Emily’s D+Evolution, co-produced by Tony Visconti, on Concord Records. The following year, she released the album Exposure, which was limited to 7,777 copies. Her subsequent sixth studio record, 12 Little Spells, was released in 2019, and peaked at number one on Billboard’s Top Jazz Albums. The album also saw Spalding nominated for two Grammy Awards, winning in the Best Jazz Vocal Album category.

In addition to writing and performing music, Spalding has also worked as an instructor, first at the Berklee College of Music, beginning at age 20. In 2017, Spalding was appointed professor of the practice of music at Harvard University, a position from which she resigned in 2022.

Wynton Learson Marsalis (born October 18, 1961) is an American trumpeter, composer, and music instructor, who is currently the artistic director of Jazz at Lincoln Center. He has been active in promoting classical and jazz music, often to young audiences. Marsalis has won nine Grammy Awards, and his oratorio Blood on the Fields was the first jazz composition to win the Pulitzer Prize for Music. Marsalis is the only musician to have won a Grammy Award in both jazz and classical categories in the same year.

Marsalis was born in New Orleans, Louisiana, on October 18, 1961, and grew up in the suburb of Kenner. He is the second of six sons born to Dolores Ferdinand Marsalis and Ellis Marsalis Jr., a pianist and music teacher. He was named after jazz pianist Wynton Kelly. Branford Marsalis is his older brother and Jason Marsalis and Delfeayo Marsalis are younger. All three are jazz musicians. While sitting at a table with trumpeters Al Hirt, Miles Davis, and Clark Terry, his father jokingly suggested that he might as well get Wynton a trumpet, too. Hirt volunteered to give him one, so at the age of six Marsalis received his first trumpet.

Although he owned a trumpet when he was six, he did not practice much until he was 12. He attended Benjamin Franklin High School and the New Orleans Center for Creative Arts. He studied classical music at school and jazz at home with his father. He played in funk bands and a marching band led by Danny Barker. He performed on trumpet publicly as the only black musician in the New Orleans Civic Orchestra. After winning a music contest at fourteen, he performed Joseph Haydn’s trumpet concerto with the New Orleans Philharmonic. Two years later he performed Brandenburg Concerto No. 2 in F Major by Bach. At seventeen, he was one of the youngest musicians admitted to Tanglewood Music Center. Marsalis applied to only two music colleges, the Juilliard School and Northwestern University. He was accepted to both schools and chose to attend the former.

Charles Edward Anderson Berry (October 18, 1926 – March 18, 2017 St Louis) was an American singer, guitarist and songwriter who pioneered rock and roll. Nicknamed the “Father of Rock and Roll“, he refined and developed rhythm and blues into the major elements that made rock and roll distinctive with songs such as “Maybellene” (1955), “Roll Over Beethoven” (1956), “Rock and Roll Music” (1957), and “Johnny B. Goode” (1958). Writing lyrics that focused on teen life and consumerism, and developing a music style that included guitar solos and showmanship, Berry was a major influence on subsequent rock music.

Born into a middle-class black family in St. Louis, Berry had an interest in music from an early age and gave his first public performance at Sumner High School. While still a high school student, he was convicted of armed robbery and was sent to a reformatory, where he was held from 1944 to 1947. After his release, Berry settled into married life and worked at an automobile assembly plant. By early 1953, influenced by the guitar riffs and showmanship techniques of the blues musician T-Bone Walker, Berry began performing with the Johnnie Johnson Trio. His break came when he traveled to Chicago in May 1955 and met Muddy Waters, who suggested he contact Leonard Chess, of Chess Records. With Chess, he recorded “Maybellene”—Berry’s adaptation of the country song “Ida Red“—which sold over a million copies, reaching number one on Billboard magazine’s rhythm and blues chart.

By the end of the 1950s, Berry was an established star, with several hit records and film appearances and a lucrative touring career. He had also established his own St. Louis nightclub, Berry’s Club Bandstand.He was sentenced to three years in prison in January 1962 for offenses under the Mann Act—he had transported a 14-year-old girl across state lines for the purpose of having sexual intercourse. After his release in 1963, Berry had several more successful songs, including “No Particular Place to Go“, “You Never Can Tell“, and “Nadine“. However, these did not achieve the same success or lasting impact of his 1950s songs, and by the 1970s he was more in demand as a nostalgia performer, playing his past material with local backup bands of variable quality. In 1972, he reached a new level of achievement when a rendition of “My Ding-a-Ling” became his only record to top the charts. His insistence on being paid in cash led in 1979 to a four-month jail sentence and community service, for tax evasion.

Berry was among the first musicians to be inducted into the Rock and Roll Hall of Fame on its opening in 1986; he was cited for having “laid the groundwork for not only a rock and roll sound but a rock and roll stance.”^[8] Berry is included in several of Rolling Stone magazine’s “greatest of all time” lists; he was ranked fifth on its 2004 and 2011 lists of the 100 Greatest Artists of All Time and 2nd greatest guitarist of all time in 2023. The Rock and Roll Hall of Fame’s 500 Songs That Shaped Rock and Roll includes three of Berry’s: “Johnny B. Goode”, “Maybellene”, and “Rock and Roll Music”. “Johnny B. Goode” is the only rock-and-roll song included on the Voyager Golden Record.

Racism 1957 to 2024
Go figure!
November 1919 with riots, lynchings, and mobs across the country. Hundreds of African American lives were claimed and hundreds more were left maimed and homeless. The most violent episodes occurred in Chicago, IL, Washington, D.C. and Elaine, AR and were precursors for what many are now learning to be the Black Wall Street Massacre in Tulsa. Fast forwarding to a century later, the COVID-19 pandemic, the murder of George Floyd and the protests demonstrations attended by millions, as well as the insurrection of 2021, all mirror a place that we have seen before in this country. It seems that syndemics, or rather the aggregation of multiple epidemics (e.g., coronavirus, police brutality), followed by racial violence are the strands that make up America’s DNA.

Emmanuel “Rico” Rodriguez MBE (17 October 1934 – 4 September 2015), also known as Rico, Reco or El Reco, was a Cuban-born Jamaican ska and reggae trombonist. He recorded with producers such as Karl Pitterson, Prince Buster, and Lloyd Daley. He was known as one of the first ska musicians. Beginning in the 1960s, he worked with The Members, The Specials, Jools Holland, and Paul Young.

Rodriguez was born in Havana, Cuba, and at an early age moved with his family to Jamaica. He grew up there in Kingston, and was taught to play the trombone by his slightly older schoolmate Don Drummond at the Alpha Boys School. In the 1950s, Rodriguez became a Rastafarian and was closely associated musically to the rasta drummer Count Ossie.

In 1961 Rodriguez moved to the UK, where he joined live bands such as Georgie Fame‘s Blue Flames and started to play in reggae bands. Rodriguez also began recording with his own band, Rico’s All Stars, and later formed the group Rico and the Rudies, recording the 1969 albums Blow Your Horn and Brixton Cat. In 1976 he recorded the album Man from Wareika under a contract with Island Records. In the late 1970s, he recorded a song called Offshore Banking Business with The Members and with the arrival of the 2 Tone genre, he played with ska revival bands such as The Specials including their single “A Message to You, Rudy“.

Adam Block pic 10-13-24

C/2023 A3 (Tsuchinshan–ATLAS) (or Comet Tsuchinshan–ATLAS or simply Comet A3) is a comet from the Oort cloud discovered by the Purple Mountain Observatory in China on 9 January 2023 and independently found by ATLAS South Africa on 22 February 2023. The comet passed perihelion at a distance of 0.39 AU (58 million km; 36 million mi) on 27 September 2024, when it became visible to the naked eye. Tsuchinshan-Atlas peaked its brightest magnitude shortly after passing the Sun at 9 October, with a magnitude of −4.9 per reported observations at the Comet Observation Database (COBS).

Nel Ust Wyclef Jean (born October 17, 1969) is a Haitian rapper and record producer. At the age of nine, he emigrated with his family to the Northeastern United States. In 1990, he formed the New Jersey–based hip hop trio Fugees with fellow musicians Lauryn Hill and Pras Michel. Jean served as lead guitarist and producer. The group released the albums Blunted on Reality (1994) and The Score (1996), the latter becoming one of the best-selling albums of all time. Following their success, Jean released his debut solo album, Wyclef Jean Presents The Carnival (1997), which yielded the Billboard Hot 100-top ten single “Gone till November“.

In 1997, Jean guest featured on Destiny Child‘s breakout single “No, No, No“. Afterwards, he co-wrote the 1999 singles “My Love Is Your Love” for Whitney Houston, and “Maria Maria” for Santana. His second solo album, The Ecleftic: 2 Sides II a Book (2000) was supported by the top 40 single “911” (featuring Mary J. Blige), and received platinum certification by the Recording Industry Association of America (RIAA). His third album, Masquerade (2002), peaked within the top ten of the Billboard 200. He guest performed on Shakira‘s 2006 single, “Hips Don’t Lie“, which peaked atop the Billboard Hot 100. The following year, his single “Sweetest Girl (Dollar Bill)” (featuring Akon, Lil Wayne and Niia) peaked within the top 20 of the chart and led his sixth studio album, Carnival Vol. II: Memoirs of an Immigrant (2007). The album moderately entered the Billboard 200 and marked his final to be released by a major label.

David Nesta “Ziggy” Marley (born 17 October 1968) is a Jamaican reggae musician. He is the son of reggae icon Bob Marley and Rita Marley. He led the family band Ziggy Marley and the Melody Makers until 2002, with whom he released eight studio albums. After the disbandment, Ziggy launched a successful solo career, releasing eight solo studio albums on his own label, Tuff Gong Worldwide. Ziggy continues his father’s practice of recording and self-releasing all of his music. Marley is an eight-time Grammy Awardwinner and a Daytime Emmy Award recipient.

David Nesta Marley was born in Kingston, Jamaica, on October 17, 1968. He grew up in Trenchtown, a poor neighborhood of Kingston, and in Wilmington, Delaware, where he attended elementary school for a few years. Ziggy grew up very active, playing soccer and running the mountains, a lifestyle passed on by his parents. As the oldest son of Bob and Rita Marley, Ziggy grew up surrounded by music. He has 5 half brothers, one brother, and two sisters. He received guitar and drum lessons from his father and began sitting in on Wailers recording sessions by the age of ten.

In the earliest known record of his musical career, Marley performed as part of a singing group called The Seven Do Bees, made up of him and his classmates, and wherein he was given the stage name “Freddie Dic”. The name never stuck, however, and instead, David went on to become known as “Ziggy”, a nickname often reported to have been given to him by his father Bob Marley, meaning “little spliff”. However, Ziggy stated the following to Melody Maker magazine in 1988: “Me name David but me big Bowiefan. So at the time of the Ziggy Stardust album, me call meself Ziggy and now everyone do.”

During the late 1970s, Ziggy could also be seen alongside his brother Stephen at some of their father’s larger concerts around Jamaica and abroad. In 1978, the duo appeared on stage at the One Love Peace Concert in Kingston, and the following year at Reggae Sunsplash II in Montego Bay.

Barney Kessel (October 17, 1923 – May 6, 2004) was an American jazz guitarist. Known in particular for his knowledge of chords and inversions and chord-based melodies, he was a member of many prominent jazz groups as well as a “first call” guitarist for studio, film, and television recording sessions. Kessel was a member of the group of session musicians informally known as the Wrecking Crew.

Kessel was born in Muskogee, Oklahoma in 1923 to a Jewish family. Kessel’s father was an immigrant from Hungary who owned and operated a shoe shop. A self-taught guitarist, his only formal musical study was three months of guitar lessons at the age of 12. He began his career as a teenager, touring with local swing bands. When he was 16, he started playing with the Oklahoma A&M band, Hal Price & the Varsitonians. The band members nicknamed him “Fruitcake” because he practiced in excess of 16 hours per day. Kessel gained recognition due in part to his youth, and in part to being the only white musician playing in all-African-American bands at black clubs.

In the early 1940s, he moved to Los Angeles, where for one year he was a member of the Chico Marx big band. Noticed by Norman Granz, he appeared in the 1944 film Jammin’ the Blues, which featured Lester Young. Soon after, he played in the bands of Charlie Barnet and Artie Shaw. During the day, he worked as a studio musician and at night played bop-oriented jazz in clubs. In 1947, he recorded with Charlie Parker. He worked in Jazz at the Philharmonic and for one year in the early 1950s he was a member of the Oscar Peterson trio. After leaving the trio, he recorded several solo albums for Contemporary. He recorded a series of albums with Ray Brown and Shelly Manne as The Poll Winnersbecause the three of them often won polls conducted by Metronome and DownBeat magazines. He was the guitarist on the album Julie Is Her Name (1955) by Julie London, which includes the standard “Cry Me a River“, selling a million copies and demonstrated Kessel’s chordal approach to guitar.