mick laBriola

Leo Kottke (born September 11, 1945) is an acoustic guitarist. He is known for a fingerpicking style that draws on blues, jazz, and folk music, and for syncopated, polyphonicmelodies. He overcame a series of personal obstacles, including partial loss of hearing and a nearly career-ending bout with tendon damage in his right hand, to emerge as a widely recognized master of his instrument. He resides in the Minneapolis area with his family.

Mickey Hart (born Michael Steven Hartman, September 11, 1943) is an American percussionist. He is best known as one of the two drummers of the rock band Grateful Dead. He was a member of the Grateful Dead from September 1967 until February 1971, and again from October 1974 until their final show in July 1995. He and fellow Dead drummer Bill Kreutzmann earned the nickname “the rhythm devils”. Michael Steven Hartman was born in Flatbush neighborhood of Brooklyn, New York. He was raised in suburban Inwood, New York by his mother, Leah, a drummer, gown maker and bookkeeper. His father Lenny Hart, a champion rudimental drummer, had abandoned his family when the younger Hart was a toddler. Although Hart (who was hyperactive and not academically inclined) became interested in percussion as a grade school student, his interest intensified after seeing his father’s picture in a newsreel documenting the 1939 World’s Fair. Shortly thereafter, he discovered a practice pad and a pair of snakewood sticks that belonged to his father. “From the age of ten,” he recalled, “all I did was drum.”

Roosevelt “Baby Face” Willette(September 11, 1933 – April 1, 1971) was an American hard bop and soul-jazz musician who played the Hammond organ. He was born Roosevelt James Willett (no “e”), in Little Rock, Arkansas, in 1933 according to researchers Bob Eagle and Eric LeBlanc,^[1] though other sources state 1934 or 1937. According to the liner notes on his first Blue Notealbum, Grant’s First Stand, Willette was born in New Orleans.

José Monserrate Feliciano García (born September 10, 1945), better known as José Feliciano (Spanish pronunciation: [xoˈse feliˈsjano]), is a Puerto Rican musician, singer and composer. He has had many international hits, including his rendition of the Doors‘ “Light My Fire” and the Christmas single “Feliz Navidad“. His music fuses styles — Latin, jazz, blues, soul and rock—created primarily with his signature acoustic guitar sound.

In the United States, Feliciano became popular in the 1960s, particularly after his 1968 album Feliciano! reached number two on the music charts. Thus far, he has released over fifty albums, worldwide, in both English and Spanish.

José Monserrate Feliciano Garcia was born on September 10, 1945, in Lares, Puerto Rico, the fourth child of 11 sons. He was born blind as a result of congenital glaucoma. He was first exposed to music at the age of 3, playing on a cracker tin can while accompanying his uncle who played the cuatro. When Feliciano was five, his family moved to Spanish Harlem, New York City, where he made his first public appearance at the Teatro Puerto Rico in The Bronx.

Roy James Brown (September 10, 1920 or 1925 – May 25, 1981) was an American blues singer who had a significant influence on the early development of rock and roll and the direction of R&B. His original song and hit recording “Good Rockin’ Tonight” has been covered by many artists including Wynonie Harris, Elvis Presley, Bruce Springsteen, Paul McCartney, Joe Ely, Ricky Nelson, Jerry Lee Lewis, Pat Boone, James Brown, the Doors, and the rock group Montrose. Brown was one of the first popular R&B singers to perform songs with a gospel-steeped delivery, which was then considered taboo by many churches. In addition, his melismatic, pleading vocal style influenced notable artists such as B.B. King, Bobby Bland, Elvis Presley, Jackie Wilson, James Brown and Little Richard.

Brown was born in Kinder, Louisiana. Some sources report his birth date as September 10, 1925, but the researchers Bob Eagle and Eric LeBlanc gave the date as September 10, 1920, on the basis of information in the 1930 census and Social Security records, and stated that 1925 is incorrect. Media reports state that he was either 55 or 56 at the time of his death.

Performing with Inbal Sharett-Singer for 6:00 p.m. Erev Shabbat Service Honoring and Celebrating Cantor Abelson

David Sánchez (born 9 September 1968 in Guaynabo, Puerto Rico) is a Grammy-winning jazz tenor saxophonist from Puerto Rico.

Sanchez took up the conga when he was eight and started playing tenor saxophone at age 12. His earliest influences were Afro-Caribbean and danzabut also European and Latin classical. At 12 Sanchez attended La Escuela Libre de Musica, which emphasized formal musical studies and classical European styles and was much taken with a Miles Davis album, Basic Miles, featuring John Coltrane, as well as Lady in Satin, a 1958 album by Billie Holiday with strings, arranged and conducted by Ray Ellis. Sanchez considered a college career in psychology but auditioned at Berklee and Rutgers University. Sanchez chose Rutgers because he got a better scholarship and was near New York which was Sanchez’ goal. While at Rutgers, Sanchez studied with Kenny Barron, Ted Dunbar, and John Purcell.

Elvin Ray Jones (September 9, 1927 – May 18, 2004) was an American jazz drummer of the post-bop era.

Most famously a member of John Coltrane‘s quartet, with whom he recorded from late 1960 to late 1965, Jones appeared on such widely celebrated albums as My Favorite Things, A Love Supreme, Ascension and Live at Birdland. After 1966, Jones led his own trio, and later larger groups under the name The Elvin Jones Jazz Machine. His brothers Hank and Thad were also celebrated jazz musicians with whom he occasionally recorded. Elvin was inducted into the Modern Drummer Hall of Fame in 1995. In his The History of Jazz, jazz historian and critic Ted Goia calls Jones “one of the most influential drummers in the history of jazz.” He was also named Number 23 on Rolling Stone Magazine’s 100 Greatest Drummers of All Time.

Elvin Jones was born in Pontiac, Michigan, to parents Henry and Olivia Jones, who had moved to Michigan from Vicksburg, Mississippi. His elder brothers were pianist Hank Jones and trumpeter Thad Jones, both highly regarded musicians as well. By age two he said drums held a special fascination for him. He would watch the circus parades go past his home as a child, and was particularly excited by the marching band drummers.

Following this early passion, Elvin joined his high school’s black marching band, where he developed his foundation in rudiments. Jones served in the United States Army from 1946 to 1949. With his mustering-out pay (and an additional $35.00 borrowed from his sister), Jones purchased his first drumset.

Tarantas and Taranto are two related styles (palos) of Flamenco music, that originated in the Andalusian province of Almería. Each is characterized by a shared modality (F-sharp Phrygian) and harmonic progression (Bm–A7–G–F-sharp), but differ significantly with respect to rhythm and meter. Tarantas is a cante libre (or toque libre, if played as a solo), meaning that it lacks both a regular rhythmic pattern (compás, in flamenco terminology) and a regular rhythmic unit (or beat). It can be sung or played, but not danced. Taranto, conversely, has a regular 2/4-meter, and is danceable. When played on, or accompanied by, the guitar, both palos have a unique and characteristic sound that is created, in part, by dissonances that result from the use of the guitar’s first three open strings (E, B, and G, respectively), in combination with harmonies and melodies based on the F-sharp Phrygian mode.

“Taranta”, as flamenco style, was originated in the region of Almeria. “Taranta” is one of the “cantes minero-levantinos” and is the origin of mining songs. It is composed by a couplet of 4 or 5 eight-syllable verses. One of them is repeated when is sung. The first “taranta” singer was Rojo “el Alpargatero” who sang on the basis of “fandangos”. It is a free interpretation in every verse of the song.