mick laBriola

Leon Brown “Chu” Berry (September 13, 1908 – October 30, 1941) was an American jazz tenor saxophonist during the 1930s. According to music critic Gary Giddins, musicians called him “Chu” either because he chewed on the mouthpiece of his saxophone or because he had a Fu Manchu mustache. Berry was born in Wheeling, West Virginia. He graduated from Lincoln High School, in Wheeling, then attended West Virginia State College for three years. His sister Ann played piano. Berry became interested in music at an early age, playing alto saxophone, at first with local bands. He was inspired to take up the tenor saxophone after hearing Coleman Hawkins on tour.

Maria Muldaur (born Maria Grazia Rosa Domenica D’Amato; September 12, 1943) is an American folk and blues singer who was part of the American folk music revival in the early 1960s. She recorded the 1973 hit song “Midnight at the Oasis” and continues to record albums in the folk, blues, early jazz, gospel, country, and R&B traditions.

She was the wife of musician Geoff Muldaur and is the mother of singer-songwriter Jenni Muldaur.

Muldaur was born in Greenwich Village, New York City, where she attended Hunter College High School.

Muldaur cites as early musical influences classic country music by Kitty Wells, Hank Williams, Hank Snow, Hank Thompson, Ernest Tubb, and Bob Wills and the Texas Playboys; Alan Freed “rock ‘n’ roll” shows; and doo-wop groups such as The Platters and The Five Satins.

“Papa” John DeFrancesco (born September 12, 1940 Philadelphia, PA) is an American jazz organist and vocalist, and father of Joey DeFrancesco and Johnny DeFrancesco.

Bill Jennings (September 12, 1919 – November 29, 1978) was an American jazz guitarist and composer.

Recording as both a leader and a sideman, Jennings has been called “the architect of soul jazz” and has influenced on jazz, soul, R&B, and blues guitar. B.B. King often mentioned Jennings as one of biggest influences. Jennings recorded with such artists as Willis “Gator” Jackson, Brother Jack McDuff, Leo Parker, Bill Doggett, Louis Jordan, King Curtis, Louis Armstrong, and Ella Fitzgerald and unique in his ability to play in many styles, including swing, bop, jump blues, R&B, and pop. Jennings played on “Fever” by Little Willie John, which made the Billboard R&B chart in the US and peaked at number 24 on the BillboardHot 100.

A left-handed player, Jennings played guitar upside down, with the high strings at the top, which gave him a different approach to phrasing and bending the strings. Later in his career, he lost a finger on his fretting hand and began playing bass guitar.

William Alonzo “Cat” Anderson (September 12, 1916 – April 29, 1981) was an American jazz trumpeter known for his long period as a member of Duke Ellington‘s orchestra and for his wide range, especially his ability to play in the altissimo register.

Born in Greenville, South Carolina, Anderson lost both parents when he was four years old, and was sent to live at the Jenkins Orphanage in Charleston, where he learned to play trumpet. Classmates gave him the nickname “Cat” (which he used all his life) based on his fighting style. He toured and made his first recording with the Carolina Cotton Pickers, a small group based at the orphanage. After leaving the Cotton Pickers, Anderson played with guitarist Hartley Toots, Claude Hopkins‘ big band, Doc Wheeler’s Sunset Orchestra (1938–1942), with whom he also recorded, Lucky Millinder, the Erskine Hawkins Orchestra, Sabby Lewis‘s Orchestra, and Lionel Hampton, with whom he recorded the classic “Flying Home No. 2”.

Hiram Law Bullock (September 11, 1955 – July 25, 2008) was an American guitarist known mainly for playing in jazz funk and jazz fusion, but he also worked as a session musician in a variety of genres. Bullock was born in Osaka, Japan, to African American parents serving in the U.S. military. At the age of two he returned to Baltimore, Maryland, with his parents and showed musical talent. He studied piano at the city’s Peabody Conservatory of Music, giving his first public performance at the age of six. After playing saxophone and bass guitar, he took up the electric guitar at age sixteen.

Victor Lemonte Wooten (born September 11, 1964) is an American bassist, songwriter, and record producer. He has been the bassist for Béla Fleck and the Flecktonessince the group’s formation in 1988 and a member of the band SMV with two other bassists, Stanley Clarkeand Marcus Miller. From 2017 to 2019 he recorded as the bassist for the metal band Nitro. Born to Dorothy and Elijah Wooten, Victor is the youngest of the five Wooten brothers; Regi, Roy, Rudy, and Joseph Wooten are all musicians. Regi began to teach Victor to play bass when he was two, and by the age of six, he was performing with his brothers in their family band, The Wooten Brothers Band.

As a United States Air Force family, they moved often when Wooten was young. The family settled in Newport News, Virginia in 1972. Wooten graduated from Denbigh High School in 1982. While in high school, he and his brothers played in the country music venue at Busch Gardens theme park in Williamsburg, Virginia. In 1987, he traveled to Nashville, Tennessee, to visit friends that he made at the theme park. One of them was a studio engineer who introduced him to Béla Fleck, with whom he has often collaborated.

Leo Kottke (born September 11, 1945) is an acoustic guitarist. He is known for a fingerpicking style that draws on blues, jazz, and folk music, and for syncopated, polyphonicmelodies. He overcame a series of personal obstacles, including partial loss of hearing and a nearly career-ending bout with tendon damage in his right hand, to emerge as a widely recognized master of his instrument. He resides in the Minneapolis area with his family.

Mickey Hart (born Michael Steven Hartman, September 11, 1943) is an American percussionist. He is best known as one of the two drummers of the rock band Grateful Dead. He was a member of the Grateful Dead from September 1967 until February 1971, and again from October 1974 until their final show in July 1995. He and fellow Dead drummer Bill Kreutzmann earned the nickname “the rhythm devils”. Michael Steven Hartman was born in Flatbush neighborhood of Brooklyn, New York. He was raised in suburban Inwood, New York by his mother, Leah, a drummer, gown maker and bookkeeper. His father Lenny Hart, a champion rudimental drummer, had abandoned his family when the younger Hart was a toddler. Although Hart (who was hyperactive and not academically inclined) became interested in percussion as a grade school student, his interest intensified after seeing his father’s picture in a newsreel documenting the 1939 World’s Fair. Shortly thereafter, he discovered a practice pad and a pair of snakewood sticks that belonged to his father. “From the age of ten,” he recalled, “all I did was drum.”

Roosevelt “Baby Face” Willette(September 11, 1933 – April 1, 1971) was an American hard bop and soul-jazz musician who played the Hammond organ. He was born Roosevelt James Willett (no “e”), in Little Rock, Arkansas, in 1933 according to researchers Bob Eagle and Eric LeBlanc,^[1] though other sources state 1934 or 1937. According to the liner notes on his first Blue Notealbum, Grant’s First Stand, Willette was born in New Orleans.