mick laBriola

Find the Big Dipper and follow the handle away from the dipper’s bowl until you get to the last bright star. Then, just slide your telescope a little south and west and you’ll come upon this stunning pair of interacting galaxies, the 51st entry in Charles Messier’s famous catalog. Perhaps the original spiral nebula, the large galaxy with well defined spiral structure is also cataloged as NGC 5194. Its spiral arms and dust lanesclearly sweep in front of its companion galaxy (left), NGC 5195. The pair are about 31 million light-years distant and officially lie within the angular boundaries of the small constellation Canes Venatici. In direct telescopic views, M51 looks faint and fuzzy to the eye. But this remarkably deep image shows off details of the interacting galaxy’s striking colors and galactic tidal debris. The image includes nearly 90 hours of narrowband data that also reveals a vast glowing cloud of reddish ionized hydrogen gas discovered in the M51 system.

Horace Ward Martin Tavares Silver (September 2, 1928 – June 18, 2014 Norwalk, CT) was an American jazz pianist, composer, and arranger, particularly in the hard bop style that he helped pioneer in the 1950s.

After playing tenor saxophone and piano at school in Connecticut, Silver got his break on piano when his trio was recruited by Stan Getz in 1950. Silver soon moved to New York City, where he developed a reputation as a composer and for his bluesy playing. Frequent sideman recordings in the mid-1950s helped further, but it was his work with the Jazz Messengers, co-led by Art Blakey, that brought both his writing and playing most attention. Their Horace Silver and the Jazz Messengers album contained Silver’s first hit, “The Preacher“. After leaving Blakey in 1956, Silver formed his own quintet, with what became the standard small group line-up of tenor saxophone, trumpet, piano, bass, and drums. Their public performances and frequent recordings for Blue Note Records increased Silver’s popularity, even through changes of personnel. His most successful album was Song for My Father, made with two iterations of the quintet in 1963 and 1964.

Several changes occurred in the early 1970s: Silver disbanded his group to spend more time with his wife and to concentrate on composing; he included lyrics in his recordings; and his interest in spiritualism developed. The last two of these were often combined, resulting in commercially unsuccessful releases such as The United States of Mind series. Silver left Blue Note after 28 years, founded his own record label, and scaled back his touring in the 1980s, relying in part on royalties from his compositions for income. In 1993, he returned to major record labels, releasing five albums before gradually withdrawing from public view because of health problems.

As a player, Silver transitioned from bebop to hard bop by stressing melody rather than complex harmony, and combined clean and often humorous right-hand lines with darker notes and chords in a near-perpetual left-hand rumble. His compositions similarly emphasized catchy melodies, but often also contained dissonant harmonies. Many of his varied repertoire of songs, including “Doodlin’“, “Peace“, and “Sister Sadie“, became jazz standardsthat are still widely played. His considerable legacy encompasses his influence on other pianists and composers, and the development of young jazz talents who appeared in his bands over the course of four decades.

Teaching a Rhythm Roots Workshop Residency for Tasks Unlimited (https://tasksunlimited.org) Running Thursday mornings 930-11am for seven weeks September 1st thru October 13th. Based on the Fairweather Lodge Model Tasks Unlimited provides supported employment, housing and recovery services for people with mental illness so that they achieve a full life with the rights and responsibilities of adults in our society. Participants with Celebrate Cultures through a world drumming experience.

Framing a bright emission region, this telescopic view looks out along the plane of our Milky Way Galaxy toward the nebula rich constellation Cygnus the Swan. Popularly called the Tulip Nebula, the reddish glowing cloud of interstellar gas and dust is also found in the 1959 catalog by astronomer Stewart Sharpless as Sh2-101. Nearly 70 light-years across, the complex and beautiful Tulip Nebula blossoms about 8,000 light-years away. Ultraviolet radiation from young energetic stars at the edge of the Cygnus OB3 association, including O star HDE 227018, ionizes the atoms and powers the emission from the Tulip Nebula. Also in the field of view is microquasar Cygnus X-1, one of the strongest X-ray sources in planet Earth’s sky. Blasted by powerful jets from a lurking black hole its fainter bluish curved shock front is only just visible though, beyond the cosmic Tulip’s petals near the right side of the frame.

SH2-115 is a large emission nebula found in the northern regions of the constellation Cygnus, about 2° northwest of the bright star Deneb. Located about 7,500 light-years away, this extensive HII region is broken into two basic parts – one being roundish and associated with a bright cluster known as Berkley 90- which is shown in this SHO rendering to be a mix of blue and red colors. The other section is a long linear feature that is shown in red in this rendering.

Also in this view is Abell 71 (Pk 85+04.1). This is recorded as a faint planetary nebula with a magnitude of 18.9 central star. It was counted as one of four planetary nebulas found in Cynus by G. Abell in 1955. However subsequent studies by P.Pismis, I.Hasse & A.Quintero in 1991 are suggesting this is actually just a region of H-alpha gasses. Analysis showed that while there was a significant Ha signal found almost no O-III was seen – and O-III is usually associated with planetary nebulas. It is now thought that this object is an HII cloud associated with SH2-115.

Wilton Lewis Felder (August 31, 1940 – September 27, 2015) was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as The Crusaders. Felder played bass on the Jackson 5‘s hits “I Want You Back” and “ABC” and on Marvin Gaye‘s “Let’s Get It On“.

Felder was born on August 31, 1940 in Houston, Texas and studied music at Texas Southern University. Felder, Wayne Henderson, Joe Sample, and Stix Hooperfounded their group while in high school in Houston. The Jazz Crusaders evolved from a straight-ahead jazz combo into a pioneering jazz-rock fusion group, with a definite soul music influence. Felder worked with the original group for over thirty years, and continued to work in its later versions, which often featured other founding members.

Felder also worked as a West Coast studio musician, mostly playing electric bass, for various soul and R&B musicians, and was one of the in-house bass players for Motown Records, when the record label opened operations in Los Angeles in the early 1970s. He played on recordings by the Jackson 5 such as “I Want You Back“, “ABC” and “The Love You Save“, as well as recordings by Marvin Gaye including “Let’s Get It On” and “I Want You“. He also played bass for soft rock groups like Seals and Crofts. Also of note were his contributions to the John Cale album Paris 1919, Steely Dan‘s Pretzel Logic (1974), and Billy Joel‘s Piano Man and Streetlife Serenade albums. He was one of three bass players on Randy Newman‘s Sail Away (1972) and Joan Baez‘ Diamonds & Rust. Felder also anchored albums from Grant Green, Joni Mitchell and Michael Franks.