mick laBriola

Joseph Osborn (August 28, 1937 – December 14, 2018) was an American bass guitar player known for his work as a session musician in Los Angeles with the Wrecking Crew and in Nashville with the A-Team of studio musicians during the 1960s through the 1980.

Osborn began his career working in local clubs, then played on a hit record by singer Dale Hawkins. He moved to Las Vegas at age 20, and spent a year playing backup for country singer Bob Luman. With legendary guitar player Roy Buchanan among his bandmates, Osborn switched from guitar to electric bass. In 1960, with Allen “Puddler” Harris, a native of Franklin Parish, also in northeastern Louisiana, and James Burton, originally from Webster Parish, Osborn joined pop star Ricky Nelson‘s backup band, where he spent four years. His playing on such Nelson hits as “Travelin’ Man” began attracting wider notice, and he found opportunities to branch out into studio work with artists such as Johnny Rivers.

Kenneth Sidney “Kenny” Drew (August 28, 1928 – August 4, 1993) was an American-Danish jazz pianist.

Drew was born on August 28, 1928, in New York City, United States, and he received piano lessons from the age of five. He attended the High School of Music & Art in Manhattan. His first recording, in 1950, was with Howard McGhee, and over the next two years Drew worked in bands led by Buddy DeFranco, Coleman Hawkins, Lester Young, and Charlie Parker, among others.

Ustad Vilayat Khan (28 August 1928 – 13 March 2004) was an Indian classical sitarplayer, considered by many to be the greatest sitarist of his age. Along with Imdad Khan, Enayat Khan, and Imrat Khan, he is credited with the creation and development of gayaki ang (a technique that emulates the vocal melisma of Hindustani classical music) on the sitar.

He recorded his first 78-RPM disc at the age of and gave his last concert in 2004 at the age of 75. He has composed the music for several films, including Jalsaghar (1958), The Guru (1969), and Kadambari (1976). He had given a chance to newcomer Kavita Krishnamurthy in Kadambari which was the first song in her career.

Saturn just disappears from view when our Moon moves in front. Such a Saturnian eclipse, more formally called an occultation, was visible along a long swath of Earth — from Peru, across the Atlantic Ocean, to Italy — only a few days ago. The featured color image is a digital fusion of the clearest images captured during the event and rebalanced for color and relative brightness between the relatively dim Saturn and the comparatively bright Moon. Saturn and the comparative bright Moon. The exposures were all taken from Breda, Catalonia, Spain, just before occultation. Eclipses of Saturn by our Moon will occur each month for the rest of this year. Each time, though, the fleeting event will be visible only to those with clear skies — and the right location on Earth.

Alice Lucille Coltrane (McLeod; August 27, 1937 – January 12, 2007 Detroit, MI), also known as Swamini Turiyasangitananda (IAST: Svāminī Turīyasaṅgītānanda) or simply Turiya, was an American jazz musician, composer, bandleader, and Hinduspiritual leader.

An accomplished pianist and one of the few harpists in the history of jazz, Coltrane recorded many albums as a bandleader, beginning in the late 1960s and early 1970s for Impulse! and other record labels. She was married to the jazz saxophonist and composer John Coltrane, with whom she performed in 1966–1967. One of the foremost proponents of spiritual jazz, her eclectic music proved influential both within and outside the world of jazz.

Coltrane’s career slowed from the mid 1970s as she became more dedicated to her religious education. She founded the Vedantic Center in 1975 and the Shanti Anantam ashram in California in 1983, where she served as spiritual director. On July 3, 1994, she rededicated and inaugurated the land as Sai Anantam Ashram. During the 1980s and 1990s, she recorded several albums of Hindu devotional songs before returning to spiritual jazz in the 2000s and releasing her final album Translinear Light in 2004.

Lester Willis Young (August 27, 1909 – March 15, 1959), nicknamed “Pres” or “Prez”, was an American jazz tenor saxophonist and occasional clarinetist.

Coming to prominence while a member of Count Basie‘s orchestra, Young was one of the most influential players on his instrument. In contrast to many of his hard-driving peers, Young played with a relaxed, cool tone and used sophisticated harmonies, using what one critic called “a free-floating style, wheeling and diving like a gull, banking with low, funky riffs that pleased dancers and listeners alike”.

Known for his hip, introverted style, he invented or popularized much of the hipsterjargon which came to be associated with the music.

Lester Young was born in Woodville, Mississippi, on August 27, 1909,to Lizetta Young (née Johnson), and Willis Handy Young, originally from Louisiana.

Lev Sergeyevich Termen (Russian: Лев Сергеевич Термен, IPA; 27 August [O.S. 15 August] 1896 – 3 November 1993), better known as Leon Theremin, was a Russian inventor, most famous for his invention of the theremin, one of the first electronic musical instruments and the first to be mass-produced. He also worked on early television research. His secret listening device, “The Thing“, hung for seven years in plain view in the United States ambassador‘s Moscow office and enabled Soviet agents to eavesdrop on secret conversations.

Branford Marsalis (born August 26, 1960) is an American saxophonist, composer, and bandleader. While primarily known for his work in jazz as the leader of the Branford Marsalis Quartet, he also performs frequently as a soloist with classical ensembles and has led the group Buckshot LeFonque. From 1992 to 1995 he led the Tonight Show Band.

Marsalis was born on August 26, 1960, in New Orleans. He is the son of Dolores (née Ferdinand), a jazz singer and substitute teacher, and Ellis Louis Marsalis, Jr., a pianist and music professor. His brothers Jason Marsalis, Wynton Marsalis, and Delfeayo Marsalis are also jazz musicians.

Leon Redbone (born Dickran Gobalian; August 26, 1949 – May 30, 2019) was a singer-songwriter and musician specializing in jazz, blues, and Tin Pan Alley classics. Recognized by his hat (often a Panama hat), dark sunglasses, and black tie, he was born in Cyprus of Armenian ancestry and first appeared on stage in Toronto, Canada, in the early 1970s. He also appeared on film and television in acting and voice-over roles.

In concert, Redbone often employed comedy and demonstrated his guitar-playing skill. His recurrent gags involved the influence of alcohol and claims he had written works originating well before he was born. He favored music of the Tin Pan Alley era, circa 1890–1910. He sang the theme to the 1980s television series Mr. Belvedere, and released 18 albums.

Mark Snow (born Martin Fulterman; August 26, 1946) is an American composer for film and television. Among his most famous compositions is the theme music for science fiction television series The X-Files.

The X Files instrumental was released as a single in the United Kingdom, where the series aired on BBC Two and BBC One, in early-1996, peaking at number two on the UK Singles Chart. Snow also wrote the music for another Chris Carter series, Millennium, and the background music scores for both shows, a total of 12 seasons. Snow composed scores for other notable television, including Hart to Hart, Starsky & Hutch (season 3), and Smallville.

James Andrew Rushing (August 26, 1901 – June 8, 1972) was an American singer and pianist from Oklahoma City, Oklahoma, U.S., best known as the featured vocalist of Count Basie‘s Orchestra from 1935 to 1948.

Rushing was known as “Mr. Five by Five” and was the subject of an eponymous 1942 popular song that was a hit for Harry James and others; the lyrics describe Rushing’s rotund build: “he’s five feet tall and he’s five feet wide”. He joined Walter Page‘s Blue Devils in 1927 and then joined Bennie Moten‘s band in 1929. He stayed with the successor Count Basie band when Moten died in 1935.

Rushing said that his first time singing in front of an audience was in 1924. He was playing piano at a club when the featured singer, Carlyn Williams, invited him to do a vocal. “I got out there and broke it up. I was a singer from then on,” he said.

Rushing was a powerful singer who had a range from baritone to tenor. He has sometimes been classified as a blues shouter. He could project his voice so that it soared over the horn and reed sections in a big-band setting. Basie claimed that Rushing “never had an equal” as a blues vocalist, though Rushing “really thought of himself as a ballad singer.” George Frazier, the author of Harvard Blues, called Rushing’s voice “a magnificent gargle”. Dave Brubeck defined Rushing’s status among blues singers as “the daddy of them all.” Late in his life, Rushing said of his singing style, “I don’t know what kind of blues singer you’d call me. I just sing ’em.” Among his best-known recordings are “Going to Chicago”, with Basie, and “Harvard Blues”, with a saxophone solo by Don Byas.